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Those Were The Days (1934 Film)
''Those Were the Days'' is a 1934 British comedy film directed by Thomas Bentley and starring Will Hay, Iris Hoey and John Mills. It was based on Arthur Wing Pinero's 1885 farce '' The Magistrate'' and was the first of two Hay movies based on Pinero's plays, the other being '' Dandy Dick''. The film also features music hall acts of the time – acts of a type rarely committed to film. It is primarily remembered as Will Hay's first major screen role. The film was produced and released by British International Pictures and was shot at the company's Elstree Studios. The film's sets were designed by the art director Duncan Sutherland. Plot summary The strait-laced magistrate Brutus Poskett (Will Hay) is concerned that his wife (Iris Hoey) may be older than he believes her to be, especially as his young stepson (John Mills) seems very precocious for an apparently fifteen-year-old boy. Mrs Poskett tries to stop an impending visit from her first husband's friend (Claud Allister), ...
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Thomas Bentley
Thomas Bentley (23 February 1884 – 23 December 1966) was a British film director. He directed 68 films between 1912 and 1941. He directed three films in the early DeForest Phonofilm sound-on-film process, ''The Man in the Street'' (1926), ''The Antidote'' (1927), and ''Acci-Dental Treatment'' (1928). Bentley was born in St George Hanover Square, London and originally trained as an engineer but went on to become a vaudeville performer well known for impersonating the characters from the novels of Charles Dickens on stage, touring Britain and Australia.McFarlane, Brian (28 February 2014). ''The Encyclopedia of British Film: Fourth edition''. Oxford University Press. p. 66-67; His directing career in silent films began in 1910 after he was signed by Cecil Hepworth to write and direct five adaptations of Dickens' novels. He would go on to helm more Charles Dickens adaptations throughout his career. After his retirement from directing in 1941 he became technical advisor to the ...
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Dandy Dick (play)
''Dandy Dick'' is a three-act farce by Arthur Wing Pinero, first performed in London in 1887. It depicts the complications arising when a respectable clergyman is persuaded to bet on a horse race to subsidise building works on his church. The play has been revived several times and has been adapted for the cinema, radio and television. Background and first production In 1883 the actors Arthur Cecil and John Clayton took over the management of the Court Theatre in London. After an uncertain start, with a succession of unprofitable productions, they commissioned Arthur Wing Pinero to write a farce, '' The Magistrate'' (1885). It was a considerable success, running for 363 performances, and its successor at the Court, Pinero's ''The Schoolmistress'' (1886), also ran well.Dawick, p. 406 Cecil and Clayton commissioned a third farce from the author. This, ''Dandy Dick'', opened at the Court on 27 January 1887 and ran for 171 performances there, transferring to Toole's Theatre in July, ...
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Jimmy Godden
Jimmy Godden (11 August 1879 – 5 March 1955) was a British film actor. He was educated at Christ's Hospital and was in the Civil Service before becoming a concert pianist. Godden later turned to the stage and made his debut in pantomime at the Theatre Royal, Plymouth, then going on to the London West End doing a number of comedies and revues. Filmography * ''Big Business'' (1930) – Oppenheimer * ''The Wife's Family'' (1931) – Doc Knott * ''The Last Coupon'' (1932) – Geordie Bates * '' His Wife's Mother'' (1932) – Mr. Trout * '' Money Talks'' (1932) – Joe Bell * '' For the Love of Mike'' (1932) – Henry Miller * ''Crime on the Hill'' (1933) – Landlord * '' Happy'' (1933) – Brummelberg * ''Their Night Out'' (1933) – Archibald Bunting * ''Meet My Sister'' (1933) – Pogson * ''Hawley's of High Street'' (1933) – Mayor * ''The Outcast'' (1934) – Harry * ''Those Were the Days'' (1934) – Pat Maloney * ''The Luck of a Sailor'' (1934) – Betz * '' Sometimes Goo ...
