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The Master's Bedroom Is Worth Spending A Night In
''The Master's Bedroom Is Worth Spending a Night In'' is the seventh studio album by San Francisco-based rock band Thee Oh Sees. The album was the first to be released under the name "Thee Oh Sees", after the band had previously been known as "OCS", "The Ohsees", and "The Oh Sees". It is their seventh studio album overall. Background Their previous album, ''Sucks Blood'', already used the name "Thee Oh Sees" on the interior of both CD and vinyl releases, while the exterior continued to use the name "The OhSees". This album seems to get its title from ''The master's bedroom, it's worth spending a night there'', a 1920 painting by surrealist Max Ernst. Additionally, the phrase is a line in the Mekons song "Hostile Mascot," from their album ''Retreat From Memphis.'' This album marked the first appearance of Mike Shoun, the drummer that joined the band following the departure of previous drummer, Patrick Mullins. Shoun's arrival marked a change in the band's sound. John Dwyer noted ...
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Thee Oh Sees
Osees are an American rock band formed in San Francisco, California in 1997, now based in Los Angeles, California. The band currently consists of primary songwriter and core member John Dwyer (vocals, guitar), Tim Hellman (bass), Dan Rincon (drums), Paul Quattrone (drums) and Tomas Dolas (keyboards). Osees sound incorporates a wide range of rock genres, including 1960s garage rock and psychedelic rock, punk rock, noise rock, art punk, and 1980s post-punk. Initially an outlet for Dwyer (Coachwhips, Pink and Brown and The Hospitals) to release experimental home recordings, Osees evolved into a full band, featuring Brigid Dawson (vocals, keyboard), Petey Dammit (bass, guitar), Mike Shoun (drums), and Lars Finberg (drums, guitar). Over the course of several releases and genre transitions, the band became noted for their prolific discography, energetic live shows, and whimsical visual aesthetic. The band has changed its lineup and name several times, having previously been known ...
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Dave Sitek
David Andrew Sitek (born September 6, 1972) is an American musician and record producer, known for his work with his band TV on the Radio. He has also worked with bands such as Yeah Yeah Yeahs, Liars, Foals, Celebration, Little Dragon, Beady Eye, and Weezer, and produced free jazz-influenced remixes of songs by artists such as Beck and Nine Inch Nails, and has contributed a solo track to the Red Hot Organization ''Dark Was the Night'' charity compilation. He is also a photographer and painter. In April 2008, Sitek was named number one in ''NMEs Future 50 list of the most forward thinking people in music today. In 2009, Sitek contributed a cover of "With a Girl Like You" to the AIDS benefit album, ''Dark Was the Night'', produced by the Red Hot Organization. A solo album from Sitek under the moniker Maximum Balloon was released on September 21, 2010, on Interscope with individual songs released as singles commencing June 15, 2010. The record includes contributions by many gue ...
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Compact Cassette
The Compact Cassette or Musicassette (MC), also commonly called the tape cassette, cassette tape, audio cassette, or simply tape or cassette, is an analog magnetic tape recording format for audio recording and playback. Invented by Lou Ottens and his team at the Dutch company Philips in 1963, Compact Cassettes come in two forms, either already containing content as a prerecorded cassette (''Musicassette''), or as a fully recordable "blank" cassette. Both forms have two sides and are reversible by the user. Although other tape cassette formats have also existed - for example the Microcassette - the generic term ''cassette tape'' is normally always used to refer to the Compact Cassette because of its ubiquity. Its uses have ranged from portable audio to home recording to data storage for early microcomputers; the Compact Cassette technology was originally designed for dictation machines, but improvements in fidelity led to it supplanting the stereo 8-track cartridge and reel ...
