The Saints Discography
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The Saints Discography
The discography of Australian rock group The Saints consists of thirteen studio albums, seventeen singles, six EPs, two live albums and ten compilation albums. The Saints began in 1974 as punk rockers and released their first single, "(I'm) Stranded", in September 1976 on their own Fatal Records label. They were signed to EMI and released their debut album in February 1977, ''(I'm) Stranded''. Mainstay founder Chris Bailey is the principal songwriter and record producer. Their sound became more R&B and pop rock. Their highest-charting album, ''All Fools Day'' peaked in the Top 30 on the Australian Kent Music Report Albums Chart in April 1986. Their cover version of The Easybeats' hit "The Music Goes Round My Head", issued in November 1988, peaked in the Top 40 on the ARIA Singles Chart. In May 2001, Australasian Performing Right Association (APRA) celebrated its 75th anniversary and named "(I'm) Stranded" in its Top 30 Australian songs of all time. The band wa ...
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The Saints (Australian Band)
The Saints were an Australian rock band, originating in Brisbane, Queensland in 1973. The band was founded by Chris Bailey (singer-songwriter, later guitarist), Ivor Hay (drummer), and Ed Kuepper (guitarist-songwriter). They were initially labeled a punk band because, like American punk rock band the Ramones, the Saints were employing the fast tempos, raucous vocals and "buzzsaw" guitar that characterised early punk rock – although this only reflects a portion of their overall sound. With their debut single " (I'm) Stranded" in September 1976, they became the first punk band outside the US to release a record, ahead of better-known acts the Damned, the Sex Pistols and the Clash. They are considered one of the first and most influential groups of the genre, particularly within Australia. Aside from mainstay Bailey, the group also had numerous line-up changes – in early 1979, Ivor Hay and Ed Kuepper left, while Bailey continued under the moniker with new musicians. Although ...
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National Film And Sound Archive
The National Film and Sound Archive of Australia (NFSA), known as ScreenSound Australia from 1999 to 2004, is Australia's audiovisual archive, responsible for developing, preserving, maintaining, promoting and providing access to a national collection of film, television, sound, radio, video games, new media, and related documents and artefacts. The collection ranges from works created in the late nineteenth century when the recorded sound and film industries were in their infancy, to those made in the present day. The NFSA collection first started as the National Historical Film and Speaking Record Library (within the then Commonwealth National Library) in 1935, becoming an independent cultural organisation in 1984. On 3 October, Prime Minister Bob Hawke officially opened the NFSA's headquarters in Canberra. History of the organisation The work of the Archive can be officially dated to the establishment of the National Historical Film and Speaking Record Library (part of t ...
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Howling (The Saints Album)
''Howling'' is an album by the Australian band the Saints. The album was their first release after an eight-year recording hiatus. Chris Bailey chose to lose the big production of the 1980s records to make an album that was more akin to the early Saints punk sound. Bailey again employed a new line-up for the band. The album was released in 1996 in Australia and in 1997 everywhere else in the world. Critical reception The ''Los Angeles Times'' called ''Howling'' "a tuneful, emotionally intense album in which aileys equally at home playing elegantly crafted folk-rock ballads, bluesy, noir-ish extrapolations from Howlin' Wolf and, on 'Shadows', garage-rock that, if it's possible, sounds even more cheaply and haphazardly recorded than the Saints' debut album." ''The Sydney Morning Herald'' determined that "the tone is set by the title track, a blunt portrayal of animal lust with its opening invective, driving backbeat and Bailey's tortured vocals, recorded in what sounds as if it is ...
