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The Sound Of Sonny
''The Sound of Sonny'' is an album by jazz saxophonist Sonny Rollins, his first recorded for the Riverside label, featuring performances by Rollins with Sonny Clark, Roy Haynes and Percy Heath or Paul Chambers.Sonny Rollins discography
accessed October 4, 2009.


Reception

The review by Lindsay Planer states: "A new phase in Sonny Rollins' career began in 1957. He started what was at the time an almost blasphemous trend of recording for a number of different labels. His pioneering spirit yielded a few genre-defining albums, including this disc. His performances were also at a peak during 1957 as

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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Penguin Books
Penguin Books is a British publishing, publishing house. It was co-founded in 1935 by Allen Lane with his brothers Richard and John, as a line of the publishers The Bodley Head, only becoming a separate company the following year."About Penguin – company history"
, Penguin Books.
Penguin revolutionised publishing in the 1930s through its inexpensive paperbacks, sold through Woolworths Group (United Kingdom), Woolworths and other stores for Sixpence (British coin), sixpence, bringing high-quality fiction and non-fiction to the mass market. Its success showed that large audiences existed for serious books. It also affected modern British popular culture significantly through its books concerning politics, the arts, and science. Penguin Books is now an imprint (trade name), imprint of the ...
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Vernon Duke
Vernon Duke ( 16 January 1969) was a Russian-born American composer/songwriter who also wrote under his birth name, Vladimir Dukelsky. He is best known for "Taking a Chance on Love," with lyrics by Ted Fetter and John Latouche (1940), "I Can't Get Started," with lyrics by Ira Gershwin (1936), " April in Paris," with lyrics by E. Y. ("Yip") Harburg (1932), and "What Is There To Say," for the ''Ziegfeld Follies'' of 1934, also with Harburg. He wrote the words and music for " Autumn in New York" (1934) for the revue '' Thumbs Up!'' In his book, ''American Popular Song, The Great Innovators 1900-1950'', composer Alec Wilder praises this song, writing, “The verse may be the most ambitious I’ve ever seen." Duke also collaborated with lyricists Johnny Mercer, Ogden Nash, and Sammy Cahn. Early life Vladimir Aleksandrovich Dukelsky (Russian: Владимир Александрович Дукельский) was born in 1903 into a Belarusian noble family in the village of Parfyan ...
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Robert A
The name Robert is an ancient Germanic given name, from Proto-Germanic "fame" and "bright" (''Hrōþiberhtaz''). Compare Old Dutch ''Robrecht'' and Old High German ''Hrodebert'' (a compound of '' Hruod'' ( non, Hróðr) "fame, glory, honour, praise, renown" and ''berht'' "bright, light, shining"). It is the second most frequently used given name of ancient Germanic origin. It is also in use as a surname. Another commonly used form of the name is Rupert. After becoming widely used in Continental Europe it entered England in its Old French form ''Robert'', where an Old English cognate form (''Hrēodbēorht'', ''Hrodberht'', ''Hrēodbēorð'', ''Hrœdbœrð'', ''Hrœdberð'', ''Hrōðberχtŕ'') had existed before the Norman Conquest. The feminine version is Roberta. The Italian, Portuguese, and Spanish form is Roberto. Robert is also a common name in many Germanic languages, including English, German, Dutch, Norwegian, Swedish, Scots, Danish, and Icelandic. It can be use ...
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Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including "Pretty Baby", "Ain't We Got Fun?", "Carolina in the Morning", "Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", "Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", "Dream a Little Dream of Me" and "You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. In hi ...
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Ted Fio Rito
Theodore Salvatore Fiorito (December 20, 1900 – July 22, 1971),DeLong, Thomas A. (1996). ''Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960''. McFarland & Company, Inc. . P. 95. known professionally as Ted Fio Rito, was an American composer, orchestra leader, and keyboardist, on both the piano and the Hammond organ, who was popular on national radio broadcasts in the 1920s and 1930s. His name is sometimes given as Ted Fiorito or Ted FioRito. Biography He was born Teodorico Salvatore Fiorito in Newark, New Jersey to an Italian immigrant couple, tailor Louis (Luigi) Fiorito and Eugenia Cantalupo Fiorito, when they were both 21 years old; and he was delivered by a midwife at their 293 15th Avenue residence. Ted Fiorito attended Barringer High School in Newark. In Italy, his mother had sung light opera. He was still in his teens when he landed a job in 1919 as a pianist at Columbia's New York City recording studio, working with the Harr ...
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Ernie Erdman
