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Tomb Of Louis XII And Anne Of Brittany
The Tomb of Louis XII and Anne of Brittany is a large and complex silver- gilt and marble sculptured funerary monument. Its design and build are usually attributed to the Juste brothersCohen (1968), p. 461 although the work of several other hands can be distinguished. Designed for and installed at the Saint-Denis Basilica, France, it was commissioned in 1515 in memory of Louis XII (d. 1515, aged 52) and his queen Anne of Brittany (d. 1514, aged 36), probably by Louis' successor Francis I (reigned 1515–1547), and after years of design and intensive building was unveiled in 1531.Giese et al (2018), p. 199 The tomb represents a break from traditional representations in this format, and as an Early Renaissance work seems, in its monumentality, influenced by classical sources, especially Roman, probably borrowed from Andrea Sansovino and contemporary Florentine sculptors. Art historian Barbara Hochstetler Meyer describes the tomb as portraying the deceased "with a verism, poigna ...
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Death Mask
A death mask is a likeness (typically in wax or plaster cast) of a person's face after their death, usually made by taking a cast or impression from the corpse. Death masks may be mementos of the dead, or be used for creation of portraits. It is sometimes possible to identify portraits that have been painted from death masks because of the characteristic slight distortions of the features caused by the weight of the plaster during the making of the mould. The main purpose of the death mask from the Middle Ages until the 19th century was to serve as a model for sculptors in creating statues and busts of the deceased person. Not until the 1800s did such masks become valued for themselves. In other cultures a death mask may be a funeral mask, an image placed on the face of the deceased before burial rites, and normally buried with them. The best known of these are the masks used in ancient Egypt as part of the mummification process, such as Tutankhamun's mask, and those from M ...
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Funerary Art
Funerary art is any work of art forming, or placed in, a repository for the remains of the dead. The term encompasses a wide variety of forms, including cenotaphs ("empty tombs"), tomb-like monuments which do not contain human remains, and communal memorials to the dead, such as war memorials, which may or may not contain remains, and a range of prehistoric megalithic constructs. Funerary art may serve many cultural functions. It can play a role in burial rites, serve as an article for use by the dead in the afterlife, and celebrate the life and accomplishments of the dead, whether as part of kinship-centred practices of ancestor veneration or as a publicly directed dynastic display. It can also function as a reminder of the mortality of humankind, as an expression of cultural values and roles, and help to propitiate the spirits of the dead, maintaining their benevolence and preventing their unwelcome intrusion into the lives of the living. The deposit of objects with an appar ...
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Cadaver Tomb
A cadaver monument or ''transi'' (or memento mori monument, Latin for "reminder of death") is a type of church monument to deceased persons featuring a sculpted effigy of a skeleton or an emaciated, even decomposing, dead body. It was particularly characteristic of the Late Middle Ages and was designed to remind the passer-by of the transience and vanity of mortal life and the eternity and desirability of the Christian after-life. The person so represented is not necessarily entombed or buried exactly under the monument, nor even in the same church. Overview A depiction of a rotting cadaver in art (as opposed to a skeleton) is called a ''transi''. However, the term "cadaver monument" can really be applied to other varieties of monuments, e.g. with skeletons or with the deceased completely wrapped in a shroud. In the "double-decker" monuments, in Erwin Panofsky's phrase, a sculpted stone bier displays on the top level the recumbent effigy (or ''gisant'') of a living person, where t ...
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1520s Sculptures
Fifteen or 15 may refer to: *15 (number), the natural number following 14 and preceding 16 *one of the years 15 BC, AD 15, 1915, 2015 Music *Fifteen (band), a punk rock band Albums * ''15'' (Buckcherry album), 2005 * ''15'' (Ani Lorak album), 2007 * ''15'' (Phatfish album), 2008 * ''15'' (mixtape), a 2018 mixtape by Bhad Bhabie * ''Fifteen'' (Green River Ordinance album), 2016 * ''Fifteen'' (The Wailin' Jennys album), 2017 * ''Fifteen'', a 2012 album by Colin James Songs * "Fifteen" (song), a 2008 song by Taylor Swift *"Fifteen", a song by Harry Belafonte from the album '' Love Is a Gentle Thing'' *"15", a song by Rilo Kiley from the album ''Under the Blacklight'' *"15", a song by Marilyn Manson from the album ''The High End of Low'' *"The 15th", a 1979 song by Wire Other uses *Fifteen, Ohio, a community in the United States * ''15'' (film), a 2003 Singaporean film * ''Fifteen'' (TV series), international release name of ''Hillside'', a Canadian-American teen drama *Fi ...