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Prodigal Son (The Saints Album)
''Prodigal Son'' is the eighth studio album released by The Saints. It was released in 1988. Track listing All tracks composed by Chris Bailey; except where indicated # "Grain of Sand" – 3:49 # "Fire and Brimstone" – 3:27 # "Friend of the People" – 3:16 # "Before Hollywood" – 3:40 # "Sold Out" – 3:20 # "Ghost Ships" – 3:51 # "Massacre" – 2:48 # "Tomorrow" – 3:32 # "Stay" – 3:46 # "Shipwreck" – 3:35 # " Music Goes 'Round My Head" (Harry Vanda, George Young) – 3:34 (CD Bonus Track in Australia) The CD release featured a cover of The Easybeats song " Music Goes 'Round My Head" at the end of the album. This was recorded for the soundtrack of the Australian film ''Young Einstein''. For the US release, the song was the second track on the album. The streaming release features the original Australian CD release track listing. Charts Personnel ;The Saints * Barrington Francis – guitar * Arturo LaRizza – bass, string and horn arrangements * Chris Bai ...
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Hugh Jones (producer)
Hugh Jones is a British record producer with many important post-punk, new wave and alternative rock albums to his credit. Career In the early 1970s, Jones worked as an apprentice engineer in IBC Studios in Central London, while acting as lead singer in the band Mistral. He made his name in the early 1980s, with a jangly sound that was better received than those of many of his contemporaries. Though many of his early clients were big-name acts— Echo & the Bunnymen,Adams, Chris (2002) ''Turquoise Days: The Weird World of Echo and The Bunnymen'', Soft Skull Press, , p. 61 The Sound, Modern English,99 Best Love Songs of All Time
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A Little Madness To Be Free
''A Little Madness to Be Free'' is the sixth album by Australian band The Saints (Australian band), The Saints. This time around, frontman Chris Bailey persuaded original members, Kim Bradshaw (bass) and Ivor Hay (drums), to rejoin the band. On the album tour, the bass player was Tracy Pew, formerly of The Birthday Party (band), The Birthday Party. The title of the album is a reference to the quote "A person needs a little madness, or else they never dare cut the rope and be free," by Nikos Kazantzakis, Kazantzakis. The album saw the Bailey moving further towards more ambitious arrangements including horns and strings. Bailey stated in a retrospective interview about this approach that he wanted to "make strings as powerful as Les Pauls and Marshalls". Reception Retrospectively, All Music gave the album a positive review writing "By this point in his career, Bailey had come into his own as an arranger and it really shows. Certainly one of their most obscure discs, but ultimately ...
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Casablanca (album)
''Casablanca'' is the fifth album by Australian punk band The Saints. The full title on the album's cover is ''I Thought This Was Love, but This Ain't Casablanca'', however the official title of the album is simply ''Casablanca''. It was released internationally as ''Out in the Jungle ... Where Things Ain't So Pleasant''. The Saints' founder and vocalist Chris Bailey said, "This is my own opinion, and it changes with a few drinks or whatever, but it's the first record I can actually say I like the atmosphere of, the closest I've ever got to making a record that... seems closer to what I had up here." Track listing All tracks composed by Chris Bailey; except where indicated #"Follow the Leader" – 3:44 #"Rescue" – 2:38 #"Senile Dementia" – 5:14 #"Casablanca" – 3:52 #"Curtains" – 3:42 #"Come On" – 2:55 #"1000 Faces" – 3:05 #"Animal" – 2:25 #"Out in the Jungle" º 2:55 #"Beginning of the Tomato Party" (Janine Hall, Iain Shedden, Chris Bailey) – 5:16 #"Out of Sight ...
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The Monkey Puzzle (The Saints Album)
''The Monkey Puzzle'' is the fourth album by the Australian music group The Saints released in January 1981. It was the first album to be released after Ed Kuepper left the band. Reception Roadrunner said, "As an LP, ''The Monkey Puzzle'' would have made a fantastic EP. The glory of the four standout tracks is matched only by the mediocrity of everything else on the album. Playing standard and sound quality are so inconsistent that the record as a whole is vaguely annoying." Track listing All tracks C.J. Bailey copyright Lost Music\Mushroom Music except "Dizzy Miss Lizzy" by Larry Williams Larry Williams (born Lawrence Eugene Williams, a.k.a. Lawrence Edward Williams; May 10, 1935 – January 7, 1980) was an American rhythm and blues and rock and roll singer, songwriter, producer, and pianist from New Orleans, Louisiana. Williams ... #"Miss Wonderful" - 3:33 #"Always, Always" - 3:50 #"Paradise" - 3:44 #"Let's Pretend" - 3:27 #"Somebody" - 3:55 #"Monkeys" - 4:38 #"Myst ...
