The Nightingale's Prayer
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The Nightingale's Prayer
''The Nightingale's Prayer'' ( ar, دعاء الكروان, translit. ''Doaa al-Karawan'' ; also called ''The Curlew's Cry'') is a 1959 Egyptian drama film directed by Henry Barakat and based on a novel titled Doaa al-Karawan(novel) by the prominent writer Taha Hussein. It stars Faten Hamama and Ahmed Mazhar. In 1996, during the Egyptian Cinema centennial, this film was selected one of the best 150 Egyptian film productions. It received an award of recognition from the Academy of Motion Picture Arts and Sciences and was selected as the Egyptian entry for the Best Foreign Language Film at the 32nd Academy Awards, but was not accepted as a nominee. It was also entered into the 10th Berlin International Film Festival. Plot Amna is a young woman that witnesses the death of her older sister by her uncle, who had abandoned her family and left them with no support. She understands from her mother that her sister deserves to die because she has dishonored the family. Amna doesn ...
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Henry Barakat
Henry Antoun Barakat ( ar, هنري أنطون بركات, 11 June 1914, Cairo – 27 May 1997, Cairo) was a well known Egyptian film director. He was born in Shubra to a Melkite Greek Catholic father of Syro-Lebanese descent, and a Syro-Lebanese mother. His father, Dr. Antoun Barakat, was a physician and received the title of Beik by the King for the services he rendered., He directed some of the most famous films in the Egyptian Cinema. Filmography Awards and honors 2 wins & 3 nominations Berlin International Film Festival *1959 Nominated Golden Berlin Bear Hassan wa Nayima (1959) * 1960 Nominated Golden Berlin Bear Doa al karawan (1959) Cannes Film Festival *1965 Nominated Golden Palm El Haram, (1965) Jakarta Film Festival *1964 Won Best Film Bab el maftuh, El (1964) Valencia Festival of Mediterranean Cinema *1984 Won Special Mention Leilet al quabd al Fatma (1984) Egypt State Incentive Prize in Arts and Letters of the Supreme Council of Culture, 1995. See a ...
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Poison
Poison is a chemical substance that has a detrimental effect to life. The term is used in a wide range of scientific fields and industries, where it is often specifically defined. It may also be applied colloquially or figuratively, with a broad sense. Whether something is considered a poison may change depending on the amount, the circumstances, and what living things are present. Poisoning could be accidental or deliberate, and if the cause can be identified there may be ways to neutralise the effects or minimise the symptoms. In biology, a poison is a chemical substance causing death, injury or harm to organisms or their parts. In medicine, poisons are a kind of toxin that are delivered passively, not actively. In industry the term may be negative, something to be removed to make a thing safe, or positive, an agent to limit unwanted pests. In ecological terms, poisons introduced into the environment can later cause unwanted effects elsewhere, or in other parts of the food ...
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List Of Egyptian Submissions For The Academy Award For Best Foreign Language Film
Egypt has submitted films for consideration for the Academy Award for Best International Feature Film since 1958, when Youssef Chahine's ''Cairo Station'' became both the first African and the first Arab film to contend for the award. The Foreign Film award is handed out annually by the United States Academy of Motion Picture Arts and Sciences to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue. The award was created for the 1956 Academy Awards, succeeding the non-competitive Honorary Academy Awards which were presented between 1947 and 1955 to the best foreign language films released in the United States. Egypt has submitted thirty-six films to the Foreign Oscar competition but has never yet achieved a coveted Oscar nomination. They virtually disappeared from the competition during the sixteen-year period between 1982 and 2001 (sending a total of three films), but returned as a regular participant in 1999. Youssef Cha ...
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List Of Submissions To The 32nd Academy Awards For Best Foreign Language Film
This is a list of submissions to the 32nd Academy Awards for Best Foreign Language Film. The Academy Award for Best Foreign Language Film was created in 1956 by the Academy of Motion Picture Arts and Sciences to honour non-English-speaking films produced outside the United States. The award is handed out annually, and is accepted by the winning film's director, although it is considered an award for the submitting country as a whole. Countries are invited by the Academy to submit their best films for competition according to strict rules, with only one film being accepted from each country. For the 32nd Academy Awards, thirteen films were submitted in the category Academy Award for Best Foreign Language Film. The Netherlands, Pakistan, Hong Kong and Singapore submitted films for the first time. The highlighted titles were the five nominated films, which came from Denmark, France, Italy, the Netherlands and West Germany. The Oscar went to Black Orpheus, a Portuguese-language drama, ...
