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The Supremes (2000 Album)
''The Supremes'' is a 2000 box set compilation of the material by Motown's most popular act of the 1960s, The Supremes. The set covers The Supremes' entire recording history, from its first recordings as ''The Primettes'' in 1960 to its final recordings in 1976. The set is four compact discs long; a bonus disc, ''An Evening with The Supremes'', contained mostly unreleased live recordings and was included in the first 25,000 sets. Included in the set is a 70-page booklet with extensive essays, track annotations, and a full discography. Contents Disc one: The Supremes: Early years Track listing # "Tears of Sorrow" (The Primettes) # "Pretty Baby" (The Primettes) # " After All" # "The Boy That Got Away" # "I Want a Guy" riginal 45 Mix# "Buttered Popcorn" lternate Version# "Your Heart Belongs to Me" riginal 45 Mix# "Let Me Go The Right Way" ive# "My Heart Can't Take It No More" riginal 45 Mix# "A Breath Taking, First Sight Soul Shaking, One Night Love Making, Next Day Heartbreak ...
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The Supremes
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, vocal band, with List of Billboard Hot 100 chart achievements and milestones#Most number-one singles, 12 number-one singles on the Billboard Hot 100, ''Billboard'' Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African American Rhythm and blues, R&B and soul musicians to find mainstream success. ''Billboard'' ranked the Supremes as the 16th greatest Hot 100 artist of all time. Florence Ballard, Mary Wilson (singer), Mary Wilson, Diana Ross, and Betty McGlown, the original members, were all from the Brewster-Douglass Housing Projects, Brewster-Douglass public housing proje ...
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Your Heart Belongs To Me
"Your Heart Belongs to Me" is a 1962 song written and composed by The Miracles' William "Smokey" Robinson and released as a single by Motown singing group The Supremes during their early years with the label. The song is about a woman whose lover is in the armed forces and has "Gone to a far-away land"; its narration has her tell him to always remember their love for each other if he ever gets lonely. Recorded at a time when Mary Wells and The Marvelettes were the dominant female recording acts of the label, the Supremes had struggled to release singles with Supremes members Florence Ballard, Diana Ross and Mary Wilson switching lead vocal spots. After the failure of their first single, "I Want a Guy" with Ross in the lead, their second single, the Ballard-led "Buttered Popcorn", also failed to chart. Wilson's leads, meanwhile, had not been released on any Motown singles. For this record, Smokey Robinson decided to use Ross for lead vocals for the song. It would prove to be a mo ...
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Diane Ross
Diana Ross (born March 26, 1944) is an American singer and actress. She rose to fame as the lead singer of the vocal group the Supremes, who became Motown's most successful act during the 1960s and one of the world's best-selling girl groups of all time. They remain the best-charting female group in history, with a total of twelve number-one hit singles on the US ''Billboard'' Hot 100, including " Where Did Our Love Go", " Baby Love", " Come See About Me", and " Love Child". Following departure from the Supremes in 1970, Ross embarked on a successful solo career in music, film, television and on stage. Her eponymous debut solo album featured the U.S. number-one hit " Ain't No Mountain High Enough" and music anthem " Reach Out and Touch (Somebody's Hand)". It was followed with her second solo album, '' Everything Is Everything'' (1970), which spawned her first UK number-one single " I'm Still Waiting". She continued her successful solo career by mounting elaborate record-sett ...
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Florence Ballard
Florence Glenda Chapman (''née'' Ballard; June 30, 1943 – February 22, 1976) was an American singer and a founding member of the Motown vocal female group the Supremes. She sang on 16 top 40 singles with the group, including ten number-one hits. After being removed from the Supremes in 1967, Ballard tried an unsuccessful solo career with ABC Records before she was dropped from the label at the end of the decade. Ballard struggled with alcoholism, depression, and poverty for three years. She was making an attempt at a musical comeback when she died of a heart attack in February 1976 at the age of 32. Ballard's death was considered by one critic as "one of rock's greatest tragedies".Unterberger, Richie (2005). The Supremes In Allmusic. Ann Arbor, MI: All Media Guide. Ballard was posthumously inducted to the Rock and Roll Hall of Fame as a member of the Supremes in 1988. Early life Florence Glenda Ballard was born in Detroit, Michigan on June 30, 1943 to Lurlee (''née'' W ...
