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The Man, The Myth, The Legend
''The Man, the Myth, the Legend'' is the first solo album by American musician El Duce Eldon Wayne Hoke (March 23, 1958 – April 19, 1997), nicknamed El Duce, was an American musician best known as the drummer and lead singer of the shock rock band the Mentors, as well as other acts, including Chinas Comidas and the Scre .... It was released in 1991. In 2008, selections from the release were bootlegged as a picture disc under the title "Slutfucking Man". Track list # Slutfucking Man # Funhole # Prolong Creme # Never Ending Search for Pleasure # Plain Jane with the Pea Brain # Backside Glide # Forcin' Sex # Quiet in the Squat # White Trash Man # Turn Out the Lights # Hershey Highway # Tons of Fun # Slave Thing {{DEFAULTSORT:Man, the Myth, the Legend 1991 debut albums ...
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El Duce
Eldon Wayne Hoke (March 23, 1958 – April 19, 1997), nicknamed El Duce, was an American musician best known as the drummer and lead singer of the shock rock band the Mentors, as well as other acts, including Chinas Comidas and the Screamers. Apart from his musical career, Eldon was also an actor who appeared in several films as an extra, and discussed his hugely-controversial band and lifestyle on the notorious Jerry Springer and Wally George TV talk-shows. Today El Duce is remembered as a cultural pioneer who, using his dark sense of humor, destroyed taboos in rock music regarding onstage speech and behavior, and who set a precedent for today's most outrageous and extreme musical acts. The Mentors' songs were covered by artists including Frank Zappa, Black Label Society, GWAR and Koffin Kats, and quoted by Guns N' Roses, Anthrax and Dr. Know (in "Cornshucker", "I'm The Man" and "Fist F*ck", respectively). Early life Hoke was born in Seattle, Washington to mother Do ...
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Heavy Metal Music
Heavy metal (or simply metal) is a genre of rock music that developed in the late 1960s and early 1970s, largely in the United Kingdom and United States. With roots in blues rock, psychedelic rock and acid rock, heavy metal bands developed a thick, monumental sound characterized by distortion (music), distorted guitars, extended guitar solos, emphatic Beat (music), beats and loudness. In 1968, three of the genre's most famous pioneers – Led Zeppelin, Black Sabbath and Deep Purple – were founded. Though they came to attract wide audiences, they were often derided by critics. Several American bands modified heavy metal into more accessible forms during the 1970s: the raw, sleazy sound and shock rock of Alice Cooper and Kiss (band), Kiss; the blues-rooted rock of Aerosmith; and the flashy guitar leads and party rock of Van Halen. During the mid-1970s, Judas Priest helped spur the genre's evolution by discarding much of its blues influence,Walser (1993), p. 6 while Motörhea ...
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Hard Rock
Hard rock or heavy rock is a loosely defined subgenre of rock music typified by aggressive vocals and distorted electric guitars. Hard rock began in the mid-1960s with the garage, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, The Beatles, the Rolling Stones, Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Golden Earring, Steppenwolf and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Queen, AC/DC, Aerosmith, Kiss, and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and more towards pop rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: the Definitive Guide to Rock, Pop, and Soul'' (Milwaukee, WI: Backbeat Books, 3rd edn., 2002), ...
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Picture Disc
Picture discs are gramophone (phonograph) records that show images on their playing surface, rather than being of plain black or colored vinyl. Collectors traditionally reserve the term picture disc for records with graphics that extend at least partly into the actual playable grooved area, distinguishing them from picture label discs, which have a specially illustrated and sometimes very large label, and picture back discs, which are illustrated on one unplayable side only. The beginnings A few seven-inch black shellac records issued by the Canadian Berliner Gramophone Company around 1900 had the "His Master's Voice" dog-and-gramophone trademark lightly etched into the surface of the playing area as an anti-piracy measure, technically qualifying them as picture discs by some definitions. Apart from those debatable claimants for the title of "first", the earliest picture records were not discs, strictly speaking, but rectangular picture postcards with small, round, transpar ...
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