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Beauty-and-the-Beast
''Beauty and the Beast'' (french: La Belle et la Bête) is a fairy tale written by French novelist Gabrielle-Suzanne Barbot de Villeneuve and published in 1740 in ''La Jeune Américaine et les contes marins'' (''The Young American and Marine Tales''). Her lengthy version was abridged, rewritten, and published by French novelist Jeanne-Marie Leprince de Beaumont in 1756 in ''Magasin des enfants'' (''Children's Collection'') to produce the version most commonly retold. Later, Andrew Lang retold the story in '' Blue Fairy Book'', a part of the ''Fairy Book'' series, in 1889. The fairy tale was influenced by Ancient Greek stories such as " Cupid and Psyche" from '' The Golden Ass'', written by Lucius Apuleius Madaurensis in the second century AD, and ''The Pig King'', an Italian fairytale published by Giovanni Francesco Straparola in ''The Facetious Nights of Straparola'' around 1550. Variants of the tale are known across Europe.Heidi Anne Heiner,Tales Similar to Beauty and the ...
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Melodrama
A modern melodrama is a dramatic work in which the plot, typically sensationalized and for a strong emotional appeal, takes precedence over detailed characterization. Melodramas typically concentrate on dialogue that is often bombastic or excessively sentimental, rather than action. Characters are often flat, and written to fulfill stereotypes. Melodramas are typically set in the private sphere of the home, focusing on morality and family issues, love, and marriage, often with challenges from an outside source, such as a "temptress", a scoundrel, or an aristocratic villain. A melodrama on stage, filmed, or on television is usually accompanied by dramatic and suggestive music that offers cues to the audience of the drama being presented. In scholarly and historical musical contexts, ''melodramas'' are Victorian dramas in which orchestral music or song was used to accompany the action. The term is now also applied to stage performances without incidental music, novels, films, tel ...
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Revenge
Revenge is committing a harmful action against a person or group in response to a grievance, be it real or perceived. Francis Bacon described revenge as a kind of "wild justice" that "does... offend the law ndputteth the law out of office." Primitive justice or retributive justice is often differentiated from more formal and refined forms of justice such as distributive justice and divine judgment. Function in society Social psychologist Ian Mckee states that the desire for the sustenance of power motivates vengeful behavior as a means of impression management: "People who are more vengeful tend to be those who are motivated by power, by authority and by the desire for status. They don't want to lose face". Vengeful behavior has been found across a majority of human societies. Some societies encourage vengeful behavior, which is called a feud. These societies usually regard the honor of individuals and groups as of central importance. Thus, while protecting of their reputa ...
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The Guardian
''The Guardian'' is a British daily newspaper. It was founded in 1821 as ''The Manchester Guardian'', and changed its name in 1959. Along with its sister papers ''The Observer'' and ''The Guardian Weekly'', ''The Guardian'' is part of the Guardian Media Group, owned by the Scott Trust. The trust was created in 1936 to "secure the financial and editorial independence of ''The Guardian'' in perpetuity and to safeguard the journalistic freedom and liberal values of ''The Guardian'' free from commercial or political interference". The trust was converted into a limited company in 2008, with a constitution written so as to maintain for ''The Guardian'' the same protections as were built into the structure of the Scott Trust by its creators. Profits are reinvested in journalism rather than distributed to owners or shareholders. It is considered a newspaper of record in the UK. The editor-in-chief Katharine Viner succeeded Alan Rusbridger in 2015. Since 2018, the paper's main news ...
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Peter Bradshaw
Peter Bradshaw (born 19 June 1962) is a British writer and film critic. He has been chief film critic at ''The Guardian'' since 1999, and is a contributing editor at ''Esquire''. Early life and education Bradshaw was educated at Haberdashers' Aske's Boys' School in Hertfordshire and studied English at Pembroke College, Cambridge, where he was president of the Cambridge Footlights. He was awarded a Bachelor of Arts degree in 1984, followed by postgraduate research in the Early Modern period in which he studied with Lisa Jardine and Anne Barton. He received his PhD in 1989. Career In the 1990s, Bradshaw was employed by the ''Evening Standard'' as a columnist, and during the 1997 general election campaign, editor Max Hastings asked him to write a series of parodic diary entries purporting to be written by the Conservative MP and historian Alan Clark, which Clark thought deceptive and which were the subject of a court case resolved in January 1998, the first in newspaper hist ...
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Raga El Geddawy
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ...
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