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Thirst (Clock DVA Album)
''Thirst'' is the second studio album by English post-punk band Clock DVA. It was released on 24 January 1981, through record label Fetish. Soon after the album's release, this incarnation of the band would split up, with several members going on to form The Box with singer Peter Hope. Background ''Thirst'' is one of the group's more experimental efforts, showcasing a mix of post-punk, jazz, musique concrète and avant-garde industrial experimentation. Track listing Release ''Thirst'' topped the ''NME'' Indie Charts upon its release. Charts Personnel Adapted from the ''Thirst'' liner notes. ;Clock DVA * Adi Newton – vocals, clarinet, tape, production * Turner (Steven James Turner) – bass guitar * Roger Quail – drums * Paul Widger – guitar * Charlie Collins – saxophone, flute ;Production and additional personnel * Ken Thomas – engineering, production * Jonz – mastering * Genesis P-Orridge – album liner notes * Neville Brody Neville Br ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clock DVA
Clock DVA are a musical group from Sheffield, England, whose style has touched on industrial, post-punk, and EBM. They formed in 1978 by Adolphus "Adi" Newton and Steven "Judd" Turner. Along with contemporaries Heaven 17, Clock DVA's name was inspired by the Russian-influenced Nadsat language of Anthony Burgess's novel ''A Clockwork Orange''. ''Dva'' is Russian for "two". History 1978–1981: ''White Souls in Black Suits'' and ''Thirst'' Newton had previously worked with members of Cabaret Voltaire in a collective called The Studs and with Ian Craig Marsh and Martyn Ware in a band called The Future. He formed the first lineup of Clock DVA in 1978 with Judd Turner (bass), David J. Hammond (guitar), Roger Quail (drums) and Charlie Collins (saxophone, clarinet) (born 26 September 1958, Sheffield). Clock DVA was originally known for making a form of experimental electronic music involving treated tape loops and synthesizers such as the EMS Synthi E. Clock DVA became associate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Industrial Music
Industrial music is a genre of music that draws on harsh, mechanical, transgressive or provocative sounds and themes. AllMusic defines industrial music as the "most abrasive and aggressive fusion of rock and electronic music" that was "initially a blend of avant-garde electronics experiments (tape music, musique concrète, white noise, synthesizers, sequencers, etc.) and punk provocation". The term was coined in the mid-1970s with the founding of Industrial Records by members of Throbbing Gristle and Monte Cazazza. While the genre name originated with Throbbing Gristle's emergence in the United Kingdom, artists and labels vital to the genre also emerged in the United States and other countries. The first industrial artists experimented with noise and aesthetically controversial topics, musically and visually, such as fascism, sexual perversion, and the occult. Prominent industrial musicians include Throbbing Gristle, Monte Cazazza, SPK, Boyd Rice, Cabaret Voltaire, and Z'E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Cassette
The Compact Cassette or Musicassette (MC), also commonly called the tape cassette, cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips in 1963, Compact Cassettes come in two forms, either already containing content as a prerecorded cassette (''Musicassette''), or as a fully recordable "blank" cassette. Both forms have two sides and are reversible by the user. Although other tape cassette formats have also existed - for example the Microcassette - the generic term ''cassette tape'' is normally always used to refer to the Compact Cassette because of its ubiquity. Its uses have ranged from portable audio to home recording to data storage for early microcomputers; the Compact Cassette technology was originally designed for dictation machines, but improvements in fidelity led to it supplanting the stereo 8-track cartridge and reel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format that was co-developed by Philips and Sony to store and play digital audio recordings. In August 1982, the first compact disc was manufactured. It was then released in October 1982 in Japan and branded as ''Compact Disc Digital Audio, Digital Audio Compact Disc''. The format was later adapted (as CD-ROM) for general-purpose data storage. Several other formats were further derived, including write-once audio and data storage (CD-R), rewritable media (CD-RW), Video CD (VCD), Super Video CD (SVCD), Photo CD, Picture CD, Compact Disc-Interactive (CD-i) and Enhanced Music CD. Standard CDs have a diameter of and are designed to hold up to 74 minutes of uncompressed stereo digital audio or about 650 mebibyte, MiB of data. Capacity is routinely extended to 80 minutes and 700 mebibyte, MiB by arranging data more closely on the same sized disc. The Mini CD has various diameters ranging from ; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vinyl Record
