The Record Of Singing
''The Record of Singing'' is a compilation of classical-music singing from the first half of the 20th century, the era of the 78-rpm record. It was issued on LP (with accompanying books) by EMI, successor to the British company His Master's Voice (better known as HMV) — perhaps the leading organization in the early history of audio recording. The project was accompanied initially by two illustrated books, containing singers' biographies and appraisals, which were published in London, by Duckworth, in the late 1970s. It covers the period running from circa 1900, when the earliest recordings were made, through until the early 1950s, when the last 78-rpm records were produced. Singers are divided into groups arranged according to national 'schools' and ''fach'' or voice type. In practice, this means that there are separate Italian, German, French, Anglo-American and East European classifications. Rather than concentrating on famous singers whose recordings are widely available els ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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78-rpm
A phonograph record (also known as a gramophone record, especially in British English), or simply a record, is an analog sound storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the periphery and ends near the center of the disc. At first, the discs were commonly made from shellac, with earlier records having a fine abrasive filler mixed in. Starting in the 1940s polyvinyl chloride became common, hence the name vinyl. The phonograph record was the primary medium used for music reproduction throughout the 20th century. It had co-existed with the phonograph cylinder from the late 1880s and had effectively superseded it by around 1912. Records retained the largest market share even when new formats such as the compact cassette were mass-marketed. By the 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the record left the mainstream in 1991. Since the 1990s, records contin ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Adelina Patti
Adelina Patti (19 February 184327 September 1919) was an Italian 19th-century opera singer, earning huge fees at the height of her career in the music capitals of Europe and America. She first sang in public as a child in 1851, and gave her last performance before an audience in 1914. Along with her near contemporaries Jenny Lind and Thérèse Tietjens, Patti remains one of the most famous sopranos in history, owing to the purity and beauty of her lyrical voice and the unmatched quality of her ''bel canto'' technique. The composer Giuseppe Verdi, writing in 1877, described her as being perhaps the finest singer who had ever lived and a "stupendous artist". Verdi's admiration for Patti's talent was shared by numerous music critics and social commentators of her era. Biography She was born Adela Juana Maria Patti, in Madrid, the youngest child of tenor Salvatore Patti (1800–1869) and soprano Caterina Barilli (died 1870). Her Italian parents were working in Spain, at the time ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Susan Strong
The second season of ''Adventure Time'', an American animated television series created by Pendleton Ward, premiered on Cartoon Network on October 11, 2010 and concluded on May 2, 2011, and was produced by Frederator Studios and Cartoon Network Studios. The season follows the adventures of Finn, a human boy, and his best friend and adoptive brother Jake, a dog with magical powers to change shape and size at will. Finn and Jake live in the post-apocalyptic Land of Ooo, where they interact with the other main characters of the show: Princess Bubblegum, The Ice King, Marceline the Vampire Queen, Lumpy Space Princess, and BMO. After the first, the second season of ''Adventure Time'' was quickly ordered by Cartoon Network. However, the beginning of the series debuted under production constraints, and "It Came from the Nightosphere" aired after just barely being finished. The season was storyboarded and written by Adam Muto, Rebecca Sugar, Kent Osborne, Somvilay Xayaphone, Cole Sanchez, ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Geraldine Farrar
Alice Geraldine Farrar (February 28, 1882 – March 11, 1967) was an American lyric soprano who could also sing dramatic roles. She was noted for her beauty, acting ability, and "the intimate timbre of her voice." She had a large following among young women, who were nicknamed "Gerry-flappers". Biography Farrar was born in Melrose, Massachusetts, the daughter of baseball player Sidney Farrar, and his wife Henrietta Barnes. At age five, she began studying music in Boston and by 14 was giving recitals. Later she studied voice with the American soprano Emma Thursby in New York City, in Paris, and finally with the Italian baritone Francesco Graziani in Berlin. Farrar created a sensation at the Berlin Hofoper with her debut as Marguerite in Charles Gounod's ''Faust'' in 1901 and remained with the company for three years, during which time she continued her studies with famed German soprano Lilli Lehmann. (She had been recommended to Lehmann by another famous soprano of the previ ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Olive Fremstad
Olive Fremstad (14 March 1871 – 21 April 1951) was the stage name of Anna Olivia Rundquist, a celebrated Swedish-American opera diva who sang in both the mezzo-soprano and soprano ranges.Rosenthal and Warrack (1979) p. 180 Background Born in Stockholm, she received her early education and musical training in Christiania, Norway. When she was 12 years of age her parents moved to America, settling in Minneapolis, Minnesota. Even before leaving Christiania, her progress on the piano had been such that she had appeared as an infant prodigy. She was adopted by an American couple living in Minnesota, taking on their surname of Fremstad. She began her vocal training in New York City with Frederick Bristol in 1890 after singing in church choirs, then studied in Berlin with Lilli Lehmann before making her operatic debut as a mezzo-soprano as Azucena in Verdi's ''Il trovatore'' at the Cologne Opera in 1895. She remained there for at least three years, before going on to Vienna, Mu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lillian Nordica
