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Things Ain't What They Used To Be (Prestige Swing Festival Album)
''Things Ain't What They Used to Be'' is an album by the First Annual Prestige Swing Festival featuring two all-star groups, one including Coleman Hawkins, Hilton Jefferson, Jimmy Hamilton and Joe Newman and the other led by Al Sears with Buddy Tate, Pee Wee Russell and Joe Thomas which was recorded in 1961 and first released on the Swingville label as a double album before being reissued as two single discs with Hawkins name prominently displayed; ''Things Ain't What They Used to Be'' and ''Years Ago''. Retrieved May 9, 2019 All tracks were also reissued as ''Jam Session in Swingville'' which was credited to Hawkins and Russell. Reception The re ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Van Gelder Studio
The Van Gelder Studio is a recording studio at 445 Sylvan Avenue, Englewood Cliffs, New Jersey, United States. Following the use of his parents' home at 25 Prospect Avenue, Hackensack, New Jersey, for the original studio, Rudy Van Gelder (1924–2016) moved to the new location for his recording studio in July 1959. It has been used to record many albums released by jazz labels such as Blue Note, Prestige, Impulse!, Verve and CTI. It was added to the National Register of Historic Places on April 25, 2022, for its significance in performing arts and engineering. With accompanying 24 photos. Background From around 1952, beginning with a session led by Gil Melle that was sold to Blue Note, recordings were made by Van Gelder for commercial release in the living room of his parents' house at 25 Prospect Avenue in Hackensack, a house that had been built with the intention of doubling as a recording studio (the area was later subsumed by the Hackensack University Medical Center). In July ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Album
A double album (or double record) is an audio album that spans two units of the primary medium in which it is sold, typically either records or compact disc. A double album is usually, though not always, released as such because the recording is longer than the capacity of the medium. Recording artists often think of double albums as being a single piece artistically; however, there are exceptions such as John Lennon's ''Some Time in New York City'' (which consisted of one studio record and one live album packaged together) and OutKast's ''Speakerboxxx/The Love Below'' (effectively two solo albums, one by each member of the duo). Since the advent of the compact disc, albums are sometimes released with a bonus disc featuring additional material as a supplement to the main album, with live tracks, studio out-takes, cut songs, or older unreleased material. One innovation was the inclusion of a DVD of related material with a compact disc, such as video related to the album or DVD-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarinet
The clarinet is a musical instrument in the woodwind family. The instrument has a nearly cylindrical bore and a flared bell, and uses a single reed to produce sound. Clarinets comprise a family of instruments of differing sizes and pitches. The clarinet family is the largest such woodwind family, with more than a dozen types, ranging from the BB♭ contrabass to the E♭ soprano. The most common clarinet is the B soprano clarinet. German instrument maker Johann Christoph Denner is generally credited with inventing the clarinet sometime after 1698 by adding a register key to the chalumeau, an earlier single-reed instrument. Over time, additional keywork and the development of airtight pads were added to improve the tone and playability. Today the clarinet is used in classical music, military bands, klezmer, jazz, and other styles. It is a standard fixture of the orchestra and concert band. Etymology The word ''clarinet'' may have entered the English language via the Fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Caesar
Irving Caesar (born Isidor Keiser, July 4, 1895 – December 18, 1996) was an American lyricist and theater composer who wrote lyrics for numerous song standards, including " Swanee", "Sometimes I'm Happy", "Crazy Rhythm", and " Tea for Two", one of the most frequently recorded tunes ever written. In 1972, he was inducted into the Songwriters Hall of Fame. Biography Caesar, the son of Morris Keiser, a Romanian Jew, was born in New York City, United States. His older brother Arthur Caesar was a successful Hollywood screenwriter. The Caesar brothers spent their childhood and teen years in Yorkville, the same Manhattan neighborhood where the Marx Brothers were raised. Caesar knew the Marx Brothers during his childhood. He was educated at Chappaqua Mountain Institute in Chappaqua, New York. In his career, Caesar collaborated with a wide variety of composers and songwriters, including Rudolf Friml, George Gershwin, Sigmund Romberg, Victor Herbert, Ted Koehler and Ray Hender ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vincent Youmans
