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The Miser (Fielding Play)
''The Miser'' is a 1733 comedy play by the British writer Henry Fielding. It is an English-language adaptation of Molière's ''The Miser''. It was a success, running for twenty five performances by May 1733.Downie p.63 The original Theatre Royal, Drury Lane, Drury Lane cast included Benjamin Griffin (actor), Benjamin Griffin as Lovegold, Roger Bridgewater as Frederick, William Mills (actor), William Mills as Clerimont, Theophilus Cibber Ramilie, James Oates as Decoy, Edward Berry (actor), Edward Berry as Sparke and Christiana Horton as Mariana. References Bibliography * Downie, J.A. ''A Political Biography of Henry Fielding''. Routledge, 2015. 1733 plays West End plays Comedy plays Plays by Henry Fielding Plays based on works by Molière {{1730s-play-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Fielding
Henry Fielding (22 April 1707 – 8 October 1754) was an English novelist, irony writer, and dramatist known for earthy humour and satire. His comic novel '' Tom Jones'' is still widely appreciated. He and Samuel Richardson are seen as founders of the traditional English novel. He also holds a place in the history of law enforcement, having used his authority as a magistrate to found the Bow Street Runners, London's first intermittently funded, full-time police force. Early life Fielding was born 22 April 1707 at Sharpham, Somerset, and educated at Eton College, where he began a lifelong friendship with William Pitt the Elder. His mother died when he was 11. A suit for custody was brought by his grandmother against his charming but irresponsible father, Lt Gen. Edmund Fielding. The settlement placed Henry in his grandmother's care, but he continued to see his father in London. In 1725, Henry tried to abduct his cousin Sarah Andrews (with whom he was infatuated) while she was on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initially ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Comedy Play
Comedy is a genre of dramatic performance having a light or humorous tone that depicts amusing incidents and in which the characters ultimately triumph over adversity. For ancient Greeks and Romans, a comedy was a stage-play with a happy ending. In the Middle Ages, the term expanded to include narrative poems with happy endings and a lighter tone. In this sense Dante used the term in the title of his poem, the ''Divine Comedy'' (Italian: ''Divina Commedia''). The phenomena connected with laughter and that which provokes it have been carefully investigated by psychologists. The predominating characteristics are incongruity or contrast in the object, and shock or emotional seizure on the part of the subject. It has also been held that the feeling of superiority is an essential factor: thus Thomas Hobbes speaks of laughter as a "sudden glory." Modern investigators have paid much attention to the origin both of laughter and of smiling, as well as the development of the "play insti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Molière
Jean-Baptiste Poquelin (, ; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, , ), was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière". Born into a prosperous family and having studied at the Collège de Clermont (now Lycée Louis-le-Grand), Molière was well suited to begin a life in the theatre. Thirteen years as an itinerant actor helped him polish his comedic abilities while he began writing, combining Commedia dell'arte elements with the more refined French comedy. Through the patronage of aristocrats including ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Miser
''The Miser'' (french: L'Avare; ; also known by the longer name ''L'Avare ou L'École du Mensonge,'' meaning The Miser, or the School for Lies) is a five-act comedy in prose by the French playwright Molière. It was first performed on September 9, 1668, in the theatre of the Palais-Royal in Paris. The play The play was first produced when Molière's company was under the protection of Louis XIV. It was loosely based on the Latin comedy ''Aulularia'' by Plautus, from which many incidents and scraps of dialogue are borrowed, as well as from contemporary Italian farces. The miser of the title is called Harpagon, a name adapted from the Greek ἁρπάγη pronounced ''harpágay'', meaning a hook or grappling iron (ἁρπάγη < ἁρπάζω = grab). He is obsessed with the wealth he has amassed and always ready to save expenses. Now a widower, he has a son, Cléante, and a daughter, Élise. Although he is over sixty, he is attempting to arrange a marriage between himself and an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Griffin (actor)
Benjamin Griffin (1680–1740), was an English actor and dramatist. He was the son of the Rev. Benjamin Griffin, rector of Buxton and Oxnead in Norfolk, and chaplain to the Earl of Yarmouth. Early life Griffin was born in Yarmouth in 1680, and educated at the free school, North Walsham. He was apprenticed to a glazier at Norwich, where in 1712 he joined a strolling company. In 1714-15 he was one of the company with which Christopher Rich opened the rebuilt theatre in Lincoln's Inn Fields. Acting career His name first appears in surviving records, 16 Feb. 1715, as Sterling in '' The Perplexed Couple''. On 2 June he was Ezekiel Prim, a presbyterian parson, in the ''A City Ramble ''A City Ramble: or, the humours of the compter'' (sometimes ''The City Ramble'') is a 1715 dramatic comedy play by the British writer Charles Knipe. It was first performed at Lincoln's-Inn Fields Theatre, London in 1715. It was performed as an a ...'', and on 14 June Sir Arthur Addlepate in his own ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger Bridgewater
