Three Chorale Fantasias, Op. 52
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Three Chorale Fantasias, Op. 52
Three chorale fantasias (''Drei Choralphantasien''), Op. 52, are chorale fantasias for organ by Max Reger. He composed the fantasias on three chorales in September 1900: ', ' and '. They were all first performed individually by Reger's friend Karl Straube, and were first published by Breitkopf & Härtel. Straube and others regarded especially No. 2 highly, Straube called it ''"großartigste Leistung"'' (most extraordinary achievement). History Reger composed the works in September 1900 in Weiden in der Oberpfalz. He dated No. 2 on 15 September 1900, and sent the works to the publisher on 22 October 1900. Reger wrote dedications: * No. 1: ''"Sr. Hochwürden Herrn Professor Dr. Julius Smend hochachtungsvollst zugeeignet"'' (Most respectfully dedicated to the Very Reverend Professor Dr Julius Smend) * No. 2: ''"Meinem Freunde Karl Straube in herzlichster Dankbarkeit zugeeignet"'' (Dedicated to my friend Karl Straube, with cordial gratitude) * No. 3: ''"Herrn Friedrich L. Schna ...
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Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, as a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Brand, Kingdom of Bavaria, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic fa ...
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Motif (music)
In music, a motif IPA: ( /moʊˈtiːf/) (also motive) is a short musical phrase, a salient recurring figure, musical fragment or succession of notes that has some special importance in or is characteristic of a composition: "The motive is the smallest structural unit possessing thematic identity". The ''Encyclopédie de la Pléiade'' regards it as a "melodic, rhythmic, or harmonic cell", whereas the 1958 ''Encyclopédie Fasquelle'' maintains that it may contain one or more cells, though it remains the smallest analyzable element or phrase within a subject. It is commonly regarded as the shortest subdivision of a theme or phrase that still maintains its identity as a musical idea. "The smallest structural unit possessing thematic identity". Grove and Larousse also agree that the motif may have harmonic, melodic and/or rhythmic aspects, Grove adding that it "is most often thought of in melodic terms, and it is this aspect of the motif that is connoted by the term 'fig ...
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Universal Edition
Universal Edition (UE) is a classical music publishing firm. Founded in 1901 in Vienna, they originally intended to provide the core classical works and educational works to the Austrian market (which had until then been dominated by Leipzig-based publishers). The firm soon expanded to become one of the most important publishers of modern music. History In 1904, UE acquired Aibl publishers, and so acquired the rights to works by Richard Strauss, Max Reger, and other composers, but it was the arrival of Emil Hertzka as managing director in 1907 (who remained until his death in 1932) which really pushed the firm towards new music. Under Hertzka, UE signed contracts with a number of important contemporary composers, including Béla Bartók and Frederick Delius in 1908; Gustav Mahler and Arnold Schoenberg in 1909 (Mahler's '' Symphony No. 8'' was the first work UE acquired an original copyright to); Anton Webern and Alexander von Zemlinsky in 1910; Karol Szymanowski in 1912; Leoš J ...
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Max Reger - Hallelujah! Gott Zu Loben - UE 1248 (1901)
Max or MAX may refer to: Animals * Max (dog) (1983–2013), at one time purported to be the world's oldest living dog * Max (English Springer Spaniel), the first pet dog to win the PDSA Order of Merit (animal equivalent of OBE) * Max (gorilla) (1971–2004), a western lowland gorilla at the Johannesburg Zoo who was shot by a criminal in 1997 Brands and enterprises * Australian Max Beer * Max Hamburgers, a fast-food corporation * MAX Index, a Hungarian domestic government bond index * Max Fashion, an Indian clothing brand Computing * MAX (operating system), a Spanish-language Linux version * Max (software), a music programming language * Commodore MAX Machine * Multimedia Acceleration eXtensions, extensions for HP PA-RISC Films * ''Max'' (1994 film), a Canadian film by Charles Wilkinson * ''Max'' (2002 film), a film about Adolf Hitler * ''Max'' (2015 film), an American war drama film Games * ''Dancing Stage Max'', a 2005 game in the ''Dance Dance Revolution'' series * '' ...
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Canon (music)
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitation (music), imitations of the melody played after a given duration (music), duration (e.g., quarter rest, one measure, etc.). The initial melody is called the leader (or ''dux''), while the imitative melody, which is played in a different part (music), voice, is called the follower (or ''comes''). The follower must imitate the leader, either as an exact replication of its rhythms and Interval (music), intervals or some transformation thereof. Repeating canons in which all voices are musically identical are called round (music), rounds—"Row, Row, Row Your Boat" and "Frère Jacques" are popular examples. An accompanied canon is a canon accompanied by one or more additional independent parts that do not imitate the melody. History Medieval and Renaissance During the Medieval music, Middle Ages, Renaissance music, Renaissance, and Baroque music, Baroque ...
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Coda (music)
In music, a coda () (Italian for "tail", plural ''code'') is a passage that brings a piece (or a movement) to an end. It may be as simple as a few measures, or as complex as an entire section. In classical music The presence of a coda as a structural element in a movement is especially clear in works written in particular musical forms. Codas were commonly used in both sonata form and variation movements during the Classical era. In a sonata form movement, the recapitulation section will, in general, follow the exposition in its thematic content, while adhering to the home key. The recapitulation often ends with a passage that sounds like a termination, paralleling the music that ended the exposition; thus, any music coming after this termination will be perceived as extra material, i.e., as a coda. In works in variation form, the coda occurs following the last variation and will be very noticeable as the first music not based on the theme. One of the ways that Beethoven ...
