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The London Rock And Roll Show (film)
''The London Rock and Roll Show'' is a 1973 British-produced concert film directed by Peter Clifton chronicling a Rock and Roll Revival concert held at Wembley Stadium in London, England in August 1972. Background From the late 1960s to the early 1970s, many rock and roll performers from the 1950s experienced major career revivals due to a temporary upswing of interest in their form of music. The Revival was marked by a series of major concerts in the United States, and also spread to Europe where events such as the Wembley concert attracted thousands of fans who came out to see the performers behind the music. ''London Rock and Roll Show'' begins with excerpts from numerous "warm-up" performers shown singing either covers of 1950s hits, or original tunes, including a performance by Screaming Lord Sutch that threatens to end the concert prematurely when he brings a stripper on stage. The main concert segment begins with Bo Diddley and continues with a string of othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter Clifton
Peter Clifton (1941 – 31 May 2018), was an Australian film director. His most commercially successful work was the Led Zeppelin concert film '' The Song Remains the Same'' (1976). Clifton was born in Sydney and had experience in music film production prior to his involvement with Led Zeppelin, having made a 30-minute cinema short about Australian band The Easybeats' tour of England in 1967, called ''Somewhere Between Heaven And Woolworths'', and also having filmed Jimi Hendrix live in concert. In 1973 he also directed two films of music footage: ''Sound of the City: London 1964–73'' (also known as ''Rock City''), which featured both concert footage and interviews, and ''The London Rock and Roll Show'', which documented a major rock and roll festival held at Wembley Stadium, London, in August 1972. In 1974 he was planning to shoot a reggae film in Jamaica when he was approached by Led Zeppelin's manager, Peter Grant, to complete their concert film. The film had originally b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Haley And His Comets
Bill(s) may refer to: Common meanings * Banknote, paper cash (especially in the United States) * Bill (law), a proposed law put before a legislature * Invoice, commercial document issued by a seller to a buyer * Bill, a bird or animal's beak Places * Bill, Wyoming, an unincorporated community, United States * Billstown, Arkansas, an unincorporated community, United States * Billville, Indiana, an unincorporated community, United States People * Bill (given name) * Bill (surname) * Bill (footballer, born 1978), ''Alessandro Faria'', Togolese football forward * Bill (footballer, born 1984), ''Rosimar Amâncio'', a Brazilian football forward * Bill (footballer, born 1999), ''Fabricio Rodrigues da Silva Ferreira'', a Brazilian forward Arts, media, and entertainment Characters * Bill (''Kill Bill''), a character in the ''Kill Bill'' films * William “Bill“ S. Preston, Esquire, The first of the titular duo of the Bill & Ted film series * A lizard in Lewis Carroll's ''Alice's Adv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Haley & His Comets
Bill Haley & His Comets were an American rock and roll band founded in 1947 that continued until Haley's death in 1981. The band was also known as Bill Haley and the Comets and Bill Haley's Comets. From late 1954 to late 1956, the group record nine Top 20 singles, one of which was number one and three that were Top Ten. The single "Rock Around the Clock" was the best-selling rock single in the history of the genre and maintained that position for several years. Band leader Bill Haley had previously been a Western swing performer; after recording a rockabilly version of Ike Turner and his Kings of Rhythm's "Rocket 88", one of the first rock and roll recordings, Haley changed his band's musical direction to rock music. Though the group was considered to be at the forefront of rock and roll during the genre's formative years, the arrival of more risqué acts such as Elvis Presley and Little Richard by 1956 led the more clean-cut Haley and his Comets to decline in popularity. Hal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sweet Little Sixteen
