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The Third Reich 'n Roll
''The Third Reich 'n Roll'' is the second studio album by the American art rock group The Residents, released on Ralph Records in 1976. The album consists of two side-long suites of "'semi-phonetic' interpretations of Top 40 rock and roll from the Sixties."Original liner notes for ''The Third Reich 'n' Roll.'' The album generated some controversy due to its cover art and Nazi imagery (promotional photos featured the Residents dressed as giant swastikas and wearing oversized swastika glasses). A window display in Berkeley was met with protests and threats of violence, and the album with its original cover (featuring '' American Bandstand'' host Dick Clark dressed in a Nazi uniform clutching a carrot) is still banned in Germany. Regardless, it is considered one of the group's masterworks along with most of their material from the 1970s. Recording In 1974, the Residents were considering making their follow-up to ''Meet the Residents'' as a cover album. They initially wanted thei ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Residents
The Residents are an American art collective and art rock band best known for their avant-garde music and multimedia works. Since their first official release, ''Meet the Residents'' (1974), they have released over 60 albums, numerous music videos and short films, three CD-ROM projects, and ten DVDs. They have undertaken seven major world tours and film score, scored multiple films. Pioneers in exploring the potential of CD-ROM and similar technologies, the Residents have won several awards for their multimedia projects. They founded Ralph Records, a record label focusing on avant-garde music, in 1972. Throughout the group's existence, the individual members have ostensibly attempted to work anonymously, preferring to have attention focused on their art. Much speculation and rumor has focused on this aspect of the group. In public, they appear silent and costumed, often wearing eyeball helmets, top hats and tails—a costume now recognized as their signature iconography. In 201 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wipe Out (instrumental)
"Wipe Out" is a surf rock instrumental composed by Bob Berryhill, Pat Connolly, Jim Fuller and Ron Wilson. Composed in the form of twelve-bar blues, the tune was first performed and recorded by the Surfaris, who became famous with the single in 1963. The single was first issued on the independent labels DFS (#11/12) in January 1963 and Princess (#50) in February and finally picked up for national distribution on Dot as 45-16479 in April. Dot reissued the single in April 1965 as 45-144. The song—both the Surfaris' version as well as cover versions—has been featured in over 20 films and television series since 1964, appearing at least once a decade. A " wipe out" is a fall from a surfboard, especially one that looks painful. Background Bob Berryhill, Pat Connolly, Jim Fuller and Ron Wilson wrote "Wipe Out" almost on the spot while at Pal Recording Studio in Cucamonga, California, in late 1962, when they realized they needed a suitable B-side for the intended "Surfer Joe" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The KLF
The KLF (also known as the Justified Ancients of Mu Mu, the JAMs, the Timelords and other names) are a British electronic band formed in London in 1987. Bill Drummond (alias King Boy D) and Jimmy Cauty (alias Rockman Rock) began by releasing hip hop-inspired and sample-heavy records as the JAMs. As the Timelords, they recorded the British number-one single "Doctorin' the Tardis", and documented the process of making a hit record in a book '' The Manual (How to Have a Number One the Easy Way)''. As the KLF, Drummond and Cauty pioneered stadium house (rave music with a pop-rock production and sampled crowd noise) and, with their 1990 LP ''Chill Out'', the ambient house genre. The KLF released a series of international hits on their own KLF Communications record label and became the biggest selling singles act in the world in 1991. From the outset, the KLF adopted the philosophy espoused by esoteric novels ''The Illuminatus! Trilogy'', making anarchic situationist manifestatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fact (UK Magazine)
''Fact'' is a music publication that launched in the UK in 2003. It covers UK, US, and international music and youth culture topics, with particular focus on electronic, pop, rap, and experimental artists. Having started as a bi-monthly print magazine, ''Fact'' went digital in 2008, focusing on its website and online TV channel ''Fact TV'', which produces documentaries and videos including the series ''Against the Clock''. In November 2020 it returned to publishing a bi-annual print magazine. ''Fact'' produces weekly Fact Mixes. It previously produced the Singles Club review series, and Make Music, aimed at inspiring producers and bedroom musicians. ''Fact'' operates out of a London office, with additional full-time staff in Los Angeles and New York City. It is part of The Vinyl Factory group. History ''Fact'' was founded in 2003 as a print magazine. It commissioned covers by artists including M.I.A., Bat for Lashes, Shepard Fairey, Barry McGee, Peter Saville, Trevor J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Savage
