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The Undying Darkness
''The Undying Darkness'' is the fifth studio album by German metalcore band Caliban. Track listing Credits Writing, performance and production credits are adapted from the album's liner notes. Personnel Caliban * Andy Dörner – vocals * Marc Görtz – lead guitar * Denis Schmidt – rhythm guitar, vocals * Marco Schaller – bass, backing vocals * Patrick Grün – drums Additional musicians * Benjamin Richter – keyboard, sampling * Bony Fertigmensch – additional bass * "Mille" Petrozza – additional vocals on "Moment of Clarity" * Tanja Keilen – additional vocals on "Army of Me" * Sky Hoff (Machinemade God) – additional guitar on "Nothing Is Forever" and "Army of Me" * Ben Fink – background vocals on "It's Our Burden to Bleed" and "No More 2nd Chances" * Marcel Hilgenstock – background vocals on "It's Our Burden to Bleed" and "No More 2nd Chances" * Björn Esser – background vocals on "It's Our Burden to Bleed" and "No More 2nd Chances" * Flo Ve ...
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Caliban (band)
Caliban are a German metalcore band from Essen. To date, they have released thirteen studio albums and two EPs, along with two split albums with Heaven Shall Burn. History Caliban was formed in Essen, Germany in 1997 as ''Never Again''. In the beginning, the band consisted of vocalists Andreas Dörner and Marc Ulfig, guitarists Björn Kaiser and Marc Görtz, bassist Engin Güres and drummer Kai Kogelheide. With this lineup, a self-titled demo was recorded. After six months of playing together and several member changes – Ulfig, Kaiser and Kogelheide left, the latter were replaced by Claus Wilgenbusch and Robert Krämer – the band recorded two songs for a demo, which was never released. The songs were sent to several record labels, and Lifeforce Records was the first to offer the band – by then called Caliban – a record deal. Caliban's first self-titled EP came out in the summer of 1998. To promote it, the band played many shows all over Europe and a few support shows f ...
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Rhythm Guitar
In music performances, rhythm guitar is a technique and role that performs a combination of two functions: to provide all or part of the rhythmic pulse in conjunction with other instruments from the rhythm section (e.g., drum kit, bass guitar); and to provide all or part of the harmony, i.e. the chords from a song's chord progression, where a chord is a group of notes played together. Therefore, the basic technique of rhythm guitar is to hold down a series of chords with the fretting hand while strumming or fingerpicking rhythmically with the other hand. More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums. In ensembles or bands playing within the acoustic, country, blues, rock or metal genres (among others), a guitarist playing the rhythm part of a composition plays the role of supporting the melodic lines and improvised solos played on the lead instrument or instruments, be they strings, wind, brass, keyboard or even percus ...
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Mike D'Antonio
Michael D'Antonio (born May 19, 1973) is best known as the bass guitarist and founder of Massachusetts metal band Killswitch Engage and of the band Overcast. Career D'Antonio's writing influences include old New York Hardcore bands like Cro-Mags, Leeway, Madball and Agnostic Front, and he cites Cliff Burton of thrash metal band Metallica and Harley Flanagan of the Cro-Mags as personal influences. D'Antonio formed the band Killswitch Engage after the demise of his band Overcast in 1998. All of Killswitch Engage's album artwork and tour merchandise is designed by D'Antonio, who is a graphic artist. D'Antonio's company, DarkicoN design, produces artwork for bands such as Shadows Fall, Unearth, All That Remains, New England Metal and Hardcore Fest and Crowbar. D'Antonio's latest side project band is Death Ray Vision. Equipment D'Antonio uses his signature Ibanez basses and an EBS bass rig. Discography Overcast * ''Expectational Dilution'' (1994) * '' Fight Ambition to Kill ...
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Audio Mastering
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in cas ...
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Audio Mixing (recorded Music)
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied to individual tracks, groups of tracks, and the overall mix. In stereo and surround sound mixing, the placement of the tracks within the stereo (or surround) field are adjusted and balanced. Audio mixing techniques and approaches vary widely and have a significant influence on the final product. Audio mixing techniques largely depend on music genres and the quality of sound recordings involved. The process is generally carried out by a mixing engineer, though sometimes the record producer or recording artist may assist. After mixing, a mastering engineer prepares the final product for production. Audio mixing may be performed on a mixing ...
