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The Widow Ranter, Or, The History Of Bacon In Virginia
''The Widdow Ranter, or, the History of Bacon in Virginia'' is a tragicomic play written by Aphra Behn and first performed posthumously in 1689. It is a highly fictionalized version of Bacon's Rebellion of 1676, and is one of the first plays to be set in British colonial America. It is also the first travel play known to have been written not only by a woman, but by a playwright who had actually traveled to the Americas. Through her heroic presentation of Nathaniel Bacon and his contempt for the colonial administration, Behn seems to voice her own disillusionment with the morality of colonization (an attitude that also finds expression in her novel Oroonoko). Plot The play purports to describe how the colonist Nathaniel Bacon and a volunteer force of Indian fighters temporarily succeeded in overthrowing the government of Sir William Berkeley. Behn portrays Bacon as a heroic figure motivated by honor, and in love with Semernia, an Indian princess. Behn's play has four plots ...
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Tragicomedy
Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter. In theatre Classical precedent There is no concise formal definition of tragicomedy from the classical age. It appears that the Greek philosopher Aristotle had something like the Renaissance meaning of the term (that is, a serious action with a happy ending) in mind when, in ''Poetics'', he discusses tragedy with a dual ending. In this respect, a number of Greek and Roman plays, for instance '' Alcestis'', may be calle ...
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Cave Underhill
Cave Underhill (1634–1710?) was an English actor in comedy roles. Underhill entertained three generations of London theatre-goers. For over 40 years, as a member of the Duke's Company, Underhill played the first Gravedigger in ''Hamlet''. He was also successful in playing Gregory in ''Romeo and Juliet'', the clown in ''Twelfth Night'', and Trinculo in '' The Tempest''. Early life The son of Nicholas Underhill, a clothworker, he was born in St. Andrew's parish, Holborn, London, on 17 March 1634, and was admitted to Merchant Taylors' School in January 1645. He became first a member of the acting company which was gathered by John Rhodes. around Thomas Betterton. He was then recruited for Sir William D'Avenant and the Duke of York's company at the theatre in Lincoln's Inn Fields. In 1663 he was fined in an assault case, with Betterton and James Noke. Stage career The first character to which Underhill's name appears is Sir Morglay Thwack in D'Avenant's comedy ''The Wits'', re ...
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Plays By Aphra Behn
Play most commonly refers to: * Play (activity), an activity done for enjoyment * Play (theatre), a work of drama Play may refer also to: Computers and technology * Google Play, a digital content service * Play Framework, a Java framework * Play Mobile, a Polish internet provider * Xperia Play, an Android phone * Rakuten.co.uk (formerly Play.com), an online retailer * Backlash (engineering), or ''play'', non-reversible part of movement * Petroleum play, oil fields with same geological circumstances * Play symbol, in media control devices Film * ''Play'' (2005 film), Chilean film directed by Alicia Scherson * ''Play'', a 2009 short film directed by David Kaplan * ''Play'' (2011 film), a Swedish film directed by Ruben Östlund * ''Rush'' (2012 film), an Indian film earlier titled ''Play'' and also known as ''Raftaar 24 x 7'' * ''The Play'' (film), a 2013 Bengali film Literature and publications * ''Play'' (play), written by Samuel Beckett * ''Play'' (''The New York Time ...
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Colony Of Virginia
The Colony of Virginia, chartered in 1606 and settled in 1607, was the first enduring English colony in North America, following failed attempts at settlement on Newfoundland by Sir Humphrey GilbertGilbert (Saunders Family), Sir Humphrey" (history), ''Dictionary of Canadian Biography'' Online, University of Toronto, May 2, 2005 in 1583 and the colony of Roanoke (further south, in modern eastern North Carolina) by Sir Walter Raleigh in the late 1580s. The founder of the new colony was the Virginia Company, with the first two settlements in Jamestown on the north bank of the James River and Popham Colony on the Kennebec River in modern-day Maine, both in 1607. The Popham colony quickly failed due to a famine, disease, and conflicts with local Native American tribes in the first two years. Jamestown occupied land belonging to the Powhatan Confederacy, and was also at the brink of failure before the arrival of a new group of settlers and supplies by ship in 1610. Tobacco beca ...