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People (1964 Song)
"People" is a song composed by Jule Styne with lyrics by Bob Merrill for the 1964 in music, 1964 Broadway theatre, Broadway musical ''Funny Girl (musical), Funny Girl'' starring Barbra Streisand, who introduced the song. The song was released as a single in 1964 with "I Am Woman (Barbra Streisand song), I Am Woman", a solo version of "You Are Woman, I Am Man", also from ''Funny Girl (musical), Funny Girl''. Andy Williams released a version of the song on his 1964 album, ''The Great Songs from "My Fair Lady" and Other Broadway Hits''. Ella Fitzgerald recorded the song live on her CBS release ''Ella Fitzgerald at the Newport Jazz Festival: Live at Carnegie Hall''. The Tymes had a top 40 hit with the song in 1968. Vic Damone recorded a version on his 1982 album ''Over the Rainbow''. It has been Cover version, covered by Jennifer Lopez, Billy Eckstine, Dionne Warwick, Steve Lawrence, Jack Jones (singer), Jack Jones, Aretha Franklin, Nat King Cole, Wes Montgomery, Gabor Szabo, Perry Co ...
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Nothing But Heartaches
"Nothing but Heartaches" is a 1965 song recorded by The Supremes for the Motown label. Written and produced by Motown songwriting and producing team Holland–Dozier–Holland, it was notable for breaking the first string of five consecutive number-one pop singles in the United States, peaking at number 11 from August 29, 1965, through September 4, 1965 on the ''Billboard'' Hot 100 chart. Despite this, it was the sixth of seven consecutive million-selling singles released by The Supremes between 1964 and 1965. Overview Recording By the spring of 1965, The Supremes had elevated from regional R&B favorites to an internationally successful pop group thanks to a series of five singles which consecutively topped the United States ''Billboard'' pop charts: " Where Did Our Love Go", " Baby Love", " Come See About Me", " Stop! In the Name of Love" and "Back in My Arms Again." Known for creating repetitive follow-ups, Motown at this time was relying on a formula to create songs with a ...
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Back In My Arms Again
"Back in My Arms Again" is a 1965 song recorded by The Supremes for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, "Back in My Arms Again" was the fifth consecutive and overall number-one song for the group on the ''Billboard'' Hot 100 pop singles chart in the United States from June 6, 1965 through June 12, 1965, also topping the soul chart for a week. History Eddie Holland of the Holland–Dozier–Holland wrote the basis sketch for "Back in My Arms Again." "Back in My Arms Again" was the last of five Supremes songs in a row to go number one (the others are "Where Did Our Love Go", "Baby Love", "Come See About Me", and "Stop! In the Name of Love"). The song's middle eight is almost identical to a later Holland-Dozier-Holland hit, The Isley Brothers "This Old Heart of Mine (Is Weak for You)". On the album in which this single appeared, '' More Hits by the Supremes'', and on the official single, each member is pictured sepa ...
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Stop! In The Name Of Love
"Stop! In the Name of Love" is a 1965 song recorded by the Supremes for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, "Stop! In the Name of Love" held the #1 position on the ''Billboard'' pop singles chart in the United States from March 27, 1965, through April 3, 1965, and reached the #2 position on the soul chart. ''Billboard'' named the song #38 on their list of 100 Greatest Girl Group Songs of All Time. The BBC ranked "Stop! In the Name of Love" at #56 on ''The Top 100 Digital Motown Chart'', which ranks Motown releases by their all time UK downloads and streams. In 2021, it was listed at No. 254 on Rolling Stone's "Top 500 Greatest Songs of All Time". History The song was written by Eddie Holland, Lamont Dozier, and Brian Holland. Dozier said that he got the idea after he got cheated on by his girlfriend. In the heat of the argument, he said, "Baby, please stop. In the name of love- before you break my heart." The ...
