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The Sun's Darling
''The Sun's Darling'' is a masque, or masque-like play, written by John Ford and Thomas Dekker, and first published in 1656. ''The Sun's Darling'' was licensed for performance by Sir Henry Herbert, the Master of the Revels, on 3 March 1624. It was probably composed not long before; nineteenth-century speculations that the text was an old play of Dekker's, revised by Ford, have fallen out of favor. The original text may have been revised c. 1638–39; material in the early portion of Act V reflects the dominant political situation at that time. Cyrus Hoy has suggested that the play was revised and revived at that time, as a response to Thomas Nabbes's ''Microcosmus'' (1636; published 1637). Several attempts have been made by individual commentators to identify the shares of the two collaborators, though no general agreement on the question has been reached. The first edition was a quarto printed by T. Bell for the bookseller Andrew Pennycuicke. The 1656 title page states that t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masque
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whitehall Palace
The Palace of Whitehall (also spelt White Hall) at Westminster was the main residence of the English monarchs from 1530 until 1698, when most of its structures, except notably Inigo Jones's Banqueting House of 1622, were destroyed by fire. Henry VIII moved the royal residence to White Hall after the old royal apartments at the nearby Palace of Westminster were themselves destroyed by fire. Although the Whitehall palace has not survived, the area where it was located is still called Whitehall and has remained a centre of government. White Hall was at one time the largest palace in Europe, with more than 1,500 rooms, overtaking the Vatican, before itself being overtaken by the expanding Palace of Versailles, which was to reach 2,400 rooms. The palace gives its name, Whitehall, to the street located on the site on which many of the current administrative buildings of the present-day British government are situated, and hence metonymically to the central government itself. At its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masques
The masque was a form of festive courtly entertainment that flourished in 16th- and early 17th-century Europe, though it was developed earlier in Italy, in forms including the intermedio (a public version of the masque was the pageant). A masque involved music, dancing, singing and acting, within an elaborate stage design, in which the architectural framing and costumes might be designed by a renowned architect, to present a deferential allegory flattering to the patron. Professional actors and musicians were hired for the speaking and singing parts. Masquers who did not speak or sing were often courtiers: the English queen Anne of Denmark frequently danced with her ladies in masques between 1603 and 1611, and Henry VIII and Charles I of England performed in the masques at their courts. In the tradition of masque, Louis XIV of France danced in ballets at Versailles with music by Jean-Baptiste Lully. Development The masque tradition developed from the elaborate pageants and cou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1624 Plays
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English Renaissance Plays
English usually refers to: * English language * English people English may also refer to: Peoples, culture, and language * ''English'', an adjective for something of, from, or related to England ** English national identity, an identity and common culture ** English language in England, a variant of the English language spoken in England * English languages (other) * English studies, the study of English language and literature * ''English'', an Amish term for non-Amish, regardless of ethnicity Individuals * English (surname), a list of notable people with the surname ''English'' * People with the given name ** English McConnell (1882–1928), Irish footballer ** English Fisher (1928–2011), American boxing coach ** English Gardner (b. 1992), American track and field sprinter Places United States * English, Indiana, a town * English, Kentucky, an unincorporated community * English, Brazoria County, Texas, an unincorporated community * Engl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Morality Play
The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who are engaged in a struggle to persuade a protagonist who represents a generic human character toward either good or evil. The common story arc of these plays follows "the temptation, fall and redemption of the protagonist."King, Pamela M. "Morality Plays." In ''The Cambridge Companion to Medieval English Theatre'', edited by Richard Beadle and Alan J. Fletcher. 2nd ed. Cambridge University Press, Cambridge, 2008: 235-262, at 235. English morality plays Hildegard von Bingen's ''Ordo Virtutum'' (English: "Order of the Virtues"), composed c. 1151 in Germany, is the earliest known morality play by more than a century, and the only medieval musica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Tatham
John Tatham ( fl. 1632–1664) was an English dramatist of the mid-17th century. He was a strong Cavalier. Hatreds Little is known of Tatham personally. He was a Cavalier, with a hatred of the Puritans and of the Scots – he went so far as to invent a dialect that he claimed was the Scots vernacular. Poems and stage works ''Fancy's Theatre'', a collection of his poems, was published in 1640. It included an elegy on the dramatist John Day. In the years 1657–64, Tatham produced eight pageants for the annual London Lord Mayor's Show, seven of which were entitled ''London's Triumph''). He also wrote ''London's Glory'', an entertainment to celebrate the return of King Charles II to London at the Restoration. This was performed on 5 July 1660. Among the known plays by John Tatham are: *''Love Crowns the End'' (1632; printed 1646) *''The Distracted State'' (1641; printed 1651) *''The Scots Figgaries, or a Knot of Knaves'' (printed 1652) *''The Rump'' (printed 1660). Legacy In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theophilus Bird
