HOME
*



picture info

The North-West Passage
''The North-West Passage'' is an 1874 painting by John Everett Millais. It depicts an elderly sailor sitting at a desk, with his daughter seated in a stool beside him. He stares out at the viewer, while she reads from a log-book. On the desk is a large chart depicting complex passageways between incompletely charted islands. Millais exhibited the painting with the subtitle "It might be done and England should do it", a line imagined to be spoken by the aged sailor. The title and subtitle refer to the repeated failure of British expeditions to find the Northwest Passage, a navigable passageway around the north of the American continent. These expeditions "became synonymous with failure, adversity and death, with men and ships battling against hopeless odds in a frozen wilderness." Background The search for the northwest passage had been undertaken repeatedly since the voyages of Henry Hudson in the early 17th century. The most significant attempt was the 1845 expedition led by J ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

John Everett Millais
Sir John Everett Millais, 1st Baronet, ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting ''Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, ''Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Royal Academy Of Arts
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Royal Society of Arts, Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Marianne
Marianne () has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty. Marianne is displayed in many places in France and holds a place of honour in town halls and law courts. She is depicted in the ''Triumph of the Republic'', a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on French postage stamps. She was also featured on the former franc currency and is officially used on most government documents. Marianne is a significant republican symbol; her French monarchist equivalent is often Joan of Arc. As a national icon Marianne represents opposition to monarchy and the championship of freedom and democracy against all forms of ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  




John Bull
John Bull is a national personification of the United Kingdom in general and England in particular, especially in political cartoons and similar graphic works. He is usually depicted as a stout, middle-aged, country-dwelling, jolly and matter-of-fact man. He originated in satirical works of the early 18th century and would come to stand for " English liberty" in opposition to revolutionaries. He was popular through the 18th and 19th centuries until the time of the First World War, when he generally stopped being seen as representative of the "common man". Origin John Bull originated as a satirical character created by John Arbuthnot, a friend of Jonathan Swift and Alexander Pope. Bull first appeared in 1712 in Arbuthnot's pamphlet ''Law is a Bottomless Pit''."AngloMania: Tradition and Transgression in British Fashion," Metropolitan Museum of Art (2006), exhibition brochure, p. 2. The same year Arbuthnot published a four-part political narrative ''The History of John Bull''. In ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Joseph Morewood Staniforth
Joseph Morewood Staniforth (better known as J.M. Staniforth) (1864 – 21 December 1921) was a Welsh editorial cartoonist best known for his work in the '' Western Mail'', ''Evening Express'' and Sunday weekly the ''News of the World''. Staniforth has been described as "...the most important visual commentator on Welsh affairs ever to work in the country." Biography Staniforth was born in Gloucester in 1863, the son of a Sheffield tool repairer named Joseph Staniforth. His family moved to Cardiff in South Wales in 1870, and after leaving school at 15, Staniforth trained as a lithographic printer for the '' Western Mail'' before becoming an art reviewer. A promising young artist, he studied at the Cardiff School of Art, which was run from rooms above the Royal Arcade in the town centre. His classmates included the sculptor Goscombe John. Staniforth originally worked primarily in paint, but slowly moved from brush work to inks where he found a talent for cartoons and caricature. ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Joseph Swain (engraver)
Joseph Swain (29 February 1820 in Oxford – 25 February 1909 in London) was an English wood-engraver. He is best known from his engravings in ''Punch'' magazine of cartoons by Sir John Tenniel. Life Born in Oxford in 1820, he was second son of Ebenezer Swain by his wife Harriet James; Joseph Swain, pastor of East Street Baptist church, Walworth, was his grandfather. He was educated at private schools, first in Oxford, and then in London, where the family moved in 1829. In 1834 Swain was apprenticed by his father, a printer with the firm of Wertheimer & Co., to the wood-engraver Nathaniel Whittock, and was transferred in 1837 to Thomas Williams, brother of Samuel Williams. In 1843 he was appointed manager of the engraving department of ''Punch'', but in the following year set up in business for himself, retaining the whole of the engraving work for ''Punch'' from 1844 until 1900. He taught William Harcourt Hooper. Swain died at Ealing in west London in 1909. Works Swain ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