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Tragicomedy Plays
Tragicomedy is a literary genre that blends aspects of both tragic and comic forms. Most often seen in dramatic literature, the term can describe either a tragic play which contains enough comic elements to lighten the overall mood or a serious play with a happy ending. Tragicomedy, as its name implies, invokes the intended response of both the tragedy and the comedy in the audience, the former being a genre based on human suffering that invokes an accompanying catharsis and the latter being a genre intended to be humorous or amusing by inducing laughter. In theatre Classical precedent There is no concise formal definition of tragicomedy from the classical age. It appears that the Greek philosopher Aristotle had something like the Renaissance meaning of the term (that is, a serious action with a happy ending) in mind when, in ''Poetics'', he discusses tragedy with a dual ending. In this respect, a number of Greek and Roman plays, for instance ''Alcestis'', may be called tr ...
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1689 Plays
Events January–March * January 22 (January 12, 1688 O.S.) – Glorious Revolution in England: The Convention Parliament is convened to determine if King James II of England, the last Roman Catholic British monarch, vacated the throne when he fled to France, at the end of 1688. The settlement of this is agreed on 8 February. * January 30 – The first performance of the opera '' Henrico Leone'' composed by Agostino Steffani takes place in Hannover to inaugurate the new royal theatre in the Leineschloss. * February 23 (February 13, 1688 O.S.) – William III and Mary II are proclaimed co-rulers of England, Scotland and Ireland. * March 2 – Nine Years' War: As French forces leave, they set fire to Heidelberg Castle, and the nearby town of Heidelberg. * March 22 (March 12 O.S.) – Start of the Williamite War in Ireland: The deposed James II of England lands with 6,000 French soldiers in Ireland, where there is a Catholic majority, h ...
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Elizabeth Currer
Elizabeth Currer was an Irish stage actress of the Restoration Era. She was a member of the Duke's Company during the 1670s and subsequently part of the merged United Company from 1682. Although she was likely acting in London several years earlier than this, her first known role was in '' The Conquest of China'' in 1675. Due to the irregular spelling of the time her surname is sometimes written as Carrier, Corer and Currier amongst other variants.Highfill, Burnim & Langhans p.98-99 Selected roles * Alcinda in '' The Conquest of China'' by Elkanah Settle (1675) * Betty Frisque in '' The Country Wit'' by John Crowne (1676) * Asteria in '' Ibrahim'' by Elkanah Settle (1676) * Clarinda in '' The Virtuoso'' by Thomas Shadwell (1676) * Mrs Hadland in '' The Counterfeit Bridegroom'' by Aphra Behn (1677) * Lady Fancy in '' Sir Patient Fancy'' by Aphra Behn (1678) * Madame Tricklove in '' Squire Oldsapp'' by Thomas Durfey (1678) * Marcella in ''The Feign'd Curtizans'' by Aphra Behn ...
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Katherine Corey
Katherine Corey (fl. 1660 – 1692) was an English actress of the Restoration era, one of the first generation of female performers to appear on the public stage in Britain. Corey played with the King's Company and the United Company, and had one of the longest careers of any actress in her generation. In "The humble petition of Katherine Corey" (see below), she stated that she "was the first and is the last of all the actresses that were constituted by King Charles the Second at His Restauration." Correy started her career under her maiden name, Mitchell, but was Mrs. Corey by 1663. "Mrs Corey was a big woman with a gift for comedy. She was popular in a variety of roles, but especially in old women parts: scolding wives, mothers, governesses, waiting women, and bawds." In his Diary, Samuel Pepys, who admired Corey's talents, calls her "Doll Common" after her part in Ben Jonson's ''The Alchemist''. In her three decades on the stage, Corey played a wide range of roles; in revivals ...