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Come See About Me
"Come See About Me" is a 1964 song recorded by the Supremes for the Motown label. The track opens with a Fade (audio engineering), fade-in, marking one of the first times the technique had been used on a studio recording. The song became third of five consecutively released Supremes songs to top the Billboard Hot 100, ''Billboard'' pop singles chart in the United States (the others are "Where Did Our Love Go", "Baby Love", "Stop! In the Name of Love" and "Back in My Arms Again"). It topped the chart twice, non-consecutively, being toppled by and later replacing the Beatles' "I Feel Fine" in December 1964 and January 1965. The BBC ranked "Come See About Me" at #94 on ''The Top 100 Digital Motown Chart'', which ranks Motown releases by their all time UK downloads and streams. History Overview "Come See About Me" was written and produced by Motown's main production team Holland–Dozier–Holland. It was recorded during a two week period in which the Supremes also recorded "Baby ...
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Baby Love
"Baby Love" is a song by American music group the Supremes from their second studio album, ''Where Did Our Love Go''. It was written and produced by Motown's main production team Holland–Dozier–Holland and was released on September 17, 1964. "Baby Love" topped the ''Billboard'' pop singles chart in the United States from October 25, 1964, through November 21, 1964, and in the United Kingdom pop singles chart concurrently. Beginning with "Baby Love", the Supremes became the first Motown act to have more than one American number-one single, and by the end of the decade, would have more singles hitting the top slot than any other Motown act (or American pop music group) with 12, a record they continue to hold. It was nominated for the 1965 Grammy Award for Best Rhythm & Blues Recording, losing to Nancy Wilson's "How Glad I Am". It is considered one of the most popular songs of the late 20th century, "Baby Love" was ranked number 324 on the ''Rolling Stone'' list of The 500 ...
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Where Did Our Love Go
"Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label. Written and produced by Motown's main production team Holland–Dozier–Holland, "Where Did Our Love Go" was the first single by the Supremes to go to the number one position on the ''Billboard'' Hot 100 pop singles chart in the United States, a spot it held for two weeks, from August 16 to August 29, 1964. It was also the first of five Supremes songs in a row to reach number one (the others being "Baby Love", "Come See About Me", "Stop! In the Name of Love", and "Back in My Arms Again"). It also reached No. 1 on the ''Cash Box'' R&B singles chart. The Supremes' version is ranked number 472 on ''Rolling Stone''s 500 Greatest Songs of All Time in 2004 and number 475 in 2010 and was selected for preservation in the National Recording Registry in 2016 due to its "cultural, historic, or artistic significance." ''Billboard'' named the song number 4 on its list of 100 Greatest ...
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When The Lovelight Starts Shining Through His Eyes
"When the Lovelight Starts Shining Through His Eyes" is a song written by Holland–Dozier–Holland and recorded in 1963 by Motown singing group The Supremes. It is notable as the Supremes' first ''Billboard'' Hot 100 Top 40 recording, following seven previous singles between January 1961 and September 1963 which failed to enter the Top 40. The single is also notable as the first Supremes single written and produced by Holland–Dozier–Holland, who had previously created hits for Martha and the Vandellas and Mary Wells. Overview Recording By 1963, the Supremes were struggling to find a pop hit. Until then, the Supremes was a regional R&B favorite, with their most successful single being "A Breathtaking Guy", which peaked at number 75 on the Hot 100. The group's competitors inside Motown included The Marvelettes, Motown's first successful female group, but also with Martha and the Vandellas, whose early hits included "(Love Is Like A) Heat Wave" and "Quicksand". Outside of Mot ...
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