Tlacuilas Y Retrateras
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Tlacuilas Y Retrateras
Tlacuilas y Retrateras was one of the first feminist art collectives in Mexico. It was founded in May 1983 by Ruth Albores, Consuelo Almeda, Karen Cordero, Ana Victoria Jiménez, Lorena Loaiza, Nicola Coleby, Marcela Ramírez, Isabel Restrepo, Patricia Torres and Elizabeth Valenzuela based on a feminist art workshop taught by Mónica Mayer at the Academia de San Carlos, National School of Plastic Arts ( UNAM). The name of the group refers to the Nahuatl tradition of tlacuilos: men and women who, under the protection of the Goddess Xochiquetzal, “focused on the expression and interpretation of the universe of beliefs that ancient peoples held about time, space, their history and knowledge,” that were represented in murals and codices. In 1984, the Tlacuilas y Retrateras collective separated shortly after presenting their controversial work ''La fiesta de XV años''. Context The social movements and revolutionary ideas that swept through the world during the 1960s and 1 ...
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Feminist Art
Feminist art is a category of art associated with the late 1960s and 1970s feminist movement. Feminist art highlights the societal and political differences women experience within their lives. The hopeful gain from this form of art is to bring a positive and understanding change to the world, in hope to lead to equality or liberation. Media used range from traditional art forms such as painting to more unorthodox methods such as performance art, conceptual art, body art, craftivism, video, film, and fiber art. Feminist art has served as an innovative driving force towards expanding the definition of art through the incorporation of new media and a new perspective. History Historically speaking, women artists, when they existed, have largely faded into obscurity: there is no female Michelangelo or Da Vinci equivalent. In ''Why Have There Been No Great Women Artists'' Linda Nochlin wrote, "The fault lies not in our stars, our hormones, our menstrual cycles, or our empty int ...
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Polvo De Gallina Negra
Polvo de Gallina Negra ''(in Spanish: Black hen powder)'' was a collective founded by Mexican visual artists Maris Bustamante and Mónica Mayer in 1983, the first group of the feminist art genre in Mexico. For ten years, their activities included demonstrations, exhibitions, conferences, publication of texts, participation in media, performance, curatorship, and mail art. Bustamante wrote, “ grew while we built our families, so we had a lots of fun discovering that the social and cultural reality is penetrable.”Amy Sary Carroll.A Critical Regionalism: The Allegorical Performative in ''Madre por un día'' and the Rodríguez/Felipe Wedding” ''e-misférica'' 2.2 (special issue on "Sexualities and Politics in the Americas"), November 2005.Villegas Morales, G. (2006)''Los grupos de arte feminista en México'' Universidad Veracruzana Digital Repository, México. Context The 1970s were a time of complex sociopolitical change in Mexico, beginning with the crisis incited by the Tlat ...
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Feminist Art Organizations
Feminism is a range of socio-political movements and ideologies that aim to define and establish the political, economic, personal, and social equality of the sexes. Feminism incorporates the position that society prioritizes the male point of view and that women are treated unjustly in these societies. Efforts to change this include fighting against gender stereotypes and improving educational, professional, and interpersonal opportunities and outcomes for women. Feminist movements have campaigned and continue to campaign for women's rights, including the right to vote, run for public office, work, earn equal pay, own property, receive education, enter contracts, have equal rights within marriage, and maternity leave. Feminists have also worked to ensure access to contraception, legal abortions, and social integration and to protect women and girls from rape, sexual harassment, and domestic violence. Changes in female dress standards and acceptable physical activities ...
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Performance
A performance is an act of staging or presenting a play, concert, or other form of entertainment. It is also defined as the action or process of carrying out or accomplishing an action, task, or function. Management science In the work place, job performance is the hypothesized conception or requirements of a role. There are two types of job performances: contextual and task. Task performance is dependent on cognitive ability, while contextual performance is dependent on personality. Task performance relates to behavioral roles that are recognized in job descriptions and remuneration systems. They are directly related to organizational performance, whereas contextual performances are value-based and add additional behavioral roles that are not recognized in job descriptions and covered by compensation; these are extra roles that are indirectly related to organizational performance. Citizenship performance, like contextual performance, relates to a set of individual activity/co ...
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Winged Victory Of Samothrace
The ''Winged Victory of Samothrace'', or the ''Nike of Samothrace'', is a votive monument originally found on the island of Samothrace, north of the Aegean Sea. It is a masterpiece of Greek sculpture from the Hellenistic era, dating from the beginning of the 2nd century BC. It is composed of a statue representing the goddess Niké (Victory), whose head and arms are missing, and its base in the shape of a ship's bow. The total height of the monument is 5.57 meters including the socle; the statue alone measures 2.75 meters. The sculpture is one of a small number of major Hellenistic statues surviving in the original, rather than Roman copies. ''Winged Victory'' has been exhibited at the Louvre Museum in Paris, at the top of the main staircase, since 1884. Discovery and restorations In the 19th century In 1863, Charles Champoiseau (1830–1909), acting in charge of the Consulate of France in Adrianopolis (now Edirne in Turkey), undertook from March 6 to May 7 the exploration o ...