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Burger Records
Burger Records was an American independent record label and record store in Fullerton, California, United States. The label was founded in 2007 by Sean Bohrman and Lee Rickard, members of the power pop band Thee Makeout Party. The record/video store, co-owned by Bohrman and Brian Flores, was opened in 2009. The label ceased operations in July 2020, following sexual assault allegations levied at many of their artists and staff members. The label was notable for releasing most of its material on cassette. Among the hundreds of artists released on the label were The Brian Jonestown Massacre, Devon Williams, Hunx and His Punx, Bell Gardens, and The Go. According to ''OC Weekly'', the label was known for "its growing catalog of sugary, eccentric power pop and audacious garage rock, extolling a carefree message of love, music and DIY attitude." History Founding Founders Sean Bohrman and Lee Rickard became friends in the late 1990s while attending high school in Anaheim, California ...
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The Intelligence
The Intelligence is an American rock band from Seattle, formed in 1999. Founded by multi-instrumentalist Lars Finberg ( A Frames, Thee Oh Sees), the band currently consists of Finberg, alongside Dave Hernandez (guitar), Drew Church (bass) and Kaanan Tupper (drums). To date, the band has released nine studio albums, two EPs and a number of singles, the latter often split with other artists. Biography The Intelligence was formed by Lars Finberg. Since the late 1990s Finberg played in other bands with vocalist/guitarist Erin Sullivan, and bassist Min Yee (the Dipers, Unnatural Helpers). A-Frames and the Intelligence started in 1999. Both acts released singles on Dragnet Records, the indie label Finberg runs with A-Frames members Erin Sullivan and Min Yee. The Intelligence's first release was a 5 track 7-inch EP entitled ''Girlfriends and Boyfriends'' on Dragnet Records in 2000. Three years later, two tracks featured on a split 7-inch with the Popular Shapes on Dirtnap Records. Th ...
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Can (band)
Can (stylised as CAN) was a German experimental rock band formed in Cologne in 1968 by Holger Czukay (bass, tape editing), Irmin Schmidt (keyboards), Michael Karoli (guitar), and Jaki Liebezeit (drums). The group used several vocalists, most prominently the American Malcolm Mooney (1968–70) and the Japanese Damo Suzuki (1970–73). They have been widely hailed as pioneers of the German krautrock scene. Coming from backgrounds in the avant-garde and jazz, Can blended elements of psychedelic rock, funk, and musique concrète on influential albums such as ''Tago Mago'' (1971), ''Ege Bamyasi'' (1972) and ''Future Days'' (1973). Can also had commercial success with singles such as "Spoon" (1971) and " I Want More" (1976) reaching national singles charts. Their work has influenced rock, post-punk, ambient, and electronic acts. History Origins: 1966–1968 The roots of Can can be traced back to Irmin Schmidt and a trip that he made to New York City in 1966. While Schmidt initial ...
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Malcolm Mooney
Malcolm Mooney (born 1944) is an American singer, poet, and artist, best known as the original vocalist for German krautrock band Can. Biography Mooney began singing in high school, and was a member of an a cappella vocal group known as the ''Six-Fifths''. He gained some fame as a sculptor in New York City, then moved to Germany where he became a friend of Irmin Schmidt and Holger Czukay, who were forming a band. Mooney joined as lead vocalist. The band was originally known as "Inner Space", but Mooney came up with "The Can", later shortened to Can. An album of material was recorded, initially entitled ''Prepared To Meet Thy Pnoom'', although no record company was willing to release it; it was later released in 1981 as ''Delay 1968.'' Can's second album became their debut, ''Monster Movie'', released in 1969. It was successful in the German underground scene. Various other tracks that Mooney recorded with the band during this period appear on the compilation albums ''Soundtrack ...
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Red Krayola
The Red Krayola (originally Red Crayola) is an American avant rock band from Houston, Texas formed in 1966 by the trio of singer/guitarist Mayo Thompson, drummer Frederick Barthelme, and bassist Steve Cunningham. The group were part of the 1960s Texas psychedelic music scene and were signed to independent record label International Artists, subsequently becoming labelmates with the 13th Floor Elevators. Their confrontational, experimental approach employed noise and free improvisation. The Red Crayola disbanded in the late 1960s, but were resurrected in the late 1970s when Thompson moved to England and found favor in the post-punk scene. Thompson has continued using the name, in its legally altered spelling for performances or releases in the US, for his musical projects since. The group has released recordings on European labels such as Rough Trade and Recommended. In the mid-1990s, Thompson returned to the United States, signing with Drag City and releasing further albums ...
