The Madonna And Sleeping Child With The Infant St John The Baptist
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The Madonna And Sleeping Child With The Infant St John The Baptist
''The Madonna and Sleeping Child with the Infant St John the Baptist'' or ''Il Silenzio'' (''The Silence'') is oil on canvas painting by Annibale Carracci, now in the Royal Collection. It is currently on display in Hampton Court Palace. It was produced around 1599-1600 whilst he was working on the Palazzo Farnese ceiling paintings in Rome. Intended as a small devotional work, it measures only 51.2 x 68.4 cm. A preparatory sketch for the whole composition survives in black chalk, ink, and pen, whilst John the Baptist's pointing gesture is similar to that of the right-hand putto in the contemporaneous ''Pietà'', with both paintings using a pyramidical composition. Some pentimenti are visible to X-ray, infra-red reflectography, and the naked eye. The work was much copied and referenced, most notably around 1605 by Domenichino (Louvre). It was recorded in inventories of the Farnese Collection at Palazzo del Giardino in Parma in 1678 and circa 1680 before being acquired in 176 ...
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Annibale Carracci (Bologna 1560-Rome 1609) - The Madonna And Sleeping Child With The Infant St John The Baptist (%27Il Silenzio%27) - RCIN 404762 - Royal Collection
Annibale Carracci (; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his brother and cousin, Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades. Early career Annibale Carracci was born in Bologna, and in all likelihood was first apprenticed within his family. In 1582, Annibale, his brother Agostino and his cousin Ludovico Carracci opened a painters' studio, initially called by some the ''Academy of the Desiderosi'' (desirous of fame and learning) and subsequently the ''Incamminati'' (progressives; literally "of those opening a new way"). Considered "the first major art school b ...
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Queen Charlotte Of The United Kingdom
Charlotte of Mecklenburg-Strelitz (Sophia Charlotte; 19 May 1744 – 17 November 1818) was Queen of Great Britain and of Ireland as the wife of King George III from their marriage on 8 September 1761 until the union of the two kingdoms on 1 January 1801, after which she was Queen of the United Kingdom of Great Britain and Ireland until her death in 1818. As George's wife, she was also Electress of Hanover until becoming Queen of Hanover on 12 October 1814, when the electorate became a kingdom. Charlotte was Britain's longest-serving queen consort. Charlotte was born into the royal family of Mecklenburg-Strelitz, a duchy in northern Germany. In 1760, the young and unmarried George III inherited the British throne. As Charlotte was a minor German princess with no interest in politics, George considered her a suitable consort, and they married in 1761. The marriage lasted 57 years, and produced 15 children, 13 of whom survived to adulthood. They included two futur ...
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Paintings In The Royal Collection Of The United Kingdom
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, Composition (visual arts), composition, gesture (as in gestural painting), narrative, narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape art, lands ...
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Paintings By Annibale Carracci
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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1600 Paintings
Sixteen or 16 may refer to: *16 (number), the natural number following 15 and preceding 17 *one of the years 16 BC, AD 16, 1916, 2016 Films * ''Pathinaaru'' or ''Sixteen'', a 2010 Tamil film * ''Sixteen'' (1943 film), a 1943 Argentine film directed by Carlos Hugo Christensen * ''Sixteen'' (2013 Indian film), a 2013 Hindi film * ''Sixteen'' (2013 British film), a 2013 British film by director Rob Brown Music *The Sixteen, an English choir *16 (band), a sludge metal band *Sixteen (Polish band), a Polish band Albums * ''16'' (Robin album), a 2014 album by Robin * 16 (Madhouse album), a 1987 album by Madhouse * ''Sixteen'' (album), a 1983 album by Stacy Lattisaw *''Sixteen'' , a 2005 album by Shook Ones * ''16'', a 2020 album by Wejdene Songs * "16" (Sneaky Sound System song), 2009 * "Sixteen" (Thomas Rhett song), 2017 * "Sixteen" (Ellie Goulding song), 2019 *"16", by Craig David from ''Following My Intuition'', 2016 *"16", by Green Day from ''39/Smooth'', 1990 *"16", by High ...
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Paintings Of The Madonna And Child
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, ...
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William Henry Pyne
William Henry Pyne (1769 in London – 29 May 1843 in London) was an English writer, illustrator and painter, who also wrote under the name of Ephraim Hardcastle. He trained at the drawing academy of Henry Pars in London. He first exhibited at the Royal Academy in 1790. He specialized in picturesque settings including groups of people rendered in pen, ink and watercolour. Pyne was one of the founders of the Royal Watercolour Society in 1804. Works Pyne's book ''The Costume of Great Britain'', including 60 paintings of professional and working-class men and women and scenes from everyday life (published by William Miller in 1805), attracted the attention of the publisher Rudolph Ackermann, and Pyne was to engrave and write for many of his projects, including writing the text for the first two volumes of the very successful illustration-centred '' The Microcosm of London''. He was his own publisher for ''The History of the Royal Residences'' (1816–1819), a large illustrated ...
