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Tomorrow's Harvest
''Tomorrow's Harvest'' is the fourth studio album by Scottish electronic music duo Boards of Canada, released on 10 June 2013 by Warp. The duo began composing and recording the album following the release of ''The Campfire Headphase'' in 2005 and the expansion of their studio at Hexagon Sun near the Pentland Hills. They continued recording intermittently until late 2012, when large parts of the album were recorded. Influenced by film soundtracks from the 1970s and 1980s, ''Tomorrow's Harvest'' features a more menacing and foreboding tone than the duo’s previous works, highlighting themes of isolation and decay. ''Tomorrow's Harvest''s announcement was surrounded by a cryptic marketing campaign that began on Record Store Day 2013, with the release of an unannounced non-album single that featured part of an unidentified code. A further five codes were released interim through various media and culminated in users gaining access to a new website containing information about the upc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boards Of Canada
Boards of Canada are a Scottish electronic music duo consisting of brothers Michael Sandison and Marcus Eoin, formed initially as a group in 1986 before becoming a duo in the 1990s.Hoffmann, Heiko.Pitchfork: Interviews: Boards of Canada (September 2005) Signing first to Skam followed by Warp Records in the 1990s, the duo subsequently received recognition following the release of their debut album ''Music Has the Right to Children'' on Warp in 1998. They followed with the critically acclaimed albums '' Geogaddi'' (2002), '' The Campfire Headphase'' (2005) and '' Tomorrow's Harvest'' (2013), but have remained reclusive and continue to rarely appear live. The duo's work, largely influenced by electronic music of the 1970s and 1980s, incorporates vintage synthesizer tones, samples from outdated media, analog equipment, and hip hop-inspired beats. It has been described by critics as exploring themes related to nostalgia, as well as childhood memory, science, environmental concern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Soundtrack
A soundtrack is recorded music accompanying and synchronised to the images of a motion picture, drama, book, television program, radio program, or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound. In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially, the dialogue, sound effects, and music in a film each has its own separate track (''dialogue track'', ''sound effects track'', and '' music track''), and these are mixed together to make what is called the ''composite track,'' which is heard in the film. A ''dubbing track'' is often later created when films are dubbed into another language. This is also known as an M&E (music and effects) track. M&E tracks contain all sound elements minus dialogue, which is then supplied by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Isham
Mark Ware Isham (born September 7, 1951) is an American musician and film composer. A trumpeter and keyboardist, Isham works in a variety of genres, including jazz and electronic. He is also a film composer, having worked on numerous films and television series, including '' The Hitcher,'' ''Point Break'', '' A River Runs Through It'', ''Of Mice and Men, Warrior, Nell, Blade,'' ''Crash'', ''The Black Dahlia'', '' The Lucky One'' and ''Once Upon a Time.'' Isham acted as well in ''Made in Heaven'' by Alan Rudolph (1987) and directed ''The Cowboy and the Ballerina'' in 1998. Life and career Isham was born in New York City, the son of Patricia (née Hammond), a violinist, and Howard Fuller Isham, a Professor of Humanities. His discography is extensive and varied, including participation with artists including David Sylvian, Group 87, Art Lande, Pharoah Sanders, Van Morrison, David Torn, and sessions with people like Brian Wilson, Joni Mitchell, Terry Bozzio, Bill Bruford, XTC ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Harrison (filmmaker)
John S. Harrison Jr. (born 1948) is an American filmmaker, musician, and composer best known for his collaborations with director George A. Romero and for writing-directing the miniseries adaptation of ''Dune''. Early life and career Harrison was born and raised in Pittsburgh, Pennsylvania. He graduated from Emerson College in Boston with a BS in Theater Arts and is an MFA graduate of Carnegie Mellon University's School of Drama. For several years after that, he performed on the road with his band Homebrew before moving back to Pittsburgh to take a master's degree in film and television from Carnegie Mellon University. At the same time, he joined blues guitarist Roy Buchanan, with whom he toured across the US and internationally for four years. He was also featured on several of Buchanan's albums, including ''That's What I'm Here For'' (1974), ''Live Stock'' (1975), and '' A Street Called Straight'' (1976). In 1973, Harrison and his friends, Dusty Nelson and Pasquale Buba, fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fabio Frizzi
