|
Torii Kiyomitsu
was a painter and printmaker of the Torii school of Japanese ''ukiyo-e'' art; the son of Torii Kiyonobu II or Torii Kiyomasu II, he was the third head of the school, and was originally called Kamejirō before taking the '' gō'' Kiyomitsu. Dividing his work between actor prints and ''bijinga'' (pictures of beautiful women), he primarily used the ''benizuri-e'' technique prolific at the time, which involved using one or two colors of ink on the woodblocks rather than hand-coloring; full-color prints would be introduced later in Kiyomitsu's career, in 1765. Though scholars generally note his kabuki prints as lacking originality, they see a grace, beauty, and "dream-like quality" in his prints of young men and women which, at times, rivals that of the work of Suzuki Harunobu, who was just beginning his career at this time. Kiyomitsu continued to produce the billboards and other kabuki-related materials which were the domain of the Torii school, and in those works he was quite tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benizuri-e
are a type of "primitive" ''ukiyo-e'' style Japanese woodblock prints. They were usually printed in pink (''beni'') and green, occasionally with the addition of another color, either printed or added by hand. The production of ''benizuri-e'' reached its peak in the early 1740s. Torii Kiyohiro, Torii Kiyomitsu I, Torii Kiyonobu I, Okumura Masanobu, Nishimura Shigenaga, and Ishikawa Toyonobu are the artists most closely associated with ''benizuri-e''. Gallery of benizuri-e Woodblock print by Ishikawa Toyonobu of kabuki actors Onoe Kikugoro I and Nakamura Kiyosaburo.jpg, Woodblock print by Ishikawa Toyonobu of kabuki actors Onoe Kikugorō I and Nakamura Kiyosaburō as a young seated couple playing a shamisen signed 'Meijōdō Ishikawa Shūha Toyonobu zu', 1750-1758 Actors Nakamura Shichisaburô II and Sanogawa Ichimatsu, Toyonobu, 1740s, signed Meijôdô Ishikawa Shûha Toyonobu zu, MFA.jpg, Woodblock print by Ishikawa Toyonobu of kabuki actors Nakamura Shichisaburō II an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1785 Deaths
Events January–March * January 1 – The first issue of the ''Daily Universal Register'', later known as ''The Times'', is published in London. * January 7 – Frenchman Jean-Pierre Blanchard and American John Jeffries travel from Dover, England to Calais, France in a hydrogen gas balloon, becoming the first to cross the English Channel by air. * January 11 – Richard Henry Lee is elected as President of the U.S. Congress of the Confederation.''Harper's Encyclopaedia of United States History from 458 A. D. to 1909'', ed. by Benson John Lossing and, Woodrow Wilson (Harper & Brothers, 1910) p167 * January 20 – Battle of Rạch Gầm-Xoài Mút: Invading Siamese forces, attempting to exploit the political chaos in Vietnam, are ambushed and annihilated at the Mekong River, by the Tây Sơn. * January 27 – The University of Georgia in the United States is chartered by the Georgia General Assembly meeting in Savannah. The first students are admi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1735 Births
Events January–March * January 2 – Alexander Pope's poem ''Epistle to Dr Arbuthnot'' is published in London. * January 8 – George Frideric Handel's opera ''Ariodante'' is premièred at the Royal Opera House in Covent Garden, London. * February 3 – All 256 people on board the Dutch East India Company ships '' Vliegenthart'' and ''Anna Catherina'' die when the two ships sink in a gale off of the Netherlands coast. The wreckage of ''Vliegenthart'' remains undiscovered until 1981. * February 14 – The ''Order of St. Anna'' is established in Russia, in honor of the daughter of Peter the Great. * March 10 – The Russian Empire and Persia sign the Treaty of Ganja, with Russia ceding territories in the Caucasus mountains to Persia, and the two rivals forming a defensive alliance against the Ottoman Empire. * March 11 – Abraham Patras becomes the Governor-General of the Dutch East Indies (now Indonesia) upon the death of Dirck van Cloon. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Douglas Lane
Richard Douglas Lane (1926–2002) was an American scholar, author, collector, and dealer of Japanese art. He lived in Japan for much of his life, and had a long association with the Honolulu Museum of Art in Hawaii, which now holds his vast art collection. Life Lane was born in Kissimmee, Florida. After graduating from high school in 1944, during World War II, he enlisted in the United States Marine Corps. In the Marines he trained as a Japanese translator, and served in Japan during the war. He later received a bachelor's degree from the University of Hawaii in Japanese and Chinese literature, and continued his studies at Columbia University, where he earned a master's degree and a PhD in 18th-century Japanese literature. In 1957, Lane moved to Japan, where he lived for the rest of his life. Lane was never on a university faculty, but supported himself as an author, dealer and consultant. He was a visiting research associate at the Honolulu Museum of Art from 1957 to 1971, durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii Kiyonaga
Torii Kiyonaga ( ja, 鳥居 清長; 1752 – June 28, 1815) was a Japanese ukiyo-e artist of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, from Motozaimokuchō Itchōme in Edo, he took on Torii Kiyonaga as an art name. Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu. The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his ''bijin-ga'' and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Torii Kiyotsune