Theophilus Bird, or Bourne, (1608 – 1663) was a seventeenth-century English actor. Bird began his stage career in the Stuart era of English Renaissance theatre, and ended it in the Restoration period; he was one of the relatively few actors who managed to resume their careers after the eighteen-year enforced hiatus (1642–60) when the theatres were closed during the English Civil War and the Interregnum. Beginnings Theophilus was the son of William Bird, an actor long associated with the theatrical enterprise of Philip Henslowe and active in the years 1597–1622. Theophilus was baptized on 7 December 1608. Both father William and son Theophilus alternatively spelled their family name as Bird or Bourne. The extensive Henslowe papers in the collection of Dulwich College contain many mentions of the elder Bird and members of his family. The younger Bird started out as a boy player acting female roles, as was customary at the time; he played Paulina in Massinger's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rape Of Lucrece
''The Rape of Lucrece'' (1594) is a narrative poem by William Shakespeare about the legendary Roman noblewoman Lucretia. In his previous narrative poem, '' Venus and Adonis'' (1593), Shakespeare had included a dedicatory letter to his patron, the Earl of Southampton, in which he promised to compose a "graver labour". Accordingly, ''The Rape of Lucrece'' has a serious tone throughout. The poem begins with a prose dedication addressed directly to the Earl of Southampton, which begins, "The love I dedicate to your Lordship is without end." It refers to the poem as a pamphlet, which describes the form of its original publication of 1594. The dedication is followed by "The Argument", a prose paragraph that summarizes the historical context of the poem, which begins ''in medias res''. The poem contains 1,855 lines, divided into 265 stanzas of seven lines each. The meter of each line is iambic pentameter. The rhyme scheme for each stanza is ABABBCC, a format known as "rhyme royal" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venus And Adonis (Shakespeare Poem)
''Venus and Adonis'' is a narrative poem by William Shakespeare published in 1593. It is probably Shakespeare's first publication. The poem tells the story of Venus, the goddess of Love; of her unrequited love; and of her attempted seduction of Adonis, an extremely handsome young man, who would rather go hunting. The poem is pastoral, and at times erotic, comic and tragic. It contains discourses on the nature of love, and observations of nature. It is written in stanzas of six lines of iambic pentameter rhyming ABABCC; although this verse form was known before Shakespeare's use, it is now commonly known as the ''Venus and Adonis'' stanza, after this poem. This form was also used by Edmund Spenser and Thomas Lodge. The poem consists of 199 stanzas or 1,194 lines. It was published originally as a quarto pamphlet and published with great care. It was probably printed using Shakespeare's fair copy. The printer was Richard Field, who, like Shakespeare, was from Stratford. ''Venus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Wriothesley, 3rd Earl Of Southampton
Henry Wriothesley, 3rd Earl of Southampton, (pronunciation uncertain: "Rezley", "Rizely" (archaic), (present-day) and have been suggested; 6 October 1573 – 10 November 1624) was the only son of Henry Wriothesley, 2nd Earl of Southampton, and Mary Browne, daughter of Anthony Browne, 1st Viscount Montagu. Shakespeare's two narrative poems, '' Venus and Adonis'' and ''The Rape of Lucrece'', were dedicated to Southampton, who is frequently identified as the Fair Youth of Shakespeare's Sonnets. Family Henry Wriothesley, born 6 October 1573 at Cowdray House, Sussex, was the only son of Henry Wriothesley, 2nd Earl of Southampton, by Mary Browne. She was the only daughter of Anthony Browne, 1st Viscount Montague, and his first wife, Jane Radcliffe. He had two sisters, Jane, who died before 1573, and Mary (), who in June 1585 married Thomas Arundell, 1st Baron Arundell of Wardour. After his father's death, Southampton's mother married firstly, on 2 M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Wriothesley, 4th Earl Of Southampton
Thomas Wriothesley, 4th Earl of Southampton, KG ( ; 10 March 1607 – 16 May 1667), styled Lord Wriothesley before 1624, was an English statesman, a staunch supporter of King Charles II who after the Restoration of the Monarchy in 1660 rose to the position of Lord High Treasurer, which term began with the assumption of power by the Clarendon Ministry. He "was remarkable for his freedom from any taint of corruption and for his efforts in the interests of economy and financial order", a noble if not a completely objective view of his work as the keeper of the nation's finances. He died before the impeachment of Lord Clarendon, after which the Cabal Ministry took over government. Origins He was the only surviving son of Henry Wriothesley, 3rd Earl of Southampton (1573–1624) by his wife Elizabeth Vernon (1572–1655), a daughter of John Vernon (died 1592) of Hodnet, Shropshire. In 1545 King Henry VIII granted to his ancestor Thomas Wriothesley, 1st Earl of Southampton, Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
