The Supremes' Farewell Concert
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The Supremes' Farewell Concert
On June 12, 1977, The Supremes performed their final concert together at Theatre Royal, Drury Lane in London, England.The Supremes
. The Rock and Roll Hall of Fame and Museum, 1988. Retrieved on January 2, 2015.


Mary Wilson's departure

In early 1977, sole remaining original group member Mary Wilson announced that she would be leaving The Supremes to embark upon a solo career. During one of the group's last television appearances together, on the US daytime talk show, '''', Wilson announced that she would be stepping out from the group to ...
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The Supremes
The Supremes were an American girl group and a premier act of Motown Records during the 1960s. Founded as the Primettes in Detroit, Michigan, in 1959, the Supremes were the most commercially successful of Motown's acts and the most successful American vocal group, vocal band, with List of Billboard Hot 100 chart achievements and milestones#Most number-one singles, 12 number-one singles on the Billboard Hot 100, ''Billboard'' Hot 100. Most of these hits were written and produced by Motown's main songwriting and production team, Holland–Dozier–Holland. It is said that their breakthrough made it possible for future African American Rhythm and blues, R&B and soul musicians to find mainstream success. ''Billboard'' ranked the Supremes as the 16th greatest Hot 100 artist of all time. Florence Ballard, Mary Wilson (singer), Mary Wilson, Diana Ross, and Betty McGlown, the original members, were all from the Brewster-Douglass Housing Projects, Brewster-Douglass public housing proje ...
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Baby Love
"Baby Love" is a song by American music group the Supremes from their second studio album, ''Where Did Our Love Go''. It was written and produced by Motown's main production team Holland–Dozier–Holland and was released on September 17, 1964. "Baby Love" topped the ''Billboard'' pop singles chart in the United States from October 25, 1964, through November 21, 1964, and in the United Kingdom pop singles chart concurrently. Beginning with "Baby Love", the Supremes became the first Motown act to have more than one American number-one single, and by the end of the decade, would have more singles hitting the top slot than any other Motown act (or American pop music group) with 12, a record they continue to hold. It was nominated for the 1965 Grammy Award for Best Rhythm & Blues Recording, losing to Nancy Wilson's "How Glad I Am". It is considered one of the most popular songs of the late 20th century, "Baby Love" was ranked number 324 on the ''Rolling Stone'' list of The 500 ...
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Scherrie Payne
Scherrie Ann Payne (born November 4, 1944) is an American singer. Payne is best known as a member of the R&B/Soul vocal group The Supremes from 1973 until 1977. Because of her powerful voice and petite stature (5'2"), Payne is sometimes referred to as "the little lady with the big voice." Payne is the younger sister of singer Freda Payne. Payne continues to perform, both as a solo act and as a part of the " Former Ladies of the Supremes" (FLOS). Biography Glass House Prior to her tenure with The Supremes, Payne was the lead singer for the group Glass House. Other members included Ty Hunter (later with The Originals), Pearl Jones, and Larry Mitchell. The group signed with Invictus Records, formed by longtime Motown songwriters Eddie and Brian Holland, and Lamont Dozier, in 1969, among other popular acts of the early 1970s, including Freda Payne (who had a #1 hit in 1970 with "Band Of Gold"), and Honey Cone, who had a #1 hit with "Want Ads". In an ironic twist of fate, "Want Ad ...
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He Ain't Heavy, He's My Brother
"He Ain't Heavy, He's My Brother" is a ballad written by Bobby Scott and Bob Russell. Originally recorded by Kelly Gordon in 1969, the song became a worldwide hit for the Hollies later that year and also a hit for Neil Diamond in 1970. It has been recorded by many artists in subsequent years. The Hollies' version was re-released in 1988 and again was a major hit in the UK. Scott and Russell were introduced to each other by Johnny Mercer, at a California nightclub. Although Russell was dying of lymphoma and the pair met only three times, they managed to collaborate on the song. Title James Wells, Moderator of the United Free Church of Scotland, tells the story of a little girl carrying a big baby boy in his 1884 book ''The Parables of Jesus''. Seeing her struggling, someone asked if she wasn't tired. With surprise she replied: "No, he's not heavy; he's my brother." In a 1918 publication by Ralph Waldo Trine titled ''The Higher Powers of Mind and Spirit'', Trine relates ...
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Tony Orlando & Dawn
Tony Orlando and Dawn is an American pop music group that was popular in the 1970s, composed of singer Tony Orlando and the backing vocal group Dawn (Telma Hopkins and Joyce Vincent Wilson). Their signature hits include " Candida", "Knock Three Times", "Tie a Yellow Ribbon Round the Ole Oak Tree", "Say, Has Anybody Seen My Sweet Gypsy Rose", and "He Don't Love You (Like I Love You)". Early history Tony Orlando was born Michael Anthony Orlando Cassavitis on April 3, 1944. Orlando recorded through the 1960s with only moderate chart success. He had three Top 40 hits, two in 1961 and another in 1969 as the lead singer for the studio group Wind. While recording through the 1960s, he also became a producer and a successful music executive with Columbia Records and April/Blackwood music. While working as a music executive, Orlando received " Candida", a song other producers and singers had turned down. Originally, Orlando could not lend his name to the song, as he was working for Ap ...