Torii Kiyotsune (, ) was a Japanese artist of the Torii school of ukiyo-e art. Kiyotsune's birth and death dates are unknown; his personal name was Daijirō, and is believed to have been son of the publisher Nakajimaya Isaemon (). Kiyotsune's work appeared from the end of the Hōreki era (1751–1764) to the end of the An'ei era (1772–1781), a time of great productivity from the Torii school. Kiyotsune produced ''yakusha-e'' portraits of kabuki actors with rounded linework in a style established by Kiyonobu II and Kiyomasu II. His work is held in the permanent collections of many museums, including the Royal Ontario Museum, the Detroit Institute of Arts, the British Museum, the Harvard Art Museums, the Brooklyn Museum, the Metropolitan Museum of Art, the Los Angeles County Museum of Art, the Indianapolis Museum of Art, the Fine Arts Museum of San Francisco, the Honolulu Museum of Art, and the University of Michigan Museum of Art The University of Michigan Muse ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Suzuki Harunobu
Suzuki Harunobu ( ja, 鈴木 春信; ) was a Japanese designer of woodblock print art in the style. He was an innovator, the first to produce full-color prints () in 1765, rendering obsolete the former modes of two- and three-color prints. Harunobu used many special techniques, and depicted a wide variety of subjects, from classical poems to contemporary beauties. Like many artists of his day, Harunobu also produced a number of , or erotic images. During his lifetime and shortly afterwards, many artists imitated his style. A few, such as Harushige, even boasted of their ability to forge the work of the great master. Much about Harunobu's life is unknown. Influences Though some scholars assert that Harunobu was originally from Kyoto, pointing to possible influences from Nishikawa Sukenobu, much of his work, in particular his early work, is in the Edo style. His work shows evidence of influences from many artists, including Torii Kiyomitsu, Ishikawa Toyonobu, the Kawamata s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kabuki
is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate make-up worn by some of its performers. Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century. In 2005, kabuki theatre was proclaimed by UNESCO as an intangible heritage possessing outstanding universal value. In 2008, it was inscribed in the UNESCO Intangible Cultural Heritage Lists, UNESCO Representative List of the Intangible Cultural Heritage of Humanity. Etymology The individual kanji that make up the word ''kabuki'' can be read as , , and . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijinga
is a generic term for pictures of beautiful women () in Japanese art, especially in woodblock printing of the ukiyo-e genre. Definition defines as a picture that simply "emphasizes the beauty of women", and the ''Shincho Encyclopedia of World Art'' defines it as depiction of "the beauty of a woman's appearance". On the other hand, defines as pictures that explore "the inner beauty of women". For this reason, the essence of cannot always be expressed only through the depiction of a , a woman aligning with the beauty image. In fact, in ukiyo-e , it was not considered important that the picture resemble the facial features of the model, and the depiction of women in ukiyo-e is stylized rather than an attempt to create a realistic image; For example, throughout the Edo period (1603-1867), married women had a custom of shaving their eyebrows (), but in , there was a rule to draw the eyebrows for married women. History Ukiyo-e itself is a genre of woodblock prints and pain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kiyomitsu - (hosoban) Bandô Hikosaburô II As Shita No Kotaro In 'Katakiuchi Mogami No Inabune'
Kiyomitsu (written: 清光, 清允 or 清満) is a masculine Japanese given name. Notable people with the name include: *, Japanese footballer *, Japanese voice actor *, Japanese painter and printmaker {{given name Japanese masculine given names Masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yakusha-e
''Yakusha-e'' (役者絵), often referred to as "actor prints" in English, are Japanese woodblock prints or, rarely, paintings, of kabuki actors, particularly those done in the ''ukiyo-e'' style popular through the Edo period (1603–1867) and into the beginnings of the 20th century. Most strictly, the term ''yakusha-e'' refers solely to portraits of individual artists (or sometimes pairs, as seen in this work by Sharaku). However, prints of kabuki scenes and of other elements of the world of the theater are very closely related, and were more often than not produced and sold alongside portraits. ''Ukiyo-e'' images were almost exclusively images of urban life; the vast majority that were not landscapes were devoted to depicting courtesans, sumo, or kabuki. Realistic detail, inscriptions, the availability of playbills from the period, and a number of other resources have allowed many prints to be analyzed and identified in great detail. Scholars have been able to identify the subj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_Three_Beauties_of_the_Present_Time%2C_MFAB_21.6382.jpg "Click for more on -> Bijinga")
