The Witch's Tales
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The Witch's Tales
''The Witch's Tales'' was an American pulp magazine edited by Tom Chadburn which published two issues in November and December 1936. It was a companion to a radio program, called '' The Witch's Tale'', which had begun broadcasting in May 1931. With the exception of the lead story in each issue, all the stories were reprints from the American edition of ''Pearson's Magazine''. Alonzo Deen Cole, who wrote the radio series, contributed one lead story, and provided the plot for the other. The authors of the reprint stories included George Daulton, Wardon Allan Curtis, William Hamilton Osborne, and John C. Haywood. Publication history and contents '' The Witch's Tale'' was a radio program that began on American radio in May 1931. A weekly anthology show, it was the first radio horror program, and soon became quite popular. In 1936, the magazine ''The Witch's Tales'' appeared as a companion to it, perhaps inspired by ''The Shadow'', a successful pulp magazine which had also ...
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The Witch's Tales November 1936
''The'' () is a grammatical article in English, denoting persons or things that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The'' is the most frequently used word in the English language; studies and analyses of texts have found it to account for seven percent of all printed English-language words. It is derived from gendered articles in Old English which combined in Middle English and now has a single form used with nouns of any gender. The word can be used with both singular and plural nouns, and with a noun that starts with any letter. This is different from many other languages, which have different forms of the definite article for different genders or numbers. Pronunciation In most dialects, "the" is pronounced as (with the voiced dental fricative followed by a schwa) when followed by a consonant sound, and as (homophone of the archaic pron ...
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Street & Smith
Street & Smith or Street & Smith Publications, Inc. was a New York City publisher specializing in inexpensive paperbacks and magazines referred to as dime novels and pulp fiction. They also published comic books and sporting yearbooks. Among their many titles was the science fiction pulp magazine ''Astounding Stories'', acquired from Clayton Magazines in 1933, and retained until 1961. Street & Smith was founded in 1855, and was bought out in 1959. The Street & Smith headquarters was at 79 Seventh Avenue in Manhattan; it was designed by Henry F. Kilburn. History Founding Francis Scott Street and Francis Shubael Smith began their publishing partnership in 1855 when they took over a broken-down fiction magazine."The Press: New Bottles,"
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Magazines Disestablished In 1936
A magazine is a periodical publication, generally published on a regular schedule (often weekly or monthly), containing a variety of content. They are generally financed by advertising, purchase price, prepaid subscriptions, or by a combination of the three. Definition In the technical sense a ''journal'' has continuous pagination throughout a volume. Thus ''Business Week'', which starts each issue anew with page one, is a magazine, but the '' Journal of Business Communication'', which continues the same sequence of pagination throughout the coterminous year, is a journal. Some professional or trade publications are also peer-reviewed, for example the '' Journal of Accountancy''. Non-peer-reviewed academic or professional publications are generally ''professional magazines''. That a publication calls itself a ''journal'' does not make it a journal in the technical sense; ''The Wall Street Journal'' is actually a newspaper. Etymology The word "magazine" derives from Arabic , th ...
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Magazines Established In 1936
A magazine is a periodical publication, generally published on a regular schedule (often weekly or monthly), containing a variety of content. They are generally financed by advertising, purchase price, prepaid subscriptions, or by a combination of the three. Definition In the technical sense a ''journal'' has continuous pagination throughout a volume. Thus ''Business Week'', which starts each issue anew with page one, is a magazine, but the '' Journal of Business Communication'', which continues the same sequence of pagination throughout the coterminous year, is a journal. Some professional or trade publications are also peer-reviewed, for example the '' Journal of Accountancy''. Non-peer-reviewed academic or professional publications are generally ''professional magazines''. That a publication calls itself a ''journal'' does not make it a journal in the technical sense; ''The Wall Street Journal'' is actually a newspaper. Etymology The word "magazine" derives from Arabic , th ...
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Pulp Magazines
Pulp magazines (also referred to as "the pulps") were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term "pulp" derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was wide by high, and thick, with ragged, untrimmed edges. The pulps gave rise to the term pulp fiction in reference to run-of-the-mill, low-quality literature. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many respected writers wrote for pulps, the magazines were best known for their lurid, exploitative, and sensational subject matter, even though this was but a small part of what existed in the pulps. Successors of pulps include paperback books, digest magazines, and men's adventure magazines. Modern superhero comic books are sometimes considered ...
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Fantasy Fiction Magazines
A fantasy fiction magazine, or fantasy magazine, is a magazine which publishes primarily fantasy fiction. Not generally included in the category are magazines for children with stories about such characters as Santa Claus. Also not included are adult magazines about sexual fantasy. Many fantasy magazines, in addition to fiction, have other features such as art, cartoons, reviews, or letters from readers. Some fantasy magazines also publish science fiction and horror fiction, so there is not always a clear distinction between a fantasy magazine and a science fiction magazine. For example, ''Fantastic'' magazine published almost exclusively science fiction for much of its run. Major fantasy magazines Current magazines * '' Abyss & Apex Magazine'', 2003–present (US) * ''Andromeda Spaceways Inflight Magazine'', 2002–present (AUS) * ''Apex Magazine'', 2005–present (US) * ''Aurealis'', 1990–present (AUS) * ''Bards and Sages Quarterly'', 2009–present (US) * ''Beneath Cea ...
