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The Seven Year Itch (Siouxsie And The Banshees Album)
''The Seven Year Itch'' is a live album by Siouxsie and the Banshees, composed of performances recorded at London's Shepherd's Bush Empire on 9 and 10 July 2002 and released by Sanctuary Records in 2003 (on CD, double-LP vinyl, VHS and DVD formats). Background, content and release Years after the breakup of the Banshees, the three core members (Siouxsie Sioux, Steven Severin and Budgie) plus final Banshees guitarist Knox Chandler reunited for an abbreviated tour of the US and UK in 2002. The title referred to the fact that Siouxsie and the Banshees had not played together in seven years before embarking on this final tour of their career. It was also a nod to Billy Wilder's film ''The Seven Year Itch''. ''Seven Year Itch'' was the band's second live album, the first being 1983's ''Nocturne''. For the performances, Siouxsie and the Banshees concentrated not on radio hits, but on both popular and obscure B-sides and album tracks, many pulled from their early albums. The album al ...
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Siouxsie And The Banshees
Siouxsie and the Banshees were a British rock band formed in London in 1976 by vocalist Siouxsie Sioux and bass guitarist Steven Severin. They have been widely influential, both over their contemporaries and with later acts. ''Q'' magazine included John McKay's guitar playing on " Hong Kong Garden" in their list of "100 Greatest Guitar Tracks Ever", while ''Mojo'' rated guitarist John McGeoch in their list of "100 Greatest Guitarists of All Time" for his work on " Spellbound". ''The Times'' called the group “one of the most audacious and uncompromising musical adventurers of the post-punk era". Initially associated with the punk scene, the band rapidly evolved to create "a form of post-punk discord full of daring rhythmic and sonic experimentation". Their debut album ''The Scream'' was released in 1978 to widespread critical acclaim. Following membership changes, including the addition of guitarist McGeogh and drummer Budgie, they radically changed their musical direction ...
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The Seven Year Itch
''The Seven Year Itch'' is a 1955 American romantic comedy film directed by Billy Wilder, from a screenplay he co-wrote with George Axelrod from the 1952 three-act play. The film stars Marilyn Monroe and Tom Ewell, who reprised his stage role. It contains one of the most iconic pop-culture images of the 20th century – Monroe standing on a subway grate as her white dress is blown upwards by a passing train. The titular phrase, which refers to a waning interest in monogamous relationship after seven years of marriage, has been used by psychologists. Plot Richard Sherman is a middle-aged publishing executive in New York City with an overactive imagination, whose wife, Helen, and son, Ricky, are spending the summer in Maine. When he returns home from the train station with the kayak paddle Ricky accidentally left behind, he meets an unnamed woman, who is a commercial actress and former model. She rents the apartment upstairs while in town to make television spots for a bran ...
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Live Video Albums
Live may refer to: Arts, entertainment, and media Films * ''Live!'' (2007 film), 2007 American film * ''Live'' (2014 film), a 2014 Japanese film *'' ''Live'' (Apocalyptica DVD) Music *Live (band), American alternative rock band * List of albums titled ''Live'' Extended plays * ''Live EP'' (Anal Cunt album) * ''Live EP'' (Breaking Benjamin EP) * ''Live'' (Roxus EP) * ''Live'' (The Smithereens EP) *''CeCe Peniston (EP Live)'' *''Ozzy Osbourne Live E.P.'', 1980 *''Live EP (Live at Fashion Rocks)'', by David Bowie * ''Live EP'' (The Jam EP) Songs * "Live" (Russian song) * "Live" (Superfly song) * "Live" (The Merry-Go-Round song) Radio *BBC Radio 5 Live *CILV-FM, branded LiVE 88.5, a radio station in Ottawa, Canada Television * ''Live'' (South Korean TV series), a 2018 South Korean television series * ''Live'' (Danish TV series) *Live! (TV channel), Italy *'' Live! with Kelly'', US TV talk show Types of media *Live action (cinematography), a motion picture not produced using ani ...