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Joyce Vincent-Wilson
Joyce Vincent Wilson (born December 14, 1946 in Detroit, Michigan) is an American singer, best known as part of the group Tony Orlando and Dawn. Wilson began her career in Detroit providing background vocals on Motown and Golden World recordings. She met Telma Hopkins during this time and the two provided background vocals at Holland–Dozier–Holland's Invictus/Hot Wax Records. Orlando released the singles " Candida" and "Knock Three Times", recorded with session vocalists Linda November and Toni Wine backing him, under the name Dawn; when the singles charted, Orlando found himself needing to assemble an actual backing group to tour and record with. Wilson and Telma Hopkins became the fully embodied Dawn. The popular 1970s group later had their own successful television program ( ''Tony Orlando and Dawn''), and Wilson was featured on hit singles like "He Don't Love You (Like I Love You)", "Tie a Yellow Ribbon Round the Ole Oak Tree" and "Mornin' Beautiful". In 1977, Wilson wa ...
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You're What's Missing In My Life
In Modern English, ''you'' is the second-person pronoun. It is grammatically plural, and was historically used only for the dative case, but in most modern dialects is used for all cases and numbers. History ''You'' comes from the Proto-Germanic demonstrative base *''juz''-, *''iwwiz'' from PIE *''yu''- (second person plural pronoun). Old English had singular, dual, and plural second-person pronouns. The dual form was lost by the twelfth century, and the singular form was lost by the early 1600s. The development is shown in the following table. Early Modern English distinguished between the plural '' ye'' and the singular ''thou''. As in many other European languages, English at the time had a T–V distinction, which made the plural forms more respectful and deferential; they were used to address strangers and social superiors. This distinction ultimately led to familiar ''thou'' becoming obsolete in modern English, although it persists in some English dialects. ''Your ...
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He's My Man
"He's My Man" is a single released by Motown singing group The Supremes, listed as catalog number M1358F. It is the lead single released from their 1975 self-titled album, ''The Supremes''. The single's peak position was 69 on the US R&B charts, and number-one on the regional Disco charts. Critical reception James Hamilton of ''Record Mirror'' wrote, 'Already hailed by many as a return to form, this comes - and - goes rhythm plopper ain't the Three Degrees but will please their bank manager.' '' Cashbox'' published 'The Supremes don't give you one second of doubt on what may be the hottest r&b, disco, top 40 crossover records to emerge from the Motown camp in recent months. Absolutely inspired production by Greg Wright and arrangements by Dave Blumbert — this disk's got everything, from an incredible, pulsating bass track, rhythm that'll knock you over, and strings that allow those super vocals to come on strong Five stars! Flip: No info, available. Charts Personnel *Lead voc ...
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You're My Driving Wheel
"You're My Driving Wheel" is a dance/ disco song by The Supremes. The song was released on September 30, 1976 as the first single from their album ''Mary, Scherrie & Susaye''. Along with the tracks, "Let Yourself Go" and "Love I Never Knew", "You're My Driving Wheel" peaked at number five on the disco chart. On the Soul chart, the single peaked at number fifty and number eighty-five on the Hot 100. Charts Personnel * Lead vocals by Scherrie Payne * Background vocals by Mary Wilson, Scherrie Payne and Susaye Greene Susaye Greene (born September 13, 1948) is an American singer and songwriter. She was the last official member to join the Motown girl group The Supremes, remaining in the group during its final years of existence from 1976 to 1977. She is a su ... References {{Authority control 1976 singles The Supremes songs Motown singles 1976 songs Songs written by Brian Holland ...
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Someday We'll Be Together
"Someday We'll Be Together" is a song written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua. It was the last of twelve American number-one pop singles for Diana Ross & the Supremes on the Motown label. Although it was released as the final Supremes song featuring Diana Ross, who left the group for a solo career in January 1970, it was recorded as Ross' first solo single and Supremes members Mary Wilson and Cindy Birdsong do not sing on the recording. Both appear on the B-side, " He's My Sunny Boy". The single topped the ''Billboard'' Hot 100 pop singles chart for one week, in the final 1969 issue of ''Billboard'' magazine (dated December 27). It would be the last number one hit of the 1960s. Background Original version The song was written by Johnny Bristol, Jackey Beavers, and Harvey Fuqua in 1961; Bristol and Beavers recorded the song together as "Johnny & Jackey" for the Tri-Phi label that same year. "Someday" was a moderate success in the Midwestern United States ...
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I'm Gonna Let My Heart Do The Walking
"I'm Gonna Let My Heart Do the Walking" is a disco-styled soul single composed by the Holland brothers Eddie and Brian, members of the former Holland–Dozier–Holland team and was released as a single by Motown vocal group The Supremes in 1976 on the Motown label. It was the first single since "Your Heart Belongs to Me" in 1962 to feature four Supremes. It is also notable for being the last top forty single the group would score before they disbanded in 1977. Overview Recording By 1976, the Supremes were four years without a top 40 recording and were constantly changing group members. After departures from Jean Terrell, Lynda Laurence and Cindy Birdsong - two times within four years - Mary Wilson struggled to keep the group going. After hiring Scherrie Payne, the group found themselves in search of a group member again after Birdsong left due to problems with the group's management team, led by Wilson's husband Pedro Ferrer. After Birdsong split in early 1976, Wilson eventua ...
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A Song For You
"A Song for You" is a song written and originally recorded by rock singer and pianist Leon Russell for his first solo album '' Leon Russell'', which was released in 1970 on Shelter Records. A slow, pained plea for forgiveness and understanding from an estranged lover, the tune is one of Russell's best-known compositions. Russell not only sings and plays piano on the recording, but also plays the tenor horn that is accompanying. It has been performed and recorded by over 200 artists, spanning many musical genres. Elton John has called the song an American classic. One of the first versions of the song that brought it broader attention was by Andy Williams, whose single peaked at number 29 on the adult contemporary chart and number 82 on the ''Billboard'' Hot 100 in 1971. Ray Charles recorded a version that earned him the 1994 Grammy Award for Best Male R&B Vocal Performance. Other notable versions were recorded by the Carpenters in 1972 and Herbie Hancock in 2005. On January ...
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