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The Nutcracker
''The Nutcracker'' ( rus, Щелкунчик, Shchelkunchik, links=no ) is an 1892 two-act ballet (""; russian: балет-феерия, link=no, ), originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story "The Nutcracker and the Mouse King". Although the original production was not a success, the 20-minute suite that Tchaikovsky extracted from the ballet was. The complete ''Nutcracker'' has enjoyed enormous popularity since the late 1960s and is now performed by countless ballet companies, primarily during the Christmas season, especially in North America. Major American ballet companies generate around 40% of their annual ticket revenues from performances of ''The Nutcracker''. The ballet's score has been used in several film adaptations of Hoffmann's story. Tchaikovsky's score has become one of his most famous compositions. Among other things, the score is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joachim Neugroschel
Joachim Neugroschel (13 January 1938—23 May 2011) was a multilingual literary translator of French, German, Italian, Russian, and Yiddish. He was also an art critic, editor, and publisher. Early life and education Joachim Neugroschel was born in Vienna. His father was the Yiddish Galician poet Mendel Naygreshl (Max Neugröschel) (1903–1965). The family emigrated to Rio de Janeiro in 1939, and eventually arrived in New York City in 1941. He grew up in New York City and graduated from Bronx Science (1954) and Columbia University (1958) with a degree in English and Comparative Literature. After graduating from Columbia, he lived in Paris and then in Berlin. Neugroschel returned to New York six years later and became a literary translator. Although his father was a native Yiddish speaker, Neugroschel did not grow up speaking the language and learned it as an autodidact in the 1970s. Work Neugroschel translated more than 200 books by numerous authors, including Sholem A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New York City
New York, often called New York City or NYC, is the List of United States cities by population, most populous city in the United States. With a 2020 population of 8,804,190 distributed over , New York City is also the List of United States cities by population density, most densely populated major city in the United States, and is more than twice as populous as second-place Los Angeles. New York City lies at the southern tip of New York (state), New York State, and constitutes the geographical and demographic center of both the Northeast megalopolis and the New York metropolitan area, the largest metropolitan area in the world by urban area, urban landmass. With over 20.1 million people in its metropolitan statistical area and 23.5 million in its combined statistical area as of 2020, New York is one of the world's most populous Megacity, megacities, and over 58 million people live within of the city. New York City is a global city, global Culture of New ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Russe De Monte Carlo
The company Ballets Russes de Monte-Carlo (with a plural name) was formed in 1932 after the death of Sergei Diaghilev and the demise of Ballets Russes. Its director was Wassily de Basil (usually referred to as Colonel W. de Basil), and its artistic director was René Blum. They fell out in 1936 and the company split. The part which de Basil retained went through two name changes before becoming the Original Ballet Russe. Blum founded Les Ballets de Monte Carlo, which changed its name to Ballet Russe de Monte-Carlo (note the singular) when Léonide Massine became artistic director in 1938. It operated under this name until it disbanded some 20 years later.Koegler, Horst, ''Concise Oxford Dictionary of Ballet'' (1st English edition, 1977). The Ballet Russe de Monte-Carlo featured such dancers as Ruthanna Boris, Frederic Franklin, Alexandra Danilova, Maria Tallchief, Nicholas Magallanes, Tamara Toumanova, George Zoritch, Alicia Alonso, Yvonne Joyce Craig, Nina Novak, Raven W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicholas Sergeyev
Nicholas Grigoryevich Sergeyev (1876–1951) (russian: Никола́й Григорьевич Серге́ев, variously written in the Latin alphabet as Nicholas or Nikolai Sergeev, Sergueev or Sergueeff etc.) was a Russian ballet dancer, choreographer and teacher, and Theatre director, regisseur of the Imperial Ballet at the Maryinsky Theatre, St Petersburg. He fled Russia in 1919 and spent the rest of his life in the West, producing ballets for many of the leading western companies of the time. He is remembered for preserving what is now called the Sergeyev Collection for future generations. Sergeyev was born on 15 September 1876 in St Petersburg. He was accepted for training by the Imperial Ballet School and he graduated and joined the company in 1894. He was promoted to soloist and régisseur in 1904 and régisseur-général in 1914.Koegler, Horst, ''Concise Oxford Dictionary of Ballet'' (1st English edition, 1977) He was thus the last ever régisseur-général of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasili Vainonen
Vasili Ivanovich Vainonen, also spelled Vasily (russian: Васи́лий Ива́нович Вайно́нен) (1901-1964), was a renowned Ingrian Soviet choreographer, mainly for the Kirov Ballet, now known as the Mariinsky Ballet, with which he worked from 1930 to 1938. At 19 years old, he began choreographing works, mostly for smaller concert stages and, quickly, made a name for himself. His initial career at the Kirov was somewhat shaky after he choreographed one of the acts (together with V.P. Chesnakov and Leonid Yakobson) Shostakovich's ballet The Golden Age. Vainonen's section was partly censored due to its use of western dance styles and the ballet was shelved after its initial run. Of all the Vainonen works from this period, the one still performed is Flames of Paris (Russian: Пла́мя Пари́жа) from 1932 with music by Boris Asafyev partly incorporating the melodies of songs of the French Revolution. The libretto by Nicolai Volkov and Vladimir Dmitriev was ad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexander Gorsky