"Sweet Little Sixteen" is a rock and roll song written and first recorded by Chuck Berry, who released it as a single in January 1958. His performance of it at that year's Newport Jazz Festival was included in the documentary film ''Jazz on a Summer's Day''. It reached number two on the ''Billboard'' Hot 100, one of two of Berry's second-highest positions—along with Johnny Rivers cover of "Memphis, Tennessee"—on that chart (surpassed only by his suggestive hit " My Ding-A-Ling", which reached number one in 1972). "Sweet Little Sixteen" also reached number one on the R&B Best Sellers chart. In the UK, it reached number 16 on the UK Official Charts. ''Rolling Stone'' magazine ranked the song number 272 on its list of the " 500 Greatest Songs of All Time" in 2004. He used the same melody on an earlier song, "The Little Girl From Central" recorded on Checkmate in 1955. Personnel Recorded December 29–30, 1957 * Chuck Berry – vocals and guitar * Lafayette Leake – piano * Willi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blue Suede Shoes
"Blue Suede Shoes" is a rock and roll standard written and first recorded by American singer, songwriter and guitarist Carl Perkins in 1955. It is considered one of the first rockabilly records, incorporating elements of blues, country and pop music of the time. Perkins' original version of the song appeared on the '' Cashbox'' Best Selling Singles list for 16 weeks and spent two weeks at the number two position. Elvis Presley recorded "Blue Suede Shoes" in 1956 and it appears as the opening track of his eponymous debut album ''Elvis Presley''. Presley performed his version of the song three different times on national television. It was also recorded by Buddy Holly and Eddie Cochran, among many others. Background There are differing accounts about the origin of the song. In his second autobiography '' Cash: The Autobiography'', Johnny Cash recalled planting the seed for the song in the fall of 1955, while Perkins, Cash, Elvis Presley and other ''Louisiana Hayride'' acts t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Good Golly Miss Molly
In most contexts, the concept of good denotes the conduct that should be preferred when posed with a choice between possible actions. Good is generally considered to be the opposite of evil and is of interest in the study of ethics, morality, philosophy, and religion. The specific meaning and etymology of the term and its associated translations among ancient and contemporary languages show substantial variation in its inflection and meaning, depending on circumstances of place and history, or of philosophical or religious context. History of Western ideas Every language has a word expressing ''good'' in the sense of "having the right or desirable quality" ( ἀρετή) and ''bad'' in the sense "undesirable". A sense of moral judgment and a distinction "right and wrong, good and bad" are cultural universals. Plato and Aristotle Although the history of the origin of the use of the concept and meaning of "good" are diverse, the notable discussions of Plato and Aristotle on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hound Dog (song)
"Hound Dog" is a twelve-bar blues song written by Jerry Leiber and Mike Stoller. Recorded originally by Big Mama Thornton on August 13, 1952, in Los Angeles and released by Peacock Records in late February 1953, "Hound Dog" was Thornton's only hit record, selling over 500,000 copies, spending 14 weeks in the R&B charts, including seven weeks at number one. Thornton's recording of "Hound Dog" is listed as one of the Rock and Roll Hall of Fame's "500 Songs That Shaped Rock and Roll", and was inducted into the Grammy Hall of Fame in February 2013. "Hound Dog" has been recorded more than 250 times. The best-known version is the July 1956 recording by Elvis Presley, which ranked number 19 on ''Rolling Stones list of the 500 Greatest Songs of All Time in 2004, but was excluded from the revised list in 2021; it is also one of the best-selling singles of all time. Presley's version, which sold about 10 million copies globally, was his best-selling song and "an emblem of the rock 'n' r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Whole Lotta Shakin' Goin' On
"Whole Lotta Shakin' Goin' On" (sometimes rendered "Whole Lot of Shakin' Going On") is a song written by Dave "Curlee" Williams and sometimes also credited to James Faye "Roy" Hall. The song was first recorded by Big Maybelle, though the best-known version is the 1957 rock and roll/rockabilly version by Jerry Lee Lewis. Origins of the song The origins of the song are disputed, but the writing is usually co-credited to singer/songwriter Dave "Curlee" Williams, and pianist and club owner James Faye "Roy" Hall. Hall stated: On 21 March 1955, Big Maybelle made the first recording for Okeh Records. The songwriting was credited to D. C. Williams, and the session was conducted and arranged by Quincy Jones. Roy Hall recorded the song in September 1955 for Decca Records and maintained that he had written it and had secured the legal copyright as co-writer under the pseudonym of "Sunny David". On the ''Pop Chronicles'' documentary, Jerry Lee Lewis incorrectly credited Big Mama Thornto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chantilly Lace (song)
