The Morrigan's Call
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The Morrigan's Call
''The Morrigan's Call'' is the fifth studio album by Irish folk metal band Cruachan released in 2006. Track listing Personnel *Keith Fay - guitars, vocals, keyboards, bouzouki, mandolin, banjo, bodhrán, percussion *Karen Gilligan - vocals *Joe Farrell - drums, percussion *John Ryan - fiddle, violin, mandocello, bowed bass, banjo, death grunts *John Clohessy - bass, aldotrube Additional personnel * Aine O'Dwyer - Irish harp *John O'Fathaigh - Irish flute, tin whistle, low whistle, recorder Recorder or The Recorder may refer to: Newspapers * ''Indianapolis Recorder'', a weekly newspaper * ''The Recorder'' (Massachusetts newspaper), a daily newspaper published in Greenfield, Massachusetts, US * ''The Recorder'' (Port Pirie), a news ..., cover art *Gail Liebling - producer, recording, mixing *Matthias Zimmer - layout Cruachan (band) albums 2006 albums {{2000s-metal-album-stub ...
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Cruachan (band)
Cruachan are an Irish folk metal band from Dublin that have been active since the 1990s. They have been acclaimed as having "gone the greatest lengths of anyone in their attempts to expand" the genre of folk metal. They are recognised as one of the founders of the folk metal genre. With a specific focus on Celtic music and the use of Celtic mythology in their lyrics, Cruachan's style of folk metal is called Celtic metal. The band named themselves after the archaeological site of Rathcroghan in Ireland also known as Cruachan. History Keith Fay had formed a Tolkien-inspired black metal band named after the city of Minas Tirith in 1991. Around the same time, he began listening to more folk music and picked up Skyclad debut album ''The Wayward Sons of Mother Earth''. Originally released in 1990, this "ambitious" and "groundbreaking" album made an impact on Fay and he set out to combine black metal with the folk music of Ireland. In 1992, Keith Fay formed Cruachan with a demo recor ...
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Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. ...
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Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of molded plastic. The recorders' internal and external proportions vary, but the bore ...
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Low Whistle
The low whistle, or concert whistle, is a variation of the traditional tin whistle/pennywhistle, distinguished by its lower pitch and larger size. It is most closely associated with the performances of British and Irish artists such as Tommy Makem, Finbar Furey and his son Martin Furey, Old Blind Dogs, Michael McGoldrick, ''Riverdance'', Lunasa, Donie Keyes, Chris Conway, and Davy Spillane, and is increasingly accepted as a feature of Celtic music. The low whistle is often used for the playing of airs and slow melodies due to its haunting and delicate sound. However, it is also becoming used more often for the playing of jigs, reels and hornpipes from the Irish, Scottish, Manx, Welsh, and English traditions. A reason put forward for this being, it's easier to produce some ornamentation on the whistle, due to the size of the finger holes. The most common low whistle is the "Low D", pitched one octave below the traditional D whistle. A whistle is generally classed as a ''low'' whi ...
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Tin Whistle
The tin whistle, also called the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle (also ga, feadóg stáin or feadóg). History The tin whistle in its modern form is from a wider family of fipple flutes which have been seen in many forms and cultures throughout the world. In Europe, such instruments have a long and distinguished history and take various forms, of which the most widely known are the recorder, tin whistle, Flabiol, Txistu and tabor pipe. Predecessors Almost all primitive cultures had a type of fipple flute, and it is most likely the first pitc ...
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Irish Flute
The Irish flute is a conical-bore, simple-system wooden flute of the type favoured by classical flautists of the early 19th century, or to a flute of modern manufacture derived from this design (often with modifications to optimize its use in Irish Traditional Music, Scottish Traditional Music or Music of Brittany and other Celtic nations). The majority of traditional Irish flute players use a wooden, simple-system flute. Although it is played in every county in Ireland, the flute has a strong heartland in the mid-western counties of Roscommon, Leitrim, Sligo, South Fermanagh, East Galway, Clare and West Limerick. Physical characteristics The Irish flute is a simple system, transverse flute which plays a diatonic (Major) scale as the tone holes are successively uncovered. Most flutes from the Classical era, and some of modern manufacture include metal keys and additional tone holes to achieve partial or complete chromatic tonality. Due to its wooden construction, chara ...
