The Meeting (Patrice Rushen Album)
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The Meeting (Patrice Rushen Album)
''The Meeting'' is the first album release from a collaboration of musicians R&B keyboardist/singer Patrice Rushen, saxophonist Ernie Watts, bassist Alphonso Johnson and drummer Leon "Ndugu" Chancler. The recording was the end product of several years of live interaction between the four, often backing other artists. The album is representative of early 1990s jazz fusion. The band recorded a follow-up entitled ''Update'' (without Johnson) which was released in 1995 on the Hip-Bop label. Rushen's next solo album was ''Anything but Ordinary'', released in 1994. Track listing # "Groove Now and Then" (Patrice Rushen) - 5:58 # "Walk Your Talk" (Rushen, Ndugu Chancler, Alphonso Johnson, Ernie Watts) - 4:28 # "Steppin' Out" (Chancler, Johnson) - 5:16 # "And I Think About It All the Time" (Watts, Ray Dewey) - 5:20 # "The Meeting" (Rushen) - 5:04 # "African Flower" (Duke Ellington) - 5:20 # "Joyful Noise" (Watts, Bob Boykin) - 5:20 # "Cherry Blossom" (Rushen) - 4:53 # "Lowness" (Chancler) ...
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The Meeting (band)
The Meeting may refer to: *''La rencontre'' (''The Meeting'') nicknamed ''Bonjour, Monsieur Courbet'', an 1854 painting by Gustave Courbet *The Meeting (Jackie McLean album), ''The Meeting'' (Jackie McLean album), 1973 featuring Dexter Gordon *The Meeting (1984 film), ''The Meeting'' (1984 film), a Soviet animated short film *The Meeting (Patrice Rushen album), ''The Meeting'' (Patrice Rushen album), 1990 *The Meeting (Art Ensemble of Chicago album), ''The Meeting'' (Art Ensemble of Chicago album), 2003 *The Meeting (The Office), "The Meeting" (''The Office''), a 2009 episode of ''The Office'' *The Meeting (play), ''The Meeting'' (play), a 1987 American theatrical play *The Meeting (2012 film), ''The Meeting'' (2012 film), a film starring Rita Dominic *The Meeting (short story), a 1972 science fiction short story by Frederik Pohl See also

*Meeting *Rencontre (other) (French) *''The Meeting Point'' *The Meeting School *The Meeting Place Church (Winnipeg) *''The Meeting ...
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Bob Boykin
Bob Boykin (September 24, 1942 – February 22, 2020) was an American musician, session musician, composer, and producer, best known as a guitarist. Career Bob grew up on a farm outside of Savannah, on a dirt road in south Georgia. He began playing music professionally by age 16 in the local clubs in Savannah. Soon after high school he moved to Nashville, where he started working as a studio guitarist and songwriter, working with many of Nashville's top stars in the studio and on the Grand Ole Opry. He first came to Los Angeles in the mid 80s for a recording session for his first solo CD with many of LA's top studio musicians. A few years later, he returned to LA. It wasn't long before he played on his first television show as a side man, for Marvel Comics Saturday morning cartoon shows and the hit TV series MacGyver. It was during that time he teamed up with Grammy winning Saxophonist Ernie Watts, and produced many collaborative original works, including the Billboard Top ...
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Yamaha WX7
The Yamaha WX5, WX11, and WX7 are models of monophonic (synthesizers), monophonic MIDI wind controller musical instruments manufactured by the Yamaha Corporation that have since been discontinued. The fingering system is based on the saxophone basic fingering. Like a MIDI keyboard, keyboard controller, wind controllers send MIDI note information electronically to an external sound module or tone generator which in turn synthesizes a tremendous variety of musical tones. Unlike a keyboard controller which is usually Polyphony (instrument), polyphonic, a wind controller is monophonic. The only limits to the kinds of sounds available are the limitations of the external module/tone generator, not the WX5 itself. A WX5 performer can sound like any melodic instrument: wind, string, percussion, keyboard, or purely electronic, including special sound effects. In addition most tone generators a mix of instruments can be programmed. The WX5 wind controller simulates a wind instrument beca ...
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Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns incl ...
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Cymbal
A cymbal is a common percussion instrument. Often used in pairs, cymbals consist of thin, normally round plates of various alloys. The majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a definite note (such as crotales). Cymbals are used in many ensembles ranging from the orchestra, percussion ensembles, jazz bands, heavy metal bands, and marching groups. Drum kits usually incorporate at least a crash, ride, or crash/ride, and a pair of hi-hat cymbals. A player of cymbals is known as a cymbalist. Etymology and names The word cymbal is derived from the Latin ''cymbalum'', which is the latinisation of the Greek word ''kymbalon'', "cymbal", which in turn derives from ''kymbē'', "cup, bowl". In orchestral scores, cymbals may be indicated by the French ''cymbales''; German ''Becken'', ''Schellbecken'', ''Teller'', or ''Tschinellen''; Italian ''piatti'' or ''cinelli''; and Spanish ''platillos''. Many of these deri ...