Vincent Millie Youmans (September 27, 1898 – April 5, 1946) was an American Broadway composer and producer. A leading Broadway composer of his day, Youmans collaborated with virtually all the greatest lyricists on Broadway: Ira Gershwin, Otto Harbach, Oscar Hammerstein II, Irving Caesar, Anne Caldwell, Leo Robin, Howard Dietz, Clifford Grey, Billy Rose, Edward Eliscu, Edward Heyman, Harold Adamson, Buddy DeSylva and Gus Kahn. Youmans' early songs are remarkable for their economy of melodic material: two-, three- or four-note phrases are constantly repeated and varied by subtle harmonic or rhythmic changes. In later years, however, he turned to longer musical sentences and more rhapsodic melodic lines. Youmans published fewer than 100 songs, but 18 of these were considered standards by ASCAP, a remarkably high percentage. Biography Youmans was born in New York City, United States, into a prosperous family of hat makers. When he was two, his father moved the family to upp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Want To Be Happy
"I Want to Be Happy" is a song with music by Vincent Youmans and lyrics by Irving Caesar written for the 1925 musical '' No, No, Nanette''. Musical The song is used several times throughout the musical as a running theme representing the attempts of various people to please others. It is first sung by the character Jimmy to his ward Nanette. Film appearances *1930 '' No, No, Nanette'' *1940 '' No, No, Nanette'' - sung by Anna Neagle and Richard Carlson *1950 '' Tea for Two'' - sung by Doris Day, and also sung by Doris Day and Gordon MacRae *1988 ''Torch Song Trilogy'' - performed by Benny Goodman and His Orchestra *1995 ''Stuart Saves His Family'' - performed by Tommy Dorsey & His Orchestra starring Warren Covington *1999 ''Entrapment'' - performed by Ted Heath and His Orchestra *2015 ''Joy'' - performed by Ella Fitzgerald and Chick Webb and His Orchestra Recordings “I Want to Be Happy” charted several times over thirteen years: * Carl Fenton and His Orchestra (1924, Bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Donaldson
Walter Donaldson (February 15, 1893 – July 15, 1947) was an American prolific popular songwriter and publishing company founder, composing many hit songs of the 1910s to 1940s, that have become standards and form part of the Great American Songbook. History Walter Donaldson was born in Brooklyn, New York State, United States, the son of a piano teacher. While still in school he wrote original music for school productions, and had his first professional songs published in 1915. In 1918, he had his first major hit with "The Daughter of Rosie O'Grady". During World War I, Donaldson entertained troops at Camp Upton, New York. His time there inspired him to write " How Ya Gonna Keep 'em Down on the Farm (After They've Seen Paree)?" After serving in the United States Army in World War I, Donaldson was hired as a songwriter by Irving Berlin Music Company. He stayed with Berlin until 1928, producing many hit songs, then in 1928 established his own publishing company. His company was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Love Me Or Leave Me (Donaldson And Kahn Song)
"Love Me or Leave Me" is a popular song written in 1928 by Walter Donaldson with lyrics by Gus Kahn. The song was introduced in the Broadway musical comedy ''Whoopee!'', which opened in December 1928. Ruth Etting's performance of the song was so popular that she was also given the song to sing in the play ''Simple Simon'', which opened in February 1930. Recorded versions Major recorded versions The original version of the song, the biggest-selling at the time, was recorded by Ruth Etting on December 17, 1928. It was issued by Columbia Records as catalog number 1680-D, with the flip side "I'm Bringing a Red, Red Rose", another Donaldson/Kahn composition. The song reached #2 on the charts in 1929. Other versions which also enjoyed popularity at this time were by Guy Lombardo's Royal Canadians, with a vocal by Carmen Lombardo (recorded March 20, 1929, released by Columbia Records as catalog number 1782D, with the flip side "I'm Still Caring") and by Leo Reisman and his orchestra (r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mercer Ellington
Mercer Kennedy Ellington (March 11, 1919 – February 8, 1996) was an American musician, composer, and arranger. His father was Duke Ellington, whose band Mercer led for 20 years after his father's death. Biography Early life and education Ellington was born in Washington, D.C., United States. He was the only child of the composer, pianist, and bandleader Duke Ellington and his high school sweetheart Edna Thompson (d. 1967). Ellington grew up primarily in Harlem from the age of eight. By the age of eighteen, Ellington had written his first piece to be recorded by his father ("Pigeons and Peppers"). Ellington attended New College for the Education of Teachers at Columbia University, New York University and the Juilliard School. Career In 1939, 1959, and 1946 through 1949, Ellington led his own bands, many of whose members later performed with his father, or achieved a successful career in their own right (including Dizzy Gillespie, Kenny Dorham, Idrees Sulieman, Chico Hamilto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