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Bedsheet
The bedsheet format (also known as large pulp) was the size of many magazines published in the United States in the first quarter of the 20th century. Magazines in bedsheet format were roughly the size of ''Life'' but with square spines. While the bedsheet size varied slightly from magazine to magazine, a standard bedsheet size is usually 9¾" x 12". Dick Eney's ''Fancyclopedia II'' gives the following entry: :Bedsheet: A prozine size; 9x12. At various times ''Amazing'', ''Wonder'', ''Fantastic Adventures'', ''ASF'' and ''Unknown Worlds'' attempted this size. The two latter, at least, were cut down by wartime paper shortage, and possibly by the keening of collectors who found these dimensions accident-prone. The first science fiction magazine, ''Amazing Stories'', was published in a bedsheet format. Later, most magazines changed to the pulp magazine format, roughly the size of comic books or ''National Geographic'' but again with a square spine. Now, many magazines are published i ...
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Mike Ashley (writer)
Michael Raymond Donald Ashley (born 1948) is a British bibliographer, author and editor of science fiction, mystery, and fantasy. He edits the long-running ''Mammoth Book'' series of short story anthologies, each arranged around a particular theme in mystery, fantasy, or science fiction. He has a special interest in fiction magazines and has written a multi-volume ''History of the Science Fiction Magazine'' and a study of British fiction magazines, ''The Age of the Storytellers''. He won the Edgar Award for ''The Mammoth Encyclopedia of Modern Crime Fiction''. In addition to the books listed below he edited and prepared for publication the novel ''The Enchantresses'' (1997) by Vera Chapman. He has contributed to many reference works including ''The Encyclopedia of Fantasy'' (as Contributing Editor) and ''The Encyclopedia of Science Fiction'' (as Contributing Editor of the third edition). He wrote the books to accompany the British Library's exhibitions, ''Taking Liberties'' in 2 ...
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Mad Scientist
The mad scientist (also mad doctor or mad professor) is a stock character of a scientist who is perceived as " mad, bad and dangerous to know" or "insane" owing to a combination of unusual or unsettling personality traits and the unabashedly ambitious, taboo or hubristic nature of their experiments. As a motif in fiction, the mad scientist may be villainous (evil genius) or antagonistic, benign, or neutral; may be insane, eccentric, or clumsy; and often works with fictional technology or fails to recognise or value common human objections to attempting to play God. Some may have benevolent intentions, even if their actions are dangerous or questionable, which can make them accidental antagonists. History Prototypes The prototypical fictional mad scientist was Victor Frankenstein, creator of his eponymous monster, who made his first appearance in 1818, in the novel ''Frankenstein, or the Modern Prometheus'' by Mary Shelley. Though the novel's title character, Victor Frankenst ...
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The Shadow
The Shadow is a fictional character created by magazine publishers Street & Smith and writer Walter B. Gibson. Originally created to be a mysterious radio show narrator, and developed into a distinct literary character in 1931 by writer Walter B. Gibson, The Shadow has been adapted into other forms of media, including American comic books, comic strips, television, serials, video games, and at least five feature films. The radio drama included episodes voiced by Orson Welles. The Shadow First appearance, debuted on July 31, 1930, as the mysterious narrator of the radio program ''Detective Story Hour'', which was developed to boost sales of Street & Smith's monthly pulp ''Detective Story Magazine''. When listeners of the program began asking at newsstands for copies of "that Shadow detective magazine", Street & Smith launched a magazine based on the character, and hired Gibson to create a concept to fit the name and voice and to write a story featuring him. The first issue of the ...
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Pulp Magazine
Pulp magazines (also referred to as "the pulps") were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term "pulp" derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was wide by high, and thick, with ragged, untrimmed edges. The pulps gave rise to the term pulp fiction in reference to run-of-the-mill, low-quality literature. Pulps were the successors to the penny dreadfuls, dime novels, and short-fiction magazines of the 19th century. Although many respected writers wrote for pulps, the magazines were best known for their lurid, exploitative, and sensational subject matter, even though this was but a small part of what existed in the pulps. Successors of pulps include paperback books, digest magazines, and men's adventure magazines. Modern superhero comic books are sometimes considere ...
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The Shadow (magazine)
''The Shadow'' was an American pulp magazine that was published by Street & Smith from 1931 to 1949. Each issue contained a novel about the Shadow, a mysterious crime-fighting figure who had been invented to narrate the introductions to radio broadcasts of stories from Street & Smith's ''Detective Story Magazine''. A line from the introduction, "Who knows what evil lurks in the hearts of men? The Shadow knows", prompted listeners to ask at newsstands for the "Shadow magazine", which convinced the publisher that a magazine based around a single character could be successful. Walter Gibson persuaded the magazine's editor, Frank Blackwell, to let him write the first novel, '' The Living Shadow'', which appeared in the first issue, dated April 1931. Sales were strong, and Street & Smith quickly moved it from quarterly to monthly publication, and then to twice-monthly. John Nanovic was hired as editor in 1932, and the lead stories were outlined in meetings between Nanovic, Gibs ...
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