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Irish Harp
The Celtic harp is a triangular frame harp traditional to the Celtic nations of northwest Europe. It is known as in Irish, in Scottish Gaelic, in Breton and in Welsh. In Ireland and Scotland, it was a wire-strung instrument requiring great skill and long practice to play, and was associated with the Gaelic ruling class. It appears on Irish coins, the coat of arms of the Republic of Ireland, Montserrat, Canada as well as the flag of Montserrat. Early history The early history of the triangular frame harp in Europe is contested. The first instrument associated with the harping tradition in the Gaelic world was known as a . This word may originally have described a different stringed instrument, being etymologically related to the Welsh crwth. It has been suggested that the word / (from / , a board) was coined for the triangular frame harp which replaced the , and that this coining was of Scottish origin. A notched piece of wood which some have interpreted to be par ...
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Áine O'Dwyer
Áine O'Dwyer is an Irish experimental musician, known for her live performances and recordings, which explore the aesthetics of sound and its relationship to environment, time, audience, and structure. Originally from Pallasgreen, County Limerick, she studied at the Limerick School of Art and Design (graduating 2006) and in London at the Slade School of Fine Art (graduating 2011). She is currently based in London. As a child, O'Dwyer played the piano, tin whistle, flute, fiddle and harp. She now performs primarily on harp and church organ. Live performances Published accounts of O'Dwyer's live appearances include ''The Music of the Future'' by Robert Barry, who describes O'Dwyer lying on the floor under a baize cloth, plucking the strings of a harp with her feet, during a performance at the Supernormal Festival in Reading. O'Dwyer's appearance in November 2015 at London's Cafe Oto, in which she dressed as an 18th century scullery maid, backlit with a fan flailing her hair, a ...
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Mandocello
The mandocello ( it, mandoloncello, Liuto cantabile, liuto moderno) is a plucked string instrument of the mandolin family. It is larger than the mandolin, and is the baritone instrument of the mandolin family. Its eight strings are in four paired courses, with the strings in each course tuned in unison. Overall tuning of the courses is in fifths like a mandolin, but beginning on bass C (C2). It can be described as being to the mandolin what the cello is to the violin.''The New Grove Dictionary of Music and Musicians, Second Edition'', edited by Stanley Sadie and others (2001) Construction Mandocello construction is similar to the mandolin: the mandocello body may be constructed with a bowl-shaped back according to designs of the 18th-century Vinaccia school, or with a flat (arched) back according to the designs of Gibson Guitar Corporation popularized in the United States in the early 20th century. The scale of the mandocello is longer than that of the mandolin. Gibson example ...
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Violin
The violin, sometimes known as a '' fiddle'', is a wooden chordophone ( string instrument) in the violin family. Most violins have a hollow wooden body. It is the smallest and thus highest-pitched instrument ( soprano) in the family in regular use. The violin typically has four strings (some can have five), usually tuned in perfect fifths with notes G3, D4, A4, E5, and is most commonly played by drawing a bow across its strings. It can also be played by plucking the strings with the fingers (pizzicato) and, in specialized cases, by striking the strings with the wooden side of the bow (col legno). Violins are important instruments in a wide variety of musical genres. They are most prominent in the Western classical tradition, both in ensembles (from chamber music to orchestras) and as solo instruments. Violins are also important in many varieties of folk music, including country music, bluegrass music, and in jazz. Electric violins with solid bodies and piezoelectri ...
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Fiddle
A fiddle is a bowed string musical instrument, most often a violin. It is a colloquial term for the violin, used by players in all genres, including classical music. Although in many cases violins and fiddles are essentially synonymous, the style of the music played may determine specific construction differences between fiddles and classical violins. For example, fiddles may optionally be set up with a bridge with a flatter arch to reduce the range of bow-arm motion needed for techniques such as the double shuffle, a form of bariolage involving rapid alternation between pairs of adjacent strings. To produce a "brighter" tone than the deep tones of gut or synthetic core strings, fiddlers often use steel strings. The fiddle is part of many traditional ( folk) styles, which are typically aural traditions—taught " by ear" rather than via written music. Fiddling is the act of playing the fiddle, and fiddlers are musicians that play it. Among musical styles, fiddling tends to p ...
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Bodhrán
The bodhrán (, ; plural ''bodhráin'' or ''bodhráns'') is a frame drum used in Irish music ranging from in diameter, with most drums measuring . The sides of the drum are deep. A goatskin head is tacked to one side (synthetic heads or other animal skins are sometimes used). The other side is open-ended for one hand to be placed against the inside of the drum head to control the pitch and timbre. One or two crossbars, sometimes removable, may be inside the frame, but this is increasingly rare on modern instruments. Some professional modern bodhráns integrate mechanical tuning systems similar to those used on drums found in drum kits. It is usually with a hex key that the bodhrán skins are tightened or loosened depending on the atmospheric conditions. History Seán Ó Riada declared the bodhrán to be the native drum of the ancient Celts (as did bodhrán maker Paraic McNeela), suggesting that it was possibly used originally for winnowing or wool dying, with a musical ...
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