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The Naming Of Cats
"The Naming of Cats" is a poem in T. S. Eliot's 1939 poetry book ''Old Possum's Book of Practical Cats''. It was adapted into a musical number in Andrew Lloyd Webber's 1981 musical '' Cats'', and has also been quoted in other films, notably '' Logan's Run'' (1976). The poem describes to humans how cats get their names. Poem The poem uses a short rhythmic dialogue to describe how cats get or choose their names. It states that "a cat must have THREE DIFFERENT NAMES"; specifically, one that is "familial", one that is "particular", and one that is "secretive". English professor Dorothy Dodge Robbins noted that the many examples of feline names given in the poem by the Missouri-born poet were heavily influenced by his love and adoption of British culture: "After all, his are the monikers of distinctly London cats; they are not the practical names of Midwestern barn cats." Familial names are typically common human names that the cat's "family use daily". Examples given include "Victo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Possum's Book Of Practical Cats
''Old Possum's Book of Practical Cats'' (1939) is a collection of whimsical light poems by T. S. Eliot about feline psychology and sociology, published by Faber and Faber. It serves as the basis for Andrew Lloyd Webber's 1981 musical '' Cats''. Eliot wrote the poems in the 1930s and included them, under his assumed name "Old Possum", in letters to his godchildren. They were collected and published in 1939, with cover illustrations by the author, and quickly re-published in 1940, illustrated in full by Nicolas Bentley. They have also been published in versions illustrated by Edward Gorey (1982), Axel Scheffler (2009) and Rebecca Ashdown (2014). Contents The contents of ''Old Possum's Book of Practical Cats'', along with the names of the featured cats where appropriate, are: * "The Naming of Cats" * "The Old Gumbie Cat" ( Jennyanydots) * "Growltiger's Last Stand" * "The Rum Tum Tugger" * "The Song of the Jellicles" * "Mungojerrie and Rumpleteazer" * "Old Deuteronomy" * " (Of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fourth Wall
The fourth wall is a performance convention in which an invisible, imaginary wall separates actors from the audience. While the audience can see through this ''wall'', the convention assumes the actors act as if they cannot. From the 16th century onward, the rise of illusionism in staging practices, which culminated in the realism and naturalism of the theatre of the 19th century, led to the development of the fourth wall concept. The metaphor suggests a relationship to the mise-en-scène behind a proscenium arch. When a scene is set indoors and three of the walls of its room are presented onstage, in what is known as a box set, the fourth of them would run along the line (technically called the proscenium) dividing the room from the auditorium. The ''fourth wall'', though, is a theatrical convention, rather than of set design. The actors ignore the audience, focus their attention exclusively on the dramatic world, and remain absorbed in its fiction, in a state that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shining Time Station
''Shining Time Station'' is an American children's television series jointly created by British television producer Britt Allcroft and American television producer Rick Siggelkow. The series was produced by Quality Family Entertainment (the American branch of The Britt Allcroft Company), in association with Catalyst Entertainment in seasons 2 and 3, for New York City's PBS station WNET, and was originally taped in New York City during its first season and in Toronto during the rest of its run. It incorporated sequences from the British television show ''Thomas the Tank Engine & Friends'', which was in turn based on the books of ''The Railway Series'' written by the Reverend Wilbert Awdry. The series aired on PBS from January 29, 1989, until June 11, 1993, with four hour-long "Family Specials" premiering in primetime throughout 1995. Reruns continued to air on PBS until June 11, 1998. It aired on Fox Family from 1998 to 1999. Reruns of the show aired on Nick Jr. to promote the t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Ustinov
Sir Peter Alexander Ustinov (born Peter Alexander Freiherr von Ustinov ; 16 April 192128 March 2004) was a British actor, filmmaker and writer. An internationally known raconteur, he was a fixture on television talk shows and lecture circuits for much of his career. An intellectual and diplomat, he held various academic posts and served as a goodwill ambassador for UNICEF and president of the World Federalist Movement. Ustinov was the winner of numerous awards during his life, including two Academy Awards for Best Supporting Actor, Emmy Awards, Golden Globes, and BAFTA Awards for acting, and a Grammy Award for best recording for children, as well as the recipient of governmental honours from, amongst others, the United Kingdom, France, and Germany. He also displayed a unique cultural versatility which frequently earned him the accolade of a Renaissance man. Miklós Rózsa, composer of the music for ''Quo Vadis'' and of numerous concert works, dedicated his String Quartet No. 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harmonic Structure
In music, harmony is the process by which individual sounds are joined together or composed into whole units or compositions. Often, the term harmony refers to simultaneously occurring frequencies, pitches ( tones, notes), or chords. However, harmony is generally understood to involve both vertical harmony (chords) and horizontal harmony (melody). Harmony is a perceptual property of music, and, along with melody, one of the building blocks of Western music. Its perception is based on consonance, a concept whose definition has changed various times throughout Western music. In a physiological approach, consonance is a continuous variable. Consonant pitch relationships are described as sounding more pleasant, euphonious, and beautiful than dissonant relationships which sound unpleasant, discordant, or rough. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Counterpoint, which refers to the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Key Signature
