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The Wicked Lady (1983 Film)
''The Wicked Lady'' is a 1983 British-American drama film directed by Michael Winner and starring Faye Dunaway, Alan Bates, John Gielgud, Denholm Elliott, and Hugh Millais. It was screened out of competition at the 1983 Cannes Film Festival. It is a remake of the 1945 film of the same name, which was one of the popular series of Gainsborough melodramas. Plot Caroline is to be wed to Sir Ralph and invites her sister Barbara to be her bridesmaid. Barbara seduces Ralph, and marries him herself, but, despite her new wealthy situation, she gets bored and turns to highway robbery for thrills. While on the road she meets a famous highwayman, Jerry Jackson, and they continue as a team, but some people begin suspecting her identity and she risks death if she continues her nefarious activities. Cast * Faye Dunaway as Lady Barbara Skelton * Alan Bates as Jerry Jackson * John Gielgud as Hogarth * Denholm Elliott as Sir Ralph Skelton * Prunella Scales as Lady Kingsclere * Oliver ...
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Michael Winner
Robert Michael Winner (30 October 1935 – 21 January 2013) was a British filmmaker, writer, and media personality. He is known for directing numerous Action film, action, Thriller films, thriller, and black comedy films in the 1960s, 1970s and 1980s, including several collaborations with actors Oliver Reed and Charles Bronson. Winner's best-known works include Death Wish (1974 film), ''Death Wish'' (1974) and its Death Wish II, first Death Wish 3, two sequels, the World War II comedy ''Hannibal Brooks'' (1969), the hitman thriller ''The Mechanic (1972 film), The Mechanic'' (1972), the supernatural horror film ''The Sentinel (1977 film), The Sentinel'' (1977), the neo-noir ''The Big Sleep (1978 film), The Big Sleep'' (1978), the satirical comedy ''Won Ton Ton, the Dog Who Saved Hollywood'' (1976), and the Revisionist Westerns ''Lawman (film), Lawman'' (1971) and ''Chato's Land'' (1972). Winner was known as a media personality in the United Kingdom, appearing regularly on televi ...
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BBFC
The British Board of Film Classification (BBFC, previously the British Board of Film Censors) is a non-governmental organisation founded by the British film industry in 1912 and responsible for the national classification and censorship of films exhibited at cinemas and video works (such as television programmes, trailers, adverts, public information/campaigning films, menus, bonus content, etc.) released on physical media within the United Kingdom. It has a statutory requirement to classify all video works released on VHS, DVD, Blu-ray (including 3D and 4K UHD formats), and, to a lesser extent, some video games under the Video Recordings Act 1984. The BBFC was also the designated regulator for the UK age-verification scheme which was abandoned before being implemented. History and overview The BBFC was established in 1912 as the British Board of Film Censors by members of the film industry, who preferred to manage their own censorship than to have national or local gover ...
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Mollie Maureen
Mollie Maureen (16 August 1904 – 26 January 1987) was an Irish actress who worked mainly in Britain. Life and career Maureen was born Elizabeth Mary Campfield in 1904 in Ireland. Her acting career began in 1939, wherein she acted in a film entitled ''A Ship in the Bay''. Maureen mainly worked in television, with many minor and/or recurring roles in major shows such as ''Dr. Finlay's Casebook'', ''Z-Cars'', ''Open All Hours'', ''Last of the Summer Wine'' and ''The Sweeney''. She also appeared as an elderly lady in an episode of ''Hammer House of Mystery and Suspense''. More prominently, from 1981 to 1983, she had various roles on the ''Kenny Everett Show''. Other television appearances included playing Lady Glenmire in the 1972 version of Elizabeth Gaskell's '' Cranford'', alongside Pat Coombs. She played Queen Victoria on two occasions on screen, one of them in ''The Private Life of Sherlock Holmes'', the other in the mini-series ''The Edwardians''. Her last film appearance was ...