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Wally Patch
Walter Sydney Vinnicombe (26 September 1888 – 27 October 1970) was an English actor and comedian. He worked in film, television and theatre. Biography Vinnicombe was born in Willesden, Middlesex and began working on the music hall stages in 1912 and at regular theatres in 1938 at the Theatre Royal, Drury Lane. His first film appearance was in 1928, and went on to appear in 213 other films. He worked up to his death, with his last television appearance in the comedy '' Doctor in the House'' in 1970. Partial filmography * ''Blighty'' (1927) - Drill Sergeant * '' Boadicea'' (1927) - Officer in Roman Army (uncredited) * '' The King's Highway'' (1927) - Police Chief * '' Carry On'' (1927) - Andrews * '' The Luck of the Navy'' (1927) - Stoker Clark * ''The Guns of Loos'' (1928) - Sergeant * '' Shooting Stars'' (1928) - Property Man * '' Balaclava'' (1928) - Trooper Strang * '' A Reckless Gamble'' (1928) - Wally * '' You Know What Sailors Are'' (1928) - Seaman * ''High Treason'' ( ...
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Syd Crossley
Syd Crossley (18 November 1885 – 1 November 1960) was an English stage and film actor. Born in London in 1885, Crossley began his career as a music hall comedian. He appeared in more than 110 films, often cast as a butler, between 1925 and 1942, with some of his most memorable early performances in Hal Roach shorts opposite Stan Laurel, Charley Chase, and Mabel Normand. He died in Troon, Cornwall. Partial filmography * ''Dr. Pyckle and Mr. Pryde'' (1925) * ''North Star'' (1925) * '' The Unknown Soldier'' (1926) * '' The Golden Web'' (1926) * '' Jewels of Desire'' (1927) * '' Romantic Rogue'' (1927) * '' Play Safe'' (1927) * '' One Hour Married'' (1927) * ''The Blood Ship'' (1927) * ''The Circus Kid'' (1928) * ''Into No Man's Land'' (1928) * '' Fangs of the Wild'' (1928) * '' A Perfect Gentleman'' (1928) * ''The Hate Ship '' (1929) * ''Atlantic'' (1929) * '' Atlantik'' (1929) * ''The Younger Generation'' (1929) * ''The Fatal Warning'' (1929) * '' The Middle Watch'' (1930) ...
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Laurence Hanray
Laurence Hanray ( Lawrence Henry Jacobs; 16 May 1874 – 28 November 1947), sometimes credited as Lawrence Hanray, was a British film and theatre actor born in London, England. He is also credited as the author of several plays and music hall songs. Laurence Hanray was born Lawrence Henry Jacobs in St John's Wood on 16 May 1874, the son of Angelo Jacobs (c. 1851–1910), a glass manufacturer, and Leah (née Nathan; 1850/1851–1946). His father changed his name to Angelo Jacobs Hanray, and with it the family name, after becoming bankrupt in 1897, although Laurence had been using the name Hanray professionally from at least 1892, when he appeared as a member of the Hermann Vezin Theatre Company in supporting roles in ''Hamlet'' and ''Macbeth'' at Her Majesty's Theatre, Dundee. Australian newspapers show he was in Australia and New Zealand from around 1901–04, appearing as Carraway Bones the undertaker in the farce ''Turned Up'' at the Theatre Royal, Perth, in May 1901, and s ...
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Marguerite Allan
Helen Marguerite Allan (30 August 1905 – 29 January 1994) was a Russian-born British actress, who appeared in film roles between 1928 and 1942 Allan was born in Saint Petersburg, Russia before moving to the United Kingdom, where she married Kenneth Chapman in 1948. She died in Wokingham, Berkshire on 29 January 1994. She was believed to be 88 years old. Selected filmography * ''Widecombe Fair (film), Widecombe Fair'' (1928) * ''Under the Greenwood Tree (film), Under the Greenwood Tree'' (1929) * ''The Romance of Seville'' (1929) * ''The Plaything'' (1929) * ''Sleeping Partners'' (1930) * ''Stepping Stones (film), Stepping Stones'' (1931) * ''Follow the Lady (film), Follow the Lady'' (1933) * ''Matinee Idol (film), Matinee Idol'' (1933) * ''Blossom Time (1934 film), Blossom Time'' (1934) * ''Forbidden Territory'' (1934) * ''Those Were the Days (1934 film), Those Were the Days'' (1934) * ''The Big Splash'' (1935) * ''Gay Old Dog'' (1935) * ''Prison Breaker'' (1936) * ''Luck of the ...