"Chantilly Lace" is a 1958 rock and roll song by The Big Bopper. It was produced by Jerry Kennedy, and reached No. 6 on the US ''Billboard'' Hot 100. The song was also covered by Jerry Lee Lewis in 1972. History Originally cut for Pappy Daily's D label, the recording was purchased by Mercury Records and reissued in the summer of 1958, just over six months after Chuck Berry released "Sweet Little Sixteen", which uses the same chord progression. The song was originally released as the flip side to "The Purple People Eater Meets The Witch Doctor", which parodied "The Purple People Eater" by Sheb Wooley and "Witch Doctor" by David Seville. The was J.P. Richardson's first release under the moniker The Big Bopper. However, DJs and the public preferred the flip side "Chantilly Lace", and it was this song that became a hit. The song reached No. 6 on the ''Billboard'' Hot 100 and spent 22 weeks on the national Top 40. It was the third most played song of 1958. On the '' Cash Box'' ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High School Confidential (Jerry Lee Lewis Song)
"High School Confidential" is a 1958 song written by Jerry Lee Lewis and Ron Hargrave (and copyrighted in both their names on January 28, 1958) as the title song of the MGM movie of the same name directed by Jack Arnold. Background Jerry Lee Lewis recorded the song at the Sun Studio on February 14, then went to California, where the director set him, his bass player Jay W. Brown, his road drummer Russ Smith, and their instruments on the top of a flatbed truck and had Lewis lip-synch the song to a crowd of fake high school kids. During this session Lewis recorded at least 14 takes of "High School Confidential" (no other songs were recorded), but at that time not a single take from this session was released. The takes from this session were officially released only in early 1980s: one take on Sun LP 1004 ''Wild One at the High School Hop'' (UK, 1982) and three takes on Charly Records 12-LP boxed set ''Jerry Lee Lewis: The Sun Years'' (UK, 1983). Lewis returned to this song on April ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peggy Sue (song)
"Peggy Sue" is a rock and roll song written by Jerry Allison and Norman Petty, and recorded and released as a single by Buddy Holly on September 20, 1957. The Crickets are not mentioned on label of the single (Coral 9-61885), but band members Joe B. Mauldin (string bass) and Jerry Allison (drums) played on the recording. This recording was also released on Holly's eponymous 1958 album. Production The song was originally entitled "Cindy Lou", after Holly's niece, the daughter of his sister Pat Holley Kaiter. The title was later changed to "Peggy Sue" in reference to Peggy Sue Gerron (1940–2018), the girlfriend (and future wife) of Jerry Allison, the drummer for the Crickets, after the couple had temporarily broken up.Amburn, p. 78. In her memoir, ''Whatever Happened to Peggy Sue?'', Gerron stated that she first heard the song at a live performance at the Sacramento Memorial Auditorium in 1957, and that she was "so embarrassed, I could have died." Appropriately, Allison had a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Road Runner (Bo Diddley Song)
"Road Runner" is a 12-bar blues song performed by American rock and roll performer Bo Diddley, originally released as a single by Checker Records in January 1960, and later released on the LP record '' Bo Diddley in the Spotlight''. The song reached #20 on ''Billboard'' magazine's Hot R&B Sides chart, and #75 on the Hot 100. The song has since been recorded by many artists. The ''beep-beep'' chorus of the song clearly references the Roadrunner animated character with its triumphant ''beep-beep''. Background and recording The session(s) for "Road Runner" took place late September 1959 at Chess Studios in Chicago, Illinois and backing Diddley (vocals, guitar) were Jerome Green (maracas, backing vocals), Clifton James (drums), guest pianist Otis Spann, Peggy Jones (guitar, backing vocals), and Bobby Baskerville (backing vocals). The song is often confused with (I'm a) Road Runner, an R & B song written by the songwriting team of Lamont Dozier, Brian Holland, and Edward Hollan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