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Sabbat (English Band)
Sabbat were an English thrash metal band from Nottingham consisting of Martin Walkyier (vocals), Andy Sneap (guitars), Simon Jones (guitars), Frazer Craske (bass) and Simon Negus (drums). They are considered one of the "big four" of British thrash metal along with Acid Reign, Onslaught, and Xentrix, who were all responsible for developing and popularizing the country's thrash metal scene in the late 1980s and early 1990s. Over their initial six-year run Sabbat released three studio albums, four demos, two split singles/compilation albums, two singles and a live VHS. In 1988 the band released their debut album '' History of a Time to Come'' which earned them further recognition. Their next album, '' Dreamweaver (Reflections of Our Yesterdays)'' (1989), was also critically acclaimed. Shortly after the release of ''Mourning Has Broken'' (1991), tensions with the band began to surface, most of them revolved around money and Sabbat disbanded as a result. After an attempted reunion ...
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Andy Sneap
Andy Sneap (born 18 July 1969) is an English guitarist, record producer and composer with over 100 albums to his name, most of which have been produced at his Backstage Recording studios in rural Derbyshire. Some of the most critically acclaimed production work on albums include ''Deliverance'' by Opeth and '' Disarm the Descent'' by Killswitch Engage; for which he earned a Swedish Grammis and a US Grammy nomination, respectively. As a performer, he first built his reputation as one of the guitarists in the British thrash metal band Sabbat, and played with them up until their disbanding. He is currently one of the co-guitarists of the British heavy metal band Hell. In 2018 he joined Judas Priest as a touring guitarist, following long-time lead guitarist Glenn Tipton's diagnosis of Parkinson's disease which conflicts with his touring abilities. He is one of the most active music producers in the heavy metal music genre and has worked with bands such as Judas Priest, Accept, Blaz ...
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Sound Recording And Reproduction
Sound recording and reproduction is the electrical, mechanical, electronic, or digital inscription and re-creation of sound waves, such as spoken voice, singing, instrumental music, or sound effects. The two main classes of sound recording technology are analog recording and digital recording. Sound recording is the transcription of invisible vibrations in air onto a storage medium such as a phonograph disc. The process is reversed in sound reproduction, and the variations stored on the medium are transformed back into sound waves. Acoustic analog recording is achieved by a microphone diaphragm that senses changes in atmospheric pressure caused by acoustic sound waves and records them as a mechanical representation of the sound waves on a medium such as a phonograph record (in which a stylus cuts grooves on a record). In magnetic tape recording, the sound waves vibrate the microphone diaphragm and are converted into a varying electric current, which is then converted to ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Mille Petrozza
Miland "Mille" Petrozza (born 18 December 1967) is a German guitarist and singer of Italian descent. He is best known for being the lead vocalist and rhythm guitarist of thrash metal band Kreator, which he started playing in as Tyrant in 1982 and renamed into Tormentor in 1984. He is also the principal songwriter of the band and the only member to appear on every Kreator album. Petrozza also shared lead vocals in union with Tomas Lindberg for the track "Dirty Coloured Knife" on the self-titled 2002 album from Israeli metal act Nail Within. In 1994, he played guitar in the metal all-star band Voodoocult, amongst such artists as Dave Lombardo of Slayer and Chuck Schuldiner of Death (metal band), Death. He appeared on Edguy's 2004 album, ''Hellfire Club (album), Hellfire Club'', providing lead vocals on an alternate version of the album's opening song, "Mysteria", featured as a bonus track to the album. He also appeared on Caliban (band), Caliban's 2006 album, ''The Undying Darknes ...
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Sampling (music)
In sound and music, sampling is the reuse of a portion (or sample) of a sound recording in another recording. Samples may comprise elements such as rhythm, melody, speech, sounds or entire bars of music, and may be layered, equalized, sped up or slowed down, repitched, looped, or otherwise manipulated. They are usually integrated using hardware ( samplers) or software such as digital audio workstations. A process similar to sampling originated in the 1940s with '' musique concrète'', experimental music created by splicing and looping tape. The mid-20th century saw the introduction of keyboard instruments that played sounds recorded on tape, such as the Mellotron. The term ''sampling'' was coined in the late 1970s by the creators of the Fairlight CMI, a synthesizer with the ability to record and play back short sounds. As technology improved, cheaper standalone samplers with more memory emerged, such as the E-mu Emulator, Akai S950 and Akai MPC. Sampling is a foundation of ...
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Electronic Keyboard
An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument, an electronic derivative of keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a synthesizer with a low-wattage power amplifier and small loudspeakers. Electronic keyboards are capable of recreating a wide range of instrument sounds (piano, Hammond organ, pipe organ, violin, etc.) and synthesizer tones with less complex sound synthesis. Electronic keyboards are usually designed for home users, beginners and other non-professional users. They typically have unweighted keys. The least expensive models do not have velocity-sensitive keys, but mid- to high-priced models do. Home keyboards typically have little, if any, digital sound editing capacity. The user typically selects from a range of preset "voices" or sounds, which include imitations ...
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