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2003 Live Albums
3 (three) is a number, numeral and digit. It is the natural number following 2 and preceding 4, and is the smallest odd prime number and the only prime preceding a square number. It has religious or cultural significance in many societies. Evolution of the Arabic digit The use of three lines to denote the number 3 occurred in many writing systems, including some (like Roman and Chinese numerals) that are still in use. That was also the original representation of 3 in the Brahmic (Indian) numerical notation, its earliest forms aligned vertically. However, during the Gupta Empire the sign was modified by the addition of a curve on each line. The Nāgarī script rotated the lines clockwise, so they appeared horizontally, and ended each line with a short downward stroke on the right. In cursive script, the three strokes were eventually connected to form a glyph resembling a with an additional stroke at the bottom: ३. The Indian digits spread to the Caliphate in the 9th ...
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Spellbound (Siouxsie And The Banshees Song)
"Spellbound" is a song by English rock band Siouxsie and the Banshees. It was written by the group and co-produced with Nigel Gray. It was released in 1981 by record label Polydor as the first single from the band's fourth studio album, '' Juju''. Prior to recording the song, the band had been on tour in the UK in February 1981 to premiere the new material composed with guitarist John McGeoch. When reviewing this era, Barney Hoskyns of ''NME'' had described "Spellbound" as a "glorious electric storm", further adding, "Siouxsie and the Banshees are one of the great British bands of all time". Release "Spellbound" was released by Polydor on 22 May 1981. The single peaked at number 22 on the UK Singles Chart in 1981. It also reached 64 on the U.S. National Disco Action Top 80 chart. The 12" extended version of the song appeared on the 2006 remastered version of ''Juju''. Reception and legacy In their contemporary review, ''Melody Maker'' praised the single, calling it "ex ...
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Cities In Dust
"Cities in Dust" is a song by English rock band Siouxsie and the Banshees from their seventh studio album, ''Tinderbox'' (1986). It was released on 18 October 1985 as the album's lead single. Background and composition "Cities in Dust" is a dance-rock, and dance-pop song. The lyrics describe the city of Pompeii, destroyed in a volcanic eruption in 79 AD. Imagery describing the volcano and its magma chamber, the condition of the victims of the eruption, and the subsequent discovery and excavation of the city comprises the bulk of the lyrics. The lyrics mention a shrine to Lares Familiares. Release and reception "Cities in Dust" peaked at No. 21 on the UK Singles Chart in November 1985. In the US, Geffen released the single in early 1986 and included a remix of the song by Bob Rock on the A side of the vinyl and also on the 12 inch vinyl as an additional track. Although not Siouxsie and the Banshees' first song to enter the US ''Billboard'' Hot Dance/Disco chart, it was their fi ...
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Christine (Siouxsie And The Banshees Song)
"Christine" is a song by English rock band Siouxsie and the Banshees, written by Siouxsie Sioux and Steven Severin. It was released in 1980 by Polydor as the second single from the then-unreleased third album, ''Kaleidoscope''. Content, music video and release "Christine" marked a change in musical direction for the band, with new guitarist John McGeoch. The song begins with a distinctive riff played on an acoustic guitar. The post-chorus instrumentation includes electronic organ. The close of the song utilizes a strong flanging effect. The lyrics were inspired by the book ''The Three Faces of Eve'' which related the story of Christine Sizemore, a woman who reportedly had 22 different personalities. The B-side, "Eve White/Eve Black", continues with the theme. Steve Severin states in the liner notes for ''Downside Up'': "Again a companion piece to the A side 'Christine'. Eve White and Eve Black were two of Christine Sizemore's more extraordinary personalities, constantly at war. ...
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Happy House
"Happy House" is a song written by Siouxsie Sioux and Steven Severin and recorded by their band Siouxsie and the Banshees. It was released as a single in March 1980 by record label Polydor, then later included on the band's third album, ''Kaleidoscope''. "Happy House" was the group's first record made with guitarist John McGeoch and drummer Budgie. Background and recording "Happy House" and the ''Kaleidoscope'' album marked a change in musical direction for Siouxsie and the Banshees due to the arrival of two new musicians: drummer Budgie, previously of the Slits, and guitarist John McGeoch, previously of Magazine. Budgie, who was interested in African polyrhythms, used a reggae vibe on the song, while McGeoch played both atmospheric and edgy guitars. Siouxsie stated that the band almost invented a new sound with this single: It was "Banshees – phase two". When asked if "Happy House" was a cynical song, Siouxsie replied: "It is sarcastic. In a way, like television, all the ...
