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The Sound Of Music (soundtrack)
The soundtrack of the film ''The Sound of Music'' was released in 1965 by RCA Victor and is one of the most successful soundtrack albums in history, having sold more than 20 million copies worldwide.Eyman, Scott"The Hills Are Alive With the Sound of Money" ''The Wall Street Journal'', February 27, 2015, accessed December 30, 2017 The label has also issued the soundtrack in German, Italian, Spanish and French editions. The soundtrack reached the number one position on the ''Billboard'' 200 that year in the United States, remained in the top ten for a record 109 weeks, from May 1, 1965 to July 16, 1967, and remained on the ''Billboard'' 200 chart for 238 weeks. In 2015, '' Billboard'' named the original soundtrack album the second-best charting album of all time. It was the best-selling album in the United Kingdom in 1965, 1966 and 1968 and the second best-selling of the decade, spending a total of 70 weeks at number one on the UK Albums Chart. The album also stayed for 73 weeks on ...
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Show Tune
A show tune is a song originally written as part of the score of a work of musical theatre or musical film, especially if the piece in question has become a standard, more or less detached in most people's minds from the original context. Though show tunes vary in style, they do tend to share common characteristics—they usually fit the context of a story being told in the original musical, they are useful in enhancing and heightening choice moments. A particularly common form of show tune is the "I Want" song, which composer Stephen Schwartz noted as being particularly likely to have a lifespan outside the show that spawned it. Show tunes were a major venue for popular music before the rock and roll and television era; most of the hits of such songwriters as Jerome Kern, Cole Porter, and George Gershwin came from their shows. (Even into the television and rock era, a few stage musicals managed to turn their show tunes into major pop music hits, sometimes aided by film ...
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The Sound Of Music (song)
"The Sound of Music" is the title song from the 1959 musical of the same name. It was composed by Richard Rodgers with lyrics written by Oscar Hammerstein II. The song introduces the character of Maria, a young novice in an Austrian abbey. Performances In 1959, Rodgers and Hammerstein asked singer Patti Page to record the title song of their forthcoming musical, ''The Sound of Music'', hoping for some national attention. A week before the opening of the Broadway production, she recorded the song for Mercury Records. The disc debuted at No. 99 on the ''Billboard'' Hot 100 on the day that the musical opened on Broadway. She featured the song on her national TV variety show sponsored by Oldsmobile, ''The Patti Page Olds Show''. The song was sung by Mary Martin in the 1959 original Broadway production and by Julie Andrews in the 1965 film version, with a reprise by the Von Trapp family later in the film. The song was ranked tenth in the American Film Institute's list of the ...
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1965 Soundtrack Albums
Events January–February * January 14 – The Prime Minister of Northern Ireland and the Taoiseach of the Republic of Ireland meet for the first time in 43 years. * January 20 ** Lyndon B. Johnson is Second inauguration of Lyndon B. Johnson, sworn in for a full term as President of the United States. ** Indonesian President Sukarno announces the withdrawal of the Indonesian government from the United Nations. * January 30 – The Death and state funeral of Winston Churchill, state funeral of Sir Winston Churchill takes place in London with the largest assembly of dignitaries in the world until the 2005 funeral of Pope John Paul II. * February 4 – Trofim Lysenko is removed from his post as director of the Institute of Genetics at the Russian Academy of Sciences, Academy of Sciences in the Soviet Union. Lysenkoism, Lysenkoist theories are now treated as pseudoscience. * February 12 ** The African and Malagasy Republic, Malagasy Common Organization ('; OCA ...
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RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cu ...
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Canadian Albums Chart
The Canadian Albums Chart is the official album sales chart in Canada Canada is a country in North America. Its ten provinces and three territories extend from the Atlantic Ocean to the Pacific Ocean and northward into the Arctic Ocean, covering over , making it the world's second-largest country by to .... It is compiled every Monday by U.S.-based music sales tracking company Nielsen SoundScan, and published every Tuesday by '' Billboard''. See also * ''RPM'' (magazine) * ''The Record'' (magazine) References External linksCanadian Albums Chart''Billboard'' Charts
Canadia ...
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Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent (historian), David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram Records, Phonogram records and had developed the report initially as a hobby ...
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Something Good (Richard Rodgers Song)
"Something Good" is a song written by Richard Rodgers for the 1965 film version of the 1959 stage musical ''The Sound of Music''. It replaced the original song sung by Maria and Captain Georg von Trapp called "An Ordinary Couple". Since then the song has been used in the various reproductions of the play and most recently the 2015 television special, '' The Sound of Music Live''. Background It was first recorded by Julie Andrews and playback singer Bill Lee (dubbing over the voice of actor Christopher Plummer)Hirsch 1993, p. 160. for the film's soundtrack and was covered by Carrie Underwood and Stephen Moyer on the television special's soundtrack. In ''The Making of The Sound of Music'' by Max Wilk, Wilk stated that when Robert Wise and Saul Chaplin discussed replacing "An Ordinary Couple" with Rodgers, he automatically agreed to the idea and admitted he and lyricist Oscar Hammerstein II had been talking of replacing the song but Hammerstein had been too ill to do so. Th ...