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Joan Hickson
Joan Bogle Hickson, OBE (5 August 1906 – 17 October 1998) was an English actress of theatre, film and television. She was known for her role as Agatha Christie's Miss Marple in the television series ''Miss Marple''. She also narrated a number of ''Miss Marple'' stories on audiobooks. Biography Born in Kingsthorpe, Northampton, Hickson was a daughter of Edith Mary (née Bogle) and Alfred Harold Hickson, a shoe manufacturer. After boarding at Oldfield School in Swanage, Dorset, she went on to train at RADA in London. She made her stage debut in 1927, then worked for several years throughout the United Kingdom, achieving success playing comedic, often eccentric characters in the West End of London. She played the role of the cockney maid Ida in the original production of '' See How They Run'' at the Q Theatre in 1944, and then at the Comedy Theatre in January 1945. She made her first film appearance in 1934. The numerous supporting roles she played during her career included s ...
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Glynis Barber
Glynis Barber (born Glynis van der Riet; 25 October 1955) is a South African actress. She is known for her portrayals of Sgt. Harriet Makepeace in the British police drama ''Dempsey and Makepeace'', Glenda Mitchell in ''EastEnders'', DCI Grace Barraclough in ''Emmerdale'', Fiona Brake in '' Night and Day'', and Soolin in ''Blake's 7''. In 2022, she joined the cast of ''Hollyoaks'' as Norma Crow. Early life Barber was born in Durban, South Africa, the daughter of Heather Maureen (Robb) and Frederick Werndly Barry van der Riet. Acting career Television Barber studied at the Mountview Academy of Theatre Arts. Acting since 1978, securing small parts such as a secretary in 1980 in ''Bognor'', her breakthrough came in 1981 with her role as Soolin in Series 4 of the BBC science fiction television series ''Blake's 7'' although she had also played a different character in a Series 1 episode. In 1982, she took the title role in the television series ''Jane'' playing a Second World War h ...
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Oliver Tobias
Oliver Tobias Freitag (born 6 August 1947), known professionally as Oliver Tobias, is a Swiss-born UK-based film, stage, and television actor and director. Biography Born in Zürich, Switzerland, he is the son of the Austrian-Swiss actor Robert Freitag and the German actress Maria Becker. He came to the United Kingdom at the age of eight and trained at East 15 Acting School, London. In 1968, he appeared in the original London production of ''Hair (musical), Hair'', playing the prime rebel role of Berger. The following year, he starred in, directed, and choreographed the rock opera in Amsterdam and, in 1970, directed a production in Tel Aviv. Film career Tobias's first role was in the feature film ''Romance of a Horsethief'', co-starring with Yul Brynner, Serge Gainsbourg and Eli Wallach. He then co-starred with Charlotte Rampling in the Jacobean tragedy '''Tis Pity She's a Whore (film), 'Tis Pity She's a Whore'', a film directed by Giuseppe Patroni Griffi. He became popular as ...
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Prunella Scales
Prunella Margaret Rumney West Scales (''née'' Illingworth; born 22 June 1932) is an English former actress, best known for playing Sybil Fawlty, wife of Basil Fawlty (John Cleese), in the BBC comedy '' Fawlty Towers'', her nomination for a BAFTA award for her portrayal of Queen Elizabeth II in '' A Question of Attribution'' (''Screen One'', BBC 1991) by Alan Bennett, and for the documentary series '' Great Canal Journeys'' (2014–2021), travelling on canal barges and narrowboats with her husband, fellow actor Timothy West. Early life Scales was born in Sutton Abinger, Surrey, the daughter of Catherine (''née'' Scales), an actress, and John Richardson Illingworth, a cotton salesman. She attended Moira House Girls' School, Eastbourne. She had a younger brother, Timothy "Timmo" Illingworth (1934–2017). In 1939, at the start of the Second World War, Scales's parents moved with their children to Bucks Mill near Bideford in Devon. Scales herself and her brother were evacua ...
