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The Wrecker (1929 Film)
''The Wrecker'' (german: Der Würger) is a 1929 British-German silent crime film directed by Géza von Bolváry and starring Carlyle Blackwell, Joseph Striker, and Benita Hume. The film was based on the play of the same title by Arnold Ridley. It was produced by Michael Balcon for Gainsborough Pictures in a co-production with the German firm Felsom Film. Plot A criminal referred to by the press as "The Wrecker" is orchestrating accidents on Britain's railways. One such accident occurs on the (fictional) United Coast Lines Railway, whose train is carrying Roger Doyle (Joseph Striker), who has retired from cricket to work on the railway. Roger survives, and reports the accident to his uncle, Sir Gerald Bartlett (Winter Hall), the managing director of the railway, and his assistant, the sly Ambrose Barney (Carlyle Blackwell). Unbeknownst to them, Ambrose is The Wrecker, and is also the head of the Kyle Motor-Coach Company, whose buses are introduced on services where The Wrecker ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Géza Von Bolváry
Géza von Bolváry (born Géza Gyula Mária Bolváry Zahn, german: Géza Maria von Bolváry-Zahn; 26 December 1897 – 10 August 1961) was a Hungarians, Hungarian actor, screenwriter, and film director, who worked principally in Germany and Austria. Biography Géza von Bolváry was born in Budapest. He attended the Imperial Military Academy in Budapest and subsequently served in the Hungarian army (Honved Hussars). After World War I he left military service with the rank of Royal Hungarian ''Rittmeister''. He then earned his living in the new Hungarian film industry. He began his career in about 1920 as an actor in various silent films, but soon changed to the Star-Film company, where he was first active as a director and made his debut as director and screenwriter with ''A Kétarcú asszony''. In 1922 the film concern Emelka in Munich hired him as a director for four years. Between 1926 and 1928 he worked for the firm Felsom Film in Berlin, after which he went to London for a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woolf & Freedman Film Service
Woolf & Freedman Film Service was a UK film distributor which was founded by film producer C. M. Woolf, and which operated from 1919 to 1934. The company distributed more than 140 films over a 15-year period. In 1935, Woolf formed a new company, General Film Distributors. Some of Alfred Hitchcock's early silent films were produced by Gainsborough Pictures and distributed by Woolf & Freedman. Partial filmography *'' The Fire Raisers'' (1934) *''A Cuckoo in the Nest'' (1933) *''Early to Bed'' (1933) *'' Channel Crossing'' (1933) *'' Leave It to Smith'' (1933) *''I Was a Spy'' (1933) *'' The Ghoul'' (1933) *''Prince of Arcadia'' (1933) *''My Lucky Star'' (1933) *'' Waltz Time'' (1933) *'' Falling for You'' (1933) *'' I Lived With You'' (1933) *'' It's a Boy'' (1933) *'' Yes, Mr. Brown'' (1933) *''The Woman in Command'' (1933) *'' The Blarney Kiss'' (1933) *'' The Little Damozel'' (1933) *''It's a King'' (1933) *'' Just My Luck'' (1933) *''The King's Cup'' (1933) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Eastern And Chatham Railway
The South Eastern and Chatham Railway Companies Joint Management Committee (SE&CRCJMC),Awdry (1990), page 199 known as the South Eastern and Chatham Railway (SE&CR), was a working union of two neighbouring rival railways, the South Eastern Railway (UK), South Eastern Railway (SER) and London, Chatham and Dover Railway (LC&DR), which operated between London and south-east England. Between 1899 and 1923, the SE&CR had a monopoly of railway services in Kent and to the main English Channel, Channel ports for ferries to France and Belgium. The companies had competed extensively, with some of the bitterest conflicts between British railway companies. Competing routes to the same destinations were built, so several towns in Kent had been served with a similar frequency service by both companies. In places, unfettered competition allowed two stations and services to multiple London termini. It would be a constituent of the Southern Railway (UK), Southern Railway as part o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basingstoke And Alton Light Railway
The Basingstoke and Alton Light Railway was opened in 1901, by the London and South Western Railway. It was the first English railway authorised under Light Railway legislation. It ran through unpromising, lightly populated terrain, and was probably built only to exclude competitors from building a line in the area. It had steep gradients and a line speed limit of 20 mph, later raised to 25 mph. It never attracted much business and the hoped-for through traffic never materialised. When the War Office demanded recovered track for laying in France, during the First World War, the LSWR closed the line and lifted the track, in 1917. After the war, local pressure mounted to reinstate the railway; this was resisted by the Southern Railway, which had taken over from the LSWR. The SR had no wish to spend considerable sums to reopen a railway that had lost money and had no positive prospects. A House of Lords Committee effectively forced the SR to resume operation, which it did in 192 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herriard Railway Station