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Climb Ev'ry Mountain
"Climb Ev'ry Mountain" is a show tune from the 1959 Rodgers and Hammerstein musical ''The Sound of Music.'' It is sung at the close of the first act by the Mother Abbess. It is themed as an inspirational piece, to encourage people to take every step toward attaining their dreams. Background This song shares inspirational overtones with the song "You'll Never Walk Alone" from '' Carousel''. They are both sung by the female mentor characters in the shows, and are used to give strength to the protagonists in the story, and both are given powerful reprises at the end of their respective shows. As Oscar Hammerstein II was writing the lyrics, it developed its own inspirational overtones along the lines of an earlier Hammerstein song, "There's a Hill Beyond a Hill". He felt that the metaphors of climbing mountains and fording streams better fitted Maria's quest for her spiritual compass. The muse behind the song was Sister Gregory, the head of Drama at Rosary College in Illinois. Th ...
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So Long, Farewell
"So Long, Farewell" is a song from Rodgers and Hammerstein’s 1959 musical, ''The Sound of Music''. It was included in the original Broadway run and was first performed by the Von Trapp children, played by Kathy Dunn, David Gress, Evanna Lien, Mary Susan Locke, Lauri Peters, Marilyn Rogers, Joseph Stewart, and Frances Underhill. "So Long, Farewell" and "Do-Re-Mi" are the only songs which predominantly feature the Von Trapp children. They first perform the song on their own late in the first act for their parents' party guests; when it is reprised near the end of the second act they are joined by Maria (Mary Martin) and The Captain (Theodore Bikel). Description "So Long, Farewell" is a simple composition that effectively exploits the children's higher voices and innocent charm. There is one main chorus, repeated several times throughout the song, which is entirely in a major key. It is designed to be a children's song. Legacy "So Long, Farewell" was featured in the 1965 film and ...
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Edelweiss (song)
"Edelweiss" is a show tune from the 1959 Rodgers and Hammerstein musical ''The Sound of Music''. It is named after the edelweiss, ''( Leontopodium nivale)'', a white flower found high in the Alps. The song was created for the 1959 Broadway production of ''The Sound of Music'', as a song for the character Captain Georg von Trapp. In the musical, Captain von Trapp and his family sing this song during the concert near the end of Act II. It is a statement of Austrian patriotism in the face of the pressure put upon him to join the navy of Nazi Germany following the ''Anschluss'' (Nazi annexation of their homeland). It is also Captain von Trapp's subliminal goodbye to his beloved homeland, using the flower as a symbol of his loyalty to Austria. In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children. This was the final song of Rodgers and Hammerstein's musical collaboration as well as the last song written by ...
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The Lonely Goatherd
"The Lonely Goatherd" is a popular show tune from the 1959 Rodgers and Hammerstein musical ''The Sound of Music''. The song is well known for its examples of yodeling, a part of the traditional music of the Austrian Alps, where the musical is set (however, Maria von Trapp found the yodeling in the motion picture version of ''The Sound of Music'' rendition to be lacking in authenticity). Background This song tells the whimsical story of a goatherd whose yodelling is heard from far off and by passers-by, until he falls in love with a girl who wears a pale-pink coat, with her mother joining in the yodelling. The original 1959 musical has this as the song Maria (played by Mary Martin) sings to comfort the Von Trapp children during a storm. For the 1965 film adaptation, screenwriter Ernest Lehman repositioned this song to a later part of the film wherein Maria (played by Julie Andrews) and the children sing it as part of a marionette show they perform for their father. The song ...
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Do-Re-Mi
"Do-Re-Mi" is a show tune from the 1959 Rodgers and Hammerstein musical ''The Sound of Music''. Each syllable of the musical solfège system appears in the song's lyrics, sung on the pitch it names. Rodgers was helped in its creation by long-time arranger Trude Rittmann who devised the extended vocal sequence in the song. The tune finished at #88 in AFI's 100 Years...100 Songs survey of the top tunes in American cinema in 2004. Background Within the story of ''The Sound of Music'', it is used by the governess Maria to teach the solfège of the major musical scale to the Von Trapp children, who learn to sing for the first time. According to assistant conductor Peter Howard, the heart of the number — in which Maria assigns a musical tone to each child, like so many Swiss bell ringers — was devised in rehearsal by Rittmann (who was credited for choral arrangements) and choreographer Joe Layton. The fourteen note and tune lyric — 'when you know the notes to si ...
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