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Théâtre Des Funambules
The Théâtre des Funambules ('The Theatre of the Tightrope-Walkers') was a former theater located on the boulevard du Temple in Paris, sometimes called the Boulevard du Crime. It was located between the prominent Théâtre de la Gaîté, and the much smaller Théâtre des Délassements-Comiques. Originally an informal venue for acrobatics and pantomime a theatre was eventually built in 1816. Originally seating 500, it was later enlarged to accommodate 773. The Funambules became celebrated for the performances of the 'Pierrot' mime Jean-Gaspard Deburau, between around 1819 and 1846, and also the early career of the great classical actor Frédérick Lemaître. The theatre was demolished in 1862, along with other neighboring venues such as Théâtre de la Gaîté, during Haussmann's renovation of Paris. Popular culture The 1938 German film ''Dance on the Volcano'' featured Gustaf Gründgens as Jean-Gaspard Deburau. Marcel Carné set his 1945 French film ''Les Enfants du Paradis' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustaf Gründgens
Gustaf Gründgens (; 22 December 1899 – 7 October 1963), born Gustav Heinrich Arnold Gründgens, was one of Germany's most famous and influential actors of the 20th century, and artistic director of theatres in Berlin, Düsseldorf, and Hamburg. His career continued unimpeded through the years of the Nazi regime; the extent to which this can be considered as deliberate collaboration with the Nazis is hotly disputed. His best known roles were that of Mephistopheles in Goethe's ''Faust'' in 1960, and as "Der Schränker" (The Safecracker) who is the chief judge of the kangaroo court presiding over Hans Beckert (Peter Lorre) in Fritz Lang's '' M''. Early life Born in Düsseldorf, Gründgens attended the drama school of the Düsseldorfer Schauspielhaus after World War I and started his career at smaller theaters in Halberstadt, Kiel, and Berlin. Career In 1923, he joined the ''Kammerspiele'' in Hamburg, where he changed his first name to Gustaf and appeared as a director for the fi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buildings And Structures Demolished In 1862
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatres Completed In 1816
Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses, to present the experience of a real or imagined event before a live audience in a specific place, often a stage. The performers may communicate this experience to the audience through combinations of gesture, speech, song, music, and dance. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of the experience. The specific place of the performance is also named by the word "theatre" as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece, from which it borrows technical terminology, classification into genres, and many of its themes, stock characters, and plot elements. Theatre artist Patrice ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
11th Arrondissement Of Paris
The 11th arrondissement of Paris (''XIe arrondissement'') is one of the 20 arrondissements of the capital city of France. In spoken French, this arrondissement is referred to as ''onzième''. The arrondissement, called Popincourt, is situated on the right bank of the River Seine. The arrondissement is one of the most densely populated urban districts of any European city. Description The eleventh arrondissement is a varied and engaging area. To the west lies the Place de la République, which is linked to the Place de la Bastille, in the east, by the sweeping, tree-lined Boulevard Richard-Lenoir, with its large markets and children's parks. The Place de la Bastille and the rue du Faubourg Saint-Antoine are full of fashionable cafés, restaurants, and nightlife, and they also contain a range of boutiques and galleries. The Oberkampf district to the north is another popular area for nightlife. The east is more residential, with more wholesale commerce, while the areas around the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Former Theatres In Paris
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Péricaud
Louis Jean Péricaud (10 June 1835, La Rochelle – 12 November 1909, Paris) was a 19th-century French stage actor, chansonnier, playwright, theatre historian and theatre director. He was the father of actress Berthe Jalabert (1858–c.1935) and the uncle of actor Gustave Hamilton (1871-1951). Works ;Selected plays: *1864: ''Le Diable au Havre'', grande revue-féerie in 4 acts and 5 tableaux, with Richard Lesclide, Théâtre du Havre, 13 January *1873: ''À cache-cache'' comedy in one act in verse and in prose, with Carle Le Dhuy, Théâtre du Vaudeville, 25 July *1876: ''Les Trois grâces'', pochade musicale, with Lucien Delormel and Gaston Villemer, Alcazar d'Été *1877: ''La Jeunesse de Béranger'', one-act operetta, music by Firmin Bernicat, L'Eldorado, 20 January *1878: ''Une aventure de Clairon'', one-act operetta, with Gaston Villemer, L'Eldorado, 23 November *1881: ''Les Chevau-Légers'', one-act operetta, with Lucien Delormel, music by Robert Planquette, L'Eldorado ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