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Fretless Bass
A fretless bass is a bass guitar whose neck does not have any frets. While the instrument is played in all styles of music, it is most common in pop, rock, and jazz. It first saw widespread use during the 1970s, although some players used them before then. Instead of being invented by an instrument manufacturer, the first fretless basses usually resulted from modifications made by bass guitar players. One of the first (if not the first) examples of this is Rolling Stones bassist Bill Wyman, who removed the frets from his bass guitar in 1961 to fix a fret buzz issue. The first fretless bass to be produced by a designated company is the Ampeg AUB1, first released in 1965. Characteristics The lack of frets allows for more fluid slides between notes, but also requires greater precision by the player, as the instrument may sound out of tune if notes are not fretted accurately. Like fretted bass guitars, they can have four, five, six, or even more strings. While some have "fret lines" ...
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Yamaha RX-5
The Yamaha RX-5 is a programmable digital sample-based drum machine built by Yamaha Yamaha may refer to: * Yamaha Corporation, a Japanese company with a wide range of products and services, established in 1887. The company is the largest shareholder of Yamaha Motor Company (below). ** Yamaha Music Foundation, an organization estab ..., in 1986. Features The RX-5 has 24 built-in digitally sampled drum sounds and another 28 on the RX5 ROM cartridge that was included with every RX5. The sounds include bass drum, snare drum, rimshot, toms, hi hat, cymbal (ride or crash), hand clap, tambourine, cowbell, and shaker. The included cartridge contains mainly Latin percussion instruments. The RX5 has 12 individual outputs for each vertical drum pad pair. Each pair has a fixed set of sounds at its disposal, for example 6 base drum samples at the first two buttons. There is a workaround to have other sounds in each location. When you customise a sound to one of the 10 copied sounds prese ...
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Yamaha TX16W
The Yamaha TX16W is a rack-mount sampler sound module made by Yamaha. The TX16W has 12-bit sound with up to 50 kHz mono and 33 kHz stereo sampling. Its filter is digital, allowing 17 different types, with one filter/type per voice. On the rear along with a regular stereo output, there are 8 individual outputs. Samples are stored on 720kB 3.5" floppy disks. It shipped with 1.5MB of RAM but is expandable up to 6MB. The TX16W uses a Motorola 68000 processor. The operating system is loaded from disk. There is an alternate OS for the sampler called Typhoon, created by a Swedish organisation. A free software emulation "Cyclone" was released in 2013 by Sonic Charge (developed by Magnus Lidström, who behind the original Typhoon OS). Notable users * Darren Allison of The Divine Comedy (Casanova Album) * ThouShaltNot * Jimmy Edgar * Aphex Twin * Oval An oval () is a closed curve in a plane which resembles the outline of an egg. The term is not very specific, but in some a ...
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Yamaha KX-5
The Yamaha Yamaha may refer to: * Yamaha Corporation, a Japanese company with a wide range of products and services, established in 1887. The company is the largest shareholder of Yamaha Motor Company (below). ** Yamaha Music Foundation, an organization estab ... KX-5 is a MIDI controller and has no actual sounds on board. It was created by Yamaha in 1986. It also featured a ribbon controller which could be used for pitch bend. It is powered by 6 AA batteries which has a run time for up to 7 hours. Keyboard It has 37 Keys which range from C2-C5. Finishes The unit was produced in both silver and black. Custom Version A custom version was built specifically for Jean-Michel Jarre to use in his concert in Lyon in 1986. References External links {{Yamaha CS-60 Digital synthesizers MIDI controllers ...
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Yamaha DX7
The Yamaha DX7 is a synthesizer manufactured by the Yamaha Corporation from 1983 to 1989. It was the first successful digital synthesizer and is one of the best-selling synthesizers in history, selling more than 200,000 units. In the early 1980s, the synthesizer market was dominated by analog synthesizers. Frequency modulation synthesis, FM synthesis, a means of generating sounds via frequency modulation, was developed by John Chowning at Stanford University, California. FM synthesis created brighter, "glassier" sounds, and could better imitate acoustic sounds such as brass. Yamaha licensed the technology to create the DX7, combining it with very-large-scale integration chips to lower manufacturing costs. With its complex menus and lack of conventional controls, few learned to program the DX7 in depth. However, its preset sounds became staples of 1980s pop music, used by artists including A-ha, Kenny Loggins, Kool & the Gang, Whitney Houston, Chicago (band), Chicago, Phil Collin ...
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Yamaha SY77
Yamaha SY77 is a 16 voice multitimbral music workstation first produced by Yamaha Corporation in 1989. The SY77 is a synthesizer whose architecture combines AFM (Advanced Frequency Modulation) synthesis, AWM2 (Advanced Wave Memory 2) for ROM-borne sample-based synthesis, and the combination of these two methods christened Realtime Convolution and Modulation Synthesis (RCM). The same technology was also packaged in a rack-mounted module released simultaneously, the TG77. The SY77 is equipped with a 61-key keyboard with velocity and aftertouch; has a pitch wheel and two modulation wheels (the latter being quite a rare feature among keyboards in general); and has a large backlit LCD display, expansion slots, floppy-drive, on-board effects, and a 16,000 note sequencer. Programming is performed through a keypad on the front panel. When the SY77 was released in late 1989, its initial prices were close to $3000 USD/£2000 GBP. In 1991, it was followed by the SY99, a successor that cost ...
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Duke Ellington
Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American jazz pianist, composer, and leader of his eponymous jazz orchestra from 1923 through the rest of his life. Born and raised in Washington, D.C., Ellington was based in New York City from the mid-1920s and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote or collaborated on more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, and many of his pieces have become standards. He also recorded songs written by his bandsmen, such as Juan Tizol's " Caravan", which brought a Spanish tinge to big band jazz. At the end of the 1930s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed multipl ...
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