The Time Is Right (Lou Donaldson Album)
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The Time Is Right (Lou Donaldson Album)
''The Time Is Right'' is an album by American jazz saxophonist Lou Donaldson recorded on October 31 and November 28, 1959 and released on Blue Note Records, Blue Note the following year. Release history It was released on CD only in Japan. Reception AllMusic awarded the album 3 stars.[ Allmusic Review] accessed December 4, 2009. Track listing Personnel Musicians October 31, 1959 *Lou Donaldson – alto saxophone *Blue Mitchell – trumpet *Horace Parlan – piano *Laymon Jackson – bass *Dave Bailey (musician), Dave Bailey – drums *Ray Barretto – congas November 28, 1959 *Lou Donaldson – alto saxophone *Blue Mitchell – trumpet *Horace Parlan – piano *Sam Jones (musician), Sam Jones – bass *Al Harewood – drums Technical personnel * Alfred Lion – producer * Rudy Van Gelder – recording engineer, mastering * Reid Miles – design * Francis Wolff – photography * Ira Gitler – technical personnel References

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Lou Donaldson
Lou Donaldson (born November 1, 1926) is an American retired jazz Alto saxophone, alto saxophonist. He is best known for his soulful, bluesy approach to playing the alto saxophone, although in his formative years he was, as many were of the bebop era, heavily influenced by Charlie Parker. Life and career Donaldson was born in Badin, North Carolina, United States. He attended North Carolina Agricultural and Technical State University in Greensboro in the early 1940s. He enlisted in the U.S. Navy during World War II and was trained at the Great Lakes bases in Chicago where he was introduced to bop music in the lively club scene. At the war's conclusion, he returned to Greensboro, where he worked club dates with the Rhythm Vets, a combo composed of A and T students who had served in the U.S. Navy. The band recorded the soundtrack to a musical comedy featurette, ''Pitch a Boogie Woogie'', in Greenville, North Carolina, in the summer of 1947. The movie had a limited run at black audie ...
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Mack The Knife
"Mack the Knife" or "The Ballad of Mack the Knife" (german: "Die Moritat von Mackie Messer", italic=no, link=no) is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama ''The Threepenny Opera'' (german: Die Dreigroschenoper, link=no). The song sings about a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title. The song has become a popular standard recorded by many artists after it was recorded by Louis Armstrong in 1955. The most popular version of the song was by Bobby Darin in 1959, whose recording became a number one hit in the US and UK and earned him two Grammys. Ella Fitzgerald also received a Grammy for her performance of the song in 1961. ''The Threepenny Opera'' A '' Moritat'' is a medieval version of the murder ballad performed by strolling minstrels. In ''The Threepenny Opera'', the singer with his street organ introduces and closes the drama with the tale of the dea ...
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Al Harewood
Al Harewood (June 3, 1923 – March 13, 2014) was an American jazz drummer and teacher, born in Brooklyn. As a musician Harewood worked with many jazz musicians including the J.J. Johnson/ Kai Winding group, the Art Farmer/ Gigi Grice band, David Amram, Betty Carter, and the Curtis Fuller- Benny Golson Sextet. He played on many jazz recordings under the leadership of Lou Donaldson, Horace Parlan, Ike Quebec, Dexter Gordon and Grant Green and had a long association with saxophonist Stanley Turrentine from 1959 onwards. He died in March 2014 at the age of 90.Jazz Times, retrieved 17/3/2014