Lillian Nordica (December 12, 1857 – May 10, 1914) was an American opera singer who had a major stage career in Europe and her native country. Nordica established herself as one of the foremost dramatic sopranos of the late 19th and early 20th centuries. She had a powerful yet flexible voice and the ability to perform an unusually wide range of roles in the German, French and Italian operatic repertoires. Early life and education Lillian Allen Norton was born in 1857 in a small Cape Cod style farmhouse built by her grandfather on a hill in Farmington, Maine. In her youth, Norton is said to have possessed an inherent fondness for music and the sounds of singing birds and running brooks. When she was eight her family moved to Boston, Massachusetts to continue the musical education of her sister Wilhelmina. Wilhelmina died before her 18th birthday. Family hopes were then pinned on Lillian, and her musical education began soon thereafter. She trained as a singer in Boston, grad ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Agnes Nicholls
Agnes Helen Nicholls (14 July 1876 – 21 September 1959)Announcement in ''Cheltenham Mercury'' Saturday 26 August 1876 'July 14, at 3 Claremont Square, Mrs A.C. Nicholls of a daughter - Agnes Helen.' was one of the greatest English sopranos of the 20th century, both in the concert hall and on the operatic stage. Born in Cheltenham, Nicholls was the daughter of a director of Cavendish House, a prestigious store in the town. She received her early education at Bedford High School where she started singing lessons with Dr H. Alfred Harding. In 1894, she won a scholarship to the Royal College of Music where her teacher was Albert Visetti. During her student years she took the part of Dido in Purcell's ''Dido and Aeneas'', and sang three times in front of Queen Victoria at private functions. Nicholls' voice matured into an impressive, dramatic-sized instrument. Her operatic roles ranged from major Wagner and Mozart parts through to the Dewman in Humperdinck's '' Hänsel und Grete ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Blanche Marchesi
Blanche Marchesi (4 April 1863 – 15 December 1940) was a French mezzo-soprano and voice teacher best known for her interpretations of the works of Richard Wagner. She was the daughter of Mathilde Graumann Marchesi, a German voice instructor who taught a variety of well-known opera singers, including Emma Eames, Nellie Melba, and Emma Calvé. Early life and career Marchesi was born in Paris in February 1863. For her education, she attended boarding schools in Frankfurt, Germany and then Paris. Although she initially was educated as a violinist, she decided to pursue a singing career in 1881. Her first concert was held at Queen's Hall in 1896. Opera critics at the time criticized her technical skill but praised her interpretive ability. During her career as a voice teacher, Marchesi instructed such singers as British contraltos Muriel Brunskill and Astra Desmond. She premiered a work of Cécile Chaminade in England in the 1890s. Martin Shaw's song "Heffle Cuckoo Fair" is dedicat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ellen Beach Yaw
Ellen Beach Yaw (September 14, 1869 – September 9, 1947) was an American coloratura soprano, best known for her concert career and extraordinary vocal range, and for originating the title role in Arthur Sullivan's ''The Rose of Persia'' (1899). Early life and career Yaw was born in the small town of Boston, near Buffalo, New York, the daughter of Ambrose Yaw, who manufactured cow and sheep bells. Her family moved to Los Angeles when she was very young, but her father died when she was a small child, and the family was very poor. Yaw began singing and composing songs as a child. She studied singing in America, first with her mother; then with Hervor Anna Sofia Torpadie, the wife of tenor Theodore Bjorksten; and then with baritone Enrico Delle Sedie. Yaw sang in concerts, beginning as a child in the 1880s, to make money to pay for singing lessons. Tours of the southern United States, California, England, Switzerland, and Germany followed, and on her return to America she ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Suzanne Adams
Suzanne Adams (28 November 1872 – 5 February 1953) was an American lyric coloratura soprano. Known for her agile and pure voice, Adams first became well known in France before establishing herself as one of the Metropolitan Opera's leading sopranos at the beginning of the twentieth century. Biography Adams was born in Cambridge, Massachusetts on November 28, 1872, the daughter of John Gedney Adams. She studied in Manhattan, New York City with Jacques Bouhy and then in Paris with Mathilde Marchesi. She made her début at the Paris Opéra in 1894 or 1895 in Charles Gounod's '' Roméo et Juliette''. She studied the roles of Juliette and Marguerite from ''Faust'' with Gounod himself, who greatly admired her fine technique, brilliant tone, and vocal flexibility. Adams remained at the Paris Opera for three years and then went to Nice. While in France, she sang numerous roles by Gounod and Meyerbeer, as well as the Queen of the Night in Mozart's ''The Magic Flute'' and the title rol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Lillian Blauvelt
Lillian Blauvelt (1873–1947) was a popular opera singer in New York City and internationally in the first decade of the 20th century. Her voice was a lyric soprano with a very pure timbre and dramatic distinction. Her vocal range was from G to D. She was from Brooklyn, New York, and eventually toured every country in Europe."Lillian Blauvelt, Stage Beauty", ''Newport Daily News'', May 22, 1905, pg. 3. Opera diva She was a graduate of the National Conservatory of Music. Blauvelt sang in concerts in New York City and Brooklyn prior to becoming the soprano of the West Presbyterian Church, 42nd Street between Fifth Avenue and Sixth Avenue, in 1893."Changes In Dr. Paxton's Choir", ''New York Times'', February 12, 1893, pg. 10. In January 1893 she sang the air (music) for ''Aida'' from Act I, and the duet for ''Aida'' and ''Amneris'' from Act II, with Mrs. Luckstone-Myers, a contralto. The Sunday concert was held at Music Hall. In 1898 she sang under Sir Henry Wood at the Royal A ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Emma Eames
Emma Eames (August 13, 1865 – June 13, 1952) was an American first dramatic soprano, later lyric soprano renowned for the beauty of her voice. She sang major lyric and lyric-dramatic roles in opera and had an important career in New York City, London and Paris during the last decade of the 19th century and the first decade of the 20th century. Early life The daughter of an international lawyer, Eames was born in Shanghai, China, and raised in Portland and Bath in the American state of Maine. The promising quality of her voice was recognised early by her mother and she received singing lessons as a small girl. She attended school in Boston where she studied singing under Clara Munger, and later with Charles R. Adams. Later she took voice lessons in Paris with the highly successful but autocratic teacher of bel canto sopranos, Mathilde Marchesi. It was noted in the press at the time of Marchesi's death in 1913 that Eames had praised the tuition she received from that te ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |