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Too Much Junkie Business (compilation Album)
''Too Much Junkie Business'' is a compilation of studio demos and live recordings, recorded in late 1982 by protopunk guitarist and singer Johnny Thunders. It is one of the original releases by Neil Cooper's then cassette-only label ROIR. It was reissued in 1999 on compact disc as ''The New Too Much Junkie Business''. The album is notable for being one of the few places to find studio versions of Thunders' live staples "In Cold Blood" and "Just Another Girl", but the album is dominated by live recordings of a typically sloppy and chaotic Thunders performance at the Peppermint Lounge in New York City. Thunders also interjects some studio-recorded interjections throughout the album, including one where he claims that the title track, another live staple, was co-written by Chuck Berry and Bo Diddley along with its actual author, longtime Thunders co-conspirator Walter Lure. Another Thunders composition, "Who Needs Girls?", is credited wholly to Booker T. & The MG's because of its r ...
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Johnny Thunders
John Anthony Genzale (July 15, 1952 – April 23, 1991), known professionally as Johnny Thunders, was an American guitarist, singer and songwriter. He came to prominence in the early 1970s as a member of the New York Dolls. He later played with the Heartbreakers and as a solo artist. Early life and career Thunders was born John Anthony Genzale in Queens, New York, the second child of Josephine Genzale (née Nicoletti, 1923–1999), who was of Italian descent, and Emil Genzale (1923–1982), who was of Italian, Russian-Jewish, and German-Jewish ancestry. Thunders had an older sister, Mariann (1946–2009). He first lived in East Elmhurst, Queens, East Elmhurst and then Jackson Heights, Queens, Jackson Heights. His first musical performance was in the winter of 1967 with The Reign. Shortly thereafter, he played with Johnny and the Jaywalkers, under the name Johnny Volume, at Quintano's School for Young Professionals, around the corner from Carnegie Hall, on 56th Street near 7th ...
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Walter Lure
Walter Lure (born Walter C. Luhr Jr., April 22, 1949 – August 21, 2020) was an American rock guitarist and singer. He was a member of the rock group The Heartbreakers. Biography Lure was born in Queens and raised in Floral Park, Long Island. He graduated from Fordham University with a degree in chemistry, and was working at the Food and Drug Administration in New York while playing in a variety of local groups. He initially met Johnny Thunders in the early 1970s while attending concerts at the Fillmore East, and later became a fan of Thunders' group the New York Dolls. When the Dolls broke up in early 1975, Lure was playing in a glam rock band called the Demons, and successfully auditioned to join Thunders' new band The Heartbreakers. Lure's first gig with the Heartbreakers was at CBGB on July 4, 1975. As he wrote in his autobiography, "My last gig with the Demons was back at CBGB on the Friday of July 4 weekend, performing in front of about twenty people at two in the morning. M ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ...
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Singing
Singing is the act of creating musical sounds with the voice. A person who sings is called a singer, artist or vocalist (in jazz and/or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art song or some jazz styles) up to a symphony orchestra or big band. Different singing styles include art music such as opera and Chinese opera, Indian music, Japanese music, and religious music styles such as gospel, traditional music styles, world music, jazz, blues, ghazal, and popular music styles such as pop, rock, and electronic dance music. Singing can be formal or informal, arranged, or improvised. It may be done as a form of religious devotion, as a hobby, as a source of pleasure, comfort, or ritual as part of music education or ...
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Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ...
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David Johansen
David Roger Johansen (sometimes spelled ''David Jo Hansen''; born January 9, 1950) is an American singer, songwriter and actor. He is best known as a member of the seminal proto-punk band the New York Dolls. He is also known for his work under the pseudonym Buster Poindexter, and for playing the Ghost of Christmas Past in '' Scrooged''. Early life Johansen was born in the New York City borough of Staten Island to a librarian mother, Helen, and an insurance sales representative father, who had previously sung opera. His mother was Irish American and his father was Norwegian American. Career Johansen began his career in the late 1960s as the lead singer of the Vagabond Missionaries, a local Staten Island band and later in the early 1970s as the singer/songwriter in the proto-punk band the New York Dolls. The New York Dolls were in the Mercer’s scene, appearing on the bill at a New Year’s Eve 1972 gig with Ruby and the Rednecks. They released two albums, the eponymous ''New ...