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1510s Sculptures
Year 151 (CLI) was a common year starting on Thursday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Condianus and Valerius (or, less frequently, year 904 ''Ab urbe condita''). The denomination 151 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Asia * Mytilene and Smyrna are destroyed by an earthquake. * First year of Yuanjia of the Chinese Han Dynasty. By topic Art * Detail from a rubbing of a stone relief in Wu family shrine (Wuliangci), Jiaxiang, Shandong, is made (Han dynasty). Births * Annia Galeria Aurelia Faustina, daughter of Marcus Aurelius * Zhong Yao, Chinese official and calligrapher (d. 230) Deaths * Kanishka, Indian ruler of the Kushan Empire * Novatus Saint Novatus (died c. 151) is an early Christian saint. His feast day is 20 June. Novatus and hi ...
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Justice (virtue)
Justice is one of the four cardinal virtues in classical European philosophy and Roman Catholicism. It is the moderation or mean between selfishness and selflessness – between having more and having less than one's fair share. Justice is closely related, in Christianity, to the practice of Charity (virtue) because it regulates the relationships with others. It is a cardinal virtue, which is to say that it is "pivotal", because it regulates all such relationships, and is sometimes deemed the most important of the cardinal virtues. Early developments According to Aristotle, "Justice consists in a certain equality by which the just and definite claim of another, neither more nor less, is satisfied." This is equal insofar as each one receives what he is entitled to, but may be unequal insofar as different people may have different rights: two children have different rights from a certain adult if that adult is the parent of one of them and not of the other. Aristotle developed t ...
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Apostles In The New Testament
In Christian theology and ecclesiology, the apostles, particularly the Twelve Apostles (also known as the Twelve Disciples or simply the Twelve), were the primary Disciple (Christianity), disciples of Jesus according to the New Testament. During the Life of Jesus in the New Testament, life and ministry of Jesus in the Christianity in the 1st century, 1st century AD, the apostles were his closest followers and became the primary teachers of the gospel message of Jesus. There is also an Eastern Christianity, Eastern Christian tradition derived from the Gospel of Luke of there having been as many as Seventy disciples, seventy apostles during the time of Jesus' ministry. The commissioning of the Twelve Apostles during the ministry of Jesus is described in the Synoptic Gospels. After his Resurrection of Jesus, resurrection, Jesus sent eleven of them (as Judas Iscariot by then had Judas Iscariot#Death, died) by the Great Commission to spread his teachings to all nations. This event ...
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Jean Perréal
Jean Perréal (-) -- sometimes called Peréal, Johannes Parisienus or Jean De Paris -- was a successful portraitist for French Royalty in the first half of the 16th century, as well as an architect, sculptor and limner of illuminated manuscripts. He was active mostly in France and in Italy and London as well. Perréal's major patrons were Charles of Bourbon, King Charles VIII, Louis XII and Francis I, all of France. It is mentioned that in honor of Charles of Bourbon he painted escutcheons for the entry of the nobleman to the city of Lyon, but the date of Charles' birth, 1489, and the time of the artist's residence in Lyons do not coincide accurately. His most remarkable works are often considered to be a portrait of Charles VIII (Musée Condé) and a miniature piece, ', an image of a poet who, like Perréal, was a royal valet de chambre. A letter from Perréal to Margaret of Austria circa 1511 survives describing the relative merits of marble and alabaster, signed 'Jehan Per ...
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Gisant Louis XII
A tomb effigy, usually a recumbent effigy or, in French, ''gisant'' (French, "lying"), is a sculpted figure on a tomb monument depicting in effigy the deceased. These compositions were developed in Western Europe in the Middle Ages, and continued in use through the Renaissance and early modern period; they are still sometimes used. They typically represent the deceased in a state of "eternal repose", lying with hands folded in prayer and awaiting resurrection. A husband and wife may be depicted lying side by side. An important official or leader may be shown holding his attributes of office or dressed in the formal attire of his official status or social class. The life-size recumbent effigy was first found in the tombs of royalty and senior clerics, and then spread to the nobility. A particular type of late medieval effigy was the ''transi'', or cadaver monument, in which the effigy is in the macabre form of a decomposing corpse, or such a figure lies on a lower level, be ...
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Gilding
Gilding is a decorative technique for applying a very thin coating of gold over solid surfaces such as metal (most common), wood, porcelain, or stone. A gilded object is also described as "gilt". Where metal is gilded, the metal below was traditionally silver in the West, to make silver-gilt (or ''vermeil'') objects, but gilt-bronze is commonly used in China, and also called ormolu if it is Western. Methods of gilding include hand application and gluing, typically of gold leaf, chemical gilding, and electroplating, the last also called gold plating. Parcel-gilt (partial gilt) objects are only gilded over part of their surfaces. This may mean that all of the inside, and none of the outside, of a chalice or similar vessel is gilded, or that patterns or images are made up by using a combination of gilt and ungilted areas. Gilding gives an object a gold appearance at a fraction of the cost of creating a solid gold object. In addition, a solid gold piece would often be too soft or ...
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