Discography

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Sam Jones (musician)
Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer. Background Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church. In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards "Del Sasse ...
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Congas
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thought to ...
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Ray Barretto
Raymundo "Ray" Barretto Pagán (April 29, 1929 – February 17, 2006) was an American percussionist and bandleader of Puerto Rican descent. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi," was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa. Nonetheless, many of Barretto's recordings would remain rooted in more traditional genres such as son cubano. A master of the descarga (improvised jam session), Barretto was a long-time member of the Fania All-Stars. His success continued into the 1970s with songs such as "Cocinando" and "Indestructible." His last album for Fania Records, ''Soy dichoso'', was released in 1990. He then formed the New World Spirit jazz ensemble and continued to tour and record until his death i ...
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Dave Bailey (musician)
Samuel David Bailey (born February 22, 1926) is an American jazz drummer. Early life Born in Portsmouth, Virginia, Bailey studied drumming in New York City at the Music Center Conservatory after serving in the United States Air Force during World War II. Career Bailey played with Herbie Jones from 1951–53 and later with Johnny Hodges, Charles Mingus, Lou Donaldson, Curtis Fuller, Billy Taylor, Art Farmer, Ben Webster, and Horace Silver. Between 1954 and 1968, he played on several sessions led by Gerry Mulligan, and in the 1960s he played with Clark Terry, Kenny Dorham, Grant Green, Lee Konitz, Cal Tjader, Roger Kellaway, and Bob Brookmeyer. In 1969, he retired from music and became a flight instructor. Beginning in 1973, he worked in music education in New York and was involved with the Jazzmobile. Discography As leader *'' One Foot in the Gutter'' (Epic, 1960) *'' Gettin' Into Somethin''' (Epic, 1961) *'' Reaching Out'' (Jazztime, 1961) *'' Bash!'' (Jazzline, 1961) *'' ...
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Horace Parlan
Horace Parlan (January 19, 1931 – February 23, 2017) was an American pianist and composer known for working in the hard bop and post-bop styles of jazz. In addition to his work as a bandleader Parlan was known for his contributions to the Charles Mingus recordings ''Mingus Ah Um'' and ''Blues & Roots''. Early life He was born in Pittsburgh, Pennsylvania, United States. In his birth year, Parlan was stricken with polio, resulting in the partial crippling of his right hand. The handicap contributed to his development of a particularly "pungent" left-hand chord voicing style, while comping with highly rhythmic phrases with the right. Later life and career Between 1952 and 1957, he worked in Washington D.C. with Sonny Stitt, then spent two years with Mingus' Jazz Workshop. In 1973, Parlan moved to Copenhagen, Denmark. He later settled in the small village of Rude in southern Zealand. In 1974, he completed a State Department tour of Africa with Hal Singer. His later work, suc ...
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Blue Mitchell
Richard Allen "Blue" Mitchell (March 13, 1930 – May 21, 1979) was an American trumpeter and composer who worked in jazz, rhythm and blues, soul, rock and funk. He recorded albums as leader and sideman for Riverside, Mainstream Records, and Blue Note. Early life Mitchell was born and raised in Miami, Florida, United States. He began playing trumpet in high school, with the nickname "Blue". Career After high school, he played in the rhythm & blues ensembles of Paul Williams, Earl Bostic, and Chuck Willis. He returned to Miami and was heard by Cannonball Adderley, with whom he recorded for Riverside Records in New York in 1958. Mitchell then joined the Horace Silver Quintet, playing with tenor saxophonist Junior Cook, bassist Gene Taylor, and drummer Roy Brooks. Mitchell stayed with Silver's group until the band's break-up in 1964, after which Mitchell formed a group with members from the Silver quintet, substituting the young pianist Chick Corea for Silver and repl ...
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Victor Schertzinger
Victor L. Schertzinger (April 8, 1888 – October 26, 1941) was an American composer, film director, film producer, and screenwriter. His films include '' Paramount on Parade'' (co-director, 1930), ''Something to Sing About'' (1937) with James Cagney, and the first two "Road" pictures '' Road to Singapore'' ( 1940) and '' Road to Zanzibar'' (1941). His two best-known songs are " I Remember You" and "Tangerine", both with lyrics by Johnny Mercer and both featured in Schertzinger's final film, '' The Fleet's In'' ( 1942). Life and career Schertzinger was born in Mahanoy City, Pennsylvania, the child of musical parents of Pennsylvania Dutch descent, and attracted attention as a violin prodigy at the age of four. As a child of eight, he appeared as a violinist with several orchestras, including the Victor Herbert Orchestra and the John Philip Sousa band. In his teens, he attended the Brown Preparatory School in Philadelphia, and gave violin performances while touring America and E ...
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Johnny Mercer
John Herndon Mercer (November 18, 1909 – June 25, 1976) was an American lyricist, songwriter, and singer, as well as a record label executive who co-founded Capitol Records with music industry businessmen Buddy DeSylva and Glenn E. Wallichs. He is best known as a Tin Pan Alley lyricist, but he also composed music, and was a popular singer who recorded his own songs as well as songs written by others from the mid-1930s through the mid-1950s. Mercer's songs were among the most successful hits of the time, including "Moon River", " Days of Wine and Roses", " Autumn Leaves", and " Hooray for Hollywood". He wrote the lyrics to more than 1,500 songs, including compositions for movies and Broadway shows. He received nineteen Oscar nominations, and won four Best Original Song Oscars. Early life Mercer was born in Savannah, Georgia, where one of his first jobs, aged 10, was sweeping floors at the original 1919 location of Leopold's Ice Cream.
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Tangerine (1941 Song)
The tangerine is a type of citrus fruit that is orange in color. Its scientific name varies. It has been treated as a separate species under the name ''Citrus tangerina'' or ''Citrus'' × ''tangerina'', or treated as a variety of ''Citrus reticulata'', the mandarin orange. ''Citrus tangerina'' is also treated as a synonym of ''Citrus deliciosa''. It is a group of orange-colored citrus fruit consisting of hybrids of mandarin orange varieties, with some pomelo contribution. The name was first used for fruit coming from Tangier, Morocco, described as a mandarin variety. Under the Tanaka classification system, ''Citrus tangerina'' is considered a separate species. Under the Swingle system, tangerines are considered a group of mandarin ('' C. reticulata'') varieties. Some differ only in disease resistance. The term is also currently applied to any reddish-orange mandarin (and, in some jurisdictions, mandarin-like hybrids, including some tangors). Tangerines are smaller and less ...
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