They Didn't Believe Me
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They Didn't Believe Me
"They Didn't Believe Me" is a song with music by Jerome Kern and lyrics by Herbert Reynolds. First introduced in the 1914 musical '' The Girl from Utah'' it was one of five numbers added to the show by Kern and Reynolds for its Broadway debut at the Knickerbocker Theatre on August 14, 1914. The show had originated in Britain, but impresario Charles Frohman had felt it needed additional material to enliven its U.S. run. It became Kern's first major song success. The song, with four beats to a bar, departed from the customary waltz-rhythms of European influence and fitted the new American passion for modern dances such as the fox-trot. Kern was also able to use elements of American styles, such as ragtime, as well as syncopation, in his lively dance tunes. The song is also remarkable in its use of 'everyday' language in a love song. Theatre historian John Kenrick writes that, until this point, the majority of love songs had relied on flowery vocabulary to express romantic se ...
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They Didn't Believe Me Cover
In Modern English, ''they'' is a Grammatical person, third-person personal pronoun, pronoun relating to a Subject (grammar), grammatical subject. Morphology In Standard English, Standard Modern English, ''they'' has five distinct word Morphology (linguistics), forms: * ''they'': the Nominative case, nominative (subjective) form * ''them'': the Accusative case, accusative (objective, called the 'Oblique case, oblique'.) and a non-standard English determiners, determinative form. * ''their:'' the dependent Genitive case, genitive (possessive) form * ''theirs'': independent Genitive case, genitive form * ''themselves'': prototypical Reflexive pronoun, reflexive form * ''themself'': derivative Reflexive pronoun, reflexive form (nonstandard; now chiefly used instead of "himself or herself" as a reflexive epicenity for ''they'' in pronominal reference to a singular referent) History Old English had a single third-person pronoun , which had both singular and plural forms, and '' ...
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Back Pay (1930 Film)
''Back Pay'' is a 1930 American Pre-Code drama film with songs, produced and distributed by First National Pictures, a subsidiary of Warner Bros., and starring Corinne Griffith and Grant Withers. It is based on a short story by Fannie Hurst. It is a remake of a 1922 silent film '' Back Pay'' that starred Seena Owen. A woman leaves her hometown and her boyfriend, and becomes a kept woman in New York. Her former boyfriend returns from a war, blind and with injured lungs. The woman attempts to nurse him back to health, although she has been warned that he is dying. Plot Hester Bevins is tired of living in the small town where she has lived all her life. Although she has a boyfriend, Gerald Smith, who is in love with her, she deserts him and takes a train to New York with a traveling salesman. Bevins meets a rich older man, Charles Wheeler, who provides her with all the luxuries she wants in return for being his girlfriend. One day, Bevins' friends invite her on a motor trip to ...
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Edward Woodward
Edward Albert Arthur Woodward (1 June 1930 – 16 November 2009) was an English actor and singer. He began his career on stage, appearing in productions in both the West End of London and on Broadway in New York City. He came to wider attention from 1967 in the title role of the British television spy drama '' Callan'', earning him the 1970 British Academy Television Award for Best Actor. Woodward starred as Police Sergeant Neil Howie in the 1973 cult British horror film '' The Wicker Man'', and in the title role of the 1980 Australian biopic '' Breaker Morant''. From 1985 to 1989, Woodward starred as ex-secret agent and private investigator Robert McCall in the American television series '' The Equalizer'', earning him the 1986 Golden Globe Award for Best Television Drama Actor. Early life Woodward was born on 1 June 1930 in Croydon, Surrey, the only child of parents Edward Oliver Woodward, a metalworker, and Violet Edith Woodward (née Smith). As a boy, he was bombed ...
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Bud Powell
Earl Rudolph "Bud" Powell (September 27, 1924 – July 31, 1966) was an American jazz pianist and composer. A pioneer in the development of bebop and its associated contributions to jazz theory,Grove Powell's application of complex phrasing to the piano influenced both his contemporaries and later pianists including Walter Davis Jr., Toshiko Akiyoshi, and Barry Harris. Born in the midst of the Harlem Renaissance to a musical family, Powell, during the 1930s, developed an attacking, right-handed approach to the piano, which marked a break from the left-handed approach of stride and ragtime that had been prevalent. Upon joining trumpeter Cootie Williams's band in 1943, he received attention from the broader musical community for his fluency and advanced technique. In 1945, he suffered a severe beating by police, followed by several years of intermittent institutionalizations. However, his recordings and live performances with Charlie Parker, Sonny Stitt, and Max Roach during ...
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Peter Stampfel
Peter Stampfel (born October 29, 1938, in Wauwatosa, Wisconsin) is an American Violin, fiddle player, old-time musician, and singer-songwriter. History Stampfel is best known as a member of the The Holy Modal Rounders, Holy Modal Rounders, a psychedelic folk band that he founded with Steve Weber in the early 1960s. He was also briefly a member of the The Fugs, Fugs and has been the leader of several musical projects, including the Bottlecaps, the Du-Tels, and the WORM All-Stars. He has performed with Bob Dylan, They Might Be Giants, the The Roches, Roches, Richard Barone, Yo La Tengo, Bongwater (band), Bongwater, Jeffrey Lewis, Michael Hurley (musician), Michael Hurley, Baby Gramps and Loudon Wainwright III. Legacy Music Critic Robert Christgau has asserted that “next to Bob Dylan, Stampfel is the closest thing to a genius" to come out of the New York folk revival scene of the 1960's. Discography ;Solo * ''Hello CD of the Month Club#1994, May 1994 Hello CD of the Mo ...
