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The Painted Word (album)
''The Painted Word'' is the fourth studio album by English post-punk band Television Personalities. It was released in 1984 by record label Illuminated. Reception ''The Painted Word'' has been generally well received by critics. Jack Barron of ''Sounds'' wrote "Some people think this is the best group in Britain. But that's a pointless debate to engage in when you can listen to such a well-crafted record." Ira Robbins of Trouser Press called the album "surprisingly serious and altogether excellent." A negative review came from Cath Carroll of ''NME'', writing "This opus even made the cat cringe." Musical style Ira Robbins described the album's musical style thus: "Musically, the TVPs have drifted off into spare, droning psychedelia and ultra-restrained rock that's hauntingly beautiful, like the most delicate moments of The Velvet Underground The Velvet Underground was an American rock band formed in New York City in 1964. The original line-up consisted of singer/gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Television Personalities
The Television Personalities are an English post-punk band formed in 1977 by London singer-songwriter Dan Treacy.Earp, Joseph.The Missing Man Of Music: A Search For The Elusive Dan Treacy Of Television Personalities. ''The Brag'', 26 July 2016. Retrieved 12 May 2018 Their varied, volatile and long career encompasses post punk, neo-psychedelia and indie pop; the only constant being Treacy's songwriting. Present and former members include Chelsea childhood mates 'Slaughter Joe' Joe Foster, one time best friend Ed Ball (early line-up, later briefly) and Jowe Head (ex-Swell Maps), with Jeffrey Bloom from 1983-94. The threesome of Treacy, Head, and Bloom formed the longest unchanged line-up and as a result is considered by many to be the definitive line-up, performing hundreds of gigs around the world and recording many of the band's most popular songs like How I Learned to Love the Bomb, Salvador Dali's Garden Party and Strangely Beautiful. Despite this, the Television Personaliti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neo-psychedelia
Neo-psychedelia is a diverse genre of psychedelic music that draws inspiration from the sounds of 1960s psychedelia, either updating or copying the approaches from that era. Originating in the 1970s, it has occasionally seen mainstream pop success but is typically explored within alternative rock scenes. It initially developed as an outgrowth of the British post-punk scene, where it was also known as acid punk. After post-punk, neo-psychedelia flourished into a more widespread and international movement of artists who applied the spirit of psychedelic rock to new sounds and techniques. Neo-psychedelia may also include forays into psychedelic pop, jangly guitar rock, heavily distorted free-form jams, or recording experiments. A wave of British alternative rock in the 1980s spawned the subgenres dream pop and shoegazing. Characteristics Neo-psychedelic acts borrowed a variety of elements from 1960s psychedelic music. Some emulated the psychedelic pop of bands like the Beat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fire Records (UK)
Fire Records is a British independent record label, run by James Nicholls, with offices in London, England and New York, USA. The label was founded by music journalist Johnny Waller and Clive Solomon in 1985 and released early records from Pulp, Teenage Fanclub (on subsidiary label Paperhouse), Spacemen 3 (formerly on Glass Records), Blue Aeroplanes, Lives of Angels and others. In the early 1990s, the label was home to Neutral Milk Hotel, The Lemonheads, Built to Spill, Urge Overkill and others. The label was relaunched in the late 1990s by James Nicholls, and has gone on to release albums by Guided By Voices, Giant Sand, Pere Ubu, Black Lips, Jane Weaver, Josephine Foster and The Lemonheads. Roster ;Current *Bardo Pond *Bark Psychosis *The Bevis Frond *The Chills *Death And Vanilla *The Groundhogs *Josephine Foster *Howe Gelb *Kristin Hersh * Las Kellies *Marina Allen *Marta Del Grandi *Modern Studies * Noveller *Orchestra Of Spheres *Pere Ubu * Pictish Trail *Rats On R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Slaughter Joe
Joe Foster (born Joseph James Foster Ruiz, 9 August 1960, often known as Slaughter Joe) is an English musician and record producer, who, with Alan McGee and Dick Green, formed Creation Records in 1983.Joe Foster Biography , . Retrieved 29 April 2017 Foster formed the Kaleidoscope Sound label in the mid-1980s, and Creation's subsidiary label in the early 1990s. McGee, Foster and Green were also in the band |
They Could Have Been Bigger Than The Beatles
''They Could Have Been Bigger Than the Beatles'' is the third album by English punk rock/ new wave band Television Personalities. In 2011, it was included in '' NME's'' "The 100 Greatest Albums You've Never Heard" list. It was chosen by Andrew VanWyngarden of MGMT. Track listing All tracks composed by Daniel Treacy; except where indicated ;Side A #"Three Wishes" - (05:22) #"David Hockney's Diary" - (02:51) #"In a Perfumed Garden" - (03:49) #"Flowers for Abigail" - (03:36) #"King and Country" - (06:07) #"The Boy in the Paisley Shirt" - (03:50) #"Games for Boys" - (02:38) ;Side B #"Painter Man Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and ai ..." ( Eddie Phillips, Kenny Pickett (musician), Kenny Pickett) - (02:44) #"Psychedelic Holiday" - (03:15) #"14th Floor" - (02:20) #"Sooty's D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Privilege (Television Personalities Album)