Fabio Frizzi (born 2 July 1951) is an Italian musician and composer. Born in Bologna, Emilia-Romagna, Italy, he is best known for his film scores and was a frequent collaborator with horror director Lucio Fulci. Frizzi is the older brother of the late television presenter Fabrizio Frizzi. Selected filmography Solo Finnish singer Taiska used the melody of Frizzi's composition "Ibo lele" for her song, "Mombasa Mombasa ( ; ) is a coastal city in southeastern Kenya along the Indian Ocean. It was the first capital of the British East Africa, before Nairobi was elevated to capital city status. It now serves as the capital of Mombasa County. The town is ...".''L'Espresso'', Izd. 6-9. 2003. "''La musica originale sarebbe stata composta da Fabio Frizzi (fratello dello showman Fabrizio) per una cantante finlandese, tale Taiska, «una delle poche eroine nel misero panorama del pop finlandese».''” With Bixio - Frizzi - Tempera References External links *Fabio Frizziinterviewed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Carpenter
John Howard Carpenter (born January 16, 1948) is an American filmmaker, actor, and composer. Although he worked in various film genres, he is most commonly associated with horror, action, and science fiction films of the 1970s and 1980s. He is generally recognized as one of the greatest masters of the horror genre. At the 2019 Cannes Film Festival, the French Directors' Guild gave him the Golden Coach Award, lauding him as "a creative genius of raw, fantastic, and spectacular emotions". Carpenter's early films included box office and critical successes like '' Halloween'' (1978), ''The Fog'' (1980), ''Escape from New York'' (1981), and ''Starman'' (1984). His other productions from the 1970s and the 1980s only later came to be considered cult classics, and he has been acknowledged as an influential filmmaker. These include '' Dark Star'' (1974), '' Assault on Precinct 13'' (1976), '' The Thing'' (1982), ''Christine'' (1983), ''Big Trouble in Little China'' (1986), '' Prince o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Video Nasty
Video nasty is a colloquial term popularised by the National Viewers' and Listeners' Association (NVALA) in the United Kingdom to refer to a number of films, typically low-budget horror or exploitation films, distributed on video cassette that were criticised for their violent content by the press, social commentators and various religious organisations in the early 1980s. These video releases were not brought before the British Board of Film Classification (BBFC) due to a loophole in film classification laws that allowed videos to bypass the review process. The resulting uncensored video releases led to public debate concerning the availability of these films to children due to the unregulated nature of the market. Following a campaign led by Mary Whitehouse and the NVALA, prosecutions were commenced against individuals engaged in trades exploiting allegedly obscene videos. To assist local authorities in identifying obscene films, the Director of Public Prosecutions released a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jam Session
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements, except for when the group is playing well-known jazz standards or covers of existing popular songs. Original jam sessions, also called "free flow sessions," are often used by musicians to develop new material (music) and find suitable arrangements. Both styles can be used simply as a social gathering and communal practice session. Jam sessions may be based upon existing songs or forms, may be loosely based on an agreed chord progression or chart suggested by one participant, or may be wholly improvisational. Jam sessions can range from very loose gatherings of amateurs to evenings where a jam session coordinator or host acts as a "gatekeeper" so that appropriate-level performers take the stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sampler (musical Instrument)
A sampler is an electronic or digital musical instrument which uses sound recordings (or " samples") of real instrument sounds (e.g., a piano, violin, trumpet, or other synthesizer), excerpts from recorded songs (e.g., a five-second bass guitar riff from a funk song) or found sounds (e.g., sirens and ocean waves). The samples are loaded or recorded by the user or by a manufacturer. These sounds are then played back by means of the sampler program itself, a MIDI keyboard, sequencer or another triggering device (e.g., electronic drums) to perform or compose music. Because these samples are usually stored in digital memory, the information can be quickly accessed. A single sample may often be pitch-shifted to different pitches to produce musical scales and chords. Often samplers offer filters, effects units, modulation via low frequency oscillation and other synthesizer-like processes that allow the original sound to be modified in many different ways. Most samplers have Mult ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effects Unit
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be built into guita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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