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Toccata And Fugue In F Major, BWV 540
The Toccata and Fugue in F major, BWV 540, is an organ work written by Johann Sebastian Bach, potentially dating from the composer's time in Weimar, or in Leipzig. History No firm date can be established for the composition, and it has even been conjectured that the 2 parts were composed separately, with the toccata being a potentially more mature piece. Williams however describes that the differing ''Affekt'' of the two parts does not pose any problem to the hypothesis that the whole work was composed at the same period. This conception of "complementary movements" was even a favourite of Bach's, and the dramatic nature of the toccata as contrasted to the counterpoint of the fugue should, as one author writes, "not be misunderstood as mere discrepancy". Because of the range of the pedal parts, the toccata may have been written for a performance, around 1713, at the Weißenfels organ, with its pedal going up to F. Music Toccata The toccata starts with a large linear canon (firs ...
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Johann Sebastian Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ...
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Frédéric Chopin
Frédéric François Chopin (born Fryderyk Franciszek Chopin; 1 March 181017 October 1849) was a Polish composer and virtuoso pianist of the Romantic period, who wrote primarily for solo piano. He has maintained worldwide renown as a leading musician of his era, one whose "poetic genius was based on a professional technique that was without equal in his generation". Chopin was born in Żelazowa Wola in the Duchy of Warsaw and grew up in Warsaw, which in 1815 became part of Congress Poland. A child prodigy, he completed his musical education and composed his earlier works in Warsaw before leaving Poland at the age of 20, less than a month before the outbreak of the November 1830 Uprising. At 21, he settled in Paris. Thereafterin the last 18 years of his lifehe gave only 30 public performances, preferring the more intimate atmosphere of the salon. He supported himself by selling his compositions and by giving piano lessons, for which he was in high demand. Chopin formed a fr ...
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Compositions For Organ
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters *Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker *Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hungarian ...
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Fugues By Johann Sebastian Bach
In music, a fugue () is a contrapuntal compositional technique in two or more voices, built on a subject (a musical theme) that is introduced at the beginning in imitation (repetition at different pitches) and which recurs frequently in the course of the composition. It is not to be confused with a ''fuguing tune'', which is a style of song popularized by and mostly limited to early American (i.e. shape note or "Sacred Harp") music and West Gallery music. A fugue usually has three main sections: an exposition, a development and a final entry that contains the return of the subject in the fugue's tonic key. Some fugues have a recapitulation. In the Middle Ages, the term was widely used to denote any works in canonic style; by the Renaissance, it had come to denote specifically imitative works. Since the 17th century, the term ''fugue'' has described what is commonly regarded as the most fully developed procedure of imitative counterpoint. Most fugues open with a short main ...
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Katholische Hofkirche
Dresden Cathedral, or the Cathedral of the Holy Trinity, Dresden, previously the Catholic Church of the Royal Court of Saxony, called in German Katholische Hofkirche and since 1980 also known as Kathedrale Sanctissimae Trinitatis, is the Catholic Cathedral of Dresden. Always the most important Catholic church of the city, it was elevated to the status of cathedral of the Diocese of Dresden–Meissen in 1964. It is located near the Elbe river in the historic center of Dresden, Germany. It is one of the burial sites of the House of Wettin, including Polish monarchs. History The Hofkirche stands as one of Dresden's foremost landmarks. It was designed by architect Gaetano Chiaveri from 1738 to 1751.Fritz Löffler: ''Das alte Dresden - Geschichte seiner Bauten''. 16th ed. Leipzig: Seemann, 2006, (German) The church was commissioned by Augustus III, Elector of Saxony and King of Poland while the Protestant city of Dresden built the Frauenkirche (Church of Our Lady) between 1726 ...
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Zacharias Hildebrandt
Zacharias Hildebrandt (1688, Münsterberg, Silesia – 11 October 1757, Dresden, Saxony) was a German organ builder. In 1714 his father Heinrich Hildebrandt, a cartwright master, apprenticed him to the famous organbuilder Gottfried Silbermann, brother of Andreas Silbermann in Freiberg. In 1721 Hildebrandt finished his masterpiece, the organ of the Nikolaikirche of Langhennersdorf, a small village near Freiberg. Afterwards he built an organ in Störmthal near Leipzig (where befriended Johann Sebastian Bach) and from 1724 to 1726 an organ in Lengefeld. On this project, a dispute developed with Gottfried Silbermann, who treated him as a rival and sued him. The dispute was settled by an agreement in which Hildebrandt obliged himself to take over only orders rejected by Silbermann. Therefore, he moved his work to the region near Leipzig and to Thuringia. J.S. Bach thought Hildebrandt was the best organ builder of his time. Hildebrandt's largest organ has 3 manuals and a pedalboa ...
