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The Woman's Building (Chicago)
The Woman's Building was designed and built for the World's Columbian Exposition held in Chicago in 1893 under the auspices of the Board of Lady Managers. Of the twelve main buildings for the Exhibition, on June 30, 1892 The Woman's Building was the first to be completed. It had exhibition space as well as an assembly room, a library, and a Hall of Honor. The ''History of the World's Fair'' states, "It will be a long time before such an aggregation of woman's work, as may now be seen in the Woman's Building, can be gathered from all parts of the world again." Building Fourteen women architects submitted designs for the Woman's Building. The Board of Architects selected Sophia Hayden's design. The design was for a three story building done in Italian Renaissance style with Corinthian columns. The Hall of Honor was in total 70 feet in height and didn't have any pillars or supports obstructing the space. Alice Rideout was chosen as the official sculptor for the Woman's Building. S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woman's Building (closeup) Designed By Sophia Hayden
The Woman's Building was a non-profit arts and education center located in Los Angeles, California. The Woman's Building focused on feminist art and served as a venue for the women's movement and was spearheaded by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville and art historian Arlene Raven. The center was open from 1973 until 1991. During its existence, the Los Angeles Times called the Woman's Building a "feminist mecca." History Feminist Studio Workshop In 1973, CalArts teachers artist Judy Chicago, graphic designer Sheila Levrant de Bretteville and art historian Arlene Raven were finally finished with trying to offer feminist education in a male-dominated institution like CalArts. That year they quit CalArts and founded the Feminist Studio Workshop (FSW). FSW was one of the first independent art schools for women, and revolved around a workshop environment, allowing women to develop their artistic skills and knowledge outside a traditional educatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhoda Garrett
Rhoda Garrett (28 March 1841 – 22 November 1882)Serena Kelly"Rhoda Garrett (1841–1882)" ''Oxford Dictionary of National Biography'', Oxford University Press, 2004. Retrieved 9 January 2015. was an English suffragist and interior designer. With her cousin Agnes Garrett, Rhoda opened the first interior design company in Britain to be run by women. The cousins were apprenticed to London architect John McKean Brydon in 1873. R & A Garrett opened in mid 1874, in a flat behind Baker Street station, moving to 2 Gower Street in Bloomsbury mid1875. Together they wrote and published ''Suggestions for House Decoration'' in 1876, part of the 'Art at Home' series of interior decoration and household taste manuals published by Macmillan under the general editorship of W. J. Loftie. It was illustrated with engravings of furniture and rooms, probably of their own home at Gower Street, which was also their business premises. Examples of furniture designed by the Garretts are at Standen Hous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Women Artists Exhibited At The 1893 World's Columbian Exposition
Women artists competing for awards at the 1893 World's Columbian Exposition submitted their work to juries at appropriate buildings. Women artists were represented in the Palace of Fine Arts, along with their fellow countrymen. Women exhibited painting and sculpture throughout the Fair. The Woman's Building did not have a juried exhibition, but lobbied to have artists of the day submit their work for the "Court of Honor". Women also contributed to the decoration and statuary throughout the Woman's Building. Women artists in the Palace of Fine Arts List of Women artist exhibiting at the Palace of Fine Arts, by country. Austria Belgium Canada Denmark France Germany Great Britain Holland Italy * Maria Martinetti – painting Norway Russia ;D * Maria Lvovna Dillon – sculpture ;K * Sophia Ivanovna Kramskaya – painting ;P * Helena Polienoff – painting ;W * Helena Wrangel (Elena Karlovna Vrangel) – painting Spain ;A * Julia Alca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Woman's Building (Los Angeles)
The Woman's Building was a non-profit arts and education center located in Los Angeles, California. The Woman's Building focused on feminist art and served as a venue for the women's movement and was spearheaded by artist Judy Chicago, graphic designer Sheila Levrant de Bretteville and art historian Arlene Raven. The center was open from 1973 until 1991. During its existence, the Los Angeles Times called the Woman's Building a "feminist mecca." History Feminist Studio Workshop In 1973, CalArts teachers artist Judy Chicago, graphic designer Sheila Levrant de Bretteville and art historian Arlene Raven were finally finished with trying to offer feminist education in a male-dominated institution like CalArts. That year they quit CalArts and founded the Feminist Studio Workshop (FSW). FSW was one of the first independent art schools for women, and revolved around a workshop environment, allowing women to develop their artistic skills and knowledge outside a traditional educatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Dinner Party
''The Dinner Party'' is an installation artwork by feminist artist Judy Chicago. Widely regarded as the first epic feminist artwork, it functions as a symbolic history of women in civilization. There are 39 elaborate place settings on a triangular table for 39 mythical and historical famous women. Sacajawea, Sojourner Truth, Eleanor of Aquitaine, Empress Theodora of Byzantium, Virginia Woolf, Susan B. Anthony, and Georgia O'Keeffe are among the symbolic guests. Each place setting includes a hand-painted china plate, ceramic cutlery and chalice, and a napkin with an embroidered gold edge. Each plate, except the ones corresponding to Sojourner Truth and Ethel Smyth, depicts a brightly colored, elaborately styled vulvar form. The settings rest on intricately embroidered runners, executed in a variety of needlework styles and techniques. The table stands on ''The Heritage Floor'', made up of more than 2,000 white luster-glazed triangular tiles, each inscribed in gold scripts with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Judy Chicago
