The Women's Building (San Francisco)
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The Women's Building (San Francisco)
The Women's Building is a women-led non-profit arts and education community center located in San Francisco, California, which advocates self-determination, gender equality and social justice. The four-story building rents to multiple tenants and serves over 20,000 women a year. The building has served as an event and meeting space since 1979, when it was purchased by the San Francisco Women's Center. The building is shielded from rising real estate costs in the Mission district because that group has owned the building since 1995. The building has been listed as one of the National Register of Historic Places since April 30, 2018; and was listed on the San Francisco Designated Landmark since March 1, 1985. Pre-history of The Women's Building The structure was built in 1910 by architect August Reinhold Denke, for the German Turnverein exercise movement. It retained the name Mission Turn Hall until 1935, but was also used by other organizations of various ethnicities including ...
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San Francisco
San Francisco (; Spanish language, Spanish for "Francis of Assisi, Saint Francis"), officially the City and County of San Francisco, is the commercial, financial, and cultural center of Northern California. The city proper is the List of California cities by population, fourth most populous in California and List of United States cities by population, 17th most populous in the United States, with 815,201 residents as of 2021. It covers a land area of , at the end of the San Francisco Peninsula, making it the second most densely populated large U.S. city after New York City, and the County statistics of the United States, fifth most densely populated U.S. county, behind only four of the five New York City boroughs. Among the 91 U.S. cities proper with over 250,000 residents, San Francisco was ranked first by per capita income (at $160,749) and sixth by aggregate income as of 2021. Colloquial nicknames for San Francisco include ''SF'', ''San Fran'', ''The '', ''Frisco'', and '' ...
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Lesbian
A lesbian is a Homosexuality, homosexual woman.Zimmerman, p. 453. The word is also used for women in relation to their sexual identity or sexual behavior, regardless of sexual orientation, or as an adjective to characterize or associate nouns with female homosexuality or same-sex attraction. The concept of "lesbian" to differentiate women with a shared sexual orientation evolved in the 20th century. Throughout history, women have not had the same freedom or independence as men to pursue homosexual relationships, but neither have they met the same harsh punishment as homosexual men in some societies. Instead, lesbian relationships have often been regarded as harmless, unless a participant attempts to assert privileges traditionally enjoyed by men. As a result, little in history was documented to give an accurate description of how female homosexuality was expressed. When early sexologists in the late 19th century began to categorize and describe homosexual behavior, hampere ...
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Buildings And Structures In San Francisco
A building, or edifice, is an enclosed structure with a roof and walls standing more or less permanently in one place, such as a house or factory (although there's also portable buildings). Buildings come in a variety of sizes, shapes, and functions, and have been adapted throughout history for a wide number of factors, from building materials available, to weather conditions, land prices, ground conditions, specific uses, prestige, and aesthetic reasons. To better understand the term ''building'' compare the list of nonbuilding structures. Buildings serve several societal needs – primarily as shelter from weather, security, living space, privacy, to store belongings, and to comfortably live and work. A building as a shelter represents a physical division of the human habitat (a place of comfort and safety) and the ''outside'' (a place that at times may be harsh and harmful). Ever since the first cave paintings, buildings have also become objects or canvasses of much artis ...
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GLBT Historical Society
The GLBT Historical Society (Gay, Lesbian, Bisexual, Transgender Historical Society) (formerly Gay and Lesbian Historical Society of Northern California; San Francisco Bay Area Gay and Lesbian Historical Society) maintains an extensive collection of archival materials, artifacts and graphic arts relating to the history of LGBT people in the United States, with a focus on the LGBT communities of San Francisco and Northern California. The society also sponsors the GLBT Historical Society Museum, a stand-alone museum that has attracted international attention.GLBT Historical Society (2011-02-22)"Worldwide Media Coverage of San Francisco's GLBT History Museum." Retrieved 2011-02-23. The Swedish Exhibition Agency has cited the institution as one of just "three established museums dedicated to LGBTQ history in the world” as of 2016. It is also the first full-scale, stand-alone museum of lesbian, gay, bisexual and transgender history in the United States (and only the second in the w ...
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National Register Of Historic Places Listings In San Francisco
__NOTOC__ This is intended to be a complete list of the properties and districts on the National Register of Historic Places in San Francisco, California, United States. Latitude and longitude coordinates are provided for many National Register properties and districts; these locations may be seen together in an online map. There are 203 properties and districts listed on the National Register in the city, including 18 National Historic Landmarks. Another three properties were once listed but have been removed. Current listings Former listings See also *California Historical Landmarks in San Francisco *List of National Historic Landmarks in California *List of San Francisco Designated Landmarks *National Register of Historic Places listings in California References ...
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Mujeres Muralistas
Las Mujeres Muralistas ("The Muralist Women") were an all-female Latina artist collective based in the Mission District in San Francisco in the 1970s. They created a number of public murals throughout the San Francisco Bay Area, and are said to have sparked the beginning of the female muralist movement in the US and Mexico. Their murals were colorful and large scale and often focused on themes such as womanhood, culture, beauty, and socio-political change. Patricia Rodriguez, Graciela Carrillo, Consuelo Mendez, and Irene Perez are recognized as the founders and most prominent members of the collective,Cordova, Cary. "Hombres Y Mujeres Muralistas on a Mission: Painting Latino Identities in 1970s San Francisco." ''Latino Studies'' 4.4 (2006): 356-80. ''ProQuest.'' Web. 8 Nov. 2018. but other female Chicana artists assisted along the way and even joined later on, such as Susan Cervantes, Ester Hernandez, and Miriam Olivo among others. History The Mujeres Muralistas got their start ...