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Charles Wild
Charles Wild (1781–1835) was an English water-colour artist, known as a specialist in architecture. Life Born in London, he was articled young to Thomas Malton, and concentrated on architectural subjects from the outset of his career. In 1803 he began to exhibit in the Royal Academy. On 15 February 1809 he was elected an associate of the Old Watercolour Society, becoming a full member on 8 June 1812. He soon gave up his membership, but then was re-elected on 12 February 1821; he was treasurer in 1822, and then secretary in 1827 until 1832 when Robert Hills took over. In 1827 Wild's sight began to fail, and in 1832 he became blind. He died on 4 August 1835 at 35 Albemarle Street, Piccadilly Piccadilly () is a road in the City of Westminster, London, to the south of Mayfair, between Hyde Park Corner in the west and Piccadilly Circus in the east. It is part of the A4 road that connects central London to Hammersmith, Earl's Court, ..., where he had lived since 1820. His c ...
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Windsor Castle
Windsor Castle is a royal residence at Windsor in the English county of Berkshire. It is strongly associated with the English and succeeding British royal family, and embodies almost a millennium of architectural history. The original castle was built in the 11th century, after the Norman invasion of England by William the Conqueror. Since the time of Henry I (who reigned 1100–1135), it has been used by the reigning monarch and is the longest-occupied palace in Europe. The castle's lavish early 19th-century state apartments were described by early 20th century art historian Hugh Roberts as "a superb and unrivalled sequence of rooms widely regarded as the finest and most complete expression of later Georgian taste".Hugh Roberts, ''Options Report for Windsor Castle'', cited Nicolson, p. 79. Inside the castle walls is the 15th-century St George's Chapel, considered by the historian John Martin Robinson to be "one of the supreme achievements of English Perpe ...
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Henry Bone
Henry Bone (6 February 1755 – 17 December 1834) was an English enamel painter who was officially employed in that capacity by three successive monarchs, George III, George IV and William IV. In his early career he worked as a porcelain and jewelry painter. He was elected a Royal Academician and produced the largest enamel paintings ever seen up to that time. Life and work Henry Bone was born in Truro, Cornwall. His father was a cabinet maker and carver of unusual skill. In 1767, Bone's family moved to Plymouth in neighbouring Devon, where Henry was apprenticed, in 1771, to William Cookworthy, the founder of the Plymouth porcelain works, and the first manufacturer of Hard-paste porcelain in England. In 1772, Bone moved, with his master, to the Bristol china works, where he remained for six years, working from 6 a.m. to 6 p.m., and studying drawing at night. His china decoration is of high merit, and is said to have been marked with the figure "1" in addition to the facto ...
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George IV Of The United Kingdom
George IV (George Augustus Frederick; 12 August 1762 – 26 June 1830) was King of the United Kingdom of Great Britain and Ireland and King of Hanover from the death of his father, King George III, on 29 January 1820, until his own death ten years later. At the time of his accession to the throne, he was acting as Prince Regent, having done so since 5 February 1811, during his father's final mental illness. George IV was the eldest child of King George III and Queen Charlotte. He led an extravagant lifestyle that contributed to the fashions of the Regency era. He was a patron of new forms of leisure, style and taste. He commissioned John Nash to build the Royal Pavilion in Brighton and remodel Buckingham Palace, and commissioned Jeffry Wyatville to rebuild Windsor Castle. George's charm and culture earned him the title "the first gentleman of England", but his dissolute way of life and poor relationships with his parents and his wife, Caroline of Brunswick, earned him t ...
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Francesco Bartolozzi
__NOTOC__ Francesco Bartolozzi (21 September 1727, in Florence – 7 March 1815, in Lisbon) was an Italian engraver, whose most productive period was spent in London. He is noted for popularizing the "crayon" method of engraving. Early life Bartolozzi was born in Florence in 1727. He was originally destined to follow the profession of his father, a gold- and silver-smith, but he manifested so much skill and taste in designing that he was placed under the supervision of two Florentine artists, including Ignazio Hugford and Giovanni Domenico Ferretti who instructed him in painting. After devoting three years to that art, he went to Venice and studied engraving. He spent six years there working for Joseph Wagner, an engraver and printseller, before setting up his own workshop. Early career His first productions in Venice were plates in the style of Marco Ricci, Zuccarelli. He then moved for a short time in 1762 to Rome, where he completed a set of engravings representing frescoe ...
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