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Highwayman
A highwayman was a robber who stole from travellers. This type of thief usually travelled and robbed by horse as compared to a footpad who travelled and robbed on foot; mounted highwaymen were widely considered to be socially superior to footpads. Such criminals operated until the mid or late 19th century. Highwaywomen, such as Katherine Ferrers, were said to also exist, often dressing as men, especially in fiction. The first attestation of the word ''highwayman'' is from 1617. Euphemisms such as "knights of the road" and "gentlemen of the road" were sometimes used by people interested in romanticizing (with a Robin Hood–esque slant) what was often an especially violent form of stealing. In the 19th-century American West, highwaymen were sometimes known as ''road agents''. In Australia, they were known as bushrangers. Robbing The great age of highwaymen was the period from the Restoration in 1660 to the death of Queen Anne in 1714. Some of them are known to have been disban ...
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Gainsborough Melodramas
The Gainsborough melodramas were a sequence of films produced by the British film studio Gainsborough Pictures between 1943 and 1947 which conformed to a melodramatic style.Brooke, Michael. (2014)Gainsborough Melodrama Screenonline British Film Institute. Retrieved 21 March 2020. The melodramas were not a film series but an unrelated sequence of films which had similar themes that were usually developed by the same film crew and frequently recurring actors who played similar characters in each. They were mostly based on popular books by female novelists and they encompassed costume dramas, such as ''The Man in Grey'' (1943) and ''The Wicked Lady'' (1945), and modern-dress dramas, such as '' Love Story'' (1944) and ''They Were Sisters'' (1945). The popularity of the films with audiences peaked mid-1940s when cinema audiences consisted primarily of women. The influence of the films led to other British producers releasing similarly themed works, such as ''The Seventh Veil'' (1945), '' ...
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The Wicked Lady
''The Wicked Lady'' is a 1945 British costume drama film directed by Leslie Arliss and starring Margaret Lockwood in the title role as a nobleman's wife who becomes a highwayman for the excitement. The film had one of the top audiences for a film of its period, 18.4 million. It was one of the Gainsborough melodramas, a sequence of very popular films made during the 1940s. In 2020, ''Filmink'' magazine said "if you only see one Gainsborough melodrama, this is the one to check out." The story was based on the 1945 novel ''Life and Death of the Wicked Lady Skelton'' by Magdalen King-Hall which, in turn, was based upon the (disputed) events surrounding the life of Lady Katherine Ferrers, the wife of the major landowner in Markyate on the main London–Birmingham road. The film was loosely remade by Michael Winner as ''The Wicked Lady'' in 1983. Plot Caroline (Patricia Roc) invites her beautiful, green-eyed friend Barbara (Margaret Lockwood) to her wedding to wealthy landowner a ...
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1983 Cannes Film Festival
The 36th Cannes Film Festival was held from 7 to 19 May 1983. The Palme d'Or went to the '' Narayama Bushiko'' by Shōhei Imamura. In 1983, the new building for the main events of the festival, the Palais des Festivals et des Congrès, was inaugurated. Initially many described it as "a hideous concrete blockhouse", nicknaming it ''The Bunker''. The festival opened with '' The King of Comedy'', directed by Martin Scorsese and closed with ''WarGames'', directed by John Badham. Juries Main competition The following people were appointed as the Jury of the 1983 feature film competition: *William Styron (USA) Jury President *Henri Alekan (France) *Yvonne Baby (France) (journalist) *Sergei Bondarchuk (Soviet Union) *Youssef Chahine (Egypt) * Souleymane Cissé (Mali) *Gilbert de Goldschmidt (France) *Mariangela Melato (Italy) *Karel Reisz (UK) *Lia Van Leer (Israel) (cinematheque official) Camera d'Or The following people were appointed as the Jury of the 1983 Camera d'Or: *Philippe C ...
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Drama Film
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, drama ...
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