Alexander Gorsky (August 6, 1871 – 1924), a Russian ballet choreographer and a contemporary of Marius Petipa, is known for restaging Petipa's classical ballets such as ''Swan Lake'', ''Don Quixote'', and ''The Nutcracker''. Gorsky “sought greater naturalism, realism, and characterization” in ballet. He valued acting skills over ''bravura'' technique ( a showy display of skills such as many turns or high jumps.) His interpretations of ballets were often controversial and he often used artists outside the dance world to create sets and costumes. Early life The Russian ballet choreographer Alexander Gorsky was born August 6, 1871 outside of St. Petersburg, Russia. When he turned eight his parents hoped to send him to the School of Commerce and his sister to the Imperial Ballet School both in St. Petersburg. After being accepted to the School of Commerce he went along with his sister to the Imperial School of Ballet. Officials of the school insisted he also be a student th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Olga Preobrajnskaya Legat -Nutcracker 1
Olga may refer to: People and fictional characters * Olga (name), a given name, including a list of people and fictional characters named Olga or Olha * Michael Algar (born 1962), English singer also known as "Olga" Places Russia * Olga, Russia, an urban-type settlement in Primorsky Krai * Olga Bay, a bay of the Sea of Japan in Primorsky Krai * Olga (river), Primorsky Krai United States * Olga, Florida, an unincorporated community and census-designated place * Olga, Kentucky, an unincorporated community * Olga, Missouri, an unincorporated community * Olga, Washington, an unincorporated community * Olga Bay, Alaska, a bay on the south end of Kodiak Island * Olga, a neighborhood of South Pasadena, California Elsewhere * Kata Tjuta, Northern Territory, Australia, also known as the Olgas, a group of domed rock formations ** Mount Olga, the tallest of these rock formations * Olga, Greece, a settlement * 304 Olga, a main belt asteroid Arts and entertainment * ''Olga'' (opera), a 20 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pas De Deux
In ballet, a pas de deux (French language, French, literally "step of two") is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. The pas de deux is characteristic of classical ballet and can be found in many well-known ballets, including ''Sleeping Beauty (ballet), Sleeping Beauty'', ''Swan Lake'', and ''Giselle''. It is most often performed by a male and a female (a ''danseur'' and a ''ballerina'') though there are exceptions, such as in the film ''White Nights (1985 film), White Nights'', in which a pas de deux is performed by Mikhail Baryshnikov and Gregory Hines. Grand pas de deux A grand pas de deux is a structured pas de deux that typically has five parts, consisting of an ''entrée'' (introduction), an ''adagio'', two variations (a solo for each dancer), and a ''coda'' (conclusion). It is effectively a suite of dances that share a common theme, often symbolic of a love story or the partnership inherent in love, with the dan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Benois
Alexandre Nikolayevich Benois (russian: Алекса́ндр Никола́евич Бенуа́, also spelled Alexander Benois; ,Salmina-Haskell, Larissa. ''Russian Paintings and Drawings in the Ashmolean Museum''. pp. 15, 23-24. Published by Ashmolean Museum, 1989 Saint Petersburg9 February 1960, Paris) was a Russian artist, art critic, historian, preservationist and founding member of ''Mir iskusstva'' (World of Art), an art movement and magazine.Owen, Bobbi. ''Costume Design on Broadway: Designers and Their Credits, 1915-1985''. p. 19 Greenwood Press: New York, 1987 As a designer for the Ballets Russes under Sergei Diaghilev, Benois exerted what is considered a seminal influence on the modern ballet and stage design. Early life and education Alexandre was born into the artistic and intellectual Benois family, prominent members of the 19th- and early 20th-century Russian intelligentsia. His mother Camilla (Russian: Камилла Альбертовна Кавос, and then ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
En Pointe
Pointe technique ( ) is the part of classical ballet technique that concerns ''pointe work'', in which a ballet dancer supports all body weight on the tips of fully extended feet within pointe shoes. A dancer is said to be ''en pointe'' () when the dancer's body is supported in this manner, and a fully extended vertical foot is said to be ''en pointe'' when touching the floor, even when not bearing weight. Pointe technique resulted from a desire for female dancers to appear weightless and sylph-like. Although both men and women are capable of pointe work, it is most often performed by women. Extensive training and practice are required to develop the strength and technique needed for pointe work. Typically, dance teachers consider factors such as age, experience, strength and alignment when deciding whether to allow a dancer to begin pointe work. Technique Pointe technique encompasses both the mechanical and artistic aspects of pointe work. In particular, it is concerned wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