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Gottfried Silbermann
Gottfried Silbermann (January 14, 1683 – August 4, 1753) was a German builder of keyboard instruments. He built harpsichords, clavichords, organs, and fortepianos; his modern reputation rests mainly on the latter two. Life Very little is known about Silbermann's youth. He was born in Kleinbobritzsch (now a part of Frauenstein, Saxony) as the youngest son of the carpenter Michael Silbermann. They moved to the nearby town of Frauenstein in 1685, and it is possible that Gottfried also learnt carpentry there. He moved to Straßburg in 1702, where he learnt organ construction from his brother and came in touch with the French-Alsatian school of organ construction. He returned to Saxony as a master craftsman in 1710, and opened his own organ workshop in Freiberg one year later. His second project in Germany was the "Grand Organ" in the Freiberg Cathedral of St. Mary, finished in 1714. In 1723 he was bestowed the title ''Königlich Polnischen und Churfürstlich Sächsischen Hof- und ...
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James Kibbie
James Kibbie (born March 13, 1949) is an American concert organist, recording artist and pedagogue. He is Professor of Organ at the University of Michigan. Biography Kibbie was born in 1949 in Vinton, Iowa, USA. He graduated from Davenport West High School in 1967. He holds a Bachelor of Music in Organ Performance from North Texas State University (Magna cum laude, 1971), the Master of Music in Organ Performance from North Texas State University (1972), and the Doctor of Musical Arts in Organ Performance from the University of Michigan (1981). He won the International Organ Competition of the Prague Spring Festival in the former Czechoslovakia in 1979 and the ''Grand Prix d'Intérpretation'' at the International Organ Competition "Grand Prix de Chartres" in France in 1980. He joined the University of Michigan organ faculty in 1981 and is currently Professor of Organ. The University of Michigan has endowed the James Kibbie Scholarship in perpetuity to support students majorin ...
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Toccata And Fugue (other)
Toccata and Fugue may refer to several classical compositions attributed to Johann Sebastian Bach: * Toccata and Fugue in D minor, BWV 565 – the best known "Toccata and Fugue", for organ * Toccata and Fugue in D minor, BWV 538 a.k.a. ''Dorian'', for organ * Toccata and Fugue in F major, BWV 540 – for organ * Prelude (Toccata) and Fugue in E major, BWV 566 – for organ * Toccata, Adagio and Fugue in C major, BWV 564 – for organ See also * List of compositions by Johann Sebastian Bach for more works called "Toccata and Fugue" * Prelude and fugue, including a list of works * Fantasia and Fugue (other) Fantasia and Fugue may refer to several compositions attributed mainly to Johann Sebastian Bach: * Chromatic Fantasia and Fugue, for harpsichord * Fantasia and Fugue in C minor, BWV 537, for organ * Great Fantasia and Fugue in G minor, BWV 542, for ... {{disambig ...
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Alla Breve
''Alla breve'' also known as cut time or cut common timeis a musical meter notated by the time signature symbol (a C with a vertical line through it), which is the equivalent of . The term is Italian for "on the breve", originally meaning that the beat was counted on the breve. ''Alla breve'' is a "simple-duple meter with a half-note pulse".Duckworth, William (2009). ''A Creative Approach to Music Fundamentals'', p. 38. . The note denomination that represents one beat is the minim or half-note. There are two of these per bar, so that the time signature may be interpreted as "two minim beats per bar". Alternatively this is read as two beats per measure, where the half note gets the beat. The name "common time" refers to , which has four beats to the bar, each of a quarter note (or crotchet). Modern usage In contemporary use, ''alla breve'' suggests a fairly quick tempo. Thus, it is used frequently for military marches. From about 1600 to 1900, its meaning with regard to ...
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Pyotr Ilyich Tchaikovsky
Pyotr Ilyich Tchaikovsky , group=n ( ; 7 May 1840 – 6 November 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets '' Swan Lake'' and ''The Nutcracker'', the ''1812 Overture'', his First Piano Concerto, Violin Concerto, the ''Romeo and Juliet'' Overture-Fantasy, several symphonies, and the opera ''Eugene Onegin''. Although musically precocious, Tchaikovsky was educated for a career as a civil servant as there was little opportunity for a musical career in Russia at the time and no system of public music education. When an opportunity for such an education arose, he entered the nascent Saint Petersburg Conservatory, from which he graduated in 1865. The formal Western-oriented teaching that he received there set him apart from composers of the contemporary nati ...
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Deceptive Cadence
In Western musical theory, a cadence (Latin ''cadentia'', "a falling") is the end of a phrase in which the melody or harmony creates a sense of full or partial resolution, especially in music of the 16th century onwards.Don Michael Randel (1999). ''The Harvard Concise Dictionary of Music and Musicians'', pp. 105-106. . A harmonic cadence is a progression of two or more chords that concludes a phrase, section, or piece of music. A rhythmic cadence is a characteristic rhythmic pattern that indicates the end of a phrase. A cadence can be labeled "weak" or "strong" depending on the impression of finality it gives. While cadences are usually classified by specific chord or melodic progressions, the use of such progressions does not necessarily constitute a cadence—there must be a sense of closure, as at the end of a phrase. Harmonic rhythm plays an important part in determining where a cadence occurs. Cadences are strong indicators of the tonic or central pitch of a passage o ...
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