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This Is For Real (album)
''This Is for Real'' is an album released in June 2004 by band Pink Grease Pink Grease were a six-piece rock music, rock group from Sheffield, England. Drawing from prominent early influences like David Bowie, Iggy Pop, T.Rex (band), T.Rex and even Kiss (band), Kiss, the band's sound and style was often seen as glam .... Track listing #"Remember Forever" #"Fever" #"The Pink G.R. Ease" #"Emotional Retard" #"Wind Up Bird" #"Peaches" #"Nasty Show, The" #"Superfool" #"Party Live" #"Serial Heartbreaker" #"High Strung Chironi" #"Into My Heart" References {{Authority control 2004 albums Pink Grease albums ...
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Pink Grease
Pink Grease were a six-piece rock music, rock group from Sheffield, England. Drawing from prominent early influences like David Bowie, Iggy Pop, T.Rex (band), T.Rex and even Kiss (band), Kiss, the band's sound and style was often seen as glam rock while also being heavily influenced by such New wave music, new wave artists like Duran Duran and punk rock artists like The Damned (band), The Damned. Pink Grease released their debut Extended play, EP ''All Over You'', in May 2003 to some minor critical praise. Then in June 2004 they followed up with the full-length ''This Is for Real (album), This Is For Real'' with similar praise and some moderate commercial success. Their second album titled ''Mechanical Heart'' was planned for a release sometime in 2006/2007 but, after the split from the record label Mute Records, it is still unreleased and just a few promotional copies exist. Rory Lewarne now sings with White Witches, who describe themselves as "foppish Celts with glitter in t ...
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Post-punk Revival
Post-punk revival (also known as garage rock revival,J. Stuessy and S. D. Lipscomb, ''Rock and roll: its History and Stylistic Development'' (London: Pearson Prentice Hall, 5th edn., 2006), , p. 451. new wave revival,. and new rock revolution) is a genre of indie rock that emerged in the early 2000s as musicians started to play a stripped down and back-to-basics version of guitar rock emerged into the mainstream. Inspired by the original sounds and aesthetics of garage rock, new wave and post-punk. The music ranged from the atonal tracks, to melodic pop songs and popularised distorted guitar sounds. Bands shared an emphasis on energetic live performance and used aesthetics (in hair and clothes) closely aligned with their fans, often drawing on fashion of the 1950s and 1960s, with "skinny ties, white belts nd shag haircuts". There was an emphasis on "rock authenticity" that was seen as a reaction to the commercialism of MTV-oriented nu metal, hip hop and "bland" post-Britpop g ...
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New Wave Music
New wave is a loosely defined music genre that encompasses pop-oriented styles from the late 1970s and the 1980s. It was originally used as a catch-all for the various styles of music that emerged after punk rock, including punk itself. Later, critical consensus favored "new wave" as an umbrella term involving many popular music styles of the era, including power pop, synth-pop, ska revival, and more specific forms of punk rock that were less abrasive. It may also be viewed as a more accessible counterpart of post-punk. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. In the early 1980s, virtually every new pop/rock act – and particularly those that employed synthesizers – were tagged as "new wave". Although new wave shares punk's do-it-yourself philosophy, the artists were more influenced by the styles of the 1950s along with the lighter s ...
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Glam Punk
Glam punk is a term used retrospectively to describe a short-lived trend for bands which produced a form of proto-punk that incorporated elements of glam rock, initially in the early to mid-1970s. History Glam punk has been seen as a backlash to the hippie folk music sensibilities of the 1960s. Lucy O'Brien defines the New York Dolls style as combining "Rolling Stones raunch with heavy borrowings from the girl group era". The band was highly influential in New York City's club scene of the early 1970s, as well as with later generations of musicians,T. Givens, ''People of Paradox: a History of Mormon Culture'' (Oxford: Oxford University Press, 2007), , p. 281. and their style was adopted by a number of New York bands, including Ruby and the Rednecks. The Dolls broke up in 1976, by which time the trend had already metamorphosed into punk rock, punk and begun to move on to New wave music, new wave. Influence The New York Dolls helped spark the beginning of punk rock, with Malcolm Mc ...
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Garage Punk (fusion Genre)
Garage punk is a rock music fusion genre combining the influences of garage rock, punk rock, and often other genres, that took shape in the indie rock underground between the late 1980s and early 1990s. Bands drew heavily from 1960s garage rock, stripped-down 1970s punk rock, and Detroit proto-punk, and often incorporated numerous other styles into their approach, such as power pop, 1960s girl groups, hardcore punk, blues and early R&B, and surf rock. The term "garage punk" often also refers to the original 1960s garage rock movement rather than the 1980s-90s fusion style. The 1980s-90s style itself is sometimes referred to interchangeably as "garage rock" or "garage revival". The term "garage punk" dates back as early as 1972 in reference to the original 1960s garage rock style, although "punk" as it is known today was not solidified as its own distinct genre until 1976. Therefore, despite earlier references to 1960s garage rock as "garage punk", the usage of the term "pu ...