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Precita Eyes
Precita Eyes Muralists Association is a community-based non-profit muralist and arts education group located in the Bernal Heights neighborhood of San Francisco, California. It was founded in 1977 by Susan and Luis Cervantes.Precita Eyes celebrates two decades of making walls, and community, bloom
by Will Cain, '''', October 17, 2007, access date July 18, 2008


History

Precita Eyes Muralists Association was founded in 1977 by Susan and Luis Cervantes, who had come to the Bay Area several years before and started a family. Susan Cervantes was inspired by
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Susan Cervantes
Susan Kelk Cervantes (née Susan Elizabeth Kelk; born 1944) is an American artist who has been at the epicenter of the San Francisco mural movement and the co-founder and executive director of the community-based non-profit, Precita Eyes Muralists. Personal life and education Susan Elizabeth Kelk graduated high school a year early in Dallas, Texas to attend art school at the age of 16. Since her parents could not help pay her tuition after losing their floral and nursery business Kelk accepted a scholarship from the Dallas Museum of Art and attended the San Francisco School of Fine Arts, (now known as the San Francisco Art Institute or SFAI). Kelk received her Bachelor of Fine Arts in 1965 and Master of Fine Arts in 1968 from SFAI. In her first year of college in the 1960s, Kelk met her husband and collaborator, Luis Cervantes (1924–2005). They had three sons together. Career Susan Cervantes is considered a leader in the Mission District community mural movement and consi ...
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Edythe Boone
Edythe (Edy) Boone (born 1938), is an African-American artist and activist. She has worked as a muralist, counselor, and art teacher throughout her life in an under-served area in California. She is the aunt of Eric Garner, an African-American man who was choked to death by New York Police Department officers. His death, along with the death of Michael Brown, led to protests and in part catalyzed the Black Lives Matter movement. Career Boone is well known for the many murals she has painted. She started with her painted murals on each floor of a building in Harlem, New York and her work has expanded through the years to one of her most notable projects, designing and painting the Women's Building mural in San Francisco, California. She first was exposed to art when visiting her grandmother, who was a seamstress and Boone found herself surrounded by color, fabrics and textures. During the time she lived in Harlem the problem with crack cocaine was rampant and had a large influe ...
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Miranda Bergman
Miranda Bergman is a contemporary muralist and one of the seven women artists who in 1994 created the '' MaestraPeace'' mural, the largest mural in San Francisco, which covers The Women's Building. Work She grew up in the San Francisco Mission District and attended Balboa High School. She now lives in Oakland. In the 1970s, she joined other artists in the Haight-Ashbury Muralists. From 1972 to 1976 Bergman created labor-themed posters with Jane Nordling for the Working Peoples' Artists collective. She worked on a CETA-funded project with other artists to paint murals in the city jail. In 1986, Bergman worked with Juana Alicia, Hector Noel Méndez, Ariella Seidenberg, and Arch Williams to create the mural ''El Amancer'' (''The Dawn'') in a park in Managua, Nicaragua. Bergman and Alicia completed part of the work in the middle of the night, guarded by armed teenagers and "working in spite of the threat of a U.S.-backed Contra attack." Her South Africa-themed photo collage was ...
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Juana Alicia
Juana Alicia (born 1953) is an American muralist, printmaker, educator, activist and, painter. She has been an educator for forty years. Juana Alicia, as part of the faculty Berkeley City College, founded and directed the True Colors Public Art program. Her sculptures and murals are principally located in the San Francisco Bay Area, Nicaragua, Mexico, Pennsylvania, and in many parts of California. Biography Early life Juana Alicia was born in Newark, New Jersey in 1953. She grew up in an African American community near the Detroit Institute of Art (DIA) in Detroit, Michigan. Education Alicia attended the University of California Santa Cruz earning her Bachelor of Arts (BA) in Teaching Aesthetic Awareness from a Cultural Perspective, with a Bilingual Cross-Cultural Emphasis Credential in 1979. Alicia also received her Single Subjects Credential in Art Education in 1980. Three years later, in 1983, Alicia earned her Fifth Year Certificate in Bilingual Education, and received he ...
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Women Artists
The absence of women from the canon of Western culture, Western Art history, art has been a subject of inquiry and reconsideration since the early 1970s. Linda Nochlin's influential 1971 essay, "Why Have There Been No Great Women Artists?, Why Have There Been No Great Women Artists?" examined the social and institutional barriers that blocked most women from entering artistic professions throughout history, prompted a new focus on women artists, their art and experiences, and contributed inspiration to the Feminist art movement in the United States, Feminist art movement. Although women artists have been involved in the making of art throughout history, their work, when compared to that of their male counterparts, has been often obfuscated, overlooked and undervalued. The Western canon has historically valued men's work over womens' and attached gendered stereotypes to certain media, such as Textile arts, textile or fiber arts, to be primarily associated with women.Aktins, Robe ...
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