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Conceptual Art
Conceptual art, also referred to as conceptualism, is art in which the concept(s) or idea(s) involved in the work take precedence over traditional aesthetic, technical, and material concerns. Some works of conceptual art, sometimes called installations, may be constructed by anyone simply by following a set of written instructions. This method was fundamental to American artist Sol LeWitt's definition of conceptual art, one of the first to appear in print: Tony Godfrey, author of ''Conceptual Art (Art & Ideas)'' (1998), asserts that conceptual art questions the nature of art, a notion that Joseph Kosuth elevated to a definition of art itself in his seminal, early manifesto of conceptual art, ''Art after Philosophy'' (1969). The notion that art should examine its own nature was already a potent aspect of the influential art critic Clement Greenberg's vision of Modern art during the 1950s. With the emergence of an exclusively language-based art in the 1960s, however, conceptual ...
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José Luis Cuevas
José Luis Cuevas (February 26, 1934 – July 3, 2017) was a Mexican artist, he often worked as a painter, writer, draftsman, engraver, illustrator, and printmaker. Cuevas was one of the first to challenge the then dominant Mexican muralism movement as a prominent member of the Generación de la Ruptura (English: Breakaway Generation). He was a mostly self-taught artist, whose styles and influences are moored to the darker side of life, often depicting distorted figures and the debasement of humanity. He had remained a controversial figure throughout his career, not only for his often shocking images, but also for his opposition to writers and artists who he feels participate in corruption or create only for money. In 1992, the José Luis Cuevas Museum was opened in the historic center of Mexico City holding most of his work and his personal art collection. His grandson Alexis de Chaunac is a contemporary artist. Biography Childhood José Luis Cuevas was born on February 26, ...
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Quinceañera
A (also , , , and ) is a celebration of a girl's 15th birthday. It has pre-Columbian roots in Mexico (Aztecs) and is widely celebrated by girls throughout Latin America. The girl celebrating her 15th birthday is a (; gender (linguistics), feminine form of "15-year-old"). In Spanish, and in Hispanic America, the term is reserved solely for the honoree; in English, primarily in the United States, the term is used to refer to the celebrations and honors surrounding the occasion. This birthday is celebrated differently from any other as it marks the transition from childhood to young womanhood. Historically, in the years prior to their 15th birthdays, girls were taught cooking, weaving, and about childbearing by the elder women in their communities in preparation for their future roles as wives and during the celebration the girl's father would present her to potential suitors. In the past, parallel customs could be found in Europe. Today, the custom remains strongest in Mexi ...
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Lucy R
Lucy is an English feminine given name derived from the Latin masculine given name Lucius with the meaning ''as of light'' (''born at dawn or daylight'', maybe also ''shiny'', or ''of light complexion''). Alternative spellings are Luci, Luce, Lucie, Lucia, and Luzia. The English Lucy surname is taken from the Norman language that was Latin-based and derives from place names in Normandy based on Latin male personal name Lucius. It was transmitted to England after the Norman Conquest in the 11th century (see also De Lucy). Feminine name variants *Luiseach (Irish) *Lusine, Լուսինե, Լուսինէ (Armenian) *Lučija, Лучија ( Serbian) *Lucy, Люси (Bulgarian) *Lutsi, Луци ( Macedonian) *Lutsija, Луција ( Macedonian) *Liùsaidh (Scottish Gaelic) *Liucija ( Lithuanian) *Liucilė ( Lithuanian) *Lūcija, Lūsija ( Latvian) *Lleucu (Welsh) *Llúcia (Catalan) *Loukia, Λουκία (Greek) *Luca ( Hungarian) *Luce ( French, Italian) *Lucetta (English) *Lucett ...
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Linda Nochlin
Linda Nochlin (''née'' Weinberg; January 30, 1931 – October 29, 2017) was an American art historian, Lila Acheson Wallace Professor Emerita of Modern Art at New York University Institute of Fine Arts, and writer. As a prominent feminist art historian, she became well known for her pioneering 1971 article "Why Have There Been No Great Women Artists?" published by ''ARTnews''.Nochlin, Linda. "Why Have There Been No Great Women Artists?" ''ARTnews'' January 1971: 22-39, 67-71. Early life and education Linda Natalie Weinberg was born the daughter of Jules Weinberg and Elka Heller (Weinberg) in Brooklyn, New York and raised in the borough's Crown Heights neighborhood. She attended Brooklyn Ethical Cultural School, a progressive grammar school. She received her B.A. in Philosophy from Vassar College in 1951, her M.A. in English from Columbia University in 1952, and her Ph.D in the history of art from the Institute of Fine Arts at New York University in 1963. Academic career After ...
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Academy Of San Carlos
The Academy of San Carlos ( es, Academia de San Carlos) is located at 22 Academia Street in just northeast of the main plaza of Mexico City. It was the first major art academy and the first art museum in the Americas. It was founded in 1781 as the School of Engraving and moved to the Academia Street location about 10 years later. It emphasized classical European training until the early 20th century, when it shifted to a more modern perspective. At this time, it also integrated with the National Autonomous University of Mexico, eventually becoming the Faculty of Arts and Design, which is based in Xochimilco. Currently, only graduate courses of the modern school are given in the original academy building. History The Academy of San Carlos was founded in 1783, being the first arts academy established in America in 1783, with European teachers, and bright students. In 1540 the building was built in order to create the first hospital for people with syphilis. Its name was "Hospit ...
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