Today! (Herbie Mann Album)
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Today! (Herbie Mann Album)
''Today!'' is an album by jazz flautist Herbie Mann released on the Atlantic label featuring performances recorded in 1966. Reception The Allmusic review by Scott Yanow states "Flutist Herbie Mann has always had wide interests in music. For this...LP he is joined by three brass, vibraphonist Dave Pike, bassist Earl May, drummer Bruno Carr and percussionist Patato Valdes (with arrangements by Oliver Nelson) for a wide-ranging program that includes two Beatles songs, a selection from Burt Bacharach and two ancient pieces by Duke Ellington ("Creole Love Call" and "The Mooche"). In general Mann plays quite well but there is little memorable about this generally commercial effort. ".Dryden, K. Allmusic Reviewaccessed March 30, 2011 Track listing #"Today" (Herbie Mann, Oliver Nelson) 3:45 #"The Creole Love Call" ( Duke Ellington) 3:46 #"Don't Say I Didn't Tell You So" ( Burt Bacharach, Hal David) 4:15 #"Arrastao" (Norman Gimbel, Edu Lobo) 3:52 #"The Mooch" (Duke Ellington, Irving Mill ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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If You Gotta Make A Fool Of Somebody
"If You Gotta Make a Fool of Somebody" is a song written by Rudy Clark and first recorded by James Ray in 1961. Ray's recording on the Caprice label, arranged by Hutch Davie and produced by Gerry Granahan, reached number 10 on the US ''Billboard'' R&B chart and number 22 on the Hot 100 in early 1962. In 1962, the Beatles began to perform the song at their gigs, with John Lennon singing lead and playing harmonica. Paul McCartney said that George Harrison had a copy of Ray's record, "and we did a version of it because we thought it was such a wacky waltz. No one had a 3/4 number. And an R'n'B waltz, that was new! The London bands used to gather round when they'd hear us do it in Hamburg. Lots of bands all hanging, having a beer when we were on, and I consciously remember them all hanging round for that one....". Ray's single was reputedly included in John Lennon's jukebox, the subject of a 2004 compilation album. Manchester beat group Freddie and the Dreamers heard the Beatles ...
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Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to be ...
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Carlos "Patato" Valdes
Carlos Valdés Galán (November 4, 1926 – December 4, 2007), better known as Patato, was a Cuban conga player. In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He contributed to the development of the tunable conga drum which revolutionized the use of the instrument in the US. His experimental descarga albums recorded for Latin Percussion are considered the counterpart to the commercial salsa boom of the 1970s. Tito Puente once called him "the greatest conguero alive today". Nicknames Like most Cuban musicians, Carlos Valdés had several nicknames throughout his artistic career. Early on he was known as "El Toro" (''The Bull'') as a young dancer and boxer. In school he was known as "Patato" (''Potato'') due to his short stature; more disrespectfully he was known as "Remache" and "Tampón de bañera" around his neighbourhood. While playing al ...
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Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ...
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Bruno Carr
Edward "Bruno" Carr (February 9, 1928 – October 25, 1993) was an American jazz drummer. Carr was a frequent collaborator with Ray Charles, and he recorded with Aretha Franklin. He was Herbie Mann's drummer from 1965 through 1969. Carr died of lung cancer in Denver, Colorado, at the age of 65. Discography With Curtis Amy *''Mustang'' (Verve, 1967) With Walter Davis Jr. *'' Illumination'' (Denon, 1989) With Lou Donaldson *'' Cole Slaw'' (Argo, 1964) With Aretha Franklin *''Soul '69'' (Atlantic, 1969) With Herbie Mann *''Herbie Mann Plays The Roar of the Greasepaint – The Smell of the Crowd'' (Atlaqntic, 1964) *'' Monday Night at the Village Gate'' (Atlantic, 1965) *'' Latin Mann'' (Columbia, 1965) *''Standing Ovation at Newport'' (Atlantic, 1965) *'' Today!'' (Atlantic, 1965) *''Our Mann Flute'' (Atlantic, 1966) *''Impressions of the Middle East'' (Atlantic, 1966) *''A Mann & a Woman'' (Atlantic, 1966) with Tamiko Jones *'' The Beat Goes On'' (Atlantic, 1967) *''The Herbie ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Earl May
Earl Charles Barrington May (September 17, 1927 - January 4, 2008) was an American jazz bassist. He was "one of the most prodigious and prolific bassists of the postwar era". Early life May was born in New York City on September 17, 1927. As a child, he played the drums, and changed to the acoustic bass at the age of 14. He "played left-handed on an instrument strung for a right-handed player". Later life and career Until 1951, May had a job in insurance while playing in clubs at night. During this period, he played with Miles Davis, Lester Young, Gene Ammons, Sonny Stitt, and Mercer Ellington. He was also taught by Charles Mingus in the early 1950s. Through most of the 1950s he played in a trio with Billy Taylor, and also worked in the late 1950s with John Coltrane and Chet Baker. From 1959 to 1963 he played behind vocalist Gloria Lynne, and in the 1960s he also worked with Dave McKenna, Herman Foster, Shirley Scott, Stanley Turrentine, Herbie Mann, Mose Allison, and Earl Hines. ...
