This Is New (Kenny Drew Album)
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This Is New (Kenny Drew Album)
''This Is New'' is an album by pianist Kenny Drew recorded in 1957 and released on the Riverside label.Kenny Drew discography
accessed June 7, 2012


Reception

The review, written by Scott Yanow, gives the album four stars, and states "this session should appeal to straight-ahead bop collectors".Yanow, S
AllMusic Review
accessed June 7, 2012


Track listing

# "This Is New" (
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Kenny Drew
Kenneth Sidney "Kenny" Drew (August 28, 1928 – August 4, 1993) was an American-Danish jazz pianist. Biography Drew was born in New York City, United States, and received piano lessons from the age of five.Feather, Leonard, & Ira Gitler (2007). ''The Biographical Encyclopedia of Jazz'', Oxford University Press. He attended the High School of Music & Art in Manhattan. Drew's first recording, in 1950, was with Howard McGhee, and over the next two years he worked in bands led by Buddy DeFranco, Coleman Hawkins, Lester Young, and Charlie Parker, among others. After a brief period with his own trio in California, Drew returned to New York, playing with Dinah Washington, Johnny Griffin, Buddy Rich, and several others over the following few years. He led many recording sessions throughout the 1950s, and in 1957 appeared on John Coltrane's album, '' Blue Train''. Drew was one of the American jazz musicians who settled in Europe around this period: he moved to Paris in 1961 and to C ...
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Jay Gorney
Jay Gorney (December 12, 1896– June 14, 1990) was an Americans, American theater and film song writer. Life and career Gorney was born Abraham Jacob Gornetzsky on December 12, 1896, in Białystok, Russia (now part of Poland), the son of Frieda (Perlstein) and Jacob Gornetzsky. His family was Jewish. In 1906, he witnessed the Bialystok pogrom, which forced his family into hiding for nearly two weeks; they soon fled to the United States, arriving on 14 September 1906. The family settled in Detroit, Michigan, where Jacob Gornetzsky became an engineer at the newly formed Ford Motor Company. Frieda Gornetzsky bought a piano for her children. At age 14, after two years of lessons, Gorney was offered a job as a pianist at a local Nickelodeon (movie theater), Nickelodeon. He worked his way through the University of Michigan (Class of 1917) and the University of Michigan Law School (Class of 1919) as a pianist. His studies were interrupted by World War I, during which he enlisted in ...
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Kenny Drew Albums
Kenny is a surname, a given name, and a diminutive of several different given names. In Ireland, the surname is an Anglicisation of the Irish ''Ó Cionnaith'', also spelt ''Ó Cionnaoith'' and ''Ó Cionaodha'', meaning "descendant of Cionnaith". It was once popular in the 16th-century in Leinster, Munster, parts of Connacht and in County Tyrone in Ulster, and was Anglicised as O'Kenna, O'Kenny, O'Kinney, Kenna, Kenny, and Kinney amongst other variations. One bearer of the name was Cainnech of Aghaboe, better known in English as Saint Canice - a sixth-century Irish priest and missionary from near Dungiven, after whom the city and county of Kilkenny is also named. The Irish form ''Cill Chainnigh'' means "Church of Canice". It is thought that the ''Ó Cionnaith'' sept was part of the Uí Maine kingdom, based in Connacht. Within this area, the name is associated traditionally with counties Galway and Roscommon. Kenny is ranked at number 76 in the list of the most common surnames i ...
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Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Double Bass
The double bass (), also known simply as the bass () (or #Terminology, by other names), is the largest and lowest-pitched Bow (music), bowed (or plucked) string instrument in the modern orchestra, symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual''
, Andrew Hugill with the Philharmonia Orchestra
as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky

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Wilbur Ware
Wilbur Bernard Ware (September 8, 1923 – September 9, 1979) was an American jazz double bassist.Feather, Leonard & Gitler, Ira (2007) ''The Biographical Encyclopedia of Jazz'', p. 674. Oxford University Press He was a regular bassist for the Riverside record label in the 1950s, and recorded regularly in that decade with Johnny Griffin, Kenny Dorham, Kenny Drew, and Thelonious Monk. He also appeared on records released by J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims, and Grant Green, among others. Career Ware grew up in Chicago where he taught himself to play drums, banjo, bass while playing at church. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eldridge. He recorded with Sun Ra in the early 1950s. Later in the 1950s, settling in New York City, Ware played with Eddie Vinson, Art Blakey, and Buddy DeFranco. His only album recorded as a leader during his lifetime was '' The Chicago Sound'', from 1957 when he worked for Riverside. He ...
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Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ...
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Hank Mobley
Henry "Hank" Mobley (July 7, 1930 – May 30, 1986) was an American hard bop and soul jazz tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions included "Double Exposure," "Soul Station", and "Dig Dis," among others. Early life and education Mobley was born in Eastman, Georgia, but was raised in Elizabeth, New Jersey, near Newark. He described himself as coming from a musical family and spoke of his uncle playing in a jazz band. As a child, Mobley played piano. When he was 16, an illness kept him in the house for several months. His grandmother though ...
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Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ...
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Donald Byrd
Donaldson Toussaint L'Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock. Biography Early life and career Byrd was born in 1932 in Detroit, Michigan. His family came from the African-American middle-class. His father, Elijah Thomas Byrd, was a Methodist minister who greatly valued education and oversaw his son's schooling. His mother, Cornelia Taylor, introduced Byrd to jazz music and it was her brother who gave Byrd his first trumpet. He attended Cass Technical High School. He performed with Lionel Hampton before finishing high school. During this period, his first professional recording session was in 1949 at Fortune Records in Detroit with the Robert ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Oscar Hammerstein II
Oscar Greeley Clendenning Hammerstein II (; July 12, 1895 – August 23, 1960) was an American lyricist, librettist, theatrical producer, and (usually uncredited) director in the musical theater for almost 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs. He is best known for his collaborations with composer Richard Rodgers, as the duo Rodgers and Hammerstein, whose musicals include ''Oklahoma!'', '' Carousel'', '' South Pacific'', ''The King and I'', and ''The Sound of Music''. Described by Stephen Sondheim as an "experimental playwright", Hammerstein helped bring the American musical to new maturity by popularizing musicals that focused on stories and character rather than the lighthearted entertainment that the musical had been known for beforehand. He also collaborated with Jerome Kern (with whom he wrote ''Show Boat''), Vincent Y ...
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