Roger Bridgewater (died 1754) was a British stage actor of the eighteenth century.''The Routledge Anthology of Restoration and Eighteenth-Century Drama'' p.XXXIX He worked as party of the Drury Lane company for many years, specialising in dramatic roles, before switching to Covent Garden in 1734. In later years he frequently played Falstaff. Selected roles * Earl of Northumberland in ''Sir Thomas Overbury'' by Richard Savage (1723) * Captain Gaylove in '' A Wife to be Let'' by Eliza Haywood (1723) * Orbasius in '' The Captives'' by John Gay (1724) * Ulysses in ''Hecuba'' by Richard West (1726) * Count Basset in ''The Provoked Husband'' by Colley Cibber (1728) * Malvil in '' Love in Several Masques'' by Henry Fielding (1728) * Timophanes in ''Timoleon'' by Benjamin Martyn (1730) * Lord Briton in '' Bayes's Opera'' by Gabriel Odingsells (1730) * Shamwell in '' The Humours of Oxford'' by James Miller (1730) * Laelius in ''Sophonisba'' by James Thomson (1730) * Athelwold in ''A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Mills (actor)
William Mills (1701-1750) was a British stage actor. The son of veteran stage actor John Mills and his wife Margaret Mills, he was born in London and baptised at St Martin-in-the-Fields on 29 June 1701. Under his father's guidance he made his debut as a child actor in 1712. Like his father, he was a long-standing member of the Drury Lane theatre company. He took part in the Actor Rebellion of 1733, and left to work at the Haymarket Theatre for a season before returning to Drury Lane. His last appearance was in ''The Merchant of Venice'' in February 1750 and he died two months later on 18 April, shortly before a benefit was to be staged for him, and was buried at St Martin-in-the-Fields. He was married to the actress Theodosia Mills until her death in 1733, after which he married another actress Elizabeth Holliday.The Routledge Anthology of Restoration and Eighteenth-Century Drama p.lviii With his first wife he had a daughter also called Theodosia who likewise became an actre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theophilus Cibber
Theophilus Cibber (25 or 26 November 1703 – October 1758) was an English actor, playwright, author, and son of the actor-manager Colley Cibber. He began acting at an early age, and followed his father into theatrical management. In 1727, Alexander Pope satirized Theophilus Cibber in his ''Dunciad'' as a youth who "thrusts his person full into your face" (III 132). On the stage, he was famous for playing Pistol in '' Henry IV, Part 2'', and some of the comic roles his father had played when younger, but unsympathetic critics accused him of overemphasis.Barker, p. 166 His private life later led Theophilus into bad reputation and scandal. He died in a shipwreck while bound for Ireland and a season in Dublin. Early life and career Theophilus Cibber was born during the Great Storm of 1703 and began acting in the Drury Lane Theatre at the age of 16 in 1721.Barker, p. 165 As a young man, Cibber was a notorious rake, and associated with young men of a similar mind and reputation, such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Oates
James Oates (died 1751) was a British stage actor. Possibly of Irish birth, he was a long-standing member of the Drury Lane company from 1718, and also appeared at the summer fairs in London including Southwark and Bartholomew Fair. He specialised in supporting roles, often in comedies. He was with Drury Lane for twenty one seasons, and later also became a tavern-owner alongside his acting duties. Like several actors of the era he was a freemason.Peter His wife and daughter were both actresses. Selected roles * Jeremy in '' The Play is the Plot'' by John Durant Breval (1718) * Thracion in '' The Spartan Dame'' by Thomas Southerne (1719) * Courtly in '' A Wife to be Lett'' by Eliza Haywood (1723) * Citizen in ''Double Falsehood'' by Lewis Theobald (1727) * File in '' The Village Opera'' by Charles Johnson (writer) (1729) * Mopsus in ''Love in a Riddle'' by Colley Cibber (1729) * Dash in '' The Humours of Oxford'' by James Miller (1730) * Bassoon in '' Bayes's Opera'' by Ga ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Edward Berry (actor)
Edward Berry (1706-1760) was a British stage actor. He was a long-standing member of the Theatre Royal, Drury Lane, Drury Lane company, appearing frequently with David Garrick.Marshall & Kishi p.462 Selected roles * Hobinol in ''The Village Opera'' by Charles Johnson (writer), Charles Johnson (1729) * Pantomine in ''Bayes's Opera'' by Gabriel Odingsells (1730) * Butler in ''The Devil to Pay (opera), The Devil to Pay'' by Charles Coffey (1731) * Gentleman in ''Caelia (play), Caelia'' by Charles Johnson (writer), Charles Johnson (1732) * Sparke in ''The Miser (Fielding play), The Miser'' by Henry Fielding (1733) * Valeius Publicola in ''Junius Brutus (play), Junius Brutus'' by William Duncombe (1734) * Don Lopez in ''Trick for Trick (1735 play), Trick for Trick'' by Robert Fabian (1735) * Osmyn in ''The Christian Hero'' by George Lillo (1735) * Chatillon in ''Zara (play), Zara'' by Aaron Hill (writer), Aaron Hill (1736) * Byron in ''The Universal Passion'' by James Miller (playwright ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christiana Horton
Christiana Horton (c. 1696 – c. 1756) was an English actress. She first appeared in London as Melinda in ''The Recruiting Officer'' in 1714 at the Theatre Royal, Drury Lane. Here she remained twenty years, followed by fifteen at the Theatre Royal, Covent Garden. At both houses during this long career she played all the leading tragedy and comedy parts, and Barton Booth (who discovered her) said she was the best successor of Anne Oldfield. She was the original Mariana in Fielding's ''The Miser'' (1733). Selected roles * Melinda in ''The Recruiting Officer'' by George Farquhar (1714) * Emmelin in ''Lucius'' by Delarivier Manley (1717) * Caelia in '' The Masquerade'' by Charles Johnson (1719) * Isabella in '' The Revenge'' by Edward Young (1721) * Olivia in '' The Artifice'' by Susanna Centlivre (1722) * Clary in '' The Rival Modes'' by James Moore Smythe (1727) * Ethra in ''Medea'' by Charles Johnson (1730) * Mariana in ''The Miser'' by Henry Fielding (1733) * E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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