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The Women Of Algiers In Their Apartments
''Women of Algiers in their Apartment'' () is the title of two oil on canvas paintings by the French Romantic painter Eugène Delacroix. Delacroix's first version of ''Women of Algiers'' was painted in Paris in 1834 and is located in the Louvre, Paris, France. The second work, painted fifteen years later between 1847 and 1849, is located at the Musee Fabre, Montpellier, France. The two works both depict the same scene of four women together in an enclosed room. Despite the similar setting, the two paintings evoke completely different moods through the depiction of the women. Delacroix's earlier 1834 work captures the separation between the women and the viewer. The second painting instead invites the viewer into the scene through the warm inviting gaze of the women. ''Women of Algiers'', along with Delacroix's other Orientalist paintings, has inspired many artists of later generations. In 1888 both Vincent van Gogh and Paul Gauguin travelled to Montpellier to view Delacroix' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Femmes D'Alger Dans Leur Appartement, Eugène Delacroix - Musée Du Louvre Peintures INV 3824 - Q1212737
''Femme'' (; , literally meaning "woman") is a term traditionally used to describe a lesbian who exhibits a Femininity, feminine identity or Gender expression, gender presentation. Alternate meanings of the word also exist with some non-lesbian individuals using the word, notably some gay men, bisexuals, Non-binary gender, nonbinary and transgender individuals. Heavily associated with lesbian history and culture, ''femme'' has been used among lesbians to distinguish traditionally feminine lesbians from their Butch (lesbian slang), butch (i.e. masculine) lesbian counterparts and partners. Derived from American lesbian communities following World War II when women joined the work force, the identity became a characteristic of the working class lesbian bar culture of the 1940s–1950s. By the 1990s, the term ''femme'' had additionally been adopted by bisexual women. It has however also been argued by bi+ and other queer activists that since the term bisexual is relatively newer t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Conquest Of Algeria
The French invasion of Algeria (; ) took place between 1830 and 1903. In 1827, an argument between Hussein Dey, the ruler of the Deylik of Algiers, and the French consul escalated into a blockade, following which the July Monarchy of France invaded and quickly seized Algiers in 1830, and seized other coastal communities. Amid internal political strife in France, decisions were repeatedly taken to retain control of the territory, and additional military forces were brought in over the following years to quell resistance in the interior of the country. Algerian resistance forces were divided between forces under Ahmed Bey ben Mohamed Chérif at Constantine, primarily in the east, and nationalist forces in the Kabylia and the west. Treaties with the nationalists under Emir Abdelkader enabled the French to first focus on the elimination of the remnants of the Deylik, achieved with the 1837 Siege of Constantine. Abd Al-Qādir continued to give stiff resistance in the west. Finally dri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greece On The Ruins Of Missolonghi
''Greece on the Ruins of Missolonghi'' () is an 1826 oil painting by French painter Eugène Delacroix, and now preserved at the Musée des Beaux-Arts de Bordeaux. This painting was inspired by the Third Siege of Missolonghi by the Ottoman forces in 1826, during which many people of the city after the long-time siege (almost a year) decided to attempt a mass breakout (''sortie'') to escape famine and epidemics. The attempt resulted in a disaster, with the larger part of the Greeks slain. Analysis Greece is depicted as a kneeling woman who occupies the major part of the painting. She is wearing a traditional Greek costume, her chest being widely bare, and she spreads her arms as a sign of sadness. The hand of a dead victim can be seen protruding from the rubble, beneath her feet. In the background, a dark-complexioned man wearing a yellow turban, who symbolizes the enemy, is planting a flag in the ground. The painting borrows elements from Christianity. Indeed, "Greece adopts th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Massacre At Chios
''The Massacre at Chios'' (french: Scène des massacres de Scio) is the second major oil painting by the French artist Eugène Delacroix. The work is more than four meters tall, and shows some of the horror of the wartime destruction visited on the Island of Chios in the Chios massacre. A frieze-like display of suffering characters, military might, ornate and colourful costumes, terror, disease and death is shown in front of a scene of widespread desolation. Unusual for a painting of civil ruin during this period,'' The Massacre at Chios'' has no heroic figure to counterbalance the crushed victims, and there is little to suggest hope among the ruin and despair. The vigour with which the aggressor is painted, contrasted with the dismal rendition of the victims, has drawn comment since the work was first hung, and some critics have charged that Delacroix might have tried to show some sympathy with the brutal occupiers. The painting was completed and displayed at the Salon of 1824 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Orientales
''Les Orientales'' is a collection of poems by Victor Hugo, inspired by the Greek War of Independence. They were first published in January 1829. Of the forty-one poems, thirty-six were written during 1828. They offer a series of highly coloured tableaux depicting scenes from the eastern Mediterranean that, reflecting the cultural and political bias of the French public, underscore the contrast between freedom-loving Greeks and imperialist Ottoman Turks. The fashionable subject ensured the book's success. Although Hugo described it as "this impractical book of pure poetry" (''ce livre inutile de poesie pure''), the general theme of the poems is a celebration of liberty, linking the Ancient Greeks with the modern world, freedom in politics with freedom in art, and reflecting the evolution of Hugo's political views from the royalism of his early twenties to a rediscovery of the Napoleonic enthusiasms of his childhood (for example, see the fortieth, ''Lui''). The poems are also int ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Hugo
