Torre Di San Martino
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Torre Di San Martino
The Tower of San Martino della Battaglia is a monumental building erected in 1878, to commemorate the Battle of San Martino, a portion of the Battle of Solferino in 1859, located near San Martino, province of Brescia, region of Lombardy, Italy. The 74 meter high tower was constructed in the form of a Neo-Gothic turret, atop the hill of San Martino. Nearby is an Ossuary that collected the bodies of soldiers who died in the battle there between the Austrian and the Piedmontese army. The larger engagement, which also included French troops, led to the cession of Lombardy to the Kingdom of Sardinia ( Piedmont). The Battle of Solferino took place near the villages of Solferino and San Martino della Battaglia in Lombardy, south of Lake Garda between Milan and Verona. The adjoint Battle of San Martino was fought north from Solferino, near the lakeshore, between San Martino and Pozzolengo villages. The architect was Giacomo Frizzoni of Bergamo, and engineers were Luigi Fatto ...
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Battle Of San Martino
{{Campaignbox Austro Sardinian War In 1859, during the Italian Risorgimento – the Second Italian War of Independence, – there was another greater battle here, more commonly called the Battle of Solferino or the ''Battle of Solferino and San Martino'' (it was that portion of the struggle, which was fought out between Benedek (Austrian 8th Corps, on the right flank) and the Piedmontese army, that is sometimes called the battle of San Martino - Benedek's corps held its own all day and covered the retreat of the defeated Austrian army, at the end of the action). Solferino was the largest battle since that at Leipzig in 1813. As a result of their defeat, the Austrians lost their grip on the region. The village of San Martino was renamed San Martino della Battaglia and a tower, museum and ossuary have been erected as a monument to the battle and its fallen. The site is a few kilometres to the South of Lago di Garda. Nowadays the village is a ''frazione'' (hamlet) of the comune of ...
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Vittorio Emanuele II
Victor Emmanuel II ( it, Vittorio Emanuele II; full name: ''Vittorio Emanuele Maria Alberto Eugenio Ferdinando Tommaso di House of Savoy, Savoia''; 14 March 1820 – 9 January 1878) was Kingdom of Sardinia, King of Sardinia from 1849 until 17 March 1861, when he assumed the title of King of Italy and became the first king of an independent, Italian unification, united Italy since the 6th century, a title he held until his death in 1878. Borrowing from the old Latin title ''Pater Patriae'' of the Roman emperors, the Italians gave him the epithet of ''Father of the Fatherland'' ( it, Padre della Patria). Born in Turin as the eldest son of Charles Albert of Sardinia, Charles Albert, Prince of Carignano, and Maria Theresa of Austria (1801–1855), Maria Theresa of Austria, he fought in the First Italian War of Independence (1848–1849) before being made King of Piedmont-Sardinia following his father's abdication. He appointed Camillo Benso, Count of Cavour, as his Prime Minister, and ...
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Tourist Attractions In Lombardy
Tourism is travel for pleasure or business; also the theory and practice of touring (other), touring, the business of attracting, accommodating, and entertaining tourists, and the business of operating tour (other), tours. The World Tourism Organization defines tourism more generally, in terms which go "beyond the common perception of tourism as being limited to holiday activity only", as people "travelling to and staying in places outside their usual environment for not more than one consecutive year for leisure and not less than 24 hours, business and other purposes". Tourism can be Domestic tourism, domestic (within the traveller's own country) or International tourism, international, and international tourism has both incoming and outgoing implications on a country's balance of payments. Tourism numbers declined as a result of a strong economic slowdown (the late-2000s recession) between the second half of 2008 and the end of 2009, and in consequence of t ...
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Buildings And Structures In The Province Of Brescia
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Buildings And Structures Completed In 1859
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artistic ...
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Towers In Italy
A tower is a tall structure, taller than it is wide, often by a significant factor. Towers are distinguished from masts by their lack of guy-wires and are therefore, along with tall buildings, self-supporting structures. Towers are specifically distinguished from buildings in that they are built not to be habitable but to serve other functions using the height of the tower. For example, the height of a clock tower improves the visibility of the clock, and the height of a tower in a fortified building such as a castle increases the visibility of the surroundings for defensive purposes. Towers may also be built for observation, leisure, or telecommunication purposes. A tower can stand alone or be supported by adjacent buildings, or it may be a feature on top of a larger structure or building. Etymology Old English ''torr'' is from Latin ''turris'' via Old French ''tor''. The Latin term together with Greek τύρσις was loaned from a pre-Indo-European Mediterranean langua ...
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Towers Completed In 1859
A tower is a tall structure, taller than it is wide, often by a significant factor. Towers are distinguished from masts by their lack of guy-wires and are therefore, along with tall buildings, self-supporting structures. Towers are specifically distinguished from buildings in that they are built not to be habitable but to serve other functions using the height of the tower. For example, the height of a clock tower improves the visibility of the clock, and the height of a tower in a fortified building such as a castle increases the visibility of the surroundings for defensive purposes. Towers may also be built for observation, leisure, or telecommunication purposes. A tower can stand alone or be supported by adjacent buildings, or it may be a feature on top of a larger structure or building. Etymology Old English ''torr'' is from Latin ''turris'' via Old French ''tor''. The Latin term together with Greek τύρσις was loaned from a pre-Indo-European Mediterranean language, ...