John Tenniel
Sir John Tenniel (; 28 February 182025 February 1914)Johnson, Lewis (2003), "Tenniel, John", ''Grove Art Online, Oxford Art Online'', Oxford University Press. Web. Retrieved 12 December 2016. was an English illustrator, graphic humorist and political cartoonist prominent in the second half of the 19th century. An alumnus of the Royal Academy of Arts in London, he was knighted for artistic achievements in 1893, the first such honour ever bestowed on an illustrator or cartoonist. Tenniel is remembered mainly as the principal political cartoonist for ''Punch'' magazine for over 50 years and for his illustrations to Lewis Carroll's ''Alice's Adventures in Wonderland'' (1865) and ''Through the Looking-Glass, and What Alice Found There'' (1871). Tenniel's detailed black-and-white drawings remain the definitive depiction of the ''Alice'' characters, with comic book illustrator and writer Bryan Talbot stating, "Carroll never describes the Mad Hatter: our image of him is pure Tenniel." ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Punch, Or The London Charivari
''Punch, or The London Charivari'' was a British weekly magazine of humour and satire established in 1841 by Henry Mayhew and wood-engraver Ebenezer Landells. Historically, it was most influential in the 1840s and 1850s, when it helped to coin the term "cartoon" in its modern sense as a humorous illustration. From 1850, John Tenniel was the chief cartoon artist at the magazine for over 50 years. After the 1940s, when its circulation peaked, it went into a long decline, closing in 1992. It was revived in 1996, but closed again in 2002. History ''Punch'' was founded on 17 July 1841 by Henry Mayhew and wood-engraver Ebenezer Landells, on an initial investment of £25. It was jointly edited by Mayhew and Mark Lemon. It was subtitled ''The London Charivari'' in homage to Charles Philipon's French satirical humour magazine '' Le Charivari''. Reflecting their satiric and humorous intent, the two editors took for their name and masthead the anarchic glove puppet, Mr. Punch, of ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

Exploration
Exploration refers to the historical practice of discovering remote lands. It is studied by geographers and historians. Two major eras of exploration occurred in human history: one of convergence, and one of divergence. The first, covering most of ''Human, Homo sapiens'' history, saw humans Recent African origin of modern humans, moving out of Africa, settling in new lands, and developing distinct cultures in relative isolation. Early explorers settled in Europe and Asia; 14,000 years ago, some crossed the Settlement of the Americas, Ice Age land bridge from Siberia to Alaska, and moved southbound to settle in the Americas. For the most part, these cultures were ignorant of each other's existence. The second period of exploration, occurring over the last 10,000 years, saw increased cross-cultural exchange through trade and exploration, and marked a new era of cultural intermingling, and more recently, convergence. Early writings about exploration date back to the 4th millennium B ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


picture info

The Boyhood Of Raleigh
''The Boyhood of Raleigh'' is an 1870 painting by John Everett Millais in the collection of the Tate Gallery. In the painting, Millais depicts famed Elizabethan-era explorer Walter Raleigh and his brother on the Devonshire coast listening to a Genoese sailor pointing out to sea and telling the pair of "tales of wonder on sea and land". Inspired by an essay written by historian James Anthony Froude, the painting was exhibited at the Royal Academy in 1871. Quickly receiving acclaim, it went on to be the subject of parody by numerous 20th century political cartoons and album covers. Origins The painting was inspired by an essay written by James Anthony Froude on ''England's Forgotten Worthies'', which described the lives of Elizabethan seafarers. It was also probably influenced by a contemporaneous biography of Raleigh, which imagined his experiences listening to old sailors as a boy. Millais travelled to Budleigh Salterton to paint the location. Millais's sons Everett and Geo ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]  


Heartbreak House, Act 2 (Shotover & Ellie)
Heartbreak often refers to the state of having a broken heart, a metaphor for a feeling of rejection by a loved one or of emotional devastation (as in mourning). Heartbreak or heart break may also refer to: Film & television * ''Heartbreak'' (1931 film), a film starring Charles Farrell * ''Heartbreak'' (1979 film), a Canadian drama film *“Heartbreak”, an episode of The Good Doctor Music *Heartbreak (band), an italo/electro band from the UK * ''Heart Break'' (Lady Antebellum album), 2017 ** "Heart Break" (Lady Antebellum song), 2017 *''Heart Break'', 1988 album by New Edition * ''Heartbreak'' (Bert Jansch album), 1982 * ''Heartbreak'' (Shalamar album), 1984 * "Heartbreak" (M'Black song), 2009 *"Heartbreak (Make Me a Dancer)", a 2009 song by Freemasons feat. Sophie Ellis-Bextor *"Heartbreak Song", a 2016 song by Mickey Guyton *"Heartbreak", a 2012 song by Age of Consent *"Heartbreak", a song by Hunter Hayes from his 2019 album ''Wild Blue (Part I)'' * "Heartbreak" (Minho song ...
[...More Info...]      
[...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]