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Frances Maria Knight
Frances is a French and English given name of Latin origin. In Latin the meaning of the name Frances is 'from France' or 'free one.' The male version of the name in English is Francis. The original Franciscus, meaning "Frenchman", comes from the Franks who were named for the francisca, the axe they used in battle. https://nameberry.com/babyname/frances Notable people and characters with the name include: People * Frances, Countess of Périgord (died 1481) * Frances (musician) (born 1993), British singer and songwriter * Frances Estill Beauchamp (1860-1923), American temperance activist, social reformer, lecturer * Frances Burke, Countess of Clanricarde (1567–1633), English noblewoman and Irish countess * Frances E. Burns (1866-1937), American social leader and business executive * Frances Carr, Countess of Somerset (1590–1632), central figure in a famous scandal and murder * Frances Lewis Brackett Damon (1857–1939), American poet, writer * Frances Davidson, Viscountess ...
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Anne Bracegirdle
Anne Bracegirdle (possibly 167112 September 1748) was an English actress. Biography Bracegirdle was born to Justinian and Martha (born Furniss) Bracegirdle in Northamptonshire. She was baptised in Northampton on 15 November 1671, although her tombstone says that she died at the age of 85 (suggesting that she was born around 1663)."Anne was baptized, probably as an infant, at St Giles, Northampton, on 15 November 1671 and was about seventy-seven when she died in 1748, rather than eighty-five, as recorded on her tombstone in Westminster Abbey." J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 201accessed 1 June 2012/ref> She was probably raised by actors Thomas and Mary Betterton from an early age,J. Milling, "Bracegirdle, Anne (bap. 1671, d. 1748)", Oxford Dictionary of National Biography, Oxford University Press, 2004; online edn, Sept 201accessed 1 June 2012/ref> and it is speculated tha ...
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William Bowen (actor)
William Bowen (1666–1718) was a British stage actor. He was part of the United Company from 1689. For a time, he became known for his comic roles. He was fatally wounded in a duel with fellow actor James Quin in 1718.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'' p.XXXIX Selected roles * Valet in ''Bury Fair'' by Thomas Shadwell (1689) * Whiff in ''The Widow Ranter'' by Aphra Behn (1689) * Lignoreles in ''The Massacre of Paris'' by Nathaniel Lee (1689) * Sancho in '' The Successful Strangers'' by William Mountfort (1690) * Sir Gentle Golding in ''Sir Anthony Love'' by Thomas Southerne (1690) * Coachman in '' The English Friar'' by John Crowne (1690) * Tranio in ''Amphitryon'' by John Dryden (1690) * Lopez in '' The Mistakes'' by Joseph Harris (1690) * Fabion in '' Alphonso, King of Naples'' by George Powell (1690) * Albanact in '' King Arthur'' by John Dryden (1691) * Monsieur Le Prate in '' Love for Money'' by Thomas D'Urfey (1691) * Monsieur Lass ...
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Samuel Sandford
Samuel Sandford (fl. 1661–1699) was an English character actor, known for his roles as villains. Career He joined William D'Avenant's company at Lincoln's Inn Fields about a year after its formation, and was, on 16 December 1661, the original Worm in Abraham Cowley's ''Cutter of Coleman Street''. On 1 March 1662 he was Sampson in ''Romeo and Juliet'', and on 20 October Maligni (the villain) in Thomas Porter's ''The Villain''. Early in January 1663 he was Ernesto in Samuel Tuke's ''Adventures of Five Hours'', and on 28 May Vindex in Robert Stapylton's ''Slighted Maid''. During the same season he was Sylvanus in the ''Stepmother'', also by Stapleton, and in 1664 was Wheadle in George Etherege's ''Comical Revenge, or Love in a Tub'', and Provost in ''The Rivals'', D'Avenant's alteration of ''The Two Noble Kinsmen''. After the break of performances on account of the Great Plague, Sandford on 26 March 1668, sang with Harris, as two ballad singers, the epilogue to D'Avenant's ''Man ...
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