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Putrifiers II
''Putrifiers II'' is the thirteenth studio album by the American garage rock band Thee Oh Sees (and the seventh released under the full Thee Oh Sees name), released on September 11, 2012, on In The Red Records. Background John Dwyer's previous band Yikes recorded a song called "Putrifiers" for their 2006 album ''Secrets to Superflipping''. This song had also had an influence on the Thee Oh Sees' "Ghost In The Trees" from 2008's ''The Master's Bedroom Is Worth Spending a Night In''. Similar to ''Dog Poison'' and ''Castlemania'', recording was primarily undertaken by John Dwyer. Brigid Dawson was the only other member of the band to appear on the album. Dawson noted the album's expanded palette of sounds: " seems to me that ohn Dwyerreally got to stretch out his wings, be a bit of a composer with a wider and richer array of sounds to play around with." Guest musicians on the album included Heidi Alexander from The Sandwitches, who recorded additional vocals and trumpet, and Mikal ...
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The Scarecrow (song)
"The Scarecrow" is a song by Pink Floyd on their 1967 debut album ''The Piper at the Gates of Dawn'', though it first appeared as the B-side of their second single "See Emily Play" (as "Scarecrow") two months before. It was written by Syd Barrett and recorded in March 1967. This song was one of several to be considered for the band's "best of" album, '' Echoes: The Best of Pink Floyd''. History The song contains nascent existentialist themes, as Barrett compares his own existence to that of the scarecrow, who, while "sadder" is also "resigned to his fate". Such thematic content would later become a mainstay of the band's lyrical imagery. The song contains a baroque, psychedelic folk instrumental section consisting of 12-string acoustic guitar and cello. Reflecting the experimental nature of many of the band's early psychedelic pieces, all instruments are panned to the extreme left hand and right hand sides of the stereo, with two vocal lines, one spoken and one sung. The US sing ...
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Pink Floyd
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic music, psychedelic groups, they were distinguished by their extended compositions, sonic experimentation, philosophical lyrics and elaborate Pink Floyd live performances, live shows. They became a leading band of the progressive rock genre, cited by some as the greatest progressive rock band of all time. Pink Floyd were founded in 1965 by Syd Barrett (guitar, lead vocals), Nick Mason (drums), Roger Waters (bass guitar, vocals), and Richard Wright (musician), Richard Wright (keyboards, vocals). Under Barrett's leadership, they released two charting singles and the successful debut album ''The Piper at the Gates of Dawn'' (1967). Guitarist and vocalist David Gilmour joined in December 1967; Barrett left in April 1968 due to deteriorating mental health. Waters became the primary lyricist and thematic leader, devising the concept album, concepts behind ...
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Taj Mahal (musician)
Henry St. Claire Fredericks Jr. (born May 17, 1942), better known by his stage name Taj Mahal, is an American blues musician. He plays the guitar, piano, banjo, harmonica, and many other instruments,Evans, et al., xii. often incorporating elements of world music into his work. Mahal has done much to reshape the definition and scope of blues music over the course of his more than 50-year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa, India, Hawaii, and the South Pacific.Komara, 951. Early life Mahal was born Henry St. Claire Fredericks Jr. on May 17, 1942, in Harlem, New York City. Growing up in Springfield, Massachusetts, he was raised in a musical environment: his mother was a member of a local gospel choir and his father, Henry Saint Claire Fredericks Sr., was an Afro-Caribbean jazz arranger and piano player. His family owned a shortwave radio which received music broadcasts from around the world, exposing him at an early age to ...
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