Herriard railway station was a railway station in the village of Herriard, Hampshire, UK. The station was a stop on the Basingstoke and Alton Light Railway The Basingstoke and Alton Light Railway was opened in 1901, by the London and South Western Railway. It was the first English railway authorised under Light Railway legislation. It ran through unpromising, lightly populated terrain, and was prob ... until its closure in 1932. On Sunday, 19 August 1928, a crash scene from the film '' The Wrecker'' was filmed at Herriard. A set of SECR coaches and a Class F1 locomotive no. A148 were released on an incline to collide into a Foden steam lorry. As in 2020 the platforms survive as part of a garden wall either side of a roadway. References External links Basingstoke's railway history Disused railway stations in Hampshire Former London and South Western Railway stations Railway stations in Great Britain opened in 1901 Railway stations in Great Britain closed in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pauline Johnson (actress)
Pauline Johnson (3 November 1899 – 13 February 1947) was an English film actress. She was a leading lady of British films during the silent era. She was born Katherine Johnson in Newcastle upon Tyne, Northumberland, England and died in Dorset, England in 1947. Partial filmography * ''The Imperfect Lover'' (1921) * ''Class and No Class'' (1921) * ''A Sailor Tramp'' (1922) * '' Wanted, a Boy'' (1924) * '' One of the Best'' (1927) * ''The Hellcat'' (1928) * ''What Next?'' (1928) * '' The Flying Scotsman'' (1929) * '' The Wrecker'' (1929) * '' Wait and See'' (1929) * ''Little Miss London'' (1929) * ''Would You Believe It! ''Would You Believe It!'' is a 1929 British silent comedy film directed by Walter Forde and starring Forde, Pauline Johnson and Arthur Stratton. It was made at the Nettlefold Studios in Walton-on-Thames and released as a supporting feature.Chi ...'' (1929) References External links * 1899 births 1947 deaths English film actresses Actresses from Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gordon Harker
William Gordon Harker (7 August 1885 – 2 March 1967) was an English stage and film actor. Harker was one of the sons of Sarah Elizabeth Harker, née Hall, (1856–1927), and Joseph Harker (1855–1927), a much admired set painter for the theatre for whom the ''Dracula'' character Jonathan Harker was named. Harker had a long career on the stage, from 1902 to the 1950s. In addition, he appeared in 68 films between 1921 and 1959, including three silent films directed by Alfred Hitchcock and in several scenes in ''Elstree Calling'' (1930), a revue film co-directed by Hitchcock. He was known for his performance as Inspector Hornleigh in a trilogy of films produced between 1938 and 1940, as well in ''Saloon Bar'' (1940), based on a stage play he had starred in and another one of his stage successes The Poltergeist made into the film ''Things Happen at Night'' (1947), a poltergeist comedy he co-starred in with Alfred Drayton and Robertson Hare. His last major screen role was as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cricket
Cricket is a bat-and-ball game played between two teams of eleven players on a field at the centre of which is a pitch with a wicket at each end, each comprising two bails balanced on three stumps. The batting side scores runs by striking the ball bowled at one of the wickets with the bat and then running between the wickets, while the bowling and fielding side tries to prevent this (by preventing the ball from leaving the field, and getting the ball to either wicket) and dismiss each batter (so they are "out"). Means of dismissal include being bowled, when the ball hits the stumps and dislodges the bails, and by the fielding side either catching the ball after it is hit by the bat, but before it hits the ground, or hitting a wicket with the ball before a batter can cross the crease in front of the wicket. When ten batters have been dismissed, the innings ends and the teams swap roles. The game is adjudicated by two umpires, aided by a third umpire and match referee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Co-production (filmmaking)
A co-production is a joint venture between two or more different production companies for the purpose of film production, television production, video game development, and so on. In the case of an international co-production, production companies from different countries (typically two to three) are working together. Co-production also refers to the way services are produced by their users, in some parts or entirely. History and benefits The journalist Mark Lawson identifies the first use of the term, in the context of radio production, in 1941, although the programme to which he refers, ''Children Calling Home'', "Presented in collaboration between the CBC of Canada, NBC of the U.S.A., and the BBC, and broadcast simultaneously in all three countries", was first broadcast in December 1940. Following the Second World War, US film companies were forbidden by the Marshall Plan to take their film profits in the form of foreign exchange out of European countries. As a result, seve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Crime Film
Crime films, in the broadest sense, is a film genre inspired by and analogous to the crime fiction literary genre. Films of this genre generally involve various aspects of crime and its detection. Stylistically, the genre may overlap and combine with many other genres, such as drama or gangster film, but also include comedy, and, in turn, is divided into many sub-genres, such as mystery, suspense or noir. Screenwriter and scholar Eric R. Williams identified crime film as one of eleven super-genres in his Screenwriters Taxonomy, claiming that all feature-length narrative films can be classified by these super-genres. The other ten super-genres are action, fantasy, horror, romance, science fiction, slice of life, sports, thriller, war and western. Williams identifies drama in a broader category called "film type", mystery and suspense as "macro-genres", and film noir as a "screenwriter's pathway" explaining that these categories are additive rather than exclusionary. '' C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