Victor-Marie Hugo (; 26 February 1802 – 22 May 1885) was a French Romantic writer and politician. During a literary career that spanned more than sixty years, he wrote in a variety of genres and forms. He is considered to be one of the greatest French writers of all time. His most famous works are the novels ''The Hunchback of Notre-Dame'' (1831) and ''Les Misérables'' (1862). In France, Hugo is renowned for his poetry collections, such as (''The Contemplations'') and (''The Legend of the Ages''). Hugo was at the forefront of the Romanticism, Romantic literary movement with his play ''Cromwell (play), Cromwell'' and drama ''Hernani (drama), Hernani''. Many of his works have inspired music, both during his lifetime and after his death, including the opera ''Rigoletto'' and the musicals ''Les Misérables (musical), Les Misérables'' and ''Notre-Dame de Paris (musical), Notre-Dame de Paris''. He produced more than 4,000 drawings in his lifetime, and campaigned for social cau ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greek Revolution
The Greek War of Independence, also known as the Greek Revolution or the Greek Revolution of 1821, was a successful war of independence by Greek revolutionaries against the Ottoman Empire between 1821 and 1829. The Greeks were later assisted by the British Empire, Kingdom of France, and the Russian Empire, while the Ottomans were aided by their North African vassals, particularly the eyalet of Egypt. The war led to the formation of modern Greece. The revolution is celebrated by Greeks around the world as independence day on 25 March. Greece, with the exception of the Ionian Islands, came under Ottoman rule in the 15th century, in the decades before and after the fall of Constantinople. During the following centuries, there were sporadic but unsuccessful Greek uprisings against Ottoman rule. In 1814, a secret organization called Filiki Eteria (Society of Friends) was founded with the aim of liberating Greece, encouraged by the revolutionary fervor gripping Europe in that peri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Campaign In Egypt And Syria
The French campaign in Egypt and Syria (1798–1801) was Napoleon Bonaparte's campaign in the Ottoman territories of Egypt and Syria, proclaimed to defend French trade interests, to establish scientific enterprise in the region. It was the primary purpose of the Mediterranean campaign of 1798, a series of naval engagements that included the capture of Malta and the Greek island Crete, later arriving in the Port of Alexandria. The campaign ended in defeat for Napoleon, leading to the withdrawal of French troops from the region. On the scientific front, the expedition eventually led to the discovery of the Rosetta Stone, creating the field of Egyptology. Despite early victories and an initially successful expedition into Syria, Napoleon and his Armée d'Orient were eventually defeated and forced to withdraw, especially after suffering the defeat of the supporting French fleet at the Battle of the Nile. Preparations and voyage Proposal At the time of the invasion, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orientalist Painting
In art history, literature and cultural studies, Orientalism is the imitation or depiction of aspects in the Eastern world. These depictions are usually done by writers, designers, and artists from the Western world. In particular, Orientalist painting, depicting more specifically the Middle East, was one of the many specialisms of 19th-century academic art, and the literature of Western countries took a similar interest in Oriental themes. Since the publication of Edward Said's ''Orientalism'' in 1978, much academic discourse has begun to use the term "Orientalism" to refer to a general patronizing Western attitude towards Middle Eastern, Asian, and North African societies. In Said's analysis, the West essentializes these societies as static and undeveloped—thereby fabricating a view of Oriental culture that can be studied, depicted, and reproduced in the service of imperial power. Implicit in this fabrication, writes Said, is the idea that Western society is developed, ratio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Letters
''Persian Letters'' (french: Lettres persanes) is a literary work, published in 1721, by Charles de Secondat, baron de Montesquieu, recounting the experiences of two fictional Persian noblemen, Usbek and Rica, who spend several years in France under Louis XIV and the Regency.; Publication The first edition of the novel, which consisted of 150 letters, appeared in May 1721 under the rubric Cologne: Pierre Marteau, a front for the Amsterdam publisher Jacques Desbordes whose business was now being run by his widow, Susanne de Caux. Referred to as edition A, this is the text utilized in the recent critical edition of ''Lettres persanes'' (2004) for the ongoing complete works of Montesquieu published in Oxford and Lyon/Paris beginning in 1998. A second edition (B) by the same publisher later in the same year, for which there is so far no entirely satisfactory explanation, curiously included three new letters but omitted thirteen of the original ones. All subsequent editions in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mademoiselle Mars
Mademoiselle Mars (pseudonym of Anne Françoise Hyppolyte Boutet Salvetat; 9 February 1779 – 20 March 1847), French actress, was born in Paris, the natural daughter of the actor-author named Monvel (Jacques Marie Boutet) (1745–1812) and Jeanne-Marie Salvetat (1748–1838), an actress known as Madame Mars, whose southern accent had made her Paris debut a failure. Life Mlle Mars began her stage career in children's parts, and by 1799, after the rehabilitation of the Comédie-Française, she and her elder half-sister (Marie-Louise-Geneviève Salvetat, called Louise and known professionally as Mlle Mars ''aînée'') joined that company, of which she remained an active member for 33 years. Her beauty and talents soon placed her at the top of her profession. She was incomparable in ingenue parts, and equally charming as the coquette. Molière, Marivaux, Michel-Jean Sedaine, and Pierre Beaumarchais had no more accomplished interpreter, and in her career of half a century, besides ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paris Opera
The Paris Opera (, ) is the primary opera and ballet company of France. It was founded in 1669 by Louis XIV as the , and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and officially renamed the , but continued to be known more simply as the . Classical ballet as it is known today arose within the Paris Opera as the Paris Opera Ballet and has remained an integral and important part of the company. Currently called the , it mainly produces operas at its modern 2,723-seat theatre Opéra Bastille which opened in 1989, and ballets and some classical operas at the older 1,979-seat Palais Garnier which opened in 1875. Small scale and contemporary works are also staged in the 500-seat Amphitheatre under the Opéra Bastille. The company's annual budget is in the order of 200 million euros, of which €100M come from the French state and €70M from box office receipts. With this money, the company runs the two houses and supports a large permanent staff, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