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Monuments And Memorials In Lombardy
A monument is a type of structure that was explicitly created to commemorate a person or event, or which has become relevant to a social group as a part of their remembrance of historic times or cultural heritage, due to its artistic, historical, political, technical or architectural importance. Some of the first monuments were dolmens or menhirs, megalithic constructions built for religious or funerary purposes. Examples of monuments include statues, (war) memorials, historical buildings, archaeological sites, and cultural assets. If there is a public interest in its preservation, a monument can for example be listed as a UNESCO World Heritage Site. Etymology It is believed that the origin of the word "monument" comes from the Greek ''mnemosynon'' and the Latin ''moneo'', ''monere'', which means 'to remind', 'to advise' or 'to warn', however, it is also believed that the word monument originates from an Albanian word 'mani men' which in Albanian language means 'rememb ...
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Rodolfo Vantini
Rodolfo Vantini (1792 – 1856) was an Italian architect. He is remembered for his Neoclassical contributions to architecture in his native city of Brescia and in the surrounding regions of northern Italy. His masterpiece is the design of Milan's Porta Orientale customs offices. Career Vantini, who taught drawing at the Brescia high school, contributed to the development of Neoclassical architecture in Brescia. His works there include the Porta Pila (demolished in 1856) and the new cemetery, or Cimitero Vantiniano, Italy's first monumental cemetery designed in 1815. The Arco del Granarolo (Granarolo Arch), completed in 1822, is surmounted by a marble balustrade and stands on two marble pilasters. In 1825, he completed the raised dome of the Duomo Nuovo designed by Luigi Cagnola. He also worked on the restoration or completion of the city's main churches including San Francesco, San Clemente, Santa Maria dei Miracoli and San Nazaro. Vantini's major achievement was designing ...
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Raffaello Pontremoli
Raffaele Pontremoli, also known as Raffaello Pontremoli (1832 in Chieri – 1906 in Milan), was an Italian painter, mainly as a battle painter. Biography Pontremoli studied at the Academy of Arts in Nice, where his father was rabbi for the local community. He then moved to Turin to study at the Accademia Albertina under Carlo Arienti. In 1852, at the Albertina, one of Pontremoli's works won an award. In 1855, he painted ''An attack of the Outposts''. He traveled to Paris, where he studied with Horace Vernet, and in 1859 with the War of Independence renewed, he returned to Italy and worked as correspondent for the journal ''Illustration'' of Paris. He assisted the Battalion of Palestro and San Martino; one of his drawings was purchased by Emperor Napoleon III, and presented to King Victor Emanuel II. Among his works is a large canvas depicting ''La presa di Mola di Gaeta'', found at the Officer's Club of the 5th Artillery; ''Il passaggio del Gorigliano''; and a large canvas of ...
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Vittorio Bressanin
Vittorio Emanuele Bressanin (November 22, 1860 – August 16, 1941) was an Italian painter. Biography He was born in Musile di Piave. He moved to study at the Academy of Fine Arts in Venice under Pompeo Molmenti, and soon became instructor at the academy, working with colleagues such as Ettore Tito, Ludovico Cadorin, and Emilio Paggiato. He exhibited works at the Biennale of Venice in 1897, 1899, 1901, 1905, and 1922. among his early prize winning works were ''L'ultimo senato'' in 1887, and ''Fuoco Spento'' (awarded Prince Umberto Prize in 1894 at Milan). In 1887, he was commissioned to paint the ceiling of the Church of Madonna del Soccorso (''La Rotonda'') of Rovigo. He painted the Theological virtues: Faith, Hope and Charity. For the latter, he painted a scene of intercession for those afflicted with the plague. He also painted in 1899–1900, along with Vincenzo De Stefani, the lunettes of a chapel in the Sanctuary of Monte Berico in Vicenza. He painted ''Christian ...
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Antonio Dal Zotto
Antonio is a masculine given name of Etruscan origin deriving from the root name Antonius. It is a common name among Romance language-speaking populations as well as the Balkans and Lusophone Africa. It has been among the top 400 most popular male baby names in the United States since the late 19th century and has been among the top 200 since the mid 20th century. In the English language it is translated as Anthony, and has some female derivatives: Antonia, Antónia, Antonieta, Antonietta, and Antonella'. It also has some male derivatives, such as Anthonio, Antón, Antò, Antonis, Antoñito, Antonino, Antonello, Tonio, Tono, Toño, Toñín, Tonino, Nantonio, Ninni, Totò, Tó, Tonini, Tony, Toni, Toninho, Toñito, and Tõnis. The Portuguese equivalent is António (Portuguese orthography) or Antônio (Brazilian Portuguese). In old Portuguese the form Antão was also used, not just to differentiate between older and younger but also between more and less important. In Galician the ...
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