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Choral Halleluja! Gott Zu Loben
A choir ( ; also known as a chorale or chorus) is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform. Choirs may perform music from the classical music repertoire, which spans from the Medieval music, medieval era to the present, or popular music repertoire. Most choirs are led by a conducting, conductor, who leads the performances with arm, hand, and facial gestures. The term ''choir'' is very often applied to groups affiliated with a church (whether or not they actually occupy the Choir (architecture), quire), whereas a ''chorus'' performs in theatres or concert halls, but this distinction is not rigid. Choirs may sing without instruments, or accompanied by a piano, pipe organ, a small ensemble, or an orchestra. A choir can be a subset of an ensemble; thus one speaks of the "woodwind choir" of an orchestra, or different "choirs" of voices or instruments in a Venetian polychoral style, polychoral compositi ...
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Johann Georg Bätzler
Johann, typically a male given name, is the German form of ''Iohannes'', which is the Latin form of the Greek name ''Iōánnēs'' (), itself derived from Hebrew name ''Yochanan'' () in turn from its extended form (), meaning " Yahweh is Gracious" or "Yahweh is Merciful". Its English language equivalent is John. It is uncommon as a surname. People People with the name Johann include: Mononym *Johann, Count of Cleves (died 1368), nobleman of the Holy Roman Empire *Johann, Count of Leiningen-Dagsburg-Falkenburg (1662–1698), German nobleman *Johann, Prince of Hohenzollern-Sigmaringen (1578–1638), German nobleman A–K * Johann Adam Hiller (1728–1804), German composer * Johann Adam Reincken (1643–1722), Dutch/German organist * Johann Adam Remele (died 1740), German court painter * Johann Adolf I, Duke of Saxe-Weissenfels (1649–1697) * Johann Adolph Hasse (1699-1783), German Composer * Johann Altfuldisch (1911—1947), German Nazi SS concentration camp officer execute ...
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Psalm 146
Psalm 146 is the 146th psalm of the Book of Psalms, beginning in English in the King James Version, "Praise ye the LORD. Praise the LORD, O my soul". In Latin, it is known as "Lauda anima mea Dominum". In the slightly different numbering system used in the Greek Septuagint version of the Bible, and in the Latin Vulgate/Vulgata Clementina, this psalm is Psalm 145. Psalm 146 is used as a regular part of Jewish, Catholic, Lutheran, Anglican and other Protestant liturgies. It has often been set to music, paraphrased in hymns such as Paul Gerhardt's German "" (You my soul sing), and used in cantatas such as Bach's early (Praise the Lord, my soul). Text Hebrew Bible version The following is the Hebrew text of Psalm 146: King James Version # Praise ye the LORD. Praise the LORD, O my soul. # While I live will I praise the LORD: I will sing praises unto my God while I have any being. # Put not your trust in princes, nor in the son of man, in whom there is no help. # His ...
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Hans Klotz
''Code Lyoko'' () is a French animated television series created by Thomas Romain and Tania Palumbo and produced by Antefilms Production (season 1) and MoonScoop Group (seasons 2-4) for France 3 and Canal J, with the participation of Conseil Général de la Charente, Pôle Image Magelis, Région Poitou-Charentes and Wallimage. The series centers on a group of teenagers who travel to the virtual world of Lyoko to battle against a malignant artificial intelligence known as X.A.N.A. who threatens Earth with powers to access the real world and cause trouble. The scenes in the real world employ traditional animation with hand-painted backgrounds, while the scenes in Lyoko are presented in 3D CGI animation. The series began its first, 97-episode run on 3 September 2003, on France's France 3, and ended on 10 November 2007. It started airing in the United States on 19 April 2004 on Cartoon Network. ''Code Lyoko'' aired every day on Cartoon Network, and was also in their Miguzi and ...
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Cemetery
A cemetery, burial ground, gravesite or graveyard is a place where the remains of dead people are buried or otherwise interred. The word ''cemetery'' (from Greek , "sleeping place") implies that the land is specifically designated as a burial ground and originally applied to the Roman catacombs. The term ''graveyard'' is often used interchangeably with cemetery, but a graveyard primarily refers to a burial ground within a churchyard. The intact or cremated remains of people may be interred in a grave, commonly referred to as burial, or in a tomb, an "above-ground grave" (resembling a sarcophagus), a mausoleum, columbarium, niche, or other edifice. In Western cultures, funeral ceremonies are often observed in cemeteries. These ceremonies or rites of passage differ according to cultural practices and religious beliefs. Modern cemeteries often include crematoria, and some grounds previously used for both, continue as crematoria as a principal use long after the interment ...
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Straube
Straube is a German surname that may refer to: * Emil J. Straube (born 1952), Swiss and American mathematician * Erich Straube (1887 - 1971), German general * Karl Straube (1873 – 1950), German church musician, organist, and choral conductor * Kasper Straube (15th century), German printer * (1717- 1785), German composer, J. S. Bach's pupil See also * Straub Straub is a Germanic surname that literally means "one with bushy or bristly hair". Its original meaning in Middle High German is "rough" or "unkempt". It may also refer to people who come from Straubing in Germany. Spelling variations of Straub i ... * Straube Piano Company German-language surnames {{surname-stub ...
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