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Peek-a-Boo (Siouxsie And The Banshees Song)
"Peek-a-Boo" is a song by English rock band Siouxsie and the Banshees. It was released in 1988 as the first single from the band's ninth studio album, ''Peepshow''. ''Melody Maker'' described the song as "a brightly unexpected mixture of black steel and pop disturbance" and qualified its genre as "thirties hip hop". "Peek-a-Boo" was rated "Single of the Week" in both ''Sounds'' and ''NME''. ''Sounds'' wrote that it was a "brave move", "playful and mysterious". ''NME'' described it as "Oriental marching band hip hop" with "catchy accordion." They then said : "If this nation was served by anything approaching a decent pop radio station, "Peek A Boo" would be a huge hit." PopMatters retrospectively placed it at 18 on their list "The 100 Greatest Alternative Singles of the '80s", saying that its instrumentation was "inventive" with "ingenious vocal phasing". Bloc Party praised "Peek-a-Boo" and their singer Kele Okereke said: "It sounded like nothing else on this planet. ..to m ...
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Mittageisen
"Mittageisen" is a song by English rock band Siouxsie and the Banshees. It originally appeared on the band's 1978 debut album ''The Scream'' as "Metal Postcard (Mittageisen)"; the track was re-recorded in 1979, this time with the lyrics sung in German, and released as a single in West Germany with " Love in a Void" on the b-side. That September the song was given a UK release by record label Polydor as a double A-side single. Content and sleeve The title "Mittageisen" is a word play based on the German words "''Mittagessen''" (literally: "noon meal", i.e. lunch) and ''Eisen'' ("iron"). The title was inspired by antinazi German artist John Heartfield's photocollage ''Hurrah, die Butter ist Alle!'' ("Hurray, the Butter is Finished!"), which was also used as the single's cover art. Heartfield's photocollage was initially used on the front page of the German magazine ''Arbeiter-Illustrierte-Zeitung'' (''Workers Illustrated Journal''), published on 19 December 1935. The artist was ...
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George Harrison
George Harrison (25 February 1943 – 29 November 2001) was an English musician and singer-songwriter who achieved international fame as the lead guitarist of the Beatles. Sometimes called "the quiet Beatle", Harrison embraced Indian culture and helped broaden the scope of popular music through his incorporation of Indian instrumentation and Hindu-aligned spirituality in the Beatles' work. Although the majority of the band's songs were written by John Lennon and Paul McCartney, most Beatles albums from 1965 onwards contained at least two Harrison compositions. His songs for the group include "Taxman", "Within You Without You", "While My Guitar Gently Weeps", "Here Comes the Sun" and "Something". Harrison's earliest musical influences included George Formby and Django Reinhardt; Carl Perkins, Chet Atkins and Chuck Berry were subsequent influences. By 1965, he had begun to lead the Beatles into folk rock through his interest in Bob Dylan and the Byrds, and towards Indi ...
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Blue Jay Way
"Blue Jay Way" is a song by the English Rock music, rock band the Beatles. Written by George Harrison, it was released in 1967 on the group's ''Magical Mystery Tour'' Extended play, EP and album. The song was named after a street in the Hollywood Hills of Los Angeles where Harrison stayed in August 1967, shortly before visiting the Haight-Ashbury district of San Francisco. The lyrics document Harrison's wait for music publicist Derek Taylor to find his way to Blue Jay Way through the fog-ridden hills, while Harrison struggled to stay awake after the flight from London to Los Angeles. As with several of Harrison's compositions from this period, "Blue Jay Way" incorporates aspects of Indian classical music, even though the Beatles used only Western instrumentation on the track, including a Drone (music), drone-like Hammond organ part played by Harrison. Created during the group's Psychedelia, psychedelic period, the track makes extensive use of studio techniques such as flanging, L ...
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