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Bill Frisell
William Richard Frisell (born March 18, 1951) is an American jazz guitarist. He first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working relationship with composer and saxophonist John Zorn. He was also a longtime member of veteran drummer Paul Motian's groups from the early 1980s until Motian's death in 2011. Since the late 1990s, Frisell's output as a bandleader has also integrated prominent elements of folk, country, rock ‘n’ roll and Americana. He has six Grammy nominations and one win. Biography Early life and career Frisell was born in Baltimore, Maryland, United States, but spent most of his youth in the Denver, Colorado area. He studied clarinet with Richard Joiner of the Denver Symphony Orchestra as a youth, but by his teens was more interested in guitar. He graduated from Denver East Hi ...
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Stan Kenton
Stanley Newcomb Kenton (December 15, 1911 – August 25, 1979) was an American popular music and jazz artist. As a pianist, composer, arranger and band leader, he led an innovative and influential jazz orchestra for almost four decades. Though Kenton had several pop hits from the early 1940s into the 1960s, his music was always forward-looking. Kenton was also a pioneer in the field of jazz education, creating the Stan Kenton Band Clinics, Stan Kenton Jazz Camp in 1959 at Indiana University.Sparke, Michael. ''Stan Kenton: This is an Orchestra.'' UNT Press (2010). . Early life Stan Kenton was born on December 15, 1911, in Wichita, Kansas; he had two sisters (Beulah and Erma Mae) born three and eight years after him, respectively. His parents, Floyd and Stella Kenton, moved the family to Colorado, and in 1924, to the Greater Los Angeles Area, settling in suburban Bell, California. Kenton attended Bell High School (Bell, California), Bell High School; his high-school yearbook pict ...
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Elvis Costello
Declan Patrick MacManus (born 25 August 1954), known professionally as Elvis Costello, is an English singer, songwriter, record producer, author and television host. According to ''Rolling Stone'', Costello "reinvigorated the literate, lyrical traditions of Bob Dylan and Van Morrison with the raw energy and sass that were principal ethics of punk", noting the "construction of his songs, which set densely layered wordplay in an ever-expanding repertoire of styles". His first album, '' My Aim Is True'' (1977), spawned no hit singles, but contains some of Costello's best-known songs, including the ballad " Alison". Costello's next two albums, '' This Year's Model'' (1978) and ''Armed Forces'' (1979), recorded with his backing band the Attractions, helped define the new wave genre. From late 1977 until early 1980, each of the eight singles he released reached the UK Top 30. His biggest hit single, " Oliver's Army" (1979), sold more than 500,000 copies in Britain. He has had more ...
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Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz Saxophone, saxophonist, bandleader, and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, Virtuoso, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid Passing chord, passing chords, new variants of Altered chord, altered chords, and Chord substitution, chord substitutions. Parker was primarily a player of the alto saxophone. Parker was an icon for the hipster (1940s subculture), hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer. Early life Charles Parker Jr. was born in Kansas City, Kansas, to Charles Parker Sr. and Adelaide "Addie" Bailey, who was of mixed Choctaw and African-A ...
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Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Wallichs Music City, Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music and was a popular singer who recorded his own as well as others' songs from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including "Moon River", "Days of Wine and Roses (song), Days of Wine and Roses", "Autumn Leaves (1945 song), Autumn Leaves", and "Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway theatre, Broadway shows. He received nineteen Academy Awards, Oscar nominations, and won four Academy Award for Best Original Song, Best Original Song Oscars. Early life Mercer was born in 1909, in Savannah, Georgia, where one o ...
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Jeanette MacDonald
Jeanette Anna MacDonald (June 18, 1903 – January 14, 1965) was an American soprano and actress best remembered for her musical films of the 1930s with Maurice Chevalier (''The Love Parade'', ''Love Me Tonight'', ''The Merry Widow (1934 film), The Merry Widow'' and ''One Hour With You'') and Nelson Eddy (''Naughty Marietta (film), Naughty Marietta'', ''Rose Marie (1936 film), Rose-Marie'', and ''Maytime (1937 film), Maytime''). During the 1930s and 1940s she starred in 29 feature films, four nominated for Best Picture Academy Awards, Oscars (''The Love Parade'', ''One Hour with You'', ''Naughty Marietta (film), Naughty Marietta'' and ''San Francisco (1936 film), San Francisco''), and recorded extensively, earning three Music recording sales certification, gold records. She later appeared in opera, concerts, radio, and television. MacDonald was one of the most influential sopranos of the 20th century, introducing opera to film-going audiences and inspiring a generation of singer ...
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Dinah Washington
Dinah Washington (; born Ruth Lee Jones; August 29, 1924 – December 14, 1963) was an American singer and pianist, one of the most popular black female recording artists of the 1950s. Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music, and gave herself the title of "Queen of the Blues". She was also known as "Queen of the Jukeboxes". She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993. Early life Ruth Lee Jones was born in Tuscaloosa, Alabama, to Alice and Ollie Jones, and moved to Chicago as a child. She became deeply involved in gospel music and played piano for the choir in St. Luke's Baptist Church while still in elementary school. She sang gospel music in church and played piano, directing her church choir in her teens and was a member of the Sallie Martin Gospel Singers. When she joined the Sallie Martin group, she dropped ...
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