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Shadow Morton
George Francis "Shadow" Morton (September 3, 1941 – February 14, 2013) was an American record producer and songwriter best known for his influential work in the 1960s. In particular, he was noted for writing and producing "Remember (Walking in the Sand)", "Leader of the Pack", and other hits for girl group the Shangri-Las. Early life He was born in Richmond, Virginia, United States, and raised in Hicksville, Long Island, where he met his high school sweetheart and future wife, Lois Berman, and formed a doo-wop group, the Markeys. He became friendly with Ellie Greenwich, and did drop-in visits to her and her songwriting partner (later husband) Jeff Barry when they were working at the Brill Building. Career According to a ''Biography'' episode on various 1960s Brill Building pop songwriters, which included interviews with Greenwich, Barry and Morton among others, Barry said that at the time he was suspicious of Morton's overt attention to Greenwich. Skeptical that Morton wa ...
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Give Him A Great Big Kiss
"Give Him a Great Big Kiss" (sometimes entitled "Great Big Kiss") is a song written by Shadow Morton and performed by the Shangri-Las. It debuted at number 83 on the Billboard Hot 100 in late December 1964, and peaked at #18 for two weeks in late January/early February 1965. It was featured on their 1965 album '' Leader of the Pack''. The single was produced by Shadow Morton. Other versions * Brian Protheroe covers it on his 1976 album ''Leave Him to Heaven''. *New York Dolls guitarist Johnny Thunders does a solo version of the song on his 1978 album '' So Alone''. *A version by the New York Dolls also appears on their 1985 compilation album ''Night of the Living Dolls''. Also, on the band's 1973 self-titled album, lead singer David Johansen quotes the "Give Him a Great Big Kiss" line, "you'd best believe I'm in love L-U-V", in the opening of "Looking for a Kiss". "Looking for a Kiss" tells the story of adolescent romantic desire hampered by peers who use drugs. * Tracey Ul ...
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Too Much Monkey Business
"Too Much Monkey Business" is a song written and recorded by Chuck Berry, released by Chess Records in September 1956 as his fifth single. It was also released as the third track on his first solo LP, ''After School Session'', in May 1957; and as an EP. The single reached number four on ''Billboard'' magazine's Most Played In Juke Boxes chart, number 11 on the Most Played by Jockeys chart and number seven on the Top Sellers in Stores chart in 1956. Recording "Too Much Monkey Business" was recorded at Universal Recording Corporation in Chicago, Illinois on April 16, 1956. The session was produced by Leonard Chess and Phil Chess. Backing Berry were Johnnie Johnson (piano), Willie Dixon (double bass), and Fred Below (drums). Cover versions Elvis Presley recorded a cover of the song during a warm-up at the sessions for '' Stay Away, Joe'' and later released the song on ''Elvis Sings Flaming Star'' in 1969. Several British invasion bands recorded cover versions of "Too Much Monke ...
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Jerry Nolan
Gerard "Jerry" Nolan (May 7, 1946 – January 14, 1992) was an American rock drummer, best known for his work with the New York Dolls and The Heartbreakers. Career A native of Williamsburg, Brooklyn, Nolan joined the New York Dolls in the autumn of 1972 to replace Billy Murcia, who had died of asphyxiation as a result of a failed attempt to revive him from a drug overdose while on tour in England, early in the band's career. The Dolls got a record deal with Mercury Records in 1973. Nolan was also a childhood friend of Kiss drummer Peter Criss, who also auditioned for the Dolls at the same time. He previously played with Wayne (Jayne) County's "Queen Elizabeth", Billy Squier's "Kicks" and was the only male member of Suzi Quatro's Detroit-based band Cradle. Jerry was drumming for the power trio "Shaker", a New York band that frequently opened for the Dolls, when he was recruited to replace Billy. Nolan played on the Dolls' first two albums ('' New York Dolls'' and '' Too Much ...
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Green Onions
"Green Onions" is an instrumental composition recorded in 1962 by Booker T. & the M.G.'s. Described as "one of the most popular instrumental rock and soul songs ever" and as one of "the most popular R&B instrumentals of its era", the tune is a twelve-bar blues with a rippling Hammond M3 organ line by Booker T. Jones that he wrote when he was 17, although the actual recording was largely improvised in the studio. The track was originally issued in May 1962 on the Volt label (a subsidiary of Stax Records) as the B-side of "Behave Yourself" on Volt 102; it was quickly reissued in August 1962 as the A-side of Stax 127, and it also appeared on the album ''Green Onions'' that same year. The organ sound of the song became a feature of the " Memphis soul sound". Background Booker T. Jones was the keyboard player for the house band of Stax Records with Al Jackson on drums, Lewie Steinberg on bass, and Steve Cropper on guitar. They started jamming in the studio one Sunday when a r ...
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