Jon Savage (born Jonathan Malcolm Sage; 2 September 1953 in Paddington, London) is an English writer, broadcaster and music journalist, best known for his history of the Sex Pistols and punk music, ''England's Dreaming'', published in 1991. Career Savage read Classics at Magdalene College, Cambridge, graduating in 1975. Becoming a music journalist at the dawn of British punk, he wrote articles on all of the major punk acts, publishing a fanzine called ''London's Outrage'' in 1976. A year later he began working as a journalist for ''Sounds'', which was, at that time, one of the UK's three major music papers, along with the ''New Musical Express'' and ''Melody Maker''. Savage interviewed punk, new wave and electronic music artists for ''Sounds''. At that time, he also wrote for the West Coast fanzines '' Search & Destroy'', '' Bomp!'' and ''Slash''. In 1979 he moved to ''Melody Maker'', and a year later to the newly founded pop culture magazine ''The Face''. Throughout the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mute Records
Mute Records is a British independent record label owned and founded in 1978 by Daniel Miller. It has featured several prominent musical acts on its roster such as Depeche Mode, Erasure, Einstürzende Neubauten, Fad Gadget, Goldfrapp, Grinderman, Inspiral Carpets, Moby, New Order, Laibach, Nitzer Ebb, Yann Tiersen, Wire, Yeasayer, Nick Cave and the Bad Seeds, Yazoo, and M83. History Beginnings During 1978, Daniel Miller began recording music, using synthesisers, under the name The Normal.Mute - Documentary Evidence - Biba Kopf 1986 He recorded the tracks "T.V.O.D." and "Warm Leatherette" and distributed them through Rough Trade Shops under the label name Mute Records. The label was formed initially just to release the one single.Muted Response - Daniel Miller Interview - E&MM 1984 "T.V.O.D."/"Warm Leatherette" became a cult hit ensuring the future of the label. "Warm Leatherette" was later covered by Grace Jones and Chicks on Speed as well as Rose McDowell. After meetin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madonna
Madonna Louise Ciccone (; ; born August 16, 1958) is an American singer-songwriter and actress. Widely dubbed the " Queen of Pop", Madonna has been noted for her continual reinvention and versatility in music production, songwriting, and visual presentation. She has pushed the boundaries of artistic expression in mainstream music, while continuing to maintain control over every aspect of her career. Her works, which incorporate social, political, sexual, and religious themes, have generated both controversy and critical acclaim. A prominent cultural figure crossing both the 20th and 21st centuries, Madonna remains one of the most "well-documented figures of the modern age", with a broad amount of scholarly reviews and literature works on her, as well as an academic mini subdiscipline devoted to her named Madonna studies. At 20 years old, Madonna moved to New York City in 1978 to pursue a career in modern dance. After performing as a drummer, guitarist, and vocalist in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Running Fence
''Running Fence'' was an installation art piece by Christo and Jeanne-Claude, which was completed on September 10, 1976. The art installation was first conceived in 1972, but the actual project took more than four years to plan and build. After it was installed, the builders removed it 14 days later, leaving no visible trace behind. The Installation The art installation consisted of a veiled fence long extending across the hills of Sonoma and Marin counties in northern California, United States. The high fence was made of 200,000 square meters (2,222,222 square feet) of heavy woven white nylon fabric, which created 2,050 panels, and was hung from steel cables by means of 350,000 hooks. The cables were supported by 2,050 steel poles (each: 6.4 meters / 21 feet long or 9 centimeters / 3.5 inches in diameter) embedded 1 meter (3 feet) into the ground, braced by steel guy wires (145 kilometers / 90 miles of steel cable), 14,000 earth anchors, and without any concrete. The rou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christo And Jeanne-Claude
Christo Vladimirov Javacheff (1935–2020) and Jeanne-Claude Denat de Guillebon (1935–2009), known as Christo and Jeanne-Claude, were artists noted for their large-scale, site-specific environmental installations, often large landmarks and landscape elements wrapped in fabric, including the '' Wrapped Reichstag'', '' The Pont Neuf Wrapped'', '' Running Fence'' in California, and ''The Gates'' in New York City's Central Park. Born in Bulgaria and Morocco, respectively, the pair met and married in Paris in the late 1950s. Originally working under Christo's name, they later credited their installations to both "Christo and Jeanne-Claude". Until his own death in 2020, Christo continued to plan and execute projects after Jeanne-Claude's death in 2009. Their work was typically large, visually impressive, and controversial, often taking years and sometimes decades of careful preparation – including technical solutions, political negotiation, permitting and environmental approval ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(I Can't Get No) Satisfaction
"(I Can't Get No) Satisfaction" is a song recorded by the English rock band the Rolling Stones. A product of Mick Jagger and Keith Richards' songwriting partnership, it features a guitar riff by Richards that opens and drives the song. The riff by Richards is widely considered one of the greatest hooks of all time. The song lyrics refer to sexual frustration and commercialism. The song was first released as a single in the United States in June 1965 and was also featured on the American version of the Rolling Stones' fourth studio album, ''Out of Our Heads'', released that July. "Satisfaction" was a hit, giving the Stones their first number one in the US. In the UK, the song initially was played only on pirate radio stations, because its lyrics were considered too sexually suggestive. It later became the Rolling Stones' fourth number one in the United Kingdom. It is one of the world's most popular songs, and was No. 31 on ''Rolling Stone'' magazine's 500 Greatest Songs of Al ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
