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Tobias And The Angel (other)
Tobias and the Angel is a theme in art taken from the Book of Tobit The Book of Tobit () ''Tōbith'' or ''Tōbit'' ( and spellings are also attested) itself from he, טובי ''Tovi'' "my good"; Book of Tobias in the Vulgate from the Greek ''Tōbias'', itself from the Hebrew ''Tovyah'' " Yah is good", also k .... It may refer to a number of works of art and music, including: * ''Tobias and the Angel'' (Pollaiuolo), a c. 1465–1470 painting by Antonio and Piero del Pollaiuolo * ''Tobias and the Angel'' (Verrocchio), a 1470–1475 painting attributed to the workshop of Andrea del Verrocchio * ''Tobias and the Angel'' (Filippino Lippi), a c. 1475–1480 painting by Filippino Lippi * Certosa di Pavia Altarpiece, a c. 1496–1500 altarpiece by Pietro Perugino * ''The Archangel Raphael and Tobias'' (Titian), a c. 1512−1514 painting by Titian; also a c. 1540−1545 painting by him * ''Tobias and the Angel'' (sculpture), a 1516 sculptural group by Veit Stoss * ''Lands ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tobias And The Angel
Tobias and the Angel is the title given to paintings and other artworks depicting a scene from the Book of Tobit in which Tobias, son of Tobit, meets an angel without realising he is an angel (5.5–6) and is then instructed by the angel what to do with a giant fish he catches (6.2–9). Paintings * ''Tobit with the Angel'' by Gerbrand van den Eeckhout * ''Tobias and the Angel'' (1875) by Evelyn De Morgan Prints * ''Tobias and the Angel'' by Hercules Seghers Literature and theatre * ''Tobias and the Angel'' (1930), play by James Bridie (1888–1951) * ''Tobias and the Angel'' (opera) (1999), community opera * ''Tobias and the Angel'', 1975 novel by Frank Yerby Frank Garvin Yerby ( – ) was an American writer, best known for his 1946 historical novel ''The Foxes of Harrow''. Early life Yerby was born in Augusta, Georgia, on September 5, 1916, the second of four children of Rufus Garvin Yerby (1886– ... External links * {{Book of Tobit, state=collapsed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Tobit
The Book of Tobit () ''Tōbith'' or ''Tōbit'' ( and spellings are also attested) itself from he, טובי ''Tovi'' "my good"; Book of Tobias in the Vulgate from the Greek ''Tōbias'', itself from the Hebrew ''Tovyah'' " Yah is good", also known as the Book of Tobias or the Book of Tobi, is a 3rd or early 2nd century BC Jewish work describing how God tests the faithful, responds to prayers, and protects the covenant community (i.e., the Israelites). It tells the story of two Israelite families, that of the blind Tobit in Nineveh and of the abandoned Sarah in Ecbatana. Tobit's son Tobias is sent to retrieve ten silver talents that Tobit once left in Rages, a town in Media; guided and aided by the angel Raphael he arrives in Ecbatana, where he meets Sarah. A demon named Asmodeus has fallen in love with her and kills anyone she intends to marry, but with the aid of Raphael the demon is exorcised and Tobias and Sarah marry, after which they return to Nineveh where Tobit is cured ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tobias And The Angel (Pollaiuolo)
''Tobias and the Angel'' is an oil painting on panel of by the Italian artists Antonio and Piero del Pollaiuolo, in the Galleria Sabauda in Turin. It was probably the first in a series of Florentine paintings of Tobias and the Angel Tobias and the Angel is the title given to paintings and other artworks depicting a scene from the Book of Tobit in which Tobias, son of Tobit, meets an angel without realising he is an angel (5.5–6) and is then instructed by the angel what to ... with similar features, especially a wide landscape background, a small fluffy white dog, and a very expensively dressed, and very young, figure of Tobias. The painting was mentioned by Giorgio Vasari as hanging on a pillar in the church of Orsanmichele in Florence, though he erroneously described it as being painted on canvas. Rediscovered in the Palazzo Tolomei on via Ginori in Florence by Gaetano Milanesi, it was acquired by Baron Hector de Garriod in 1865 for its present owner.Aldo Galli, '' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tobias And The Angel (Verrocchio)
''Tobias and the Angel'' is an altar painting, finished around 1470–1475, attributed to the workshop of the Italian Renaissance painter Andrea del Verrocchio. It is housed in the National Gallery, London. This painting is similar to an earlier painting depicting Tobias and the Angel, by Antonio del Pollaiuolo. According to Oxford art historian Martin Kemp, Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 14522 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, Drawing, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially res ..., who was a member of Verrocchio's studio, may have painted some part of this work, most likely the fish. David Alan Brown, of the National Gallery in Washington, attributes the painting of the fluffy little dog to him as well. If so, this would be perhaps the first extant example of a painting with input by Leonardo. File:Verrocchio Tobias and the angel de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tobias And The Angel (Filippino Lippi)
