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Tokari Geet
Tokari geet is a type of Assamese folk song sung playing a '' Tokari''. Earlier it was called ''Tokari naam''. It is so called because a ''tokari'' is played while singing it. A tokari is a single stringed musical instrument played with the fingers; a kind of guitar. These are usually philosophical songs based on human life, stories from Ramayana, Mahabharata, gods and goddesses. Besides, stories of Sankardev and Madhavdeva is also sung here. A tokari can be played with '' dihanaam'', but it cannot be called a ''tokari geet''. See also *Music of Assam The music of Assam consists various genres of folk and modern music, drawing its artistic basis from the history of Assam, from Assamese culture and its ancient traditions. In recent times, starting from the late eighties, popular artistes hav ... Notes References *''Satsori'' (An Assamese magazine), 16-31 issue, page 13 Music of Assam Oral literature of Assam Indian folk songs {{folk-song-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Assamese People
The Assamese people are a socio- ethnic linguistic identity that has been described at various times as nationalistic or micro-nationalistic. This group is often associated with the Assamese language, the easternmost Indo-Aryan language, and most Assamese people live in the Indian state of Assam, especially in the Brahmaputra valley. The use of the term precedes the name of the language or the people. It has also been used retrospectively to the people of Assam before the term "Assamese" came into use. They are an ethnically diverse group formed after centuries of assimilation of Austroasiatic, Tibeto-Burman, Indo-Aryan and Tai populations, and constitute a tribal-caste continuum—though not all Assamese people are Hindus and ethnic Assamese Muslims numbering around 42 lakh constitute a significant part of this identity The total population of Assamese speakers in Assam is nearly 15.09 million which makes up 48.38% of the population of state according to the ''Language c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ramayana
The ''Rāmāyana'' (; sa, रामायणम्, ) is a Sanskrit literature, Sanskrit Indian epic poetry, epic composed over a period of nearly a millennium, with scholars' estimates for the earliest stage of the text ranging from the 8th to 4th centuries BCE, and later stages extending up to the 3rd century CE. ''Ramayana'' is one of the two important epics of Hinduism, the other being the ''Mahabharata, Mahābhārata''. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Sita, the Princess of Janakpur, and Rama, a legendary prince of Ayodhya city in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the South Asia, Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned kin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Srimanta Sankardeva
Srimanta Sankardev( শ্ৰীমন্ত শংকৰদেৱ )(; ; 1449–1568) was a 15th–16th century Assamese polymath; a saint-scholar, poet, playwright, dancer, actor, musician, artist social-religious reformer and a figure of importance in the cultural and religious history of Assam, India. He is widely credited with building on past cultural relics and devising new forms of music (Borgeet), theatrical performance (Ankia Naat, Bhaona), dance (Sattriya), literary language ( Brajavali). Besides, he has left an extensive literary oeuvre of trans-created scriptures (Bhagavat of Sankardev), poetry and theological works written in Sanskrit, Assamese and Brajavali. The Bhagavatic religious movement he started, Ekasarana Dharma and also called Neo-Vaishnavite movement, influenced two medieval kingdoms – Koch and the Ahom kingdom – and the assembly of devotees he initiated evolved over time into monastic centers called Sattras, which continue to be important soci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madhavdeva
Madhavdev (1489–1596) (Pron: ˈʃrɪ ˈʃrɪ ˈmɑ:dəbˌdeɪv) is an important preceptor of the Ekasarana Dharma known for his loyalty to his guru, Srimanta Sankardev as well as his artistic brilliance. Initially a sakta worshipper, he was converted to Ekasarana Dharma by Sankardev and became his most prominent disciple. He became the religious as well as artistic successor of Sankardeva after the latter's death in 1568. He is known particularly for his book of hymns, the Naam Ghosa, as well as a large selection of songs called ''Borgeets''. Biography Early life in adversity Madhavdev was born in May 1489 at Baligrama in Lakhimpur District of Assam to Govindagiri Bhuyan and Manorama. Govindagiri was a descendant of Hari Bhuyan one of the Bhuyan's who accompanied Candivara (Sankardev's forefather) in the 14th century as part of an exchange between Dharmanarayana of Gauda and Durlabhnarayan of Kamarupa-Kamata. Govindagiri became a Majinder at Banduka, (in Rangpur Distri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dihanaam
Dihanaam is a type of congregational prayer sung by women in Assam in praise of the Assamese saint Sankardev. Instruments like the '' Negera'', '' taal'', ''khol The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music (''bhakti''). It is also known as a mridanga (< hand-clapping is used in it. The songs are derived from Vaishnava religious scriptures like '' Kirtan-ghosa''. The songs are sung in call and response style.
References * Music of Assam [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Of Assam
The music of Assam consists various genres of folk and modern music, drawing its artistic basis from the history of Assam, from Assamese culture and its ancient traditions. In recent times, starting from the late eighties, popular artistes have modernized the music catering to local popular demand. A basic characteristic of the indigenous ethnic music of Assam is its descending scale similar to East Asian music which distinguishes it from the '' Mode-based'' or folk music ''( Raaga-based)'' forms from the rest of India. The tunes are structured in a pyramid and are in always in pentatonic scale similar to other traditional music of Asia like China, Mongolia etc and dissimilar from the seven-scaled Indian music, (in contrast to the music of rest of India which is ''Meend'' based), such as the ''Bihu'' songs, (common in South-East Asia and East Asia) besides languorous music of other forms. The legend of ''Princess Usha of Sonitpur'' and her cohort '' Chitralekha'' also enlighten u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oral Literature Of Assam
The word oral may refer to: Relating to the mouth * Relating to the mouth, the first portion of the alimentary canal that primarily receives food and liquid **Oral administration of medicines ** Oral examination (also known as an oral exam or oral test), a practice in many schools and disciplines in which an examiner poses questions to the student in spoken form ** Oral hygiene, practices involved in cleaning the mouth and preventing disease **Oral medication **Oral rehydration therapy, a simple treatment for dehydration associated with diarrhea **Oral sex, sexual activity involving the stimulation of genitalia by use of the mouth, tongue, teeth or throat. **Oral stage, a human development phase in Freudian developmental psychology **Oral tradition, cultural material and tradition transmitted orally from one generation to another **Oralism, the education of deaf students through oral language by using lip reading, and mimicking of mouth shapes and breathing patterns **Speech communi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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