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neville Brody
Neville Brody, (born 23 April 1957) is an English graphic designer, typographer and art director. He is known for his work on ''The Face'' magazine (1981–1986), ''Arena'' magazine (1987–1990), and designing record covers for artists such as Clock DVA, Cabaret Voltaire, The Bongos, 23 Skidoo and Depeche Mode. He created the company Research Studios in 1994 and is a founding member of Fontworks. His work is included in the permanent collection of the Museum of Modern Art (MoMA). He was the Dean of the School of Communication at the Royal College of Art, London until September 2018. He is now Professor of Communication. Early life and education Brody was born in Southgate, London. He attended Minchenden Grammar School and studied A-Level Art, very much from a fine art viewpoint. In 1975 Brody went on to do a Fine Art foundation course at Hornsey College of Art. In Autumn 1976, Brody started a three-year BA course in graphics at the London College of Printing. His work was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genesis P-Orridge
Genesis Breyer P-Orridge (born Neil Andrew Megson; 22 February 1950 – 14 March 2020) was a singer-songwriter, musician, poet, performance artist, visual artist, and occultist who rose to notoriety as the founder of the COUM Transmissions artistic collective and lead vocalist of seminal industrial band Throbbing Gristle. P-Orridge was also a founding member of Thee Temple ov Psychick Youth occult group, and fronted the experimental pop rock band Psychic TV. Born in Manchester, P-Orridge developed an early interest in art, occultism, and the avant-garde while at Solihull School. After dropping out of studies at the University of Hull, P-Orridge moved into a counter-cultural commune in London and adopted ''Genesis P-Orridge'' as their pseudonym. On returning to Hull, P-Orridge founded COUM Transmissions with Cosey Fanni Tutti, and in 1973 they relocated to London. COUM's confrontational performance work, dealing with such subjects as sex work, pornography, serial killers, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
UK Indie Chart
The UK Independent Singles Chart and UK Independent Albums Chart are charts of the best-selling independent singles and albums, respectively, in the United Kingdom. Originally published in January 1980, and widely known as the indie chart, the relevance of the chart dwindled in the 1990s as major-label ownership blurred the boundary between independent and major labels. Separate independent charts are currently published weekly by the Official Charts Company. History In the wake of punk, small record labels began to spring up, as an outlet for artists that were unwilling to sign contracts with major record companies, or were not considered commercially attractive to those companies. By 1978, labels like Cherry Red, Rough Trade, and Mute had started up, and a support structure soon followed, including independent pressing, distribution and promotion. These labels got bigger and bigger, and by 1980 they were having Top 10 hits in the UK Singles Chart. Chart success was limited, h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
4 Hours
"4 Hours" is a song by the English post-punk band Clock DVA. It is the only single released in support of their second album ''Thirst''. Formats and track listing ;UK 7" single (FET 008) #"4 Hours" (Charlie Collins, Adi Newton, Roger Quail, David Tyme) – 4:00 #"Sensorium" (Charlie Collins, Adi Newton, Roger Quail, Steven James Turner, Paul Widger) – 2:48 Accolades (*) designates unordered lists. Personnel From the ''4 Hours'' sleeve and label notes. ;Clock DVA * Adi Newton – vocals, clarinet, tape, production * Turner (Steven James Turner) – bass guitar * Roger Quail – drums * Paul Widger – guitar * Charlie Collins – saxophone, flute ;Production and additional personnel * Ken Thomas – engineering, production * Jonz – mastering * Neville Brody Neville Brody, (born 23 April 1957) is an English graphic designer, typographer and art director. He is known for his work on ''The Face'' magazine (1981–1986), ''Arena'' magazine (1987–1990) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