In Western musical notation, a key signature is a set of sharp (), flat (), or rarely, natural () symbols placed on the staff at the beginning of a section of music. The initial key signature in a piece is placed immediately after the clef at the beginning of the first line. If the piece contains a section in a different key, the new key signature is placed at the beginning of that section. In a key signature, a sharp or flat symbol on a line or space of the staff indicates that the note represented by that line or space is to be played a semitone higher (sharp) or lower (flat) than it would otherwise be played. This applies through the end of the piece or until another key signature is indicated. Each symbol applies to all notes in the same pitch class—for example, a flat on the third line of the treble staff (as in the diagram) indicates that all notes appearing as Bs are played as B-flats. This convention was not universal until the late Baroque and early Classical peri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subject (music)
In music, a subject is the material, usually a recognizable melody, upon which part or all of a composition is based. In forms other than the fugue, this may be known as the theme. Characteristics A subject may be perceivable as a complete musical expression in itself, separate from the work in which it is found. In contrast to an idea or motif, a subject is usually a complete phrase or period. The ''Encyclopédie Fasquelle'' defines a theme (subject) as " y element, motif, or small musical piece that has given rise to some variation becomes thereby a theme". Thematic changes and processes are often structurally important, and theorists such as Rudolph Reti have created analysis from a purely thematic perspective. Fred Lerdahl describes thematic relations as "associational" and thus outside his cognitive-based generative theory's scope of analysis. In different types of music Music based on a single theme is called 'monothematic', while music based on several themes is ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consonance And Dissonance
In music, consonance and dissonance are categorizations of simultaneous or successive Sound, sounds. Within the Western tradition, some listeners associate consonance with sweetness, pleasantness, and acceptability, and dissonance with harshness, unpleasantness, or unacceptability, although there is broad acknowledgement that this depends also on familiarity and musical expertise. The terms form a structural dichotomy in which they define each other by mutual exclusion: a consonance is what is not dissonant, and a dissonance is what is not consonant. However, a finer consideration shows that the distinction forms a gradation, from the most consonant to the most dissonant. In casual discourse, as German composer and music theorist Paul Hindemith stressed, "The two concepts have never been completely explained, and for a thousand years the definitions have varied". The term ''sonance'' has been proposed to encompass or refer indistinctly to the terms ''consonance'' and ''dissonance' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indiana University Press
Indiana University Press, also known as IU Press, is an academic publisher founded in 1950 at Indiana University that specializes in the humanities and social sciences. Its headquarters are located in Bloomington, Indiana. IU Press publishes 140 new books annually, in addition to 39 academic journals, and maintains a current catalog comprising some 2,000 titles. Indiana University Press primarily publishes in the following areas: African, African American, Asian, cultural, Jewish, Holocaust, Middle Eastern studies, Russian and Eastern European, and women's and gender studies; anthropology, film studies, folklore, history, bioethics, music, paleontology, philanthropy, philosophy, and religion. IU Press undertakes extensive regional publishing under its Quarry Books imprint. History IU Press began in 1950 as part of Indiana University's post-war growth under President Herman B Wells. Bernard Perry, son of Harvard philosophy professor Ralph Barton Perry, served as the first d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria The White Cat
Victoria is a principal character in the 1981 musical ''Cats'', written by Andrew Lloyd Webber based on T. S. Eliot's 1939 ''Old Possum's Book of Practical Cats''. Primarily a dance role with no solo singing parts, the role demands extensive ballet training and a high degree of flexibility. The character is featured in a ballet solo ("White Cat Solo") as well as a pas de deux in the musical, and leads most of the ensemble dance routines. The role was originated by Finola Hughes in the West End in 1981, and by Cynthia Onrubia on Broadway in 1982. In the 2019 movie adaptation, the role is played by Francesca Hayward. Unlike her stage counterpart, this version is made the de facto protagonist of the film and has more of a singing role. She performs the film's sole new song " Beautiful Ghosts" as her signature song, as well as taking over Jemima's part in "Memory". Character description Within the Jellicle tribe, Victoria is a naive and shy white kitten who is known for her be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inflection (music)
Diatonic and chromatic are terms in music theory that are most often used to characterize scales, and are also applied to musical instruments, intervals, chords, notes, musical styles, and kinds of harmony. They are very often used as a pair, especially when applied to contrasting features of the common practice music of the period 1600–1900. These terms may mean different things in different contexts. Very often, ''diatonic'' refers to musical elements derived from the modes and transpositions of the "white note scale" C–D–E–F–G–A–B. In some usages it includes all forms of heptatonic scale that are in common use in Western music (the major, and all forms of the minor). ''Chromatic'' most often refers to structures derived from the twelve-note chromatic scale, which consists of all semitones. Historically, however, it had other senses, referring in Ancient Greek music theory to a particular tuning of the tetrachord, and to a rhythmic notational convention in me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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