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Vibes (percussion)
The vibraphone is a percussion instrument in the metallophone family. It consists of tuned metal bars and is typically played by using mallets to strike the bars. A person who plays the vibraphone is called a ''vibraphonist,'' ''vibraharpist,'' or ''vibist''. The vibraphone resembles the steel marimba, which it superseded. One of the main differences between the vibraphone and other keyboard percussion instruments is that each bar suspends over a resonator tube containing a flat metal disc. These discs are attached together by a common axle and spin when the motor is turned on. This causes the instrument to produce its namesake tremolo or vibrato effect. The vibraphone also has a sustain pedal similar to a piano. When the pedal is up, the bars produce a muted sound; when the pedal is down, the bars sustain for several seconds or until again muted with the pedal. The vibraphone is commonly used in jazz music, in which it often plays a featured role, and was a defining element o ...
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Dave Pike
David Samuel Pike (March 23, 1938 – October 3, 2015) was an American jazz vibraphone and marimba player. He appeared on many albums by Nick Brignola, Paul Bley and Kenny Clarke, Bill Evans, and Herbie Mann. He also recorded extensively as leader, including a number of albums on MPS Records. Biography He learned drums at the age of eight and was self-taught on vibraphone. Pike made his recording debut with the Paul Bley Quartet in 1958. He began putting an amplifier on his vibes, when working with flautist Herbie Mann in the early-1960s. By the late-1960s, Pike's music became more exploratory, contributing a unique voice and new contexts that pushed the envelope in times remembered for their exploratory nature. ''The Doors of Perception'', released in 1970 for the Atlantic Records subsidiary Vortex Records, and produced by former boss Herbie Mann, explored ballads, modal territory, musique concrète, with free and lyrical improvisation, and included musicians including alto sa ...
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Flute
The flute is a family of classical music instrument in the woodwind group. Like all woodwinds, flutes are aerophones, meaning they make sound by vibrating a column of air. However, unlike woodwind instruments with reeds, a flute is a reedless wind instrument that produces its sound from the flow of air across an opening. According to the instrument classification of Hornbostel–Sachs, flutes are categorized as edge-blown aerophones. A musician who plays the flute is called a flautist or flutist. Flutes are the earliest known identifiable musical instruments, as paleolithic examples with hand-bored holes have been found. A number of flutes dating to about 53,000 to 45,000 years ago have been found in the Swabian Jura region of present-day Germany. These flutes demonstrate that a developed musical tradition existed from the earliest period of modern human presence in Europe.. Citation on p. 248. * While the oldest flutes currently known were found in Europe, Asia, too, has ...
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Paul McCartney
Sir James Paul McCartney (born 18 June 1942) is an English singer, songwriter and musician who gained worldwide fame with the Beatles, for whom he played bass guitar and shared primary songwriting and lead vocal duties with John Lennon. One of the most successful composers and performers of all time, McCartney is known for his melodic approach to bass-playing, versatile and wide tenor vocal range, and musical eclecticism, exploring styles ranging from pre–rock and roll pop to classical and electronica. His songwriting partnership with Lennon remains the most successful in history. Born in Liverpool, McCartney taught himself piano, guitar and songwriting as a teenager, having been influenced by his father, a jazz player, and rock and roll performers such as Little Richard and Buddy Holly. He began his career when he joined Lennon's skiffle group, the Quarrymen, in 1957, which evolved into the Beatles in 1960. Sometimes called "the cute Beatle", McCartney later invo ...
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