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The Story Of The Western Wing
''Romance of the Western Chamber'' (), also translated as ''The Story of the Western Wing'', ''The West Chamber'', ''Romance of the Western Bower'' and similar titles, is one of the most famous Chinese dramatic works. It was written by the Yuan dynasty playwright Wang Shifu (王實甫), and set during the Tang dynasty. Known as "China's most popular love comedy," it is the story of a young couple consummating their love without parental approval, and has been seen both as a "lover's bible" and "potentially lethal," as readers were in danger of pining away under its influence. Contents of the Play ] Play I, Burning Incense and Worshiping the Moon Play II, Icy Strings Spell Out Grief Play III,Feelings Transmitted by Lines of Poetry Play IV, A Clandestine Meeting of Rain and Clouds Play V, A Reunion Ordained by Heaven Plot The play has twenty-one acts in five parts. It tells the story of a secret love affair between Zhang Sheng (张生), a young scholar, and Cui Yingying, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jin Dynasty (1115–1234)
The Jin dynasty (, ; ) or Jin State (; Jurchen: Anchun Gurun), officially known as the Great Jin (), was an imperial dynasty of China that existed between 1115 and 1234. Its name is sometimes written as Kin, Jurchen Jin, Jinn, or Chin in English to differentiate it from an earlier Jìn dynasty whose name is rendered identically in Hanyu Pinyin without the tone marking. It is also sometimes called the "Jurchen dynasty" or the "Jurchen Jin", because members of the ruling Wanyan clan were of Jurchen descent. The Jin emerged from Wanyan Aguda's rebellion against the Liao dynasty (916–1125), which held sway over northern China until the nascent Jin drove the Liao to the Western Regions, where they became known in historiography as the Western Liao. After vanquishing the Liao, the Jin launched a century-long campaign against the Han-led Song dynasty (960–1279), which was based in southern China. Over the course of their rule, the ethnic Jurchen emperors of the Jin dynas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qing Dynasty
The Qing dynasty ( ), officially the Great Qing,, was a Manchu-led imperial dynasty of China and the last orthodox dynasty in Chinese history. It emerged from the Later Jin dynasty founded by the Jianzhou Jurchens, a Tungusic-speaking ethnic group who unified other Jurchen tribes to form a new "Manchu" ethnic identity. The dynasty was officially proclaimed in 1636 in Manchuria (modern-day Northeast China and Outer Manchuria). It seized control of Beijing in 1644, then later expanded its rule over the whole of China proper and Taiwan, and finally expanded into Inner Asia. The dynasty lasted until 1912 when it was overthrown in the Xinhai Revolution. In orthodox Chinese historiography, the Qing dynasty was preceded by the Ming dynasty and succeeded by the Republic of China. The multiethnic Qing dynasty lasted for almost three centuries and assembled the territorial base for modern China. It was the largest imperial dynasty in the history of China and in 1790 the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lin Daiyu
Lin Daiyu (also spelled Lin Tai-yu, zh, s=林黛玉, p=Lín Dàiyù, rendered Black Jade in Chi-chen Wang's translation) is one of the principal characters of Cao Xueqin's classic 18th-century Chinese novel ''Dream of the Red Chamber''. She is portrayed as a well-educated, intelligent, witty and beautiful young woman of physical frailness who is somewhat prone to occasional melancholy. The love triangle between Daiyu, Jia Baoyu and Xue Baochai forms one of the main threads of the book. Life In the framing chapters, Lin Daiyu was a flower who was later incarnated as Daiyu to pay back her "debt of tears" to Jia Baoyu, who watered and gave life to the flower. Lin and Jia were the only two characters in the book that were coming from the illusory world. Born to a Suzhou scholar-official, Lin Ruhai, and Lady Jia Min of the Rongguo house, Daiyu was raised by her parents in her family's mansion in nearby Yangzhou, where she received an excellent education. She has a natural affinity f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jia Baoyu
Jia Baoyu (, and his surname is a homophone with "false" or "fictitious") is the principal character in the classic 18th century Chinese novel ''Dream of the Red Chamber''. Introduction The first chapter describes how one piece of stone was left over from when the Wall of Heaven was repaired by the Goddess Nüwa. That stone, changed into a piece of luminous jade, is given a chance to learn the emptiness of human existence by following another incarnation who is to be Jia Baoyu. Baoyu is thus born with a magical piece of jade in his mouth. His name, which literally means "precious jade", was given him in honor of this. The jade and Baoyu share a mystical link, and the Cheng-Gao version ends after the jade is lost for good and Baoyu himself disappears. Lin Daiyu was a fairy flower, was later incarnated as Daiyu to pay back her “debt of tears" to Jia Baoyu, who watered and gave life to the flower. Baoyu is portrayed as having little interest in learning the Confucian classics, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ming Dynasty
