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The Terror Of Pueblo
''The Terror of Pueblo'' is a 1924 American silent western film directed by Denver Dixon, and starring Art Mix and Alma Rayford. It premiered on December 26, 1924, in Emporia, Kansas. Plot As described in a film magazine review, Bill Hanley and Sam Hawkes still settle their disputes with guns. The arrival of Jack Hanley forces the issue, but Jack is averse to bloodshed. He becomes the laughing stock of the ranch, but turns on them finally and after rescuing his father, routs the enemy and wins the girl. Cast * Art Mix as Jack Hanley (credited as George Kesterson) * Alma Rayford as Anita * Lafe McKee * Jim Welch * William Berke (credited as William Lester) * Milburn Morante Milburn Morante (April 6, 1887 – January 28, 1964) was an American actor, film director and makeup artist.Katchmer p. 267 Partial filmography * '' The Covered Trail'' (1924) * ''Battling Mason'' (1924) * ''The Terror of Pueblo'' (1924) * '' A ... * Mary Bruce References Silent American Western (g ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Denver Dixon
Albert Victor Adamson (January 4, 1890 – November 9, 1972) was a New Zealand director, producer, screenwriter, and actor most famous for directing and starring in B and Z grade westerns in the early days of motion pictures. Adamson often used pseudonyms to credit himself, most often using the name Denver Dixon. His son, Al Adamson, would later follow his father in producing B movies during the 1960s and 1970s. Biography Adamson was born January 4, 1890, in Auckland, New Zealand. In the late 1910s, he moved to the United States with a home-produced movie and found a distributor. He continued making his own movies despite a lack of early success with his films. Adamson began producing films around 1920. He called his production company Art Mix Productions and named himself the star. Adamson, however, found himself increasingly drawn to work behind the camera. He hired actor George Kesterson to act in his films using the Art Mix moniker, a name that Kesterson used for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Mix
Art Mix (born George Washington Kesterson; June 18, 1896 – December 7, 1972), was an American character actor from the 1920s until the mid-1940s. Biography Prior to becoming an actor, Mix worked as a circus performer and a boxer. He initially appeared under his real name, Kesterson, before being given his stage name by Victor Adamson. Adamson calculated that a cowboy named "Art Mix" would be associated somehow with western superstar Tom Mix, and that small-town exhibitors who could not afford Tom Mix's expensive films would be likely to use cheaper films marketed with the lesser "Art Mix" brand name. Contract problems led Mix to leave Adamson and begin working for producer J. Charles Davis. Art Mix appeared in over 200 film shorts and feature films. Although most of his roles were in smaller and bit parts, he would sometimes be cast in a featured role, such as in 1932's ''Border Devils'', starring Harry Carey. He was even given an occasional leading role, as in the 1935 "B"- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alma Rayford
Alma Rayford (March 24, 1903 – February 14, 1987) was an American film actress of the silent era. Rayford specialized in western films, appearing in 18 features and a number of two-reel films. Selected filmography * '' The Passing of Wolf MacLean'' (1924) * ''Romance of the Wasteland'' (1924) * ''The Terror of Pueblo'' (1924) * '' The Demon Rider'' (1925) * ''Ace of Action'' (1926) * ''Deuce High'' (1926) * ''Vanishing Hoofs'' (1926) * ''The Haunted Range'' (1926) aka ''The Haunted Ranch''Workman, Christopher; Howarth, Troy (2016). "Tome of Terror: Horror Films of the Silent Era". Midnight Marquee Press. p.300. . * ''The Phantom Buster'' (1927) * ''Between Dangers'' (1927) * ''The Valley of Hunted Men ''The Valley of Hunted Men'' is a 1928 American silent Western film directed by Richard Thorpe and starring Jay Wilsey, Oscar Apfel and Kathleen Collins.Langman, p. 483 Cast * Jay Wilsey as Tom Mallory * Oscar Apfel as Dan Phillips * Kathle ...'' (1928) *'' Young Whirlwind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Mix Productions
Albert Victor Adamson (January 4, 1890 – November 9, 1972) was a New Zealand director, producer, screenwriter, and actor most famous for directing and starring in B and Z grade westerns in the early days of motion pictures. Adamson often used pseudonyms to credit himself, most often using the name Denver Dixon. His son, Al Adamson, would later follow his father in producing B movies during the 1960s and 1970s. Biography Adamson was born January 4, 1890, in Auckland, New Zealand. In the late 1910s, he moved to the United States with a home-produced movie and found a distributor. He continued making his own movies despite a lack of early success with his films. Adamson began producing films around 1920. He called his production company Art Mix Productions and named himself the star. Adamson, however, found himself increasingly drawn to work behind the camera. He hired actor George Kesterson to act in his films using the Art Mix moniker, a name that Kesterson used for the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Reel
A reel is an object around which a length of another material (usually long and flexible) is wound for storage (usually hose are wound around a reel). Generally a reel has a cylindrical core (known as a '' spool'') with flanges around the ends (known as the ''rims'') to retain the material wound around the core. In most cases the core is hollow in order to pass an axle and allow the reel to rotate like a wheel, and crank or handles may exist for manually turning the reel, while others are operated by (typically electric) motors. Construction The size of the core is dependent on several factors. A smaller core will obviously allow more material to be stored in a given space. However, there is a limit to how tightly the stored material can be wound without damaging it and this limits how small the core can be. Other issues affecting the core size include: * Mechanical strength of the core (especially with big reels) * Acceptable turning speed (for a given rate of material m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Intertitle