Judy Chicago (born Judith Sylvia Cohen; July 20, 1939) is an American feminist artist, art educator, and writer known for her large collaborative art installation pieces about birth and creation images, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno (formerly Fresno State College) and acted as a catalyst for feminist art and art education. Her inclusion in hundreds of publications in various areas of the world showcases her influence in the worldwide art community. Additionally, many of her books have been published in other countries, making her work more accessible to international readers. Chicago's work incorporates a variety of artistic skills, such as needlework, counterbalanced with skills such as welding and pyrotechnics. Chicago's most well known work is "The Dinner Party", which is permanently installed in the Elizabeth A. Sackler Center fo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Feminist Art
Feminist art is a category of art associated with the late 1960s and 1970s feminist movement. Feminist art highlights the societal and political differences women experience within their lives. The hopeful gain from this form of art is to bring a positive and understanding change to the world, in hope to lead to equality or liberation. Media used range from traditional art forms such as painting to more unorthodox methods such as performance art, conceptual art, body art, craftivism, video, film, and fiber art. Feminist art has served as an innovative driving force towards expanding the definition of art through the incorporation of new media and a new perspective. History Historically speaking, women artists, when they existed, have largely faded into obscurity: there is no female Michelangelo or Da Vinci equivalent. In ''Why Have There Been No Great Women Artists'' Linda Nochlin wrote, "The fault lies not in our stars, our hormones, our menstrual cycles, or our empty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Second-wave Feminism
Second-wave feminism was a period of feminist activity that began in the early 1960s and lasted roughly two decades. It took place throughout the Western world, and aimed to increase equality for women by building on previous feminist gains. Whereas first-wave feminism focused mainly on suffrage and overturning legal obstacles to gender equality (''e.g.'', voting rights and property rights), second-wave feminism broadened the debate to include a wider range of issues: sexuality, family, domesticity, the workplace, reproductive rights, ''de facto'' inequalities, and official legal inequalities. It was a movement that was focused on critiquing the patriarchal, or male-dominated, institutions and cultural practices throughout society. Second-wave feminism also drew attention to the issues of domestic violence and marital rape, created rape-crisis centers and women's shelters, and brought about changes in custody laws and divorce law. Feminist-owned bookstores, credit unions, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Great Exhibition
The Great Exhibition of the Works of Industry of All Nations, also known as the Great Exhibition or the Crystal Palace Exhibition (in reference to the temporary structure in which it was held), was an international exhibition which took place in Hyde Park, London, from 1 May to 15 October, 1851. It was the first in a series of World's Fairs, exhibitions of culture and industry that became popular in the 19th century. The event was organised by Henry Cole and Prince Albert, husband of Victoria, Queen of the United Kingdom. Famous people of the time attended the Great Exhibition, including Charles Darwin, Karl Marx, Michael Faraday (who assisted with the planning and judging of exhibits), Samuel Colt, members of the Orléanist Royal Family and the writers Charlotte Brontë, Charles Dickens, Lewis Carroll, George Eliot, Alfred Tennyson and William Makepeace Thackeray. The opening music, under the superintendence of William Sterndale Bennett, was directed by Sir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Crystal Palace
The Crystal Palace was a cast iron and plate glass structure, originally built in Hyde Park, London, to house the Great Exhibition of 1851. The exhibition took place from 1 May to 15 October 1851, and more than 14,000 exhibitors from around the world gathered in its exhibition space to display examples of technology developed in the Industrial Revolution. Designed by Joseph Paxton, the Great Exhibition building was long, with an interior height of , and was three times the size of St Paul's Cathedral. The introduction of the sheet glass method into Britain by Chance Brothers in 1832 made possible the production of large sheets of cheap but strong glass, and its use in the Crystal Palace created a structure with the greatest area of glass ever seen in a building. It astonished visitors with its clear walls and ceilings that did not require interior lights. It has been suggested that the name of the building resulted from a piece penned by the playwright Douglas Jerrold, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1895 Copenhagen Women's Exhibition
The Women's Exhibition from the Past and Present ( da, Kvindernes Udstilling fra Fortid og Nutid) held in Copenhagen in 1895 was an art and culture exhibition for women from the Nordic countries. Inspired by the 1893 World's Fair in Chicago, it was designed to demonstrate how far Nordic women had advanced in the areas of education, employment and art. The first of its kind in Europe, it was considered a great success. Background The Chicago World's Fair in 1893 had impressed Danish visitors with its Woman's Building containing presentations of art and literature. Sophie Oxholm (1848–1935), who had visited the exhibition, was obviously impressed by the exhibition, especially the show of Danish needlework. On her return to Denmark, she immediately brought a number of influential women together with a view to arranging a Nordic women's exhibition in Copenhagen the following year. Despite initial enthusiasm, as a result of budgetary and management problems, it was announced in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sophie Oxholm
Sophie Marguerite Oxholm née Bech (25 December 1848 – 3 September 1935) was a Danish noblewoman who was active in the initial planning of the 1895 Copenhagen Women's Exhibition. She was the owner of Rosenfeldt at Vordingborg from 1914 to 1935. Early life and family Born on 25 December 1848 in Poughkeepsie, New York State, Sophie Oxholm Bech was the daughter of the Danish consul, Edvard Bech (1812–1873), and Charlotte Elizabeth née McCarthy (1812–1900). On 9 September 1892, she married the estate owner and nobleman Carl O'Neill Oxholm of Rosenfeldt (1843–1914), a son of Maj. Gen. Oscar O'Neill Oxholm. The Women's Exhibition in Copenhagen Oxholm, who had visited the 1893 World's Fair in Chicago, was impressed by its presentations, especially the show of Danish needlework. On her return to Denmark, she immediately brought a number of influential women together with a view to arranging a Nordic women's exhibition in Copenhagen the following year. Despite initial enthusiasm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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