The Ming dynasty (), officially the Great Ming, was an Dynasties in Chinese history, imperial dynasty of China, ruling from 1368 to 1644 following the collapse of the Mongol Empire, Mongol-led Yuan dynasty. The Ming dynasty was the last orthodox dynasty of China ruled by the Han Chinese, Han people, the majority ethnic group in China. Although the primary capital of Beijing fell in 1644 to a rebellion led by Li Zicheng (who established the short-lived Shun dynasty), numerous rump state, rump regimes ruled by remnants of the House of Zhu, Ming imperial family—collectively called the Southern Ming—survived until 1662. The Ming dynasty's founder, the Hongwu Emperor (r. 1368–1398), attempted to create a society of self-sufficient rural communities ordered in a rigid, immobile system that would guarantee and support a permanent class of soldiers for his dynasty: the empire's standing army exceeded one million troops and the naval history of China, navy's dockyards in Nanjin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Peony Pavilion
''The Peony Pavilion'' ( zh, t=牡丹亭, s=牡丹亭, p=Mǔdān tíng, w=Mu-tan t'ing), also named ''The Return of Soul at the Peony Pavilion'', is a romantic tragicomedy play written by dramatist Tang Xianzu in 1598. The plot was drawn from the short story ''Du Liniang Revives For Love'', and depicts a love story between Du Liniang and Liu Mengmei that overcomes all difficulties. Tang's play diverges from the short story in that it integrates elements of the Ming dynasty, despite being set in the Southern Song. The play was originally written for staging as Kunqu opera, one of the genres of traditional Chinese theatre arts. It was first performed in 1598 at the Pavilion of Prince Teng. Its author, Tang Xianzu, was one of the greatest dramatists and writers in the Ming dynasty, and ''The Peony Pavilion'' can be regarded as the most successful masterpiece in his life. It is also one of the dramas in Tang's famous collection ''Linchuan si meng'' (The Four Dreams in the Jade Tea Hall) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Chinese Novels
Classic Chinese Novels () are the best-known novels of pre-modern Chinese literature. These are among the world's longest and oldest novels. They represented a new complexity in structure and sophistication in language that helped to establish the novel as a respected form among later popular audiences and sophisticated critics. They include the ''Romance of the Three Kingdoms'', ''Water Margin'', ''Journey to the West'', and ''The Plum in the Golden Vase'' of the Ming dynasty and '' Dream of the Red Chamber (Story of the Stone)'' and '' The Scholars'' of the Qing dynasty. The scholar C. T. Hsia wrote that these six "remain the most beloved novels among the Chinese." Nomenclature and subgroupings The scholar Andrew H. Plaks writes that the term "classic novels" in reference to these six titles is a "neologism of twentieth-century scholarship" that seems to have come into common use under the influence of C. T. Hsia's ''The Classic Chinese Novel''. He adds that he is not sur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dream Of The Red Chamber
''Dream of the Red Chamber'' (''Honglou Meng'') or ''The Story of the Stone'' (''Shitou Ji'') is a novel composed by Cao Xueqin in the middle of the 18th century. One of the Four Great Classical Novels of Chinese literature, it is known for its psychological scope, and its observation of the worldview, aesthetics, life-styles, and social relations of 18th-century China. The intricate strands of its plot depict the rise and decline of a family much like Cao’s own and, by extension, of the dynasty itself. Cao depicts the power of the father over the family, but the novel is intended to be a memorial to the women he knew in his youth: friends, relatives and servants. At a more profound level, the author explores religious and philosophical questions, and the writing style includes echoes of the plays and novels of the late Ming, as well as poetry from earlier periods. Cao apparently began composing it in the 1740s and worked on it until his death in 1763 or 1764. Copies of hi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Theatre
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated whole. Although musical theatre overlaps with other theatrical forms like opera and dance, it may be distinguished by the equal importance given to the music as compared with the dialogue, movement and other elements. Since the early 20th century, musical theatre stage works have generally been called, simply, musicals. Although music has been a part of dramatic presentations since ancient times, modern Western musical theatre emerged during the 19th century, with many structural elements established by the works of Gilbert and Sullivan in Britain and those of Harrigan and Hart in America. These were followed by the numerous Edwardian musical comedies and the musical theatre w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peking Opera
Peking opera, or Beijing opera (), is the most dominant form of Chinese opera, which combines music, vocal performance, mime, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as (). It has also spread to other regions such as the United States and Japan. Peking opera features four main role types, '' sheng'' (gentlemen), ''dan'' (women), '' jing'' (rough men), and '' chou'' (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera's characteristically sparse stage. They use the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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