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Jane Carr (actress, Born 1909)
Jane Carr (born Dorothy Henrietta Brunstrom; 1 August 1909 – 29 September 1957) was the stage name of English stage and film actress Rita Brunstrom. Biography Born in the Northumberland seaside town of Whitley Bay, Carr attended Harrogate Ladies College. Her first husband was James Bickley, a civil engineer, the eldest son of a farmer and wheelwright, born on 4 October 1896 at Wythall, Warwickshire, to whom she was married on 14 September 1931 at the Register Office, Marylebone, London. According to ''The Times'' dated 2 December 1936, Jane was engaged to Major A. J. S. Fetherstonhaugh, D.S.O., M.C., the only son of Colonel and Mrs. Fetherstonhaugh of The Hermitage, Powick, Worcester. However she subsequently married John Donaldson-Hudson, the grandson of Charles Donaldson-Hudson, from Cheswardine Hall, Shropshire on 7 January 1943 at the Registry Office, Westminster. John Donaldson-Hudson was one of the partners in John Logie Baird Ltd, and Jane Carr's face appeare ...
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Duncan Sutherland
Duncan Sutherland (1 August 1905 – 1967) was a Scottish-born art director, based in England where he designed the sets for over eighty films and television series between the early 1930s and mid-1960s. Sutherland spent much of the 1940s employed by Ealing Studios where he worked on films such as ''It Always Rains on Sunday'' and ''The Loves of Joanna Godden''.Barr p.198 In the 1950s he began working on television series such as ''The Scarlet Pimpernel'' and ''The Count of Monte Cristo''. Filmography * ''The Love Race'' (1931) * ''After Office Hours'' (1932) * ''The Innocents of Chicago'' (1932) * ''The Last Coupon'' (1932) * ''On Secret Service'' (1933) * ''Their Night Out'' (1933) * ''No Funny Business'' (1933) * ''Heads We Go'' (1933) * ''Those Were the Days'' (1934) * ''Give Her a Ring'' (1934) * '' Mister Cinders'' (1934) * '' Dandy Dick'' (1935) * ''Music Hath Charms'' (1935) * ''Drake of England'' (1935) * ''The Crouching Beast'' (1935) * ''Wings Over Africa'' (1936) * ...
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Art Director
Art director is the title for a variety of similar job functions in theater, advertising, marketing, publishing, fashion, film industry, film and television, the Internet, and video games. It is the charge of a sole art director to supervise and unify the vision of an artistic production. In particular, they are in charge of its overall visual appearance and how it visual communication, communicates visually, stimulates moods, contrasts features, and psychologically appeals to a target audience. The art director makes decisions about visual elements, what artistic style (visual arts), style(s) to use, and when to use motion graphic design, motion. One of the biggest challenges art directors face is translating desired moods, messages, concepts, and underdeveloped ideas into imagery. In the brainstorming process, art directors, colleagues and clients explore ways the finished piece or scene could look. At times, the art director is responsible for solidifying the vision of the col ...
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Elstree Studios (Shenley Road)
Elstree Studios on Shenley Road, Borehamwood, Hertfordshire is a British film and television production centre operated by Elstree Film Studios Limited. One of several facilities historically referred to as Elstree Studios, the Shenley Road studios originally opened in 1925. The studio complex has passed through many owners during its lifetime, and is now owned by Hertsmere Borough Council. Known as the studios used for filming Alfred Hitchcock's '' Blackmail'' (1929)—the first British talkie, ''Star Wars'' (1977), ''The'' ''Shining'' (1980) and ''Indiana Jones'' (its largest stage is known as the George Lucas Soundstage), the studios are used both for film and television productions. With the BBC Elstree Centre nearby, a number of the stages are leased to BBC Studioworks, and are used for recording television productions such as '' Strictly Come Dancing''. History British International and Associated British British National Pictures Ltd purchased of land on the south ...
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Blackface
Blackface is a form of theatrical makeup used predominantly by non-Black people to portray a caricature of a Black person. In the United States, the practice became common during the 19th century and contributed to the spread of racial stereotypes such as the "happy-go-lucky darky on the plantation" or the " dandified coon". By the middle of the century, blackface minstrel shows had become a distinctive American artform, translating formal works such as opera into popular terms for a general audience. Early in the 20th century, blackface branched off from the minstrel show and became a form in its own right. In the United States, blackface declined in popularity beginning in the 1940s and into the civil rights movement of the 1950s and 1960s,Clark, Alexis.How the History of Blackface Is Rooted in Racism. ''History''. A&E Television Networks, LLC. 2019. and was generally considered highly offensive, disrespectful, and racist by the turn of the 21st century, though the practice ...
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