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Ed Kuepper
Edmund "Ed" Kuepper (born 20 December 1955) is a German-born Australian guitarist, vocalist and songwriter. He co-founded the punk band The Saints (1973–78), the experimental post-punk group Laughing Clowns (1979–85) and the grunge-like The Aints! (1991–94, 2017–present). He has also recorded over a dozen albums as a solo artist using a variety of backing bands. His highest charting solo album, ''Honey Steel's Gold'', appeared in November 1991 and reached No. 28 on the ARIA Albums Chart. His other top 50 albums are '' Black Ticket Day'' (August 1992), '' Serene Machine'' (March 1993) and ''Character Assassination'' (August 1994). At the ARIA Music Awards of 1993 he won Best Independent Release for ''Black Ticket Day'' and won the same category in 1994 for ''Serene Machine''. Biography Edmund Kuepper was born on 20 December 1955 in Bremen, then part of West Germany. His family migrated to Australia in the 1960s and settled in Brisbane. He attended Oxley Sta ...
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Eternally Yours (album)
''Eternally Yours'' is the second album by Australian punk rock band The Saints, released in 1978. Produced by band members Chris Bailey and Ed Kuepper, the album saw the band pursue a bigger, more R&B-driven sound, augmented by a horn section. The album also saw the introduction of bass guitarist Algy Ward, who replaced the band's previous bass player, Kym Bradshaw in mid-1977. Background The album was originally titled ''International Robots'', and recording initially commenced at Wessex Studios. The tapes from these sessions (which have since been released as bonus tracks on the 2007 reissue of the album) reveal the songs in a stripped-down form more similar to the band's previous recordings. The sessions also include "Champagne Misery", which was not released until 2000's ''Wild About You'' compilation. Chris Bailey later said, "For me, it's our first proper release because ''(I'm) Stranded'' was just a load of demos. Although we still had the same energy as the first al ...
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Sire Records
Sire Records (formerly Sire Records Company) is an American record label owned by Warner Music Group and distributed by Warner Records. History Beginnings The label was founded in 1966 as Sire Productions by Seymour Stein and Richard Gottehrer, each investing ten thousand dollars into the new company. Its early releases, in 1968, were distributed in the US by London Records. From the beginning, Sire introduced underground, progressive British bands to the American market. Early releases included the Climax Blues Band, Barclay James Harvest, Tomorrow, Matthews Southern Comfort and proto-punks The Deviants. When distribution by London ended after two years, US distribution was handled by various companies: Polydor Records in 1970 and 1971, during which time Sire's famous logo was introduced; by Famous Music from 1972 to 1974, during which time the progressive rock band Focus charted with their 1972 hit " Hocus Pocus"; and by ABC Records, which inherited Sire's distributio ...
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Harvest Records
Harvest Records is a British-American record label belonging to Capitol Music Group, originally created by EMI in 1969. History Harvest Records was created by EMI in 1969 to market progressive rock music, and to compete with Philips' Vertigo and Decca's Deram labels, and the independent Island label. Harvest was initially under the direction of Malcolm Jones, and was distributed in North America by EMI's US affiliate, Capitol Records. They were the European licensee for the American label Blue Thumb Records from 1969 to 1971. In the 1970s, the label primarily released progressive rock recordings by British acts including Pink Floyd, Syd Barrett, Kevin Ayers, The Move, Roy Wood, Barclay James Harvest, Be Bop Deluxe and Deep Purple. Most acts on the Harvest roster were British; two notable exceptions were Australian progressive band Spectrum (whose first two LPs were issued on Harvest) and Spectrum's successor Ariel, whose first two LPs also came out on the label. The Da ...
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