July Monarchy
The July Monarchy (french: Monarchie de Juillet), officially the Kingdom of France (french: Royaume de France), was a liberal constitutional monarchy in France under , starting on 26 July 1830, with the July Revolution of 1830, and ending 23 February 1848, with the Revolution of 1848. It marks the end of the Bourbon Restoration (1814–1830). It began with the overthrow of the conservative government of Charles X, the last king of the House of Bourbon. , a member of the more liberal Orléans branch of the House of Bourbon, proclaimed himself as ("King of the French") rather than "King of France", emphasizing the popular origins of his reign. The king promised to follow the ''juste milieu'', or the middle-of-the-road, avoiding the extremes of both the conservative supporters of Charles X and radicals on the left. The July Monarchy was dominated by wealthy bourgeoisie and numerous former Napoleonic officials. It followed conservative policies, especially under the influence ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Enfants Du Paradis
''Children of Paradise'' (original French title: ''Les Enfants du Paradis'') is a two-part French romantic drama film by Marcel Carné, produced under war conditions in 1943, 1944, and early 1945 in both Vichy France and Occupied France. Set in the theatrical world of 1830s Paris, it tells the story of a courtesan and four men — a mime, an actor, a criminal and an aristocrat — who love her in entirely different ways. It has received universal critical acclaim. "I would give up all my films to have ''Les Enfants du Paradis''", said ''nouvelle vague'' director François Truffaut. In Truman Capote's ''The Duke in His Domain'' (1957), actor Marlon Brando called it "maybe the best movie ever made." Its original American trailer positioned it as the French answer to ''Gone With the Wind'' (1939), an opinion shared by critic David Shipman. A 1995 vote by 600 French critics and professionals named it the "Best Film Ever". Title As noted by one critic, "in French, 'paradis' is the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcel Carné
Marcel Albert Carné (; 18 August 1906 – 31 October 1996) was a French film director. A key figure in the poetic realism movement, Carné's best known films include '' Port of Shadows'' (1938), ''Le Jour Se Lève'' (1939), '' The Devil's Envoys'' (1942) and '' Children of Paradise'' (1945), the last of which has been cited as one of the greatest films of all time. Biography Born in Paris, France, the son of a cabinet maker whose wife died when their son was five, Carné began his career as a film critic, becoming editor of the weekly publication, ''Hebdo-Films'', and working for ''Cinémagazine'' and ''Cinémonde'' between 1929 and 1933.Richard Roud "Marcel Carné and Jacques Prevert" in Roud ''Cinema: A Critical Dictionary: Volume One, Aldrich to King'', London: Secker & Warburg, 1980, p.189-92, 189, 191 In the same period he worked in silent film as a camera assistant with director Jacques Feyder. By age 25, Carné had already directed his first short film, ''Nogent, Eldorado ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance On The Volcano
''Dance on the Volcano'' (German: ''Tanz auf dem Vulkan'') is a 1938 German historical musical comedy film directed by Hans Steinhoff and starring Gustaf Gründgens, Sybille Schmitz and Ralph Arthur Roberts. It was shot at the Johannisthal Studios in Berlin. The film's sets were designed by the art director Rochus Gliese. A light-hearted costume film the production was a significant departure for both its director, best known for his Nazi-supporting propaganda films, and its star Gründgens, celebrated as a classical actor. It made significant changes to the historical story, including turning Jean-Gaspard Deburau from a mime into a singer. Gründgens was unhappy with his performance, while both Adolf Hitler and the Minister of Propaganda Joseph Goebbels were critical of the production. This had led to some sources mistakenly suggesting it was either banned or had its release delayed for several years. In fact, the film was given an immediatate release and appears to have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Auditorium Of The Théâtre Des Funambules By Valentin - McCormick 1993 P41
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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