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Indie Rock
Indie rock is a Music subgenre, subgenre of rock music that originated in the United States, United Kingdom and New Zealand from the 1970s to the 1980s. Originally used to describe independent record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock or "Pop rock, guitar pop rock". One of the primary scenes of the movement was Dunedin, where Dunedin sound, a cultural scene based around a convergence of noise pop and jangle became popular among the city's University of Otago, large student population. Independent labels such as Flying Nun Records, Flying Nun began to promote the scene across New Zealand, inspiring key college rock bands in the United States such as Pavement (band), Pavement, Pixies (band), Pixies and R.E.M. Other notable scenes grew in Madchester, Manchester and Hamburger Schule, Hamburg, with many others thriving thereafter. In the 1980s, the use of the term "independent music, indie" (or " ...
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Mute Records
Mute Records is a British independent record label owned and founded in 1978 by Daniel Miller. It has featured several prominent musical acts on its roster such as Depeche Mode, Erasure, Einstürzende Neubauten, Fad Gadget, Goldfrapp, Grinderman, Inspiral Carpets, Moby, New Order, Laibach, Nitzer Ebb, Yann Tiersen, Wire, Yeasayer, Nick Cave and the Bad Seeds, Yazoo, and M83. History Beginnings During 1978, Daniel Miller began recording music, using synthesisers, under the name The Normal.Mute - Documentary Evidence - Biba Kopf 1986 He recorded the tracks "T.V.O.D." and "Warm Leatherette" and distributed them through Rough Trade Shops under the label name Mute Records. The label was formed initially just to release the one single.Muted Response - Daniel Miller Interview - E&MM 1984 "T.V.O.D."/"Warm Leatherette" became a cult hit ensuring the future of the label. "Warm Leatherette" was later covered by Grace Jones and Chicks on Speed as well as Rose McDowell. After meetin ...
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Stephen Lironi
Stephen or Steven is a common English first name. It is particularly significant to Christians, as it belonged to Saint Stephen ( grc-gre, Στέφανος ), an early disciple and deacon who, according to the Book of Acts, was stoned to death; he is widely regarded as the first martyr (or "protomartyr") of the Christian Church. In English, Stephen is most commonly pronounced as ' (). The name, in both the forms Stephen and Steven, is often shortened to Steve or Stevie. The spelling as Stephen can also be pronounced which is from the Greek original version, Stephanos. In English, the female version of the name is Stephanie. Many surnames are derived from the first name, including Stephens, Stevens, Stephenson, and Stevenson, all of which mean "Stephen's (son)". In modern times the name has sometimes been given with intentionally non-standard spelling, such as Stevan or Stevon. A common variant of the name used in English is Stephan ; related names that have found some curre ...
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Mechanical Heart
An artificial heart is a device that replaces the heart. Artificial hearts are typically used to bridge the time to heart transplantation, or to permanently replace the heart in the case that a heart transplant (from a deceased human or, experimentally, from a deceased genetically engineered pig) is impossible. Although other similar inventions preceded it from the late 1940s, the first artificial heart to be successfully implanted in a human was the Jarvik-7 in 1982, designed by a team including Willem Johan Kolff, William DeVries and Robert Jarvik. An artificial heart is distinct from a ventricular assist device (VAD; for either one or both of the ventricles, the heart's lower chambers), which can be a permanent solution also, or the intra-aortic balloon pump – both devices are designed to support a failing heart. It is also distinct from a cardiopulmonary bypass machine, which is an external device used to provide the functions of both the heart and lungs, used only for a f ...
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Q (magazine)
''Q'' was a popular music magazine published monthly in the United Kingdom. It was founded in 1986 by broadcast journalists Mark Ellen and David Hepworth, who were presenters of the BBC television music series ''The Old Grey Whistle Test''. ''Q'''s final issue was published in July 2020. ''Q'' was originally published by the EMAP media group and set itself apart from much of the other music press with monthly production and higher standards of photography and printing. In the early years, the magazine was sub-titled "The modern guide to music and more". Originally it was to be called ''Cue'' (as in the sense of cueing a record, ready to play), but the name was changed so that it would not be mistaken for a snooker magazine. Another reason, cited in ''Q''s 200th edition, is that a single-letter title would be more prominent on newsstands. In January 2008, EMAP sold its consumer magazine titles, including ''Q'', to the Bauer Media Group. Bauer put the title up for sale in 2020 ...
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Mojo (magazine)
''Mojo'' is a popular music music magazine, magazine published monthly in the United Kingdom, initially by Ascential, Emap, and since January 2008 by Bauer Verlagsgruppe, Bauer. Following the success of the magazine ''Q (magazine), Q'', publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. ''Mojo'' was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for ''Blender (magazine), Blender'' and ''Uncut (magazine), Uncut''. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of ''Mojo'' was Paul Du Noyer and his successors have included Mat Snow, P ...
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Uncut (magazine)
''Uncut'' is a monthly magazine based in London. It is available across the English-speaking world, and focuses on music, but also includes film and books sections. A DVD magazine under the ''Uncut'' brand was published quarterly from 2005 to 2006. The magazine was acquired in 2019 by Singaporean music company BandLab Technologies, and has been published by NME Networks since December 2021. ''Uncut'' (main magazine) ''Uncut'' was launched in May 1997 by IPC as "a monthly magazine aimed at 25- to 45-year-old men that focuses on music and movies", edited by Allan Jones (former editor of ''Melody Maker''). Jones has stated that " e idea for Uncut came from my own disenchantment about what I was doing with ''Melody Maker''. There was a publishing initiative to make the audience younger; I was getting older and they wanted to take the readers further away from me", specifically referring to the then dominant Britpop genre. According to IPC Media, 86% of the magazine's readers are mal ...
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