''Tobias and the Angel'' is an oil and tempera on poplar panel painting by the Florentine Renaissance painter Filippino Lippi, dating from c. 1475–1480. It is housed in the National Gallery of Art of Washington, DC. Filippino Lippi, Google Arts & Culture Description The work, in and tempera on a poplar panel, measures . It depicts a biblical scene of Tobias and Raphael. In the |
Certosa Di Pavia Altarpiece
The ''Certosa di Pavia Altarpiece'' was an oil on panel altarpiece by Pietro Perugino. It dates to around 1496 to 1500 and three of its panels are now in the National Gallery, London. Art historians believe that the central panel is an autograph copy of the ''Madonna del Sacco''. History It was commissioned by Ludovico Sforza for the chapel of Saint Michael in the Certosa di Pavia, a building symbolic of the Visconti-Sforza's patronage of the church and the arts. He had already sent an agent to Florence in 1490 to find out about the artistic scene and converse with Sandro Botticelli, Domenico Ghirlandaio, Filippino Lippi and Pietro Vannucci. Sforza initially commissioned a ''Deposition'' from Lippi, but this was not completed and so he instead decided in 1494 to commission Perugino. The altarpiece originally had six panels. The central lower panel shows the Madonna and Child with angels, whilst the left panel shows the archangel Michael Michael may refer to: People * Michae ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Archangel Raphael And Tobias (Titian)
''The Archangel Raphael and Tobias'' (Italian: ''Arcangelo Raffaele e Tobiolo'') is an oil painting by Titian of Tobias and the Angel, dated to about 1512 to 1514, which is now in the Gallerie dell'Accademia in Venice. Another painting by Titian of the same subject, entitled ''Tobias and the Angel'' (''Tobiolo e l'angelo''), dated to about 1540 to 1545, remains in the church of the Madonna dell'Orto in Venice. ''The Archangel Raphael and Tobias'' This early, Giorgionesque work of Tobias and the Angel is recorded in a print by Lefèbre.Ricketts 1910, p. 99. The painting comes from the church of Santa Caterina, Venice, and was formerly thought by some scholars to be a copy of a lost original. The picture is attested—starting from Boschini, writing in 1664—on an altar dedicated to the Archangel Raphael on the right side of the church. The presence of the Bembo coat of arms suggests that the painting was commissioned by a member of the family of the Renaissance huma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tobias And The Angel (sculpture)
''Tobias and the Angel'' is a group of two limewood sculptures carved in 1516 by Veit Stoss showing '' Tobias and the Angel'', with the archangel Raphael and Tobias, now in the Germanisches Nationalmuseum in Nuremberg. Whilst late Gothic in style, it is also shows Italian Renaissance influences first picked up by the artist whilst working on Piotr of Bnin's tomb in Kraków. They were commissioned, possibly as votive figures, by Rafaello Torrigiani, a Florentine merchant living in Santo Spirito parish, where his family had their chapel and which also contained the chapel of the Confraternity of Saint Raphael. The latter chapel had an altarpiece by Neri di Bicci and later one by Francesco Botticini (the latter now in the Galleria dell'Accademia), both also showing Raphael and Tobias. The works' later history is unknown and until the 1930s they were in separate locations, with the archangel in St. Jakob, Nuremberg and Tobias (then mistaken for one of the Magi Magi (; singul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Landscape With Tobias And The Angel (Rosa)
''Landscape with Tobias and the Angel'' is a large Baroque landscape painting created ca. 1670 by the Southern Italian painter Salvator Rosa. It includes a Christian theme from the Book of Tobit: Tobias and the archangel Raphael with the fish from the river Tigris. The painting is on display in the Musée des Beaux-Arts of Strasbourg, France. Its inventory number is 182. ''Landscape with Tobias and the Angel'' was painted in Rome, after the artist's 1662 journey to Venice. It was the first of a series of increasingly small and austere depictions of the subject. The large Strasbourg painting (of which three replicas exist, one of which is kept in the National Gallery, and another in the Wadsworth Atheneum) has been much praised for its expressiveness and its virtuosity since the 18th century. It was bought by Wilhelm von Bode in London in 1890; its previous history can be traced back to 1777, when it was bought at a Parisian auction by of the House of Rohan-Chabot. The dep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