Ernie is a masculine given name, frequently a short form (hypocorism) of Ernest, Ernald, Ernesto, or Verner. It may refer to: People * Ernie Accorsi (born 1941), American football executive * Ernie Adams (other) * Ernie Afaganis (born c. 1933), Canadian sports announcer * Ernie Althoff (born 1950), Australian musician and composer * Ernie Anastos (born 1943), American television journalist * Ernie Anderson (1923–1997), American radio and television announcer * Ernie Ashcroft (1925–1985), English rugby league footballer * Ernie Ball (1930–2004), American guitarist and businessman * Ernie Banks (1931–2015), American baseball player * Ernie Barbarash, American film producer * Ernie Barnes (1938–2009), American football player and painter * Ernie Blenkinsop (1902–1969), English footballer * Ernie Boch Jr. (born 1958), American billionaire businessman * Ernie Bond (other) * Ernie Bridge (1936–2013), Australian politician * Ernie Broglio (1935–2019), ...
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Jule Styne
Jule Styne (; born Julius Kerwin Stein; December 31, 1905 – September 20, 1994) was an English-American songwriter and composer best known for a series of Broadway musicals, including several famous frequently-revived shows that also became successful films: ''Gypsy,'' '' Gentlemen Prefer Blondes,'' and '' Funny Girl.'' Early life Styne was born to a Jewish family in London, England. His parents, Anna Kertman and Isadore Stein, were emigrants from Ukraine, the Russian Empire, and ran a small grocery. Even before his family left Britain, he did impressions on the stage of well-known singers, including Harry Lauder, who saw him perform and advised him to take up the piano. At the age of eight, he moved with his family to Chicago, where he began taking piano lessons. He proved to be a prodigy and performed with the Chicago, St. Louis, and Detroit Symphonies before he was ten years old. Career Before Styne attended Chicago Musical College, he had already attracted the attention o ...
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Adolph Green
Adolph Green (December 2, 1914 – October 23, 2002) was an American lyricist and playwright who, with long-time collaborator Betty Comden, penned the screenplays and songs for some of the most beloved film musicals, particularly as part of Arthur Freed's production unit at Metro Goldwyn Mayer, during the genre's heyday. Many people thought the pair were married, but in fact they were not a romantic couple at all. Nevertheless, they shared a unique comic genius and sophisticated wit that enabled them to forge a six-decade-long partnership that produced some of Hollywood (film industry), Hollywood and Broadway theatre, Broadway's greatest hits. Biography Green was born in the Bronx to Hungary, Hungarian Jewish immigrants Helen (née Weiss) and Daniel Green. He was the youngest of three sons and had two older brothers, Louis (circa 1907-?) and William (circa 1910-?). After high school, he worked as a runner on Wall Street while he tried to make it as an actor. He met Comden throu ...
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Betty Comden
Betty Comden (May 3, 1917 - November 23, 2006) was an American lyricist, playwright, and screenwriter who contributed to numerous Hollywood musicals and Broadway shows of the mid-20th century. Her writing partnership with Adolph Green spanned six decades: "the longest running creative partnership in theatre history." The musical-comedy duo of Comden and Green collaborated most notably with composers Jule Styne and Leonard Bernstein, as well enjoyed success with ''Singin' in the Rain'', as part of the famed " Freed unit" at MGM. Early life Betty Comden was born Basya Cohen in Brooklyn, New York in 1917, the younger child of Leo Cohen (originally Astershinsky), a lawyer, and Rebecca ( Sadvoransky) Cohen, an English teacher. Both were Russian immigrants and observant Jews. She had an older brother, Nathaniel ("Nat"), born . Basya "attended Erasmus Hall High School and studied drama at New York University, graduating in 1938," according to ''The New York Times''. In 1938, mutual f ...
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Just In Time (song)
"Just in Time" is a popular song with the melody written by Jule Styne and the lyrics by Betty Comden and Adolph Green. It was introduced by Judy Holliday and Sydney Chaplin in the musical '' Bells Are Ringing'' in 1956. Judy Holliday and Dean Martin sang the song in the 1960 film of '' Bells Are Ringing''. Martin then recorded it for his 1960 album, ''This Time I'm Swingin'!''. Tony Bennett recorded the song in 1956 and continued performing it until his retirement, at Radio City Music Hall, in 2021 at the age of 95. Recorded versions *Peggy Lee recorded "Just in Time" in 1958 on '' Jump for Joy''. *Blossom Dearie recorded the song in 1959 on ''Blossom Dearie Sings Comden and Green''. *A recording of the song made by Tony Bennett on September 19, 1956 was a minor hit in 1956. *Frank Sinatra - for his album '' Come Dance with Me!'' (1959) *Eddie Fisher included the song on his 1961 LP of Broadway musical tunes entitled ''Tonight with Eddie Fisher''. *Singer actress Joan O'Bri ...
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Jerome Kern
Jerome David Kern (January 27, 1885 – November 11, 1945) was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as " Ol' Man River", "Can't Help Lovin' Dat Man", " A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago (and Far Away)". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg. A native New Yorker, Kern created dozens of Broadway musicals and Hollywood films in a career that lasted for more than four decades. His musical innovations, such as 4/4 dance rhythms and the employment of syncopation and jazz progressions, built on, rather than rejec ...
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