''Privilege'' is an album by English rock band Television Personalities. It was released in 1990 through Fire Records. The album was recorded as a trio, with former Swell Maps member Jowe Head and drummer Jeffrey Bloom accompanying Dan Treacy. Critical reception Jason Ankeny of AllMusic gave the album a positive review, describing it as "one of the group's most personal and dark records." ''Chicago Tribune'' critic David Levinsky wrote that "the LP suffers from overly lush production, supplying one too many monolithic synth chords." Levinsky also stated: "We get a record suffering from the shotgun approach: a couple of exceptional singles and a lot of also-rans." In contrast, Ira Robbins of ''Trouser Press'' stated: "''Privilege'' dresses Treacy's characteristically direct songs with just the right amount of keyboards, and his voice is as boyishly engaging as ever." The ''Spin Alternative Record Guide The ''Spin Alternative Record Guide'' is a music reference book compiled by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-punk
Post-punk (originally called new musick) is a broad genre of punk music that emerged in the late 1970s as musicians departed from punk's traditional elements and raw simplicity, instead adopting a variety of avant-garde sensibilities and non-rock influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with styles like funk, electronic music, jazz, and dance music; the production techniques of dub and disco; and ideas from art and politics, including critical theory, modernist art, cinema and literature. These communities produced independent record labels, visual art, multimedia performances and fanzines. The early post-punk vanguard was represented by groups including Siouxsie and the Banshees, Wire, Public Image Ltd, the Pop Group, Cabaret Voltaire, Magazine, Pere Ubu, Joy Division, Talking Heads, Devo, Gang of Four, the Slits, the Cure, and the Fall. The movement was closely related to the development of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Melody Maker
''Melody Maker'' was a British weekly music magazine, one of the world's earliest music weeklies; according to its publisher, IPC Media, the earliest. It was founded in 1926, largely as a magazine for dance band musicians, by Leicester-born composer, publisher Lawrence Wright; the first editor was Edgar Jackson. In January 2001, it was merged into "long-standing rival" (and IPC Media sister publication) ''New Musical Express''. 1950s–1960s Originally the ''Melody Maker'' (''MM'') concentrated on jazz, and had Max Jones, one of the leading British proselytizers for that music, on its staff for many years. It was slow to cover rock and roll and lost ground to the ''New Musical Express'' (''NME''), which had begun in 1952. ''MM'' launched its own weekly singles chart (a top 20) on 7 April 1956, and an LPs charts in November 1958, two years after the ''Record Mirror'' had published the first UK Albums Chart. From 1964, the paper led its rival publications in terms of approac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sounds (magazine)
''Sounds'' was a UK weekly pop/rock music newspaper, published from 10 October 1970 to 6 April 1991. It was known for giving away posters in the centre of the paper (initially black and white, then colour from late 1971) and later for covering heavy metal (especially the new wave of British heavy metal (NWOBHM)) and punk and Oi! music in its late 1970s–early 1980s heyday. History It was produced by Spotlight Publications (part of Morgan Grampian), which was set up by John Thompson and Jo Saul with Jack Hutton and Peter Wilkinson, who left ''Melody Maker'' to start their own company. ''Sounds'' was their first project, a weekly paper devoted to progressive rock and described by Hutton, to those he was attempting to recruit from his former publication, as "a leftwing ''Melody Maker''". ''Sounds'' was intended to be a weekly rival to titles such as ''Melody Maker'' and ''New Musical Express'' (''NME''). ''Sounds'' was one of the first music papers to cover punk. Mick Middles c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trouser Press
''Trouser Press'' was a rock and roll magazine started in New York in 1974 as a mimeographed fanzine by editor/publisher Ira Robbins, fellow fan of the Who Dave Schulps and Karen Rose under the name "Trans-Oceanic Trouser Press" (a reference to a song by the Bonzo Dog Doo-Dah Band and an acronymic play on the British TV show ''Top of the Pops)''. Publication of the magazine ceased in 1984. The unexpired portion of mail subscriptions was completed by ''Rolling Stone'' sister publication ''Record'', which itself folded in 1985. ''Trouser Press'' has continued to exist in various formats. History The magazine's original scope was British bands and artists (early issues featured the slogan "America's Only British Rock Magazine"). Initial issues contained occasional interviews with major artists like Brian Eno and Robert Fripp and extensive record reviews. After 14 issues, the title was shortened to simply ''Trouser Press'', and it gradually transformed into a professional magazine w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