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialogue intertitles", and those used to provide related descriptive/narrative material are referred to as "expository intertitles". In modern usage, the terms refer to similar text and logo material inserted at or near the start or end of films and television shows. Silent film era In this era intertitles were mostly called "subtitles" and often had Art Deco motifs. They were a mainstay of silent films once the films became of sufficient length and detail to necessitate dialogue or narration to make sense of the enacted or documented events. ''The British Film Catalogue'' credits the 1898 film ''Our New General Servant'' by Robert W. Paul as the first British film to use intertitles. Film scholar Kamilla Elliott identifies another early use of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Silent Film
A silent film is a film with no synchronized recorded sound (or more generally, no audible dialogue). Though silent films convey narrative and emotion visually, various plot elements (such as a setting or era) or key lines of dialogue may, when necessary, be conveyed by the use of title cards. The term "silent film" is something of a misnomer, as these films were almost always accompanied by live sounds. During the silent era that existed from the mid-1890s to the late 1920s, a pianist, theater organist—or even, in large cities, a small orchestra—would often play music to accompany the films. Pianists and organists would play either from sheet music, or improvisation. Sometimes a person would even narrate the inter-title cards for the audience. Though at the time the technology to synchronize sound with the film did not exist, music was seen as an essential part of the viewing experience. "Silent film" is typically used as a historical term to describe an era of cinema pri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Western Film
The Western is a genre set in the American frontier and commonly associated with folk tales of the Western United States, particularly the Southwestern United States, as well as Northern Mexico and Western Canada. It is commonly referred to as the "Old West" or the "Wild West" and depicted in Western media as a hostile, sparsely populated frontier in a state of near-total lawlessness patrolled by outlaws, sheriffs, and numerous other stock "gunslinger" characters. Western narratives often concern the gradual attempts to tame the crime-ridden American West using wider themes of justice, freedom, rugged individualism, Manifest Destiny, and the national history and identity of the United States. History The first films that belong to the Western genre are a series of short single reel silents made in 1894 by Edison Studios at their Black Maria studio in West Orange, New Jersey. These featured veterans of ''Buffalo Bill's Wild West'' show exhibiting skills acquired by living ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emporia, Kansas
Emporia is a city in and the county seat of Lyon County, Kansas, United States. As of the 2020 census, the population of the city was 24,139. Emporia lies between Topeka and Wichita at the intersection of U.S. Route 50 with Interstates 335 and 35 on the Kansas Turnpike. Emporia is also a college town, home to Emporia State University and Flint Hills Technical College. It is home of two annual sporting events: Unbound Gravel (gravel bicycle races) and Dynamic Discs Open (disc golf tournaments). History Located on upland prairie, Emporia was founded in 1857, drawing its name from ancient Carthage, a place known in history as a prosperous center of commerce. In 1864 the Union Pacific Railway, Southern Branch (later incorporated into the Missouri-Kansas-Texas Railroad) received land grants to build from Fort Riley to Emporia. The road eventually reached Emporia in 1869, becoming the first railroad to serve the burgeoning town. In July 1870, a second railroad, the Atchiso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lafe McKee
Lafayette S. "Lafe" McKee (January 23, 1872 – August 10, 1959) was an American actor who appeared in more than 400 films from 1912 to 1948. Part of his career was spent with Art Mix Productions. McKee also worked as a stage actor from 1910 until at least 1932, and began working in show business in 1893. Selected filmography * ''The Adventures of Kathlyn'' (1913) * '' The City of Purple Dreams'' (1918) * ''In the Days of Buffalo Bill'' (1922) * '' Blazing Arrows'' (1922) * '' Silver Spurs'' (1922) * '' Blood Test'' (1923) * ''The Eagle's Claw'' (1924) * ''Bringin' Home the Bacon'' (1924) * ''The Terror of Pueblo'' (1924) * ''Thundering Romance'' (1924) * '' Full Speed'' (1925) * '' On the Go'' (1925) * ''Double Action Daniels'' (1925) * ''The Saddle Cyclone'' (1925) * '' The Human Tornado'' (1925) * '' The Sporting Life'' (1925) * ''The Bandit Buster'' (1926) * ''The Bonanza Buckaroo'' (1926) * ''The Man from Oklahoma'' (1926) * ''Fort Frayne'' (1926) * ''Officer 444'' (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Berke
William A. Berke (born October 3, 1903 in Milwaukee, Wisconsin – died February 15, 1958 in Los Angeles, California) was an American film director, producer, actor and screenwriter. He wrote, directed, and/or produced some 200 films over a three-decade career. Biography Berke broke into motion pictures in 1922 as a writer for silent westerns. For these assignments he used the pseudonym "William Lester." In the early 1930s he formed a partnership with independent producer Bernard B. Ray to make feature films at Ray's Reliable Pictures studio, next door to the Columbia Pictures studio. Berke, now using his own name for screen credits, was equally capable making comedies, mysteries, action adventures, and westerns. In 1942 he joined Columbia, at first directing that studio's Charles Starrett and Russell Hayden westerns, and then branching out into more mainstream fare. In 1944 he moved to RKO Radio Pictures